Here for SQ

would anyone be interested 🫣

...

In 1985, eight years after her death, Regina’s only son discovers a journal. Concealed within the pages is an affair that sparked and burned during the London Blitz of 1940.

He reaches out to the author: Emma Swan.

so why was Emma's very first line in this scene “He wouldn't even let me hug him. It killed me.”

that's not walls! that's not Emma!

Fan of opposites attract? How about lots of tease? Have I got the book for you!

Set in Sydney, Australia and between two 40-something-year-old women, Unaccounted For is about control, concealment, and learning who to trust.

These two women are comfortable with their sexualities & no one in their lives is homophobic—they are deeply damaged in other ways! 🌈😌

Kindle link here | Other ebook links here | Paperback link here

Cutting - in my opinion, the most labor intensive part of the process. The amount of time/effort needed varies depending on the pattern and if seam allowance is included or marked separately, but no matter what this process can not be done by machine. Each and every panel and piece of fabric that goes into a garment must be cut by hand by a person.

Pinning/clipping - pinning (or clipping) is the stage at which you align the pieces you are going to be stitching together and hold them together with — you guessed it! — either pins or clips. This can not be done by machine.

Stitching - the actual sewing. This can be done by a sewing machine, but that machine still needs to be operated by a human being.

Ironing/pressing - two words that mean the same thing. The iron itself is a machine, but once again, it needs to be operated by a human being.

Finishing - depending on the technique you use, there are certain finishing techniques that can only be done by hand. But, let’s assume we’re talking about fast fashion, which is usually just finished with a simple overlock/serger. Once again: these machines need to be operated by people.

These are just the basic steps to making a garment, and don’t include textile arts that I am not as knowledgeable about, such as weaving, knitting, and crochet. Also, it is important to note that there are a lot of things that can only be done by hand, such as certain stitches and decorative techniques.

Also, the machinery being operated in textile factories is not equivalent to a domestic sewing machine. We’re talking about one of these guys:

See that gray cylinder under the table, behind the knee pedal? That’s the motor. These machines can sew through your fingers bones and all and not even stop. The people in these factories and sweatshops are operating heavy machinery, and are subject to all the risk that comes with that in addition to all of the work I mentioned above.

" I'm taking a sewing class and I asked my teacher about how much machines can actually do. She said that while a lot of actual fabric we use in our projects is machine-woven, and sometimes there are machines for particular knitting patterns or for the same small thing over and over and over (i.e. socks), the overwhelming majority of pieces of clothing are in fact just sewn together by humans. Usually women. Underpaid and overlooked. Thousands and thousands of them, working 12 hours a day or more in huge warehouse-factories. You're probably wearing something one of those women created right now.

Most of the students (including me) were horrified. We had *no* idea. We figured that, given that we have supercomputers and massive industrial systems for almost every type of product you can buy, surely we would have figured out a better way? Surely there are machines that can put a t-shirt together by now?

She said, no, that's why fast fashion is really so bad. It's not simply about the quality of the product, it's about the human cost.

When you buy a cheap tee that says "Made in Bangladesh", this is where your clothing came from (and these are from one of the nicer factories):

(By Fahad Faisal. CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=89582692)