Ok, where do I start?
The beginning is probably as good a place as any. Iâm not starting back in â93 when Buckshot dropped âWHO GOT THE PROPSâ, Iâm starting in â05 when SEAN P dropped âMONKEY BARZâ.
In a roundabout way, SLUM VILLAGE is responsible for my relationship w/ Ruck, & therefore theyâre sorta responsible for RANDOM AXE.
It went down like thisâŚ
THE ALPHA
It was 2005 & I was SLUM VILLAGEâs road manager at the time. We were in New York doing press & retail promo for their upcoming self-titled lp. The promo dudes we were with were BIZ & BROADWAY. I have no idea what we called Broadway back then but it sure as f### wasnât Broadway. He picked that up when he moved to the Chi. So any f###### way it was time to leave NY & do the EastCoast run. First stop, Delaware. Biz gets the rental, heâs driving, & heâs banging some of the most brutal s### Iâve ever heard. This muthafuckaâs bars were harder than adamantium. I didnât say s###, I just listened. The f###### music was talking to me. It was saying, âGo f### somebody up.â Then all the way to D.C. from Delaware Biz got this dude in the deck barking at me. It was like there was a dog whistle in the beat, something only I could hear. Me & whoever the f### this was were on the same frequency.
I just felt like it was the greatest s### I ever heard & I was having a hard time keeping my composure. No melodies or muthafuckas sounding like Cylon robots & s###. Just straight primal beats & bars dipped in acid & dripping blood. Everybody else in the vehicle nodded their heads to the music but I could tell that they werenât hearing it the way I heard it. The dude sounded kinda familiar, but I KNEW I hadnât heard any s### like this before. Dog sounded like a feral animal trapped in a cage trying to get the f### out before the lp ended. This was some savage s###. I think on the way to Philly from D.C. I finally asked who the f### it was. âSEAN PRICEâ, came the reply. Well, I KNEW that. He had said his name a million times. âDude that use to be in HELTAH SKELTAH. Ruck.â
RUCK.
Thatâs where I heard that voice before. Fab5.
âLEFLOUR LEFLAH ESHKOSHKA,â HeltahSkeltahâs âNOCTURNALâ & âMAGNUM FORCEâ. All joints I f##### with in the 90âs. I bad heard Rockâs unmistakable voice but i thought he was just doing cameos on some new dudeâs s###.
Ezoic
âTHATâS Ruck? Let me see that cover.â He handed it over, a cover that had a cartoon rendering of Ruck in an astronaut suit fighting some apes with two bubbles that said âSEAN PRICEâ.
I decided right then that I was was gonna find Mr.Price. One of my oldest friends & client, Guilty Simpson, had begun working on his debut LP w/ J.Dilla & I planned for Ruck to be on it. As I recall, I got at my man Dan Green over at Clockwork Music & asked him to connect me with DruHa who in turn told Sean P about my request. After he familiarized himself with Guiltyâs music, be agreed to do the record. At some point during the coordinating to actually get the song done I started to talk to Ruck. It was like finding a long lost brother. Me & this guy would be on the phone talking s### for hours. Now this is where s### goes kinda left. Iâm pretty sure Ruck sent the vocals for âRUNâ, fairly quickly . I canât recall when âMONSTER BABIESâ got done or why. In 2006 both Proof & Dilla died so Guiltyâs lp ended up being pushed back. We already had the âRUNâ record in the can but I continued to talk to Ruck almost daily.
EPISODE I
Somehow or the other we got the bright idea to go on a European tour together. Guilty, BlackMilk, Ruck & Ruste Juxx as his hypeman. I was the road manager / DJ for this run. Basically it boiled down to babysitting, collecting money from the promoters & European tour manager, making sure we got everything we were promised, overseeing technical & stage s###, all around problem solving, and pushing play on the CDJ. Simple. Well, right from jump s### didnât go as planned. First of all Ruck had like four CDâs for his set. Two for him, Ruste did two joints so he had a disc, & Black had âRUNâ on a separate disc. And his disc wasnât in order for the set he wanted to do. The songs were all over the place. I was jumping between discs & changing discs through the course of the show. I didnât sign up for this s###. I was supposed to just push play & drink. Ruck had me up there like I was f###### DJ Q-Bert. We streamlined the show as we progressed & got it closer to the order on the disc. Also, Ruck HATED soundcheck. He NEVER went to soundcheck. It was usually just me & Black. Ruck would say, âF### that soundcheck s###, hex. The s### is gonna sound like it sounds. F### soundcheck.â He hated soundcheck so much he would try to stop me & Black from going. He didnât give a f### about soundcheck because he was closing the show & he knew that any technical problems would be remedied by the time he got on.
So first show is Austria & its PACKED.
G.S. then Black, then Ruck. Itâs going great. No mistakes. Ruck gets down to the last two songs, âPSYCHO WARDâ & âRUNâ is the finale, where all three emcees are supposed to are supposed to perform that joint together.
When âPSYCHO WARDâ ends & G.S. & Black are about to get on stage, Ruck abruptly jumps off the stage like Spiderman into the already frenzied crowd & elbows his way through the mass of people trying to grab him, to the dressing room, giving out black eyes, chipped teeth & subdural hematomas along the way.
F##### some Austrians up.
The rest of us just stood on stage & watched him fight his way through the crowd. At one point I asked Ruste, âIs that n**** coming back?â Ruste just shrugged his shoulders. Eventually we made our way back to the dressing room & Ruck was sitting there calm as f### drinking a water. I asked him what the f### that was. He said, âI forgot about âRUNâ, & I was tired of being on stage.â
SEAN PRICE, ladies & gentlemen.
EPISODE II
As a trio of underground artists, touring overseas is truly planes, trains, & automobiles. U might do three days in a van then take a flight. Then get back in a van for four days, then get on a ferry. Then take a train. All of this s### happens early as f### in the A.M.
Itâs stressful & taxing & u donât get much sleep. On top of all that s### the artists have to pull it together & perform that night.
Itâs under these types of conditions that the next story takes place. We hopped on a train in France. Just us five. We were going somewhere else in France & it took 6 or 7 hours to get there and we were all looking forward to the opportunity to get some rest. It didnât work out that way. Our tickets had all five of us packed in together like sardines. Ruck & BlackMilk decided to upgrade their seats because although most of the passenger cars were full there were some open seats in FirstClass. The seats were contingent on whether or not the people who had purchased them came on board during one of the trainâs stops. Ruck & Black decided to take their chances & purchase the upgrade. They spent the whole train ride being awakened from their sleep & having to move to a new seat every time the train stopped. And we werenât on an express train so we stopped 3 or 4 times. What was extra funny is that by Ruck & BlackMilk moving it gave me, Guilty, & Ruste a lot more room & we were comfortable in our seats.
When we finally reached our destination & disembarked from the train, Ruck was HOT. He was cussing up a storm & telling me to call DruHa to get him a plane ticket, he wanted to go home. I looked at him like he had a basketball for a head. He was CLOWNING. The French dude who came to pick us up walked over to us & just stood there w/ a stupid smile on his face while me & Sean P argued. The French guy didnât speak any English but he could figure out that me & Ruck werenât talking about soccer. We finally ended up getting in a (ânother) van & I finally talked Ruck down off that ledge & convinced him to stay. He said that he would be cool, he just needed some sleep before that nightâs ( early ) show. After we talked the guy drove, & everyone was dozing (it was about a 40 minute ride) before our driver made a turn & stopped quickly, jolting us all awake. He put the car in park, nodded, smiled, & unbuckled his seatbelt, indicating that we were at our destination. We all got out like zombies, not even looking at our surroundings. Then I heard Ruck yell, âTHIS AINT THE F###### HOTEL!â I looked up, and we were in front of a graffiti covered building. The venue. It was about 4pm. The French dude spoke his first words, two sentences in broken English.
Ezoic
âNo hotel. Ezz zoundjeck.â
Ruck f###### howled. âSOUNDCHECK?? F### SOUNDCHECK!!!! CALL DRU!!! IâM GOING HOME!!! F### THIS!!!!â
Everybody tried to keep a straight face & we got our s### & walked in the club, while Ruck was still outside cussing.
EPISODE III
Ok, last but not least we were in a club/bar in Germany, not that big, less than a 300 person capacity. The stage was low & the crowd was pretty close. Intimate setting. Lots of energy. The crowd was really into it. When the show was over, Ruck & I headed to the bar area & in less than a minute he was surrounded by fans wanting him to sign different items. Caps, shirts shoes, napkins, anything they could get their hands on. Ruck smiled & started signing. Iâm black too so they also wanted my autograph. They donât know. It soon became obvious that Ruck wasnât signing âRUCKâ or âSEAN Pâ. He was taking too long I took a peek & began to follow Ruckâs lead as we tried to out do each other. Patrons left that gig with items signed âBEN VEREENâ, âGREGORY HINESâ âIDI AMINâ, â SHERMAN HEMSLEYâ, etc. Very few fans left w/ a âSEAN PRICEâ autograph that night.
They could read English.They just didnât give a f###.
Ruck was a f###### tool.
Iâm gonna miss that guy.

















