Five Hargreeves x Fem!reader
A/N: I came up with this idea because I was listening to Ripley Alexander's wonderful cover of Mamma Mia.
Not unbearably loudâby Hargreeves family standards, this is actually relatively civilizedâbut still loud enough that Five already regrets agreeing to come.
Music hums through the house, people crowd the kitchen island, and somewhere in the backyard Diego is apparently arguing with Luther about whether hot dogs count as sandwiches.
Five made the mistake of listening for three seconds earlier.
Now he can never unknow it.
Beside him, Y/n is tipsy.
Just warm and giggly and affectionate in that soft way she gets after two glasses of wine.
Five lost count when she started stealing olives from other peopleâs drinks.
âYouâre cute when youâre grumpy,â Y/n tells him, leaning against his shoulder.
âIâm always grumpy.â
Five snorts quietly into his whiskey.
Across the living room, Klaus is attempting to explain tarot cards to a deeply confused accountant named Michael.
Viktor notices Five watching and mouths help him.
Five immediately looks away.
âYou having fun?â Y/n asks.
âThatâs basically your version of happiness.â
Y/n smiles and presses a quick kiss to his cheek before wandering off toward Allison and Lila, who are loudly debating whether Diego would survive on a reality cooking show.
And despite himself, something soft settles in his chest.
Four years married, and he still catches himself staring at her sometimes.
The way she laughs with her whole body.
The way she instinctively reaches for him in crowded rooms.
The way she makes every place feel more like home.
âYouâre Five, right?â
One of Diegoâs coworkers stands nearby holding a beer.
Tall guy. Early thirties. Friendly face.
Five thinks his name might be Aaron.
âYes,â Five says cautiously.
Aaron grins. âDiego told me you work for the CIA.â
âApparently, everyone here knows that.â
Aaron laughs. âMan, I bet youâve got some crazy stories.â
Normally, this is the point where people either:
A) think heâs joking,
B) think heâs insane,
or
C) start asking him questions about aliens.
None of the options are good.
Still, Aaron seems harmless enough.
âWeirdly,â Five says, âthe strangest story I have actually involves a Monkey in Prague.â
Aaron blinks. âSeriously?â
âIt stole my coffee.â
âThatâs the craziest story?â
âIt became personal.â
Five is just opening his mouth to continue whenâ
Y/nâs voice cuts across the room.
Warm. Teasing. Loud enough for several nearby people to hear.
Y/n is standing near the dining table holding a wine glass, smiling in that tipsy, affectionate way she gets when she thinks sheâs being funny.
âNobody wants to hear your apocalypse story again,â she announces dramatically.
A few people nearby laugh lightly.
Aaron chuckles awkwardly.
Small enough most people wouldnât notice.
But Y/n does not miss the way something shutters briefly behind his eyes.
It lands harder than she intended.
Five talks about the apocalypse sometimes at parties after a drink or two, especially when people ask questions. Usually Y/n gently redirects him because afterward he tends to get quiet and distant.
She thought she was helping.
Just takes a sip of whiskey.
Aaron clears his throat awkwardly. âUh⌠we were actually talking about Prague.â
Y/nâs smile falters immediately.
Five sets his glass down carefully.
âThe monkey,â he says calmly.
And somehow the calmness makes it worse.
âOh,â Y/n says again, softer this time.
Then looks back at Aaron. âLong story short, I won.â
But the moment is already wrong now.
Five keeps talking politely for another minute or two, but thereâs a distance in him now.
And suddenly Y/n feels sober enough to realize she may have genuinely hurt his feelings.
A little while later, she finds Allison near the kitchen.
âI messed up,â Y/n says immediately.
Allison glances toward the living room where Five now stands alone near the bookshelf.
ââŚWhat did you do?â
âI made fun of the apocalypse thing.â
Allison winces instantly.
âI thought he was about to start telling one of his stories again.â
Allison sighs sympathetically. âYeah, that probably hurt.â
Y/n looks miserable. âI didnât mean to.â
Across the room, Five laughs quietly at something someone says.
Y/n knows his real laugh.
Guilt twists sharply in her stomach.
Because the apocalypse storiesâ
Theyâre too much sometimes, yes.
Those memories live in him constantly.
The years he survived completely alone.
And sheâd just turned it into a joke in front of people.
The rest of the evening feels off after that.
That somehow makes it worse.
But he barely looks at her.
The cold shoulder from Five Hargreeves isnât loud.
And somehow that hurts more.
By the time they leave, Y/n feels awful.
The drive home is silent except for the radio humming softly in the background.
Five keeps his eyes on the road.
Y/n keeps glancing at him.
But he doesnât say anything else.
And Y/nâs chest aches immediately.
Because usuallyâeven when heâs angryâhe talks to her.
Now he just seems⌠hurt.
When they get home, Five quietly hangs up his coat and walks straight toward his study.
Y/n follows him a few steps.
âI still need to go through a few files for work.â
Then he disappears into the study and closes the door gently behind him.
Y/n stands there in the hallway feeling like the worst person alive.
Because she knows what she did wrong now.
She made him feel ridiculous.
Like his trauma was some embarrassing party trick he couldnât stop bringing up.
He hadnât even been talking about it.
Y/n groans softly and drops onto the couch, pressing her hands over her face.
âGreat job,â she mutters to herself.
From down the hall, the study remains quiet.
But Y/n is slightly tipsy and deeply in love with her husband, so stupid ideas happen sometimes.
Five has always had one impossible weakness:
He would rather die than publicly admit how much he likes ABBA.
Because three years ago she caught him humming Dancing Queen while making coffee.
Heâs never recovered from the humiliation.
A moment later, the opening piano of Mamma Mia fills the apartment.
From inside the study comes immediate silence.
She ignores him completely.
Instead, she climbs onto the coffee table dramatically, points down the hallway, and starts singing.
âIâve been cheated by you since I donât know wheeenââ
The study door stays shut.
âSo I made up my mind, it must come to an endââ
A muffled groan comes from behind the door.
Y/n keeps going, swaying dramatically with the music.
âLook at me now, will I ever learnââ
The study door finally opens.
Five stands there staring at her.
His eyes already look softer.
Y/n points at him dramatically while singing the chorus.
âMamma mia, here I go againâ!â
Five exhales through his nose, somewhere between annoyance and reluctant amusement.
âYou are unbelievable.â
Y/n hops down from the table and walks closer, still singing quietly now.
âMamma mia⌠does it show againâŚâ
Five watches her carefully.
And suddenly she doesnât feel silly anymore.
The music continues softly in the background while Y/n finally stops singing altogether.
âIâm sorry,â she says quietly.
Five says nothing at first.
Y/n twists her fingers together nervously.
âI thought I was being funny,â she admits. âBut it was mean.â
âYou embarrassed me.â
The honesty in his voice hurts.
Y/n nods immediately. âI know.â
âI wasnât even talking about that.â
Five leans against the doorframe with a tired sigh.
âI already feel insane half the time when I mention any of it,â he says quietly. âI donât need help feeling worse.â
Y/nâs eyes sting instantly.
She steps closer carefully.
âI never want you to feel like Iâm making fun of what happened to you.â
âYou werenât entirely wrong,â he mutters. âI do talk about it too much sometimes.â
âNo,â Y/n says immediately. âYou talk about it when itâs stuck in your head.â
That makes him finally look at her again.
Y/n reaches for his hand slowly.
âYou survived something horrible,â she says softly. âAnd sometimes I think I forget how real it still feels for you.â
Fiveâs shoulders loosen just slightly.
âI wasnât trying to be difficult,â she whispers.
âYou really hurt my feelings with the silent treatment, by the way.â
That earns the tiniest flicker of amusement.
âYou climbed onto furniture and weaponized ABBA.â
âAnd Iâd do it again.â
Five snorts softly despite himself.
Y/n steps fully into his space now, wrapping her arms around his waist carefully.
âIâm sorry,â she says again against his chest.
Five stays quiet for a second.
Then finally wraps his arms around her too.
âYouâre lucky I love you,â he murmurs into her hair.
Y/n smiles immediately. âYou absolutely adore me.â
âLetâs not get arrogant.â