sleepy

Narges Aqamiri

Paris 1967 A woman reclinging on French sculptor and designer Francois-Xavier Lalanne’s seagull canopy bed, Paris, France 1967. Photo by Carlo Bavagnoli

fleurotica

Kurt Schwitters, Merzbau (1933)

MAVO performance, 1924. “MAVO was a radical Japanese art movement of the 1920s. Founded in 1923, as a re-institution of the Japanese Association of Futurist Artists, the anarchistic artist group displayed an outdoor exhibit in Ueno Park in Tokyo in protest of conservatism in the Japanese art world. The group leader was Tomoyoshi Murayama (1901 - 1977). The group deployed an interdisciplinary array of performance art, painting, illustration and architecture, to communicate anti-establishment messages to the mainstream. Fueled by responses to industrial development, the MAVO group created works about crisis, peril and uncertainty.“ (Wikipedia)

How to Hold Hands, vintage Japanese time lapse illustration 

PLASTIC editorial by Greta Bai Cevenini

Francis Bacon (UK 1909-1992) Central panel of the ‘Triptych in Memory of George Dyer’ (1971)

interior of the moon pavilion housing an installation by kazuro okazaki

Liliana Porter, The Square, 1973

— Brenda Shaughnessy, from “Identity & Community (There Is No “I” in “Sea”),” The Octopus Museum

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