𝐌𝐢𝐫𝐢𝐚𝐦 𓆙

@inertiasvoid

Big feelings • . ゜ ✭ . ・ ✫ ・ | ‘Anima malata di sogni’ — شمسي أنا الحرية | Reblogging anything that sums up my inner world and that I am passionate about; in love with the moon, the sea, roses and bellydance 🌹 ٠࣪⭑ | Devoted to the Great Mother, the Lady of the Otherworld and the Old One, father of witches 𓆙 𓃵 — Also here, anything aesthetically pleasing, from art, to movies, to bits and pieces of poetry !!

1,124 posts

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indigomood

Bound (1996)

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expressions-of-nature

Sagres, Portugal by Luca Severin

saeta-obscura

Anaïs Nin modeling for a painter as Cleopatra, 1921

petaltexturedskies

How far does imagination shape our life? Is everything only imagination? Is love a product of it, does it live within it, or spring from it?

Anaïs Nin, in a diary entry dated 5 July 1924, from The Early Diary of Anaïs Nin: 1923–1927

lacedjoints

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visualeffex

the morning routine ☀️

jewelrydocument

Heart of seven sorrows

Via ebay

vintage-treasures

A Water Baby. Oil on Canvas (ca. 1900) Herbert James Draper (British, 1863–1920) brings to life a popular Victorian fairy tale, inspired by Charles Kingsley’s 1863 novel The Water-Babies.

"No one can say that no water babies exist until they have seen no water babies existing."

7pleiades7

The Enchantress (c. 1901) by Arthur Wardle (British, 1864 – 1949), signed bottom right ‘Arthur Wardle’, oil on canvas, 62 x 43 in. (157.5 x 109.2 cm.), Private Collection

precision-instrument

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theoptia

C.G. Jung, from Memories, Dreams, Reflections

04k96

cwunch

mournfulroses

Anaïs Nin, from a diary entry featured in The Diary of Anais Nin, Vol. 3. (1923-1927)

vintage-tigre

Illustrations by Frank Frazetta (1970's)

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mermaidenmystic

from "El Lamento del Océano" illustrated by Victoria Francés

knifeofdreams

"I dream, I kiss, I have orgasms, I get exalted, I leave the world, I float, I cook, I sew, have nightmares, write in my head, compose, decompose, improvise, invent, I listen to all, I hear all that is said, I feel Spain, I am aware, I am everywhere, I am open to wounds, open to love, I am rooted to my devotions, I am never separate, never cut off, never blind, deaf, absent. I hold on to the dream which makes life possible, to the creation which transfigures, to the God who sustains, to the crimes which give life, to the illusions which make the marvelous possible." The Diary of Anaïs Nin Volume Two

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