Please look at her she’s so important
🩵 avery cochrane 🩵

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@inaweofdiana
Please look at her she’s so important

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comic ive been wanting to make for a while now! hope it resonates with people since i know my past intersex posts seem to have <3 being intersex and trying to figure out what gender im "allowed" to be has been an interesting journey but currently im learning to embrace being agenderfluid and having the potential to be anything i feel like no matter what body i have (something i havent seen talked about much through an intersex lens hence why i wanted to make a comic about it!)
[ID in alt text]
"Tutorial" on how to draw an OC with dwarfism (well, some of it).
Boring tired disclaimer: Keep in mind that this is an introductory "drawing" "tutorial" and has some generalizations in it, so not every “X is Z” statement will be true for Actual People. Which happens to be true for everything in general.
You are heavily encouraged to do your own research because this does not contain everything you should know before making a character with any type of dwarfism.
Consider supporting me on ko-fi if you find this to be helpful.
If (when) you repost this on pinterest at least put a link to the original post somewhere..

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Mammal in a Sunday Dress, by Georgina M. Cox, 2026
Mammal in a Sunday Dress explores the uneasy relationship between femininity, civilisation, and the animal body. At first glance, the figure appears modest and withdrawn. Her posture is composed, her gaze seemingly lowered towards her bare feet, recalling the conventions of nineteenth-century portraiture where women were often depicted as passive objects of observation. Yet as the viewer moves closer, the illusion collapses. Her eyes are not lowered at all. She is looking directly back. The delayed eye contact transforms the encounter. The viewer approaches believing they are safely observing a woman; instead, they realise they have been observed themselves. The work refuses the traditional power dynamic of portraiture, denying the comfort of anonymous spectatorship. Looking becomes a reciprocal act. For Cox, the painting considers humanity's persistent desire to separate itself from the rest of the animal kingdom. The title quietly undermines this distinction. A "mammal" is not another creature—it is us. The Sunday dress, rich with cultural associations of femininity, morality, and respectability, becomes an attempt to distinguish ourselves from nature. Yet clothing cannot alter biology. Beneath lace and ritual remains the same vulnerable animal body. The work also reflects on the historical relationship between women and nature. Across art, religion, and philosophy, women have repeatedly been positioned as closer to instinct, emotion, reproduction, and the body itself, while men have been aligned with reason, culture, and civilisation. Mammal in a Sunday Dress does not reject this comparison. Instead, it questions why proximity to nature has so often been treated as something lesser. Chiaroscuro isolates the figure within darkness, allowing the luminous dress to symbolise the performance of civilisation while the bare feet quietly return the body to the earth. Neither is presented as more truthful than the other. The painting exists in the tension between performance and instinct, refinement and biology. Mammal in a Sunday Dress ultimately asks a simple but unsettling question: if every layer of culture were stripped away, what would remain? Not a king. Not a saint. Not a gentleman or a lady. Only another mammal, looking back.
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Anti-racist poster designed by Rafeal Pereira
UNMUTE!!
POV u are delicious
Field notes from the time I scouted a decommissioned nuclear power plant...
This is the control room, and if you look closely, you'll see a dark stripe in the carpet running the perimeter of the room. This was referred to as the "velvet rope," and absolutely NO ONE was allowed to cross it without authorization. It was under constant observation from an adjacent office, and I was told that if someone did set foot inside without permission, things got VERY serious VERY quickly.
This is one of the computer stations, and to me, it's such a gorgeous encapsulation of its period of technology, the sort of aesthetic that shows like Lost will bend over backwards to recreate.
As I was scouting, I noticed the day calendar had last been torn off about when the plant closed for good...
Then we went into the nuclear reactor, and the whole damn thing was just so spooky.
Looking back, I think it came from an overwhelming feeling of utter insignificance in the face of the sheer power this colossus was designed to produce.
The scale was just so out of proportion to every day reality, the sort of place where a weight of "46000 LBS" is just casually noted on the side of a part.
Peering into where the core would've been, all I could think is that I'd never want the job where you have to climb down that ladder on the left while this thing was in operation.
If you're interested in seeing more, you can find my full tour here!
https://nickcarr.com/scouting-a-decommissioned-nuclear-power-plant/
And as always, follow for more location scouting fun...

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👏👏👏
So--when I was in my mid-twenties and the Disaster Ex tried to make me kill myself, the local mental hospital didn't have any beds open in the usual ward for attempted suicides.
What they did have was a single spare bed in the small, comfortable, quiet, wildly expensive facility for girls with eating disorders.
They asked each of the young women currently living there if it was acceptable that I might occupy a bed in one of the rooms for a while, just the long weekend while I was waiting for a doctor's evaluation. I hadn't been violent, I had gone with the cops without putting up any fight at all, and I was still and I was small and all those things were sufficient for me to be deemed safe. So up they sent me, to somewhere high in Western Psych, above the smells and sounds of the denser-packed wards, above where the care workers were harried and frustrated, to a gentle space with seven or eight young women in it.
I was five foot three, and I weighed about 115 pounds. I was underweight for my frame, as a fair amount of that weight was martial arts muscle; I would probably have been ten pounds heavier if I were healthy, with the amount of activity I got.
I was at least two inches shorter than pretty much every other young woman there, six or seven inches shorter than one of them, and I had at least thirty pounds on several of them. The tallest was not allowed to walk, she had to sit in a wheelchair and be pushed around, because her condition was so advanced that the motion would undo what good her hard work had done.
And over the course of the four or five days I was there, multiple of them came up to me alone to quietly tell me that I had the *perfect* body, and they wished they could be as skinny as I was. That I needed to live, because I was beautiful, and if they were as beautiful as I was, they wouldn't need to be here.
Their eyes were on me all the time, in the hours that I wasn't sleeping. I spent a lot of time sleeping, and we took our meals separately (I not needing to be monitored while I ate, and not having my food weighed), but we spent a fair amount of time sitting around in the little shared living room space, talking about movies and magazines and books we'd loved, talking about our families. I didn't talk about my family; they didn't pry.
They were all so fucking nice.
And I could have broken any one of them over my narrow knee. They each thought they were bigger than I was.
Their brains lied to them, every time they looked at a mirror. Every time they looked down at their own thighs. What they saw was not what I could see. They had bright, beautiful eyes in dark hollows, and I could count their vertebrae, could see their ribs winging when they breathed, could see the motion of every tendon on the backs of their hands.
They weren't celebrities. They weren't being paid to have particular bodies, nor were they deep in the toxic sea of having strangers take photos of them to sell to gossip rags if they stepped out of doors in old jeans. They had families and loved ones who were doing everything that they could to protect them, to uplift them and help them be healthy. They were just everyday people--a nurse, a couple of students, a couple of recent college grads, a young woman who had decided it was time to really get help because she wanted to be a mother--and still they'd been so injured by the neverending fucking deluge of body-image bullshit that they were dying of it.
That was in 2009. Things are worse now. I think about them still. I hope that they're all right.
And in case some people aren't aware: anorexia is deadly. There is a point at which your body looses the ability to digest food and you are no longer capable of improving.
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sometimes people will insist a character is butch/masc and then you look at the character and they’re just fat. or muscular. or black. or indigenous. or some combination of the above.