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Imogen Poots photographed by Pete Thompson for Citizens of Humanity.

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Have Had a short starring Imogen Poots.
âTo Grace she was a mystery. To Adam she was everything. Now, they have to uncover what they mean to each other: whether theyâre family, or just strangers in passing.â
DIRECTED BY: Jack Turits
Mobile Homes clip 3/3 official from Cannes.Â
Mobile Homes Clip 2/3 Official from Cannes
Mobile Homes Clip 1/3 Official from Cannes.Â

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Cannes Facetime: Imogen Poots on Albee, âMobile Homesâ and Roosters
The British actress Imogen Poots recently seen in âGreen Roomâ and âRoadiesâ will wrap her theater debut playing Honey in âWhoâs Afraid of Virginia Woolf?â before heading to Cannes with her film âMobile Homes.â Directed by Vladimir de Fontenay, the movie casts Poots as a woman who drifts from place to place with her boyfriend and young son.
Is it true âVirginia Woolfâ Is your first play?
Yes, itâs totally nuts! I wanted to do a play but not just do a play for the sake of it. I wanted to do something I was crazy about. This character is my boyfriend, I spend all my time with her.
What drew you to âMobile Homesâ?
Itâs hard to describe attraction to something, but itâs immediate and it piques your curiosity. I loved it and immediately wanted to play her. I want to play female roles full of contradiction and conflict, as all of us are.
Youâre working in cold weather with roosters and a young child. How difficult a shoot was it?
It was the hardest job Iâve ever done just in the sense of things being out of your control with the weather and working with children when thereâs only so many hours theyâre allowed during a day. On top of that, you have roosters hanging around.
Were the roosters difficult?
Actually, doing a scene with a rooster is one of my favorite scenes to date! Theyâre so challenging and they really push you to lengths you didnât know were possible.
Youâve attended Cannes before; what is it about the festival that sets it apart from others?
Thereâs just such an incredible variety of films there and a real open mindedness to film there. Itâs never about one thing at Cannes. Thereâs also just the lore of Cannes, the magic and the legend, and itâs just a very mythical place. And the baguettes are wonderful.
Imelda Staunton, Conleth Hill, Imogen Poots and Luke Treadaway at 'Who's Afraid of Virginia Woolf?' opening night in London.
Imogen Poots at âWhoâs Afraid of Virginia Woolf?â Play Press Night in London.

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Imogen Poots Becomes A âSerial Daterâ For Jena Friedman â Berlin
Brit actress Imogen Poots is attached to star in romantic comedy Serial Dater, written and directed by comedian Jena Friedman. Timothy Simons, whoâs best known for his role in HBOâs Veep, is also set to star in the pic.
Molly Conners, who was an exec producer on Birdman and upcoming Tulip Fever, is producing with Amanda Bowers (Wish I Was Here) and Anders Bard (I Love You, Man, Along Came Polly).
Story follows Jane, a career-driven 30 year-old surviving singleton in New York City. Between her unsociable working hours as a forensic pathologist, pressure from her devoutly Jewish mother to find the right man, and a series of fleeting flings, she has yet to commit to a long-term relationship. On her 30th birthday, she decides to just that. When she meets Ted, they hit it off. But soon as bodies come into the morgue, she canât help but notice that people who have recently been rude to her are dying one by one. She wonders if Ted might be a serial killer and questions whether being in a loving relationship with a serial killer is worse than going back to being a single woman in her thirties.
WestEnd Films is shopping the project to buyers in Berlin this week. Itâs expected to start shooting in the summer in New York.
Film is the directorial debut for Friedman, whose bold political one-woman comedian show American Cunt debuted at the Edinburgh Fringe Festival. Serial Dater is based on her web series Ted & Grace. She was also a producer on The Daily Show for a number of years and a writer on the Late Show with David Letterman.
Poots has been a busy actress as of late: Sheâs recently starred in Fridayâs Child, I Kill Giants, Mobile Homes and Sweet Virginia and played the lead in Matthew Rossâ Frank & Lola opposite Michael Shannon. Simons recently had roles in Gold, starring Matthew McConaughey, Christine, with Rebecca Hall and is best known for his role in HBOâs Veep.
Imogen Poots (Honey) makes her West End debut with Edward Albeeâs Whoâs Afraid of Virginia Woolf? Poots made her breakthrough performance as Tammy in the film 28 Weeks Later. She won the British Independent Film Award for Best Supporting Actress for The Look of Love in 2013 and was nominated for Best Actress at the 2015 Evening Standard British Film Awards for her role in Peter Bogdanovichâs Sheâs Funny That Way. Other film credits include Terrence Mallickâs The Knight of Cups, Green Room, Filth, Jimi: All Is By My Side, A Late Quartet and Jane Eyre. Poots will next be seen starring opposite Michael Shannon in Frank and Lola, which premiered at the 2016 Sundance Film Festival to great acclaim. On television, she recently played the female lead in Cameron Croweâs debut television series Roadies (Showtime).
Edward Albee's Who's Afraid of Virginia Woolf? | Official Trailer
James Macdonald directs a new production of multi Tony and Pulitzer prize-winning playwright Edward Albeeâs landmark play Whoâs Afraid of Virginia Woolf?
Starring Olivier and Bafta award-winning actress Imelda Staunton (Gypsy, Sweeney Todd, Edward Albeeâs A Delicate Balance); Olivier award-winner Conleth Hill (Game Of Thrones, Stones In His Pockets, The Producers); Olivier award-winner Luke Treadaway (The Curious Incident of the Dog in the Night-Time, Fortitude, The Hollow Crown) and Imogen Poots, in her West End debut (A Long Way Down, Jane Eyre and Me And Orson Wells).
In the early hours of the morning on the campus of an American college, Martha, much to her husband Georgeâs displeasure, has invited the new professor Nick and his wife Honey to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Marthaâs toxic games until the evening reaches its climax in a moment of devastating truth-telling.

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âI need a real life. Life has to inform your work. If youâre just going to set, itâs amazing â but youâre not really living, and it can become confusing.â â Imogen Poots