Oase No. 7, designed as part of the Documenta 5 exhibition, Fridericianum museum, Kassel, West Germany, 1972.
Architect: Haus-Rucker-Co.
Photography: Hein Engelskirchen

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Oase No. 7, designed as part of the Documenta 5 exhibition, Fridericianum museum, Kassel, West Germany, 1972.
Architect: Haus-Rucker-Co.
Photography: Hein Engelskirchen

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Koloman Moser (Austrian, 1868–1918)
Textile design fragments, first quarter of the 20th century
MAK
FRUiTS 158
September 2010
'vivienne westwood dress with silver leather bustier + long full skirt in sheer white over silver metallic, 1988' in fifty years of fashion: new look to now - valerie steele (1997)
the general (1926)

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Paolo Brambilla
shell house, polperro, cornwall

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Ribbons from 19th century France
This was parked in front of the club
Birds by KIKI SMITH (b. 1954, Germany)
Kiki Smith was raised Catholic and draws heavily on traditional bird symbolism. She uses birds—particularly doves, which represent peace, the Holy Ghost, and freedom—to examine spirituality and mortality.
She kept birds as a child for over a decade. This lifelong affection evolved into a desire to incorporate animals into her art to represent our shared instincts, movement, and vulnerability.
Her process is deeply tactile. She often creates bird reliefs and sculptures using materials like bronze, aluminum, and silver. She views the natural behavior of birds as its own form of environmental "technology"—using the things around them to flourish and build architecture.
https://www.pacegallery.com/.../a-bird-is-technology-in.../
Sister Mary Corita Kent
From the official kamikaze girls website via way-back machine

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WHAT? {2020}