Over the "why am i the only one talking about this??!" crap.
talk about it, don't brag about yourself at the expense of the issue.
2025 on Tumblr: Trends That Defined the Year

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@icecreamcurry
Over the "why am i the only one talking about this??!" crap.
talk about it, don't brag about yourself at the expense of the issue.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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ahaaaaa m.i.a.'s birthday. the only excuse i need to bump her music as loud as i can at 10 in the morning.
Sugu’s intro track “The Message" is the worst thing on an album of failed
experiments— a bad demo with a simplistic, paranoid rap that’s as rhetorically
effective as someone in a dorm room ranting about the C.I.A. inventing A.I.D.S.
It’s not the best idea to kick off your politically charged album with a song
that demolishes the possibility of addressing a serious issue about privacy with
any degree of depth or nuance.
Never ask M.I.A. to explain how the Internet works. She will probably tell you anyway. “Hand bone connects to the computer connects to the Google connects to the government," she chants on “The Message," a song that seems to be her paranoid, equally awful version of the “The Secret"
M.I.A. needs conflict to exist, even if this means living in "Google connects to the government" delusion
- Washington Square News
The site features the minute-long video for /\/\/\Y/\’s opening track “The Message". Like that track, it references M.I.A.’s weird claim that the CIA developed Google and Facebook. Check it out below.
The combination of would-be narcissism and paranoia seems telling, particularly in the light of the opening track, “The Message”, a cursory robotic skit which suggests that just as your hip bone is connected to your leg bone, in the new digital body politic “Your headphones connected to your iPhone/Your iPhone’s connected to the internet/The internet’s connected to the Google/The Google’s connected to the Government”. It’s dismayingly reminiscent of late-period Public Enemy.
Orwell’s “big brother" is the theme of one of the songs. ""The Message," the album’s opening salvo, follows those aforementioned laptop clicks with a nursery rhyme about Big Brother’s digital omnipotence. “Head bone connected to the headphones," a male voice chants. “Headphones connected to the iPhone, iPhone connected to the Internet, connected to the Google, connected to the government,"" the Post explained.
Opener “The Message" is an intro track with sludgy beats and a heavily filtered M.I.A. mumbling “Headphones connected to the neck bone/Neck bone connected to the arm bone/Arm bone connected to the hand bone/Hand bone connected to the internet connected to the Google connected to the government." If you didn’t just roll your eyes a dozen times after reading that, well, then you’re much more pretentious than I. Lyrics this awful/obvious/incoherent are enough to stop listening to an album a mere thirty seconds in
what exactly does “Connected to the internet connected to the Googleconnected to the government" mean? Is M.I.A. trying to imply that the US government controls Google? Chrome may be a buggy, second-rate excuse for Firefox, but she’s not gaining any points with her demographic for dissing the world’s best search engine, a company that has never charged any of its users anything for anything. Okay, so maybe Google is feeding the C.I.A. all our personal info. But isn’t there a more eloquent way to articulate such a paranoid conspiracy-theory claim? Perhaps M.I.A.’s merely attacking technology in general, citing it as just another lecherous arm of the awful establishment that has supposedly labeled her as a “terrorist." And yet, not only does she rely on technology to produce the very music that seems to attack it, but she also uses it to promote her work, such as with the viral video for “Born Free."
MAYA, the politically provocative hip-hop/dance artist M.I.A.’s greatly anticipated third album, begins with the sound of fingers typing. An industrial approximation of a tribal beat kicks in and a male voice drones, “Headbone connected to the headphones / Headphones connected to the iPhone / iPhone connected to the internet /Connected to the Google / Connected to the government.” These words are reiterated by M.I.A.’s voice under heavy distortion. An alarm blares out that somehow recalls neither J Dilla nor Bomb Squad. Then the track ends. It’s called “The Message,” and it’s clear that M.I.A. takes it deadly seriously. But why? Aside from a telling detente with the Chinese government, Google has never been particularly guilty of political collusion. It’s the stuff of conspiracy theory, and logically shoddy – Google makes an OS that directly competes with Apple’s. It’s also indicative of the level of thought that went into the composition of most of the rest of the album. “The Message”‘s message aside, you can’t dance to it, unlike all of M.I.A.’s previous politically incendiary tracks. There’s not much point in even trying to. It’s neither a pleasure to listen to nor to think about
a vaguely political bent: “iPhone connected to the internet connected to the Google connected to the government," for example. Which, Jesus, paranoid much?
The Message,” which opened the album, is supposed to be some sort of declaration that set the tone for the rest of the album. It certainly did.
Headbone connects to the neckbone/Neckbone connects to the armbone Armbone connects to the handbone/Handbone connects to the internet Connected to the Google/Connected to the government
Like yeah, we get it, you hate the government, and the government controls the internet. Real deep
Album opener “The Message” is a horribly paranoid rant of information politics and media conspiracy lyrics rambled over a distorted and staccato beat. “iPod is connected to the Google is connected to the government.” Yes, and if you watch The Wizard of Oz while listening toDark Side of the Moon, they synch up. Woooaaaah.
The lyrics are pretty unremarkable and seem perilously tied to a transient time. “Head-bone connects to the neck-bone, neck-bone connects to the arm-bone, arm-bone connects to the hand-bone, hand-bone connects to the internet, connected to the Google, connected to the government” chants M.I.A.’s brother Sugu on introduction “The Message”.
declares “iPhone connected to the Google connected to the Government” in a half baked paranoid ramble
Are you conscious of trying to make art to live up to your reputation, or do you start clean every time? M.I.A.: It really depends on what you’re going through at the time. The last album I was making was really chaotic. I was traveling all the time and was just mad, angry, pissed off. I threw the hard drive out the window with “Paper Planes" on it and was like, “Fuck this song." Luckily, it didn’t smash. But the world has changed since I worked on the last album. I started with writing an intro for it, the intro was, “Connected to the Google/connected to the government." That was like 10 months ago, and every day I felt more and more like I was tuned into whatever was going on.
Exploding out of the political affronts of opening skit The Message(“Hand bone connects to the internet connected to the Googleconnected to the Government” recites an eerily monotone male voice)
The album’s intro, The Message, sets the tone with the hook “connected to the Google, connected to the government." Memo to the hipsters: While we’re innocently tapping away on our keyboards, Big Brother is watching.
Neck bone not connected to arm bone, silly!
Headphone Connected to the I-Phone. I-Phone Connected to the Internet connected to the google connected to the government”. Oh ja, wir verstehen: die Informationsgesellschaft, ihre Produkte und Gefahren und jetzt alle: und wo bleibt da der Datenschutz?
Krisenregionen der Welt, sie entwindet sich auch den krakenartigen Fangarmen des technisch-unterhaltungsindustriellen Komplexes. “Headbone connects to the headphones, headphones connect to the iPhone, iPhone connected to the internet, connected to the Google, connected to the government“, blafft sie in The Message, einem Agitprop-Song gegen die Macht von Google und Facebook.
The closest thing to full-on conspiracy here is opening track ‘The Message’, a twitchy sort of ‘Dem Bones’ with a typewritery click beat where “Head bone’s connected to the headphones/ headphones connect to the iPhone/ iPhone’s connected to the internet/connected to the Google/connected to the government". Oh really? Maybe in the US, but certainly not the UK government, as anyone with a concussion from facepalming at our MPs’ technological cluelessness during hearings for the Digital Economy Bill will tell you.
The Message" emphasizes the hyper-stimulation and over-connectedness of post-smartphone reality in a particularly clumsy, ham-fisted way: "Head bone connected to the headphones/ Headphones connected to the iPhone/ iPhone connected to theinternet/ Connected to the Google/ Connected to the government." It won’t be the last time on the album that M.I.A.’s lyrics take a turn for the painfully obvious.
I wrote the message
That whole post goes hard as hell trying to dismiss an excellent introduction to MAYA. Labeling the song as a conspiracy theory goes against the song's very intention, which is to assertively call out the government. "Conspiracy theory" creates an air of incredulity and doubt, as opposed to The Message, which is direct, leaving no room for mystery and loud about what it has to say.
And so what if she was talking about the US as opposed to England? is she not an international artist? with a large fan base in the US? And the argument that you can't use technology if you're in any way against it is dumb, implying that you need to live under a rock to avoid hypocrisy.
Interesting child abuse poster
A poster made by The Spanish organization ANAR Foundation (Aid to Children and Adolescents at Risk). They started a new street poster campaign that uses the process of lenticular printing to secretly send a message to abused children without alerting their abusers, even if they’re walking together.
Anyone over 4’5” sees this view, with a caption: “Sometimes, child abuse is only visible to the child suffering it."
Anyone shorter sees the beaten child version of the poster with another caption saying: “If somebody hurts you, phone us and we’ll help you."
Love-Spain
Innovative techniques of reaching victims like this need to be more common place.
My brother is a tall, skinny, black kid with an athletic build who frequently wears a hoodie, often with his ear buds in. Sometimes he does this in a beautiful cul-de-sac community where he does not live, but my relatives in Delaware do, where all the houses look the same and there are only a few streets. All the backyards connect without fencing, and sometimes he’ll go for a walk down the street, or through the grass, sometimes at night, oblivious to who may be seeing him, wondering what he’s up to, while he’s ignorantly and blissfully listening to A$AP Rocky. He is Trayvon Martin. And as I’ve read and watched and discussed this case to anyone foolish enough to get me started on the topic, and although I, like many people, have occasionally been frustrated by the ways in which the media has characterized this case (George Zimmerman’s race, in my personal opinion, is irrelevant), the witnesses (like Rachel Jeantel, who has been beaten up on by not only the conservative media, but also the black community, the Twitter citizenry, and the defense and prosecution lawyers, even when they’ve tried to show her deference), the importance of the verdict (which, in my personal opinion, is irrelevant) and the potential of race riots after it is delivered (which, in my personal opinion, is irrelevant), I am almost embarrassed to admit how amazingly personal this case is to me as black man who will someday have black children. That is because my brother is Trayvon Martin, and my future children are Trayvon Martin. The indisputable facts of this case: George Zimmerman, a neighborhood watch coordinator with a license to carry a concealed weapon, was accustomed to being on red alert after a series of burglaries by young black males who plagued his gated community. On the rainy evening of February 26, 2012, Zimmerman saw a potential perp — a young black male with ahoodie who was talking through his ear buds to a friend on the phone — and Zimmerman called the police as he had done half a dozen times before in the weeks before the incident. Instead of remaining in his car, he got out and followed the teenager, even though police told him that an officer was on the way and they didn’t “need” him to do that. The teenager continued to travel away from Zimmerman, who continued after him. Eventually there was a confrontation, a fight, and the teenager, Trayvon Martin, was shot by a single bullet through his heart. Zimmerman has maintained that Martin was beating him up violently against the concrete, and that the killing was in self-defense. And, believe it or not, the fact that Zimmerman can even claim self-defense, or the fact that anyone, regardless of race, can claim self-defense in a situation even tangentially resembling this one, is the mostdisturbing and terrifying aspect to me. Defenders of George Zimmerman say, he had a reasonable reason to identify and suspect Trayvon Martin considering the recent burglaries. Getting out of his car wasn’t illegal, nor was ignoring the suggestion of the police dispatcher! Certainly nothing is wrong with asking someone, “What are you doing around here?,” and if, at any given moment, he had a reasonable fear for his life, then he had a legal right and responsibility to protect himself. I have walked into restaurants and rest stop bathrooms where I have instantly been aware of my blackness, only because everyone else around me is. I have walked into places where people have literally whispered and pointed, without even the slightest bit of shame or covertness, to their companions at me, the lone black person in the establishment. I have had relationships dissolve because of parents who were “concerned” about what people might say about the black guy. Me. The Old Navy cargo shorts and silly t-shirt rocking, flip-flops all day, every day, during the summer wearing, me. On the Cosby scale, I’m about six shades darker than Lisa Bonet and six shades lighter than Malcolm Jamal Warner. I’m Mr. I-wrote-a-book-on-Pee-wee-Herman-and-frequently-listen-to-the-Spice-Girls -and-the-only-hoodies-I-own-advertise-either-the-college-I -attended-or-the-musical-theater-show-I’m-directing-at-my- full-time-job. But, you see, I’m Trayvon Martin. And if you’re a black male, regardless of your age, your height, your weight, how dark your skin is, what you’re wearing, and what you’re listening to on the device in your pocket, someone somewhere is seeing you as Trayvon Martin. Even if you’re carrying a package of Skittles and an Arizona iced tea, just trying to continue your phone call and get to your father’s house to watch the NBA All-Star game with your little half-brother, you are Trayvon Martin. And nice people who know me personally, hopefully, will shake their heads in confusion at this and will say, “Well, that isn’t fair! If they only knew you, no one would ever be afraid of you.” And, of course, that’s the point and the problem. Because if I can cause someone to feel nervous, concerned, or uncomfortable while they’re eating in a restaurant, then it doesn’t require a leap of faith to understand why George Zimmerman assumed that the teenager walking around his neighborhood was a threat. But what I think is equally disturbing is that I can understand, and by extension, at least to some extent, accept the decision of George Zimmerman to notice Trayvon Martin and make that 911 call in the first place. When I walk into a convenience store late at night, especially if I’m the only person there besides the employee, I’m amazingly aware of how my presence might make him or her feel uncomfortable. I consciously try to smile and look pleasant. Sometimes I even go so far as to have my debit card in my hand before I reach the counter so I don’t have to reach in my pocket and run the risk of causing any alarms – literal or figurative. When stopped by a cop (which, especially when I was a teenager, would happen all the time), I sat patiently with my hands on the wheel, and gave clear and non-threatening verbal warnings before I made any movements. “My registration is in my glove compartment,” I’d say. “I’m going to take off my seat belt, open my glove compartment, and go get it for you, sir.” One time on the New Jersey Turnpike, as I was driving back to college, a state trooper stopped me for speeding. After I gave the verbal warning and got the okay, I reached into my glove compartment. “Rolling papers?” he asked. “What?” “Are those rolling papers?” There were about five super-flat packets of Stride gum in the back of my glove compartment. I said they were packets of gum, and after I pulled them out and put them in the trooper’s hand, which he inspected with his partner as if the two of them had never seen a pack of gum before, I was let off with a warning and sent on my way. And as I drove away, I took those packets of gum and threw them in my book bag. How stupid, I immediately thought, for keeping them in there. I should have known they looked like rolling papers. It wasn’t until I got back to my dorm room that I was amazed that in that encounter, I somehow felt guilty, like I had done something wrong for having gum in my car. There are people who will argue that if only Trayvon Martin had declined to hit George Zimmerman after he was a) hit first, or b) approached, or c) followed, depending on which version of the story you believe, or if Trayvon hadn’t been wearing that hoodie, despite the adverse weather conditions, he’d still be alive. Sure, he wasn’t guilty of anything really, but he could have made life easier for himself by maybe not acting or looking so, I don’t know, bla—intimidating? This is a significant part of the underlying concern a lot of people, particularly black people, have with this case. It isn’t enough that Trayvon Martin was killed with nothing more than a cell phone, a photo button, a bottle of Arizona iced tea, and a package of Skittles on him, but then insult is added to injury when it’s insinuated that he somehow, inherently, deserved it for walking-while-black in a gated community that happened to have previously been plagued by black criminals. Somehow, for a lot of people, it wasn’t George Zimmerman’s fault that Trayvon ended up killed because, as we “all know,” Trayvon was sort of asking for it. You put on a hoodie and you know what baggage comes with that, right? This case will, frighteningly, come down to whether or not the six jurors believe that George Zimmerman was justified in his fear. Another way of asking that is, of course, whether or not those six jurors, if placed in the same situation, could imagine themselves reasonably drawing and acting upon those same assumptions. Is it impossible to imagine that? Of course not. But that’s precisely the problem. Because as I think about what certainly occurred that evening, and what likely did, even if I give every single concession to George Zimmerman’s contested version of events (ie: Trayvon hit him first, Trayvon pushed Zimmerman to the ground, Trayvon beat him up, Trayvon saw the gun –- which is amazingly unlikely in the blackness of the night with the weapon concealed, but let’s just say that happened), I can’t help but think to myself: Good. Good for you, Trayvon Martin, for doing what I would hope to God my brother would do if he was walking down the street with a package of Skittles and was followed and confronted by a man with a decade of life and 70 pounds over him. Because what people don’t understand about this unfortunate situation is that I feel some degree of fear when I’m doing nothing wrong, like in the restaurant, rest stop, and convenience store, and my very presence causes someone to feel afraid. And if you aren’t safe with a package of Skittles, walking around your family’s cul-de-sac in Delaware, wearing your Old Navy flip-flops,then when are you ever safe? If you find yourself approached by some stranger, why can’t you run from them without it being assumed that you’re fleeing the scene of some crime you’re destined to commit? If you’re a teenager and confronted by an adult you perceive to be creepy, why can’t you fight for your life? Stand your ground? And why, if you get killed after all of that, would people say it must have been your fault? A lot of people don’t understand that. They think black people see race in everything and Al Sharpton should have just minded his business. Trayvon Martin was a hood and George Zimmerman did what any responsible person would have done. Justice was already served, they say, and a verdict finding Zimmerman guilty of anything would some sort of de facto reparations –- an example of white guilt and a bone thrown to the civil rights movement. And that’s only because they haven’t walked a mile from a 7-11 back home in Trayvon Martin’s shoes, like so many other people have. As University of Connecticut professor and New Yorker columnist Jelani Cobb wrote, “We live in an era in which the protocol for addressing even the most severely bigoted behavior very often includes a conditional apology to the offender—a declaration that he has made a terrible error, but is, of course, in no way racist—and, eventually, an outpouring of support for the fallible transgressor, victim of the media and the ‘race-hustlers.’ We grade racism on the severest of curves, and virtually no one qualifies.” That’s true, which is why I think questions of George Zimmerman’s racial views are irrelevant. Labeling anyone a racist is a feudal argument, especially since it amounts to nothing. I have never seen someone effectively convinced that a person is a racist. It’s a judgment that’s impossible to be talked into or out of. But I offer this. Just a few hours ago, Zimmerman’s defense attorney Mark O’Mara, who I believe has genuinely been a relatively reasonable person throughout this trial, took to CNN to give his first interview after the two sides rested their cases. He was asked by the anchor what he thinks George Zimmerman’s life will be like if he’s acquitted. O’Mara, with a stone face and look of genuine disappointment in the truth embedded in his answer, said that Zimmerman will never be safe. He’ll always live his life in fear. He will never know when a “crazy person” (his words) will kill him. “Everyone knows what George Zimmerman looks like,” O’Mara said. “He doesn’t know what a person who wants to kill him looks like.” And this was said without even the slightest hint of irony. The irony jumped out of my television, into my living room, pointed at me, and laughed in my face. And I called it “sir,” and I apologized for even noticing it in the first place. And it shot me in my heart and made me come to my computer and confess the truth that I’ve met George Zimmerman. Zimmerman doesn’t know what a person who wants to kill him looks like, but everyone knows what he looks like? Which is fundamentally different than George Zimmerman knowing what “they” – those many, many Trayvon Martins out there – look like.
Caseen Gaines
(Author, Hackensack High School Teacher, Rutgers Alumni, Rutgers Professor)
You can find the original post here
(via sincerely-dean)

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plucking my eyebrows calms me down for real so i'm about to go do that because it's 2:40am, i've had no coffee for two days and barely any food because #ramadan, yet i'm still up fuming.
Damn, do not use "George Zimmerman will have to live with this for the rest of his life" as a positive at all. At all.
He will live with the fact that the law supports his actions and has officially exonerated him of all fault, consequence, and responsibility.
Just so everyone knows, George Zimmerman is not only a murder who walked free, he’s also a rapist who only moved to Florida to flee consequences here in Virginia.
Fuck everyone and everything.
yep.
tapping into deeper levels of disgust every day.
This is to warn you that I am no longer held in check from fighting white supremacists by Elijah Muhammad’s separatist Black Muslim movement, and that if your present racist agitation against our people there in Alabama causes physical harm to Reverend King or any other black Americans who are only attempting to enjoy their rights as free human beings, that you and your Ku Klux Klan friends will be met with maximum physical retaliation from those of us who are not handcuffed by the disarming philosophy of nonviolence, and who believe in asserting our right of self-defense - by any means necessary.
That was a telegram Malcolm X sent to Rockwell, the head of the American Nazi Party, after he saw a racist knock down Reverend Martin Luther King on a television news broadcast.
Read aloud during a Organization of Afro-American Unity public rally in Harlem, January 24, 1965 (via disciplesofmalcolm)
- Crying for Trayvon Martin’s family. - Crying for the continual demonization of black people and everything we do, say and create. - Crying for the cheap commodification of our culture(s), but no care for us as a collective and a community. - Crying for my immigrant African parents who escaped systematic death and went through years of visa restamping. just to arrive on the shores of a nation that places targets on our back. Forcefully lablled refugees in a brutal land that provides anything but. - Crying for my children who like me, won’t ever know what a home feels like.
Today, in years, I feel helplessly broken. Beyond repair.
Trayvon Martin could have been and still could be my brother, son or nephew. A child who didn’t ask for this martyr status. Who didn’t ask for this political stature he’s been thrown into. What started out as an innocent trip to the market, ended as a reaffirmation of his and our worthlessness in the judicial system of a nation built on the back of his enslaved ancestors.
His legacy and cold body mangled through media speculation, deliberate slander and ultimately, injustice.

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And then to say "what if he really was innocent, what if he really didn't mean to?" That's so irrelevant right now. Don't you pay some consequence for racial profiling? For accosting him when only you had the advantage of a gun? For taking a child's life then lying about it to save your own ass?
Really? Immortal Technique of all people.
To flush your mind of all the racial bias that applies to our society is not being unbiased, it's being fucking stupid and going along with the racist flow our justice system rides on.
People need to review their tweets like five time before submitting for real.
And never think that Allah is unaware of what the oppressors do (14:42)
Rest in peace, Trayvon.
Okay guys, here’s the trailer for M.I.A’s controversial unreleased documentary. I’m so excited for this!!!!!!
A U.S. diplomatic cable made public by WikiLeaks provides evidence that U.S. troops executed at least 10 Iraqi civilians, including a woman in her 70s and a 5-month-old infant, then called in an airstrike to destroy the evidence, during a controversial 2006 incident in the central Iraqi town of Ishaqi.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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