Color blocking, Quentin Monge
2025 on Tumblr: Trends That Defined the Year
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art blog(derogatory)

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we're not kids anymore.
Claire Keane
Not today Justin

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Today's Document
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Lint Roller? I Barely Know Her
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@icantstandthequiet
Color blocking, Quentin Monge

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Threads in time, Natalie Ciccoricco (because)
Marius Sperlich is a Berlin-based photographer, artist and designer. His unique style blends elements from all three disciplines into a catalog of playful, provocative and intoxicating self-expressive pieces. Through his work, Marius aims to inform viewers of their individual freedoms, and encourage them to take control and express themselves.
Adventure with Marius on Instagram Posted by Chaz from RS

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Chris Oh
Born 1982 - Portland, Oregon. Lives and works in Brooklyn NY.
Keep up with all your favorite artists on our Facebook page. Curated by Very Private Art
Skyscapes, Chloe Wilson (because)
John Brosio.
Casey Weldon, New Work.
Exceptional new paintings by artist Casey Weldon that are currently on view at Talon Gallery in Portland, Oregon until December 18th, 2018. If youâre in the area, absolutely stop by and check them out.
Donât miss Supersonic Art on Instagram!
Reuben Sutherlandâs Kaleidoscopic Doodles
Reuben Sutherland is from New Zealand and is job is âmostly making arty graphic stuffâ. He makes his gifs as part of the Audiovisual duo Sculpture for live performances. He views his gifs as âdoodlesâ just to show zoetropes and how they animate. Despite his downplaying of these gifs as âdoodlesâ they are inventive, beautiful and mesmerizing. I may even call these Art.
Posted by David Â

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Shifting sands, Irenaeus Herok (because)
Mimesis by Kim Kei
Kim Kei evokes the body without depicting the figure as a form. The body is implied by mimicking the skinâs surface and the gesture of the form depicted. Our skin contains the interior and is the point of contact with everything outside ourselves specifically one another. Kei creates sculpted, simulated skins that are inked and pressed to paper leaving a precise impression. The paper captures the cracks and wrinkles, the bodyâs acquired marks though time, injury, repair, and illness. Encompassing spaces between vulnerability, invasiveness and tenderness, the unnameable forms unfurl, contort, meet, and touch seemingly of their own vitality. The opportunity for empathy in looking closely and the intimacy being seen transmutes shame into a resilient, forceful affirmation. Creases strike through the form revealing what we attempt to keep hidden bringing these unruly parts of ourselves fully to the surface communicating a body in motion.
you can also find me @mary_bu__
[& &]
Flora and Fauna, Slava Thisset

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âHamburgerâ by Song Wei
Discarded Objects are Beautified with Colorful Coral-Like Growths by Stephanie Kilgast