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One thing this chapter makes me think about a lot is, what does "letting go" really mean? Is it something to absolutely aim for? and where does Hak position himself in relation to it today?
Hak is worried above all about the dragons right now, but we know well that he's also making a reference to his experience with Soo-won here. After all, even if Zeno did talk about forgetting them, he never said anything about "letting go" specifically. To let go is however very much something he said word for word about Soo-won in the past (chapter 153). If it wasn't already obvious enough, Hak in his turn makes the parallel between what happened with Soo-won and what is happening now with Zeno.
The end of chapter 153 hinted that even if Hak hasn't reached the point where he can let go of Soo-won yet, this is something that will eventually happen down the road thanks to Yona. And how can we not wish it for him? He suffers from it, it makes him angry, depressed, frustrated, it makes him grieve. Hak has always struggled from Soo-won's betrayal, he first tried to repress the feelings, then started walking a long road of trying to reconnect with and make sense of them, the present and their past together. He was slowly healing, he started being content with having a role in the sky tribe as long as the Yona and the hhb were with him. It was all for the best, everyone was walking in the same direction.
And then chapter 243 happened.
To be honest, when I read chapter 259 I couldn't help but have mixed feelings about this. After all, chapter 243 happened just one year ago, and this chapter devastated me like no story had ever before. This past year I thought hard about chapter 243, I tried to make sense of it in multiple ways and get over the devastation it made me go through. I also needed time, a lot of discussions with friends and the distance to see that yes, it is a chapter where both Soo-won and Hak are at their worst emotionally, and they both give up (among many other things but this isn't a ch243 post) but it won't be the end, it's them both failing to get out of this maze. But I just couldn't accept it. I felt angry. That Hak simply accepted how Soo-won, in a way, pushes him away again and the fact Soo-won will die, be replaced, and there is no hope for him. That he didn't contradict Soo-won saying the country will be fine without him, that this is their goodbye and it's over for them. That Hak will forget what they shared in chapter 61. That Hak is letting go and moving on.
So technically speaking I should be more than happy with chapter 259 and Hak saying he sucks at forgetting and letting go! But well, I got fond of chapter 243 with time. I spent so much time thinking and discussing about it, to engage with it, to question every line and to give them a meaning that slowly started to make more and more sense to me. It became precious to me. Yes I'm this dramatic over a single manga chapter but you have to understand the degree of emotional turmoil it made me go through, it was that bad! Anyway,
So when I read chapter 259, while I feel validated and relieved, I can't also can't help but think "But then, what was chapter 243 for?" What did it change in Soo-won and Hak's relationship? Does it not matter at all anymore because anyway Hak said sike and he actually just can't forget and let go? I can't accept this either. And I don't think that's the case.
And in a way, Hak did let go. But forgetting his dream of walking side by side with Soowon as his equal, on the same path, is different than forgetting Soowon whatsoever. Hak decides he won't remember it anymore and takes a different path. But what does it entail? What does he keep and embrace and what did he let go?
The vow of 10 years that tied Soo-won to the people following him, and the vow of 10 years that tied Hak to him. The formers cling to it, not taking into consideration Soo-won's true self and his ability to change. It chains him. It forces him to act not as his real self, but as the ideal image they project on him. They don't respect what the real Soowon wants, they try to make him the Soo-won that /they/ want. Soo-won changed from 10 years ago and corresponds to neither their ideal, neither Hak's. That's why it was so violent for Hak in 243. Hak couldn't see Soo-won's own circumstances, experience and current struggles and even less accept them. But in chapter 251, Hak doesn't let this vow chain them anymore, and in a way, that helped him gain confidence in the entirety of their history together instead of clinging into one aspect of it, no matter how precious it is to him. So I believe Hak needed chapter 243 to realize he was again projecting on Soo-won, and he needed to part ways to put things into perspective right now with the Zeno plot, so for that it's a good thing.
Still, when I put chapter 243 and 259 together, when Hak said he would forget his past vow to Soo-won and that there was no need to remember it anymore, I still think it was also him giving up, not having the strength to fight back because yeah, what can Hak or Soo-won even do about the Crimson Illness? Soo-won himself is convinced he will die, that he will be replaced and things will be perfectly fine without him, and so that he has to let go of Yona and Hak because what they want is the dragons, not him. He's not completely wrong, but this is not taking into account that both of them still care for Soo-won and want him to be there. That it's not about being replaceable or not, that they can care for the dragons and still want Soo-won to live for no other reason than because he is Soo-won. This is something Hak and Soo-won have both been struggling with since they said goodbye, and they are still coming to term in their own pace that they actually don't want things to end there.
Hak let go of his vow of walking by his side as his equal, but he still cares, he still can't forget, and he needed Yona to put it simply into words for him. It's okay to still feel conflicted, to carry contradictory feelings. What is undoubtely there is he wants him to live and to be there. That even apart, even when his priority is saving his friends and protecting Yona, Soo-won is still a part of him and he can't just erase him from his life. And it's fine. I don't think he should have to if ultimately putting things with Soo-won behind him, letting him go, hurts him so much. He deals with things differently than Yona and he doesn't have to do the same as her if that's not what is good to him. Yona shows that even after letting go of the hairpin, it still doesn't mean she can't think of Soo-won and wish for him to live. Letting go isn't erasing someone's existence from your life, it can just be taking a different path without tearing the bond apart.
But what this all makes me think about is, maybe letting go, in the sense of completely putting things behind them, is precisely the problem with Soo-won and Zeno. They're too good at it. We know they struggle to do it completely and honestly, but they are much better at killing their feelings than Hak, and they're able to at least act and pretend as if they were really letting go. What is so similar between Soo-won and Zeno besides betraying Yona and Hak to accomplish their respective goal and their tendency to hide their most unpleasant feelings, is that they are driven by the conviction that they have no other choice. Why does Soo-won discard people, his soldiers, prisoners, his friends? Because he doesn't believe in a path where he can keep them that wouldn't compromise the rest of the country. Before the coup, despite how much he longed for it, Soo-won couldn't believe a future with Yona and Hak by his side would ever be possible. So he gave up this dream, he acted with this fact in mind, he didn't try to pursue it. A self fulfilling prophecy. Chapter 243 was the same. And Zeno now is exactly the same as well. He doesn't believe in any other solution he could come up with together with Yona. He does what he does because if he doesn't, he is convinced he won't have another chance to be free and to end the cycle. Soo-won pretended the one they knew never existed, while Zeno pretends he already forgot them and that they should do the same.
They push them away, they tell themselves that Hak will protect Yona anyway and they will be fine without them. They let go, put an end to their bonds themselves in an (probably unconscious) attempt to have some agency on the end rather than to wait to be left behind.
But Yona's grip is strong, and despite everything Hak sucks at letting go. For their friends and for Soo-won and anyone on their path. And maybe it is important too to not let go. To be stubborn and selfish about it. To not leave anyone behind, to not avert your eyes from those in the shadows. Maybe "to let go" isn't something to wish for as an absolute solution to grief. Maybe letting go just brings more pain sometimes and is the killer of trying to fight for a better solution. Maybe there is worth in keeping what is precious to you close to your chest and fighting for it against all odds.
Honestly, as I write this I am not even sure of the answer. Zeno does deserve rest and to be allowed to go. And I can't tell if Hak will let go of Soo-won for good in the end. There is definitely a lot of good out of letting people and things go sometimes, even in Hak's case. It gives him the space to explore his feelings and come to term with them, and I don't expect him to live his life with anyone but the HHB. But all I feel is, surely, there is a better way to say goodbye. A way to say goodbye not out of resignation and despair. A way for them to listen to their hearts and be honest with their feelings. So I can only wait and keep faith for it, as I watch the characters slowly but surely try to change their fate and not submit to it.
The irony of this post I wrote around chapter 260 is that the conclusion about how maybe the final arc is more about finding a better way to say goodbye than ending things in tragedies and cutting ties forever was absolutely right and I'm now convinced that this is everything the final arc was about. But on the other hand, it's just very sweet that this post was about Suwon and Zeno's way of parting with YonaHak and they ended being specifically the two characters that stay in the palace by their side, and that the dragons are the ones they parted ways with instead. It's really beautiful to me, to be honest.
I think that's what I love so much about Yona's discussion with the dragons in the final chapter too. They fought so hard against fate and the gods and everything just for the chance of sitting around a fire and share their plans for the future, just to have a moment where they can say goodbye with a smile and wishing each other the best on their respective path. It's so mundane, but yes, such moment is that important and worth fighting for.
Yeah some things have to end and change, the story of the happy hungry bunch travelling together ended a long time ago really, and Akatsuki no Yona as a series had to end too eventually. But it doesn't have to be miserable and terrible. The bonds are still there, and even if things end, new things continue whether we see them or not.
Chapter 3 of my AkaYona Modern AU Sequel fic goes up tomorrow! I hope everyone looks forward to it! The series can be read [here]. Have a preview of the new chapter below!
Yun also waved, though he said, “Are we ready to get started? I know we can’t move things until Hak and Kija get here with the truck, but given Su-won didn’t get to pack or sort anything before he left, we’ve probably got plenty to go through.”
“Right! Shinah, Jaeha, will you two go grab the boxes we brought in the car?” she asked, already fishing the key to the apartment that Su-won had given her out of her pocket.
“On it,” Jaeha said, heading back for the stairs with Shinah in tow.
“...About that,” Joo-doh said, though he didn’t get a chance to finish. The lock clicked open, and Yona pushed open the door.
She froze in the doorway, floored.
When she pictured what Su-won’s apartment might look like, she had always pictured an orderly apartment that was tastefully decorated. Su-won’s tastes had always leaned towards the simplistic and comfortable, so he’d probably pick practical and unobtrusive furniture. He’d favor bookshelves to keep all his books, and he’d definitely have organizers on his desk.
All such preconceptions regarding Su-won’s organizational skills were utterly shattered.
The apartment was a mess. Not with garbage, thankfully—though no one had taken out what was in the trash can by the door, judging by the smell, which was no surprise but something they’d need to take care of—but with stacks of books and papers. They were stacked on every surface, even stacked against the wall, to the point where it was hard to judge where it ended and the floor began. He only seemed to own one bookshelf, too, and the poor thing’s shelves had bowed in the middle from being overloaded with thick textbooks and binders.
“...It’s about what I expected,” Joo-doh said, peering over Yona’s shoulder.
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Okay but you forgot the best part! During the scene where Aragorn, Gandalf and the other Main CharaktersTM ride ahead to go shout at the gate (and talk to the mouth of sauron in the extended edition) they were very firmly told only to ride up ahead “this far” because that area was cleared and beyond that it wasn’t.
But. Viggo Mortensen is absolutely mad and lead them just…. a bit farther than that. Everyone else was very scared they might blow up any second. Viggo said it “added a little extra tension”.
Viggo was just Like That™ for the whole trilogy, taking method acting to extreme levels:
he would spend multiple days walking overland to locations in full pack, sword, & armour when everyone else was travelling in trucks
refused to use any prop swords that weren’t actual steel
basically lived in the forest in-costume, sleeping rough under the sky, even fishing & foraging for his food when possible
often spent hours in the barn just bonding with the horses. He adopted the horse he rode, Uranus, after filming ended
repaired all his own gear by hand, which was often since he never took it off
had a tooth knocked out during filming but had the crew simply glue it back in place so they could keep filming
the instructor who taught everyone swordplay said Viggo was the best swordsman he had ever trained
carried his sword literally everywhere & practiced non-stop, resulting in the cops being called when locals reported “a wild man swinging a sword around his head" outside a gym in Wellington
an orc actor fucked up & accidentally threw a dagger directly into Viggo’s face, but Viggo just deflected it with his sword. They kept that shot
infamously broke 3 toes kicking that helmet but stayed in-character & sold his very real scream as part of the scene. They also kept that shot
Viggo insists on doing his own stunts; in The Two Towers where Aragorn is unconscious & floating down the river, the strong current pulled him underwater for so long that a rescue team had to go in to save him. Viggo survived by grabbing a boulder on the riverbed and pulling himself to the surface
It’s probably more accurate to say that Aragorn played Viggo Mortensen in the off season, so I’m 100% unsurprised to hear he put a whole crowd of fellow actors in genuine mortal peril for a 12% increase in authenticity
AkaYona daily affirmation #5: Hak's character arc is great
It's also three-prong! Early Hak's development is centered around his feelings for Yona, how they're unrequited and how he needs to learn to back off and let her take risks. Then, his character development shifts to learning to trust and form friendships again, trusting his friends with Yona's safety and to have his back after being betrayed by the friend he trusted most at the beginning of the story. And then finally, there's also an element of learning to solve problems non-violently, following Yona's lead on that.
It's great! He goes from begging Yona not to take risks and wanting to hide her away by force if necessary to wanting to show her off, wanting to make everyone who doubted her regret it, and actively encouraging her to hunt bears and calling her cool. He goes from wanting Kija out of the party after he first joins to actively hugging and relying on him and Jaeha like older brothers. He goes from nearly murdering Su-won in the streets in a rage at just the sight of him to being able to work and speak and reconcile with Su-won, to talking things through and befriending Hakuryuu, to stopping Yona from killing Zeno because he knows that just can't be the way to solve this.
It's fantastic! Hak is actually a pretty multi-faceted character who changes a lot over the course of the story.
The rule could have heavy impacts towards trans people across society.
Last week, the Trump administration quietly released a sweeping new federal rule that would use funding threats to force institutions across the country to reject transgender people. The 400-page proposed regulation would codify the administration's anti-trans executive orders into binding federal policy, imposing a blanket prohibition on federal funds going toward "gender ideology"
The proposed rule, formally titled "Regulation for Federal Financial Assistance," rewrites the government-wide framework governing all federal grants across every agency. Among its most consequential provisions, it requires that before a federal grant recipient can receive money, the award must pass a "pre-issuance review" conducted by a political appointee—not a career expert or peer reviewer—to ensure it is "consistent with applicable law, Federal agency priorities, and the national interest." The regulation explicitly instructs these appointees to screen for "denial by the recipient of the sex binary in humans or the notion that sex is a chosen or mutable characteristic." [...] An institution that acknowledges transgender people exist—through its policies, its training, its healthcare, its bathroom access, its HR procedures, its name-change processes—could be deemed to "deny the sex binary" or to “support the notion that sex is mutable” and have its federal funding blocked.
Importantly, the gender ideology prohibition has no age limitation—hospitals could be targeted not just for providing care to minors but for providing gender-affirming care to adults, because prescribing hormone therapy to a transgender patient of any age could be deemed promoting the belief that "sex is a chosen or mutable characteristic."
This is all very bad and horrible, but I want to be clear that it’s worse and more sweeping than just eliminating trans research.
This torches everything. And I do mean everything.
A very abbreviated list of its ramifications include (but are not limited to):
ending funding for ALL DEI related initiatives
allowing the government to terminate grants at any point for any reason
preventing researchers from publishing, going to conferences, and being part of academic societies
requiring that topics must support the president’s agenda.
What this means, and if anything I’m under selling it, is the death of science and research in America. It allows the government to restrict any topic they please at a whims notice, putting officials who have no background in the topic in charge of deciding funding continuity. It controls what gets researched and if/how researchers are allowed to share their discoveries. There are no books to burn if the government never allows them to be written. This is fascism plain and simple.
Please, if you only ever write one public comment, this is the one to do.
Bringing back this guide to writing an effective public comment. This gives you the basics you need to know, what you need to include, a basic outline you can follow, etc.
Public comments are not a vote, it is a chance for you to say "here is an issue with this law I think you need to address" and provide justification for legal challenges if it goes forward:
"Comments raise the bar that agencies have to meet when making a rule; “if an agency fails to adequately respond to significant, relevant comments in a final rule, members of the public may seek to challenge the rule in court on that basis and claim it could be struck down.ˮ"
But also, if possible, don't stop at writing a comment. Don't stop at calling your representatives. You should ideally be talking to people in your community about this and organizing resistance on-the-ground; there is a good chance people are already doing that even if you aren't hearing about it.
Some added 101-level context from someone (me) who’s worked in federal grantmaking for 20 years and is literally certified on this document - this is a document that governs all federal grantmaking. It’s been around for over a decade and is a mega-document that combine multiple previous smaller documents that have been around for ages. It is updated every few years and generally the updates are minor - a notable change in the previous update was raising the small procurement threshold from $10,000 to $15,000 for example. Deeply dry boring minutiae that no one outside of federal grantmakers need concern themselves with. It was also federal GUIDELINES, which means there was flexibility.
This year’s is different. They are now federal REQUIREMENTS, which means there’s no flexibility. As was said previously, the 400 pages are not singularly devoted to being absolute shitheads to trans people. Theres a lot of stuff in there, some of which is the standard dry boring grants stuff, some of which is the horrible ideological warfare outlined above.
This document is issued by the OMB, the Office of Management and Budget, which is currently lead by fucking Russell Vought, the principal architect of Project 2025. This is how they’re going to implement all the horrible shit in there that wasn’t covered by Executive Order. Russell Vought is actively coming for my job, my marriage, and my kid, and most of my friends lost their jobs last year because of him. He is the fucking arch villain behind the heinous shit the current regime is doing.
So yes, please comment. You don’t have to read all 400 pages before doing so, it’s dry and dense as fuck, but I thought this information might be helpful. Also, while there is a public comment period, this isn’t voted on by Congress. The OMB just fucking issues it. Pressuring your elected officials into publicly saying “hey what the fuck are you doing here” is good, though.
Please note the comment period is open through JULY 13th, not JUNE 13th. I saw a lot of relogs yesterday saying "last day!" and I just want to say it is very much not too late.
As of today, 7/8/26, we have five days for public commentary on this to go through. I am begging y'all: if you care about independent science in the country that produces the most global science funding in the world, please leave a comment.
Anyone who is able, please comment on this. This regulation would have massive negative impacts on both trans and queer people and scientific research as a whole in the US.
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Tags/Warnings: Alternate Universe - Modern Setting, Pre-Relationship, Pining, Flirting, Not Actually Unrequited Love, One sort-of sex joke, Hak is mentioned
Summary: "'Why is his door open?' he muttered to himself, his face falling with worry. Kija slowly walked inside. The sight he was greeted with made his throat let out an involuntary squeak."
Basically what happens when Kija walks in on Jae-Ha after a work-out.
The pining! I love the pining!! Watching them lowkey flirt with one another was so very fun, and this was definitely a fun read! Please check it out!
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