Not because she forgets. Not because she doesn't care.
Because she reads the poem once, then again, then folds it back up like it might burn her if she stares too long. Because every time she thinks about finding Lottie and saying something real, her chest locks up and she suddenly has somewhere else to be. A trap to check. Tracks to follow. Anything that doesn't involve standing still and being seen like that.
Lottie said she sees her.
Nat is still not sure what to do with that.
So she does what she always does when things get too big.
The weather shifts eventually. Not warm, but less brutal. Enough that hunting is not an excuse anymore. Enough that staying away starts to feel obvious. Cowardly, even.
Nat hates that feeling more than anything.
So one night, sitting just outside her hut with a scrap of paper that she stares at for a long time.
Then she starts writing anyway.
It does not rhyme.
I am not doing that.
This is already bad enough.
You write like you mean it
like it's easy
like the words do not get stuck halfway out
and make you feel like an idiot
I don't know what you're looking at
half the time I barely recognize myself
you are the only one who doesn't look away
or try to turn me into something else
that has to count for something
not because I think you're
whatever everyone else thinks
but because you see things
and you say them out loud
even when it screws everything up
even when it scares people
and I noticed you
before all of this
and yeah
I noticed you back home too
don’t go thinking that moment between us was nothing
like a guitar turned up too far
like something you feel in your ribs
before you even hear it
and I don’t know what to call it either
She folds it before she can change her mind, stands up, and walks straight toward Lottie’s hut before her brain can catch up and stop her.
Just opens the door, walls in and pushes the paper into Lottie’s hands the second she sees her.
“There. Don’t… read it out loud or anything.”
Her ears are already burning.
“And for the record,” she adds, like she has to get this part out before she bolts, “Prophet Girl is not me making fun of you or what you do. I… like it. It’s yours...It makes me happy when I call you that...”
That is as close as she is getting to explaining it out loud any better than she did on paper.
Nat lingers for half a second too long, like she might say something else, but she can feel the blush rushing up neck to the tips of her ears.
Then she shakes her head once, sharp.
And turns to go, bolting back out of the hut.