Just Horrendous! :)

spiderman dances to the beat

Nathaniel opened his mouth to scream. I hijacked it for a better purpose. “Hello, Faquarl.” The hand started; its baleful energies remained unreleased. Behind Hopkins’s eyes, twin points of bright blue light flared in wonder and confusion. “Bartimaeus … ?” “Little me.”

no i don't. cheers

1. Slow down at emotionally important moments.

Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.

2. Add reactions, not explanations.

Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.

3. Ground every scene in the senses.

If a scene feels thin, add one or two sensory details—sound, texture, smell, or temperature—to make the moment feel lived-in.

4. Let thoughts interrupt action.

A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.

5. Expand consequences, not events.

You don’t need more things to happen—you need to show what matters. Focus on how events change relationships, decisions, or self-perception.

6. Strengthen setting where emotion peaks.

The environment should echo or contrast the emotion of the scene. Setting is not decoration—it’s emotional reinforcement.

7. Add specific details instead of general ones.

Underwriting often relies on vague language. Swap “they argued” for one sharp line of dialogue or a specific breaking point.

8. Let dialogue breathe.

Short dialogue exchanges without pauses can feel flat. Add beats—silence, gestures, interruptions—to give the conversation weight.

9. Show transitions between scenes.

If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.

10. Clarify stakes early in the scene.

If readers don’t know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.

11. Use the “what are they feeling right now?” check.

After each major beat, ask what emotion is dominant in that moment. If it’s missing on the page, the scene is likely underwritten.

12. Expand scenes that feel “too clean.”

People keep framing AI in art (visual, written, etc.) as an accessibility tool for making the art.

It’s not an accessibility tool for making art, it’s not even making art. It’s AI generation. It’s something different from the process of creating art.

In this marathon example, that distinction is made by comparing AI usage to driving an SUV in that marathon.

And the thing about marathons? There are people who do use accessibility tools in marathons! People use leg braces, knee braces, walking sticks, crutches, canes, walkers, manual powered wheelchairs, people will even be part of walk-a-thons in electric powered wheelchairs.

There are ways for disabled people to participate in marathons which keeps the disabled person actually participating in the marathon. That’s accessibility.