(+ means smut)

red flags | charles leclerc +

last call | max verstappen

chasing fate | lance stroll blindsided | lance stroll

death of me | carlos sainz +

blurbs & drabbles

the better series (7 parts) | pierre gasly, lando norris (triangle) +

6 to 1 series (12 parts) | lando norris x leclerc!reader + lover x 6 to 1 (sequel based off the lover tracklist)

disapproval | mick schumacher x leclerc!reader part 2 hard truths  part 3 the good guy

fragile line | daniel ricciardo x driver!reader + part 2 haunted part 3 gone part 4 long live

say don't go | charles leclerc x reader part 2 | now that we don't talk

sky's on fire (work in progress) | pierre gasly, charles leclerc (triangle)

pierre gasly

worlds collide | famous!reader x pierre simp | reader x pierre

charles leclerc

soft (dog) launch | korean influencer!reader x charles  quarantine | reader x charles not good enough | filipina!reader x charles muse | singer/songwriter!reader x charles the people's princess | princess!reader x charles

mick schumacher

in you i trust | reader x mick

- all social media au's charles leclerc x secret admin  daniel ricciardo x secret admin lando norris x secret admin lewis hamilton x secret admin  lance stroll x secret admin max verstappen x secret admin

Indy Brookes has spent her life immersed in the art world, navigating the delicate balance between creativity and commerce at the prestigious Westmont Auction House. She understands that every masterpiece holds hidden depths—stories layered beneath the surface. So when the new Head of Client Relations, Sunil Dival, steps into her world, she can’t help but see him the same way: a piece of art waiting to be unraveled.

Indy thrives on passion and instinct, while Sunil holds tight to logic and control. Though they each bring something valuable to the table, their visions for the future are fundamentally at odds.

As their lives begin to overlap, Indy realizes that Sunil, much like the art she loves, has more to him than meets the eye. In the fast-paced world of auctions and high-stakes deals, they find themselves navigating not only their work, but the unspoken connection growing between them.

Wine bottle in hand, I headed back upstairs, my footsteps quiet on the marble floors. I was going to grab my bag from behind the reception desk when something caught my eye in the gallery—Sunil, standing alone in front of the red painting I had just shown Ms. Bass.

His hands were slid into his pockets, his posture relaxed from what I could tell. The soft glow from the light fixture above the painting cast shadows across his side profile. Much like Ms. Bass, he stared at the painting in confusion. But instead of asking what he was supposed to feel, Sunil stared at it as though if he stood there long enough the answer would jump out. I waited in the doorway, watching him for a second longer than I probably should have.

The painting had a way of doing that—drawing people in. But it was strange seeing him like this. Still emotionless, but more composed. I couldn’t tell if he was just in work mode or if there was something else.

I leaned against the doorframe, the bottle dangling loosely between my fingers.  “Admiring the art?” I called out, my voice sounding more casual than I currently felt.

Sunil didn’t turn right away, his gaze fixed on the canvas. “Something like that,” he replied, his tone flat, as if he were working through something in his mind.

I took a small step into the gallery, unsure if I was intruding on a moment I didn’t fully understand. “What are you thinking?”

He finally glanced in my direction, though not quite meeting my eyes. “Just wondering why people are drawn to it,” he said. His voice was measured, detached. “There’s been so many calls about it, you know? It was the piece that Ms. Bass was here to see too, wasn’t it? I just don’t get what makes it worth the attention?”

I hesitated, not sure if he wanted a real answer or if he was just thinking out loud, but I had just had this same conversation only minutes prior. I took a step closer. “It’s about how the artist uses color and texture to create emotional tension,” I said carefully. “The red isn’t accidental, it has a purpose—it’s layered with meaning. Passion, desire, love. It’s almost as if the artist wanted you to feel conflicted, to question what you’re supposed to see.”

I paused, watching for any reaction, but Sunil’s expression remained impassive, his eyes still fixed on the painting. 

“The longer you look at it,” I continued, “the more it forces you to engage with that tension. That’s why people are drawn to it—it’s not just about what they see, but how it makes them feel. It doesn’t let you be a passive observer.”

He didn’t respond right away, then, without glancing in my direction, he said, “Or maybe people just like to overthink things.” His tone was flat, but the words cut through the air with a dismissive edge.

I stopped in my tracks, realizing at that point that he wasn’t asking for an explanation the way Ms. Bass had. He didn’t care about the history or the artist’s intent. This was something else.

“It’s nice, I guess.” he muttered, almost to himself. 

Nice. 

Nice. 

That word felt like a direct slap to the face. Nice? I had spent years studying pieces like this—pouring over the intricacies, the layers of emotion, the painstaking detail behind every ounce of effort put into it. And Sunil stood there, calling it nice? It was like hearing someone call a symphony ‘catchy’.

The part of me that wanted to set him straight bubbled up to the surface. I wanted to tell him that this wasn’t just a painting you glanced at and deemed ‘nice.’ This was a masterpiece, something you had to feel, something that deserved more than a casual shrug and a throwaway word.

A mild summer breeze was nice. A freshly-mowed lawn was nice. This painting landed in a category of its own that I was actually offended by his comment. 

I could almost hear the lecture forming in my head—something about the delicate use of the color red, the emotion hidden beneath the shadows. I wanted to ask if he even knew what it meant to truly see a painting like this, to understand the depth it carried.

But then I stopped myself, the words slipping away as quickly as they came.

What was the point? He wasn’t here to appreciate the art the way I did.

He wasn’t a curator. He wasn’t a historian. He was Head of Client Relations. His job revolved around the sales of the auction, not the beauty that was stored within our walls.

Sunil wasn’t asking for an analysis or a history lesson. He didn’t need to be corrected or belittled. Maybe, for him, ‘nice’ was enough. At least he was taking the time to even look at the piece.

I bit back the urge to put him in his place. Sometimes people just needed to have their own moment and this shouldn’t have been about me proving I knew more. 

For a moment I was envious of the lack of emotion he felt. I knew too much about the artist and his collection. I felt too much, but it wasn’t my place to force someone to feel the same. Maybe he just needed to stand in front of it, lost in whatever he was seeing, without someone like me shoving meaning down his throat.

So I stayed silent. I let him have this. His moment.

I took a step back, muttering a quiet "Goodnight," as the space between us grew. 

Sunil nodded, still looking at the painting. "Goodnight," he repeated, but there was something in his tone that made me pause. It wasn’t cold, exactly, but it wasn’t warm either. It was just…there. Like everything else about him since he’s arrived—distant.

I lingered for a second longer, waiting for some kind of clarity but it didn’t come. I couldn’t get a read on him. With a small sigh, I twirled the wine bottle in my hands and made my way out, leaving Sunil alone in the gentle glow of the nice painting.

--