anya, 20, they/she/he/do you ever think of yourself as actually dead lying in a box with a lid on it?

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anya, 20, they/she/he/do you ever think of yourself as actually dead lying in a box with a lid on it?

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everything i hear about this season and the little i’ve seen gives the impression that the intention is in part to degrade and humiliate Black fans of the show for daring to care about the Black characters the show cared deeply about for the first two seasons. why won’t you accept that the racial abuse and domestic violence was set dressing for the real story, which is about the world’s specialest white man vomiting twitter while the narrative works overtime to pin his abusive behavior on its characters of color? did you think we actually wanted you in the audience? it has been Black fans word of mouth promoting the show since the first episode and building the fandom that would then force them out, and now the show itself is rejecting their presence.
The Vampire Lestat - S03E6 "Montreal"
This is a century-long lie. You hung her portrait over our coffins in New Orleans. It's sick. You're sick.
We're unnatural beings! And this-- this is the half-human soul that you conveniently whip out whenever you want to win an argument!
What argument you got for fucking your mother? It's sickness. Maybe the source of all your sickness. But my god! Seek a professional!
episode 6 of THE VAMPIRE LESTAT
im honestly still not over this like a room full of nonblack people wrote claudia calling louis nappy-headed and telling him that etched in his ribs was the proof that he's a slave. something so horrifically anti-black because of its implications that louis being a slave is genetic and interwoven with his dna. that's literally a white supremacist talking point. they had claudia, a black person with a white lover, mock louis for being a black person with a white lover, and say that lestat was her actual blood relative after rejecting his blood in s2, acknowledging that it wasn't good enough for madeleine.
rolin truly said this and believed it to be true, and that should be enough for everyone to know what kind of person he is:
they had claudia refer to her life as not only bleak, but specifically bleak and black. a character who was never ashamed of her blackness. they had her say that she hates louis more than her rapist, abuser, and the people that orchestrated her lynching and burned her lover alive. they completely destroyed her character and killed two birds with one stone, butchering who claudia always was/how she saw louis and lestat, and throwing in more insults and hate at louis while mostly ignoring lestat.
and making it so that claudia is suffering endlessly, even in death, felt like another purposeful story choice. not to make claudia's character even more heartbreaking, either. it was pointless no matter how you look at it. this just felt like yet another way to torture a black character, and a black character that has been repeatedly exploited all season for everyone else's feelings. furthermore, summoning claudia had no effect on louis and lestat at all, as they were immediately over it by the next scene.
none of the heavy storybeats can have any emotional impact because both us and the characters are never given time to absorb them. they're just checking boxes with these heavy moments and moving onto the next scene. and all of this is, again, so we can absolve lestat of his wrongdoings and ensure no blame falls on him. his trauma is the only important thing in the show and the only thing worth discussing/unpacking. it's just antiblack, misogynistic writing again and again every week and rehashing it feels pointless but i can't help myself.
aside from the blatant racism and misogynoir, i also get the impression that these writers are just trying to get their quoteable, hashtag-able, gif-worthy scenes each episode. who needs a cohesive plot when you can have lestat say "serving cunt has its consequences" or give the viewers an iconic shot of their favorite ship that feels entirely unearned—one of my examples of this being the fact that devils minion feels like they just put together a bunch of shots that they thought people would love, without actually telling a story with these two characters. everything we learn of their history and relationship is given to us through exposition. and because assad is such a fantastic actor, he's making these scraps into something interesting.
the showrunners are no longer pretending to be subtle with their sloppy writing, poor pacing, and hatred towards louis and claudia. they're just writing the racism right into the script and think that, because a black character says it, they're free from all criticism. and a majority of their nonblack fans are jumping to defend them by saying that claudia's rage is justified and if you claim otherwise (even if you're not saying that) then you can't accept black characters being cruel and/or evil. which isn't true at all.
claudia's rage is entirely justified, her berating the two people that were supposed to love her and put her first but instead used both her life and death for their own gain is not the issue here. she could've been as cruel as she wanted—but having her say a slew of horribly racist things to louis and direct most of her ire towards him as opposed to lestat or the both of them equally was nothing more than these antiblack writers once again degrading louis for their own enjoyment because they hate his character and know they can get away with dragging him through the mud. especially if they hide behind another black character.
even the decapitation at the end felt like a quick moment of shock to the viewer that turned comical immediately after. the abysmal pacing of this show makes it so that loustat being beheaded has no actual weight because we know they're fine and we're given no opportunity to sit with this moment. there are no stakes and there was no real buildup to it. nor to armand and daniel coming up with this plan and suddenly working together the way they are. in fact after the dust settled, id say the scene was borderline cartoonishly evil.
these writers will never face the backlash that they deserve for this joke of a season. not only does this show not deserve to be renewed, but i sincerely hope that jacob, delainey and assad are (aside from being able to talk about it privately in some way) one day able to publicly talk about the racist/misogynistic bullshit that they had to endure this season all in the name of propping up a white character and furthering a bullshit narrative.

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It’s… interesting that the writers have Lestat use “the blood of Akasha” as a justification for his behavior the same way your average Gen Z-er talks about trauma or mental illness (with the blood of Akasha of course being a physical representation of Lestat’s trauma)… it shows an understanding of why they behave the way they do but also reflects a determinism and refusal to change. which is definitely a part of Lestat’s character in the book but I don’t know if I like Akasha being used in this way
I love Loustat so much </3
Ohhhhhh that was bad that was very very bad
I've tried to be very charitable to this season of the show re: race and the way Louis is written in particular but I think it's impossible to watch that scene with Claudia without seeing the hands of the white writers making her hurl those insults at Louis. It's a massive fucking overstep and I hope the writers are made to listen to criticism and AMC makes an effort to get some black people back in the writers room and on the production before the fourth season starts being worked on in a meaningful way. while also highlighting Jacob, Delainey, and Assad in the promotional material.
I think the biggest problem with the way Claudia is written at the end of the second season (and will probably grow to be an even bigger problem if she appears in The Vampire Lestat) is that the show clearly wants the audience to believe that she was always doomed because "that's what happened in the books" without seeming to recognize that they have fundamentally changed Claudia in a way that that's no longer the truth. The fact that Claudia is older (almost a decade older, actually) changes everything. She has a much greater amount of autonomy, as opposed to the book where she's constantly caught between a rock and a hard place: Louis, who tries to view her as a full person but cannot and Madeline, who represents freedom outside of Louis but infantilizes and objectifies Claudia almost more than Louis ever did. There is no space for Claudia in the world of the book, whereas the show goes out of its way to create space for her before ripping that space away and pretending it never existed.
Does anyone else remember my flop post because call me the Oracle...
It’s… interesting that the writers have Lestat use “the blood of Akasha” as a justification for his behavior the same way your average Gen Z-er talks about trauma or mental illness (with the blood of Akasha of course being a physical representation of Lestat’s trauma)… it shows an understanding of why they behave the way they do but also reflects a determinism and refusal to change. which is definitely a part of Lestat’s character in the book but I don’t know if I like Akasha being used in this way
I love Loustat so much </3
Ohhhhhh that was bad that was very very bad
It’s… interesting that the writers have Lestat use “the blood of Akasha” as a justification for his behavior the same way your average Gen Z-er talks about trauma or mental illness (with the blood of Akasha of course being a physical representation of Lestat’s trauma)… it shows an understanding of why they behave the way they do but also reflects a determinism and refusal to change. which is definitely a part of Lestat’s character in the book but I don’t know if I like Akasha being used in this way
I love Loustat so much </3
It’s… interesting that the writers have Lestat use “the blood of Akasha” as a justification for his behavior the same way your average Gen Z-er talks about trauma or mental illness (with the blood of Akasha of course being a physical representation of Lestat’s trauma)… it shows an understanding of why they behave the way they do but also reflects a determinism and refusal to change. which is definitely a part of Lestat’s character in the book but I don’t know if I like Akasha being used in this way

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They killed Lindsey Graham in order to do some law of equivalent exchange necromancy shit to Mitch McConnell
Sheila Norgate, Raven with Issues
INJECTING IT
I can't believe Armand killed Larry.
stills from episode 5 New York part 4

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Introducing Sheila Atim as Akasha Interview With the Vampire 3.05
I rushed faster and faster towards the door to the secret stairs. It was as if they were drawing me to them, as if I had no will. Marius didn’t matter now. Nothing much mattered, except to be going down the narrow damp stone steps faster and faster, past the windows full of sea spray and early evening light. In fact, my infatuation was getting so strong, so total that I stopped suddenly, wondering if it was originating with me. But that was foolishness. Who could have put it in my head? Those Who Must Be Kept? [...] I was slightly dizzy, confused. How had I gotten so far down the steps, and didn’t I remember that the door was bolted from inside? Give me another five hundred years and I might be able to open that bolt, but not just now. Yet I went on down, these thoughts breaking up and disintegrating as fast as they’d come. I was on fire again, and the thirst was making it worse, though the thirst had nothing to do with it. And when I came round the last turn I saw the doors to the chapel were open wide. The light of the lamps poured out into the stairwell. And the scent of the flowers and incense was suddenly overwhelming and made a knot in my throat.
—THE VAMPIRE LESTAT | Part VII, Chapter 15