🌌💜🚀🛸☄🐱🚀🪐
My piece for @btsorbitzine! Download the zine for free here!
let's talk about Bridgerton tea, my ask is open
will byers stan first human second
Aqua Utopia|海の底で記憶を紡ぐ

Discoholic 🪩

wallacepolsom
"I'm Dorothy Gale from Kansas"
Today's Document

#extradirty
Alisa U Zemlji Chuda

❣ Chile in a Photography ❣

PR's Tumblrdome

ellievsbear

Andulka

@theartofmadeline
Show & Tell
Cosmic Funnies
i don't do bad sauce passes

Origami Around

seen from United States
seen from Saudi Arabia
seen from Japan
seen from Finland
seen from Malaysia

seen from Spain

seen from Maldives

seen from United States
seen from Netherlands

seen from Spain
seen from United States
seen from United Kingdom
seen from Poland

seen from United Kingdom

seen from Singapore
seen from United States
seen from United Kingdom
seen from United States

seen from United States
seen from United States
@gutslutpress
🌌💜🚀🛸☄🐱🚀🪐
My piece for @btsorbitzine! Download the zine for free here!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
cross street
“A Performative Act of Missing” — from Vulgarsweet by Amy Jannotti (Gutslut Press ‘23)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“An Ode to Darkness” — from Melanin: Black by Dre Hill (Gutslut Press ‘22)
{image text}
An Ode to Darkness: In the shadow of the void, that was the universe, was the light of life born. It poured out of the gate of the woman covered in the dark, exploding into a series of stars and planets across a blank canvas. Rocks shattered and merged, rolling, and molding together. The cosmos spiraled and kissed her neck. Like the sun, she watched over the formation of the Earth, blowing the breath of her life into its soil. From the dirt and mud sprang the first woman, molded like clay, in the likeness of she who is darkness. From her loins she grew the first man. It was a tedious and arduous process. She raised her hands to the sky, locking her fingers with the woman clothed in the cosmos. Together they knead the Earth and birthed the first continent, Africa. This is the ode to darkness. The spiritual song rooted in the depths of humanity, connecting the light that is black, with the darkness that is white. This is the story, of herstory, the birth of all peoples from the original woman. This is the balance of nature, the dispelling of chaos with order, and the immortalization of the black body.
Helmut Newton
zaara 💖
tala 🌹

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
silly silly little baby
reading a short excerpt from the intergalactic legal memorandum section of my new book “x( )-id</3” (Trickhouse Press ‘22) 👽
If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again.
If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again. If I’m going to survive, I will have to start writing again.
untitled art piece from Into Oblivion {@sweatdrenchedpress ‘22} by Ami J. Sanghvi {@HotWraithBones} — the hybrid, multimedia, full-length quest narrative//experimental novel 🪦🔪🌬️
“In Defense of the Infinite Self”: Mixed Media (2022) by Ami J. Sanghvi (@HotWraithBones)—Published in The Cutbow Quarterly, Issue 2

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“Multiplaning”: Digital Art (2022) by Ami J. Sanghvi (@HotWraithBones)—Published in The Cutbow Quarterly, Issue 2
“Someday Where Will It All Go?”: Digital Art (2022) by Ami J. Sanghvi (@HotWraithBones)—Published in The Cutbow Quarterly, Issue 2