grotesk

Knownmodelmgmt

Magali Reus, “Parking (Jogs)”, 2013.

BUT NOW SPACE WAS PART OF THE OBJECT¹ is an inquiry into whether or not a typeface can be absent in its own type specimen. Negative space becomes positive space, secondary becomes primary, reference becomes content. False protagonist Booq Alt delivers the performance of Booq—a typeface whose identity can only be imagined through the interplay of transcribed lectures by John Freeman, Esa Matinvesi and Krister Olsson from Booksfromthefuture Summer School 2015 and a pool of public domain images. A publication by Masaki Miwa and Ying Tong Tan, published in parallel with The Multiple Lives of a Blank Book (Booksfromthefuture, 2015). Buy (Lulu) First edition Print on demand 388 pages 107.95mm x 174.752mm (4.25 x 6.88 inches) Softcover English ISBN 978-1-326-40233-4 Publishers: Zyxt and Booksfromthefuture Editors: Masaki Miwa, Ying Tong Tan, Yvan Martinez and Joshua Trees Guest Editors: Krister Olsson and Esa Matinvesi Concept and Design: Masaki Miwa and Ying Tong Tan

Brummell (London, UK)

#JanHorcik

From “Planning and Designing Lighting” (1986)

aus “bauen + wohnen” band 15, heft 6, 1961 @ seals

Didier Faustino, “Testuo”.

Berlin Art Prize. Art Direction, Design & Typography by HelloMe, Till Wiedeck.

by Michael Hauptman

Raphaël Garnier, collaboration with french clothing label Sixpack. Inspired by Memphis Design.

Anne de Vries, “Free slide”.

Shoppinghour Magazine, Issue No.10.

by Markus Pritzi