anti montage theory where each shot has no relation to the shots preceding or after and the cutaway is just kinda a coincidence
the film just kinda did that dont know why
are you sure about that? are you sure a sequence of seemingly unrelated shots would remain erratic and unknown by the viewer, who, being human, has a tendency to search for narrative and emotion even within random coincidence? isn’t there a soviet film theorist you forgot to ask…?
kuleshov...
girllikeahole-chan….












