Reject Modernity, Embrace Antiquity 🏺🏛️🧿

The simple act of holding a camera in my homeland of Western Sahara can be a crime. When Sahrawi film-makers and journalists attempt to document everyday life under Moroccan occupation, they can often end up in prison cells. For the Moroccan regime, a camera in the hands of a Sahrawi threatens its official narrative that Western Sahara is part of Morocco. In contrast, when celebrated international names in the film industry wish to capture an ideal picture for an epic journey, and decide that our land is exotic enough to shoot the desired scenes, they are welcomed, escorted and granted access by the same authorities that usually deny us that right. [...] Nolan’s choice to film in an occupied territory highlights the extractivist practices embedded in the western film industry. Western cinema has often been complicit in mining stories and immaterial culture from the global south at a scale no smaller than the material resources mined by the western colonial industrial complex. International film crews parachute in, shoot our faces, clothing, dunes and material culture, then fly off. For them, it seems we are simply decorative elements for their sets and back in New York, London or Paris, they gain prestige, box-office returns and awards. For Nolan’s Dakhla shoot, he appears to have neither sought our consent nor considered the ethics of in effect helping to prop up and legitimise Morocco’s occupation, thus making the space even more unsafe for Sahrawis living under it. He is actively participating in a state-sponsored PR campaign designed to legitimise an illegal occupation.

I'm pretty sure not many people are aware of the illegal occupation of Western Sahara by Morocco, so I invite everyone to do some research on the subject, especially if you support the Palestinian cause, then you should also know about the Sahrawis who, like the Palestinians, never got their freedom.

https://jacobin.com/2026/07/nolan-odyssey-western-sahara-morocco-colonialism

https://festivalsahara.org/en/the-odyssey-manifesto/

On another note, y'all should also watch this YouTube video of Farya Faraji, where he talks about the west centric/eurocentric retelling of Nolan's Odyssey (very good constructive criticisms) :

I might translate this article later today. This one was the most complete one, even in Italian news it's not talked about that much.

Glass jug, Roman, 3rd-4th century AD