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Reviews Of www.graceandgrooves.com
Reviews of Grace And Grooves LLC before and after the commencement of the company under the leadership of www.hetaln.com Click Here
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Kathak Curriculam by Kadamb - For www.graceandgrooves.com
Kathak Curriculam by Kadamb – For www.graceandgrooves.com
Kalasri Institute of Classical Dances.
About Kadamb : Padmabhushan Kumudini ji Lakhia herself & her senior most disciples. She is Legacy of Pt Shambhu Maharaj Ji – Lucknow Gharana. Kadamb Centre For Dance, Ahmedabad. Estd 1963, Reg. 1970
Pre-Elementary Kathak:
No previous training of any dances.
Emphasis is on all classical movements and build strong Kathak foundations. Must do trial…
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Why Compete!!! Where does it get you ?
Why We Compete!!! Where does it get you ?
We are asked this lot of times, sometimes when people call……..Why Compete!!! What does it get you ? Do you compete because you are not confident…LOL NO…!
Here is why we have culture to compete !!!
You heard that right, culture to compete is encourage but not necessary. Our job is to inform you, tell you pros and cons. You do it or you do not it, there is no compromise in dance 🙂 You will still…
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Santosh Kumar :
Trained for over 8 years in bollyhop, hiphop styles, he continued his journey to stage dances and later in reality dance competitions. He has performed with his team for 100s of performances all over Andra Pradesh, India, Vietnam, Hongkong and several other countries specializing in Bollyhop, Hiphop, K-Pop, Urban Hiphop & Fusion for exclusive STAGE Dances. He is International Professional Dancer, Dance Instructor, Choreographer and a successful You-tube artist with over 266K = as of June 2020.
Santosh Kumar
Santosh Kumar
Dance Accomplishments: His dance accomplishments starts from Dance Academy shows to Realty Dance Shows.
2001: First Prize: Dance Attack – MAA Television Network Limited. • 2001: First Prize: Dhoom – Eenadu Television. • 2002: Best Dancer – Dance Baby Dance – Gemini TV. • 2002 – 2005: Hat Trick Winner: Dum Dum Diga Diga Dance Competition by MAA Television Network Ltd. • Winner of many TV shows organized by major TV channels like Gemini TV, MAA TV, ETV Telugu and Zee Telugu under Master Vijay Dance Group and Institutions.
Connections with Hetal Nagaraj: He hails from Ms. Hetal’s vast network of Trained & Stage Indian Dance Professionals(Education) via which they got connected in dance academy type of dances in 2015. His affiliation started with company altogether as their pre-judgement team along with Hetal Nagaraj for all competition submissions from 2016/2017 onwards for their Bollywood/Bollywood Hiphop, Hiphop, Traditional & Fusion submissions. Grace And Grooves has had straight No.1 hattrick wins for bollywood as well as tollywood dance non-voting competitions from traditional to hiphop dances from age 5 to age 20 for which some pre-judgement videos were judged by him before submissions. He teaches up-to an average 25-30 classes per week from beginners to Advance Level (Kids And Adults) for stage dances from : Zumba, Bollywood/Movie Dances, Belly Dance, Bhangra, Freestyle, Hip-Hop, K-Pop, Dance Fitness in various part of USA such as chicago, florida and will be teaching advance classes for Hetal’s own students for curriculum designed by Hetal from June 24, 2020. He was also our featuring artist for Sarva 2020 show which got postponed due to Corona virus pandemic.
His video links as below :
Our 2016-2017 : Click Here.
Latest (Including classes with us) :
About Santosh…. Santosh Kumar : Trained for over 8 years in bollyhop, hiphop styles, he continued his journey to stage dances and later in reality dance competitions.
Dance Glossary & Assistantship
Buzz About Assistantship and other dance glossary.
To all our fellow dance lovers, we have this wonderful opportunity to share this.
When we add 2 names to videos or submissions, people have mis-understood the terms. In some cases, assuming assistant work as main contribution or work. The other times, one of the djs/music/audio coordinator of an event confused lyric composition to music composition! So shocking. So we thought of putting this…
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Winning 1st 3 prizes for solo(s)/group(s) in Indian Dance Competitions for over a decade in our genre of specialization for non-voting Indian Dance Competitions sounds like a big thing. It actually isn’t if you follow curriculum and keep it fun. For us, it has been a norm for Bharatanatyam, Indian Folk Dances & Bollywood/Some Tollywood and from 2013-Fusion!
HOW ? We love to share how we have been winning from over a decade in all the “stage dance competitions” and how our elites have come this far with such good paid commitments.
So, here’s our HOW TO Win Indian Dance Competitions for Dummies…! Our Fool Proof guidelines and tips for those interested.
One of main attributes in stage competitions/for all genres are : Techniques. Techniques also means right amount of expressions required at certain techniques or mood used in the dance, coordination if group, comfort level of dancers with respect to dance, stage presence and personality, choreography, costumes, makeup and drama aspect. To do it right, you have to feel it and go through it which at Grace And Grooves is a norm! Because our owner herself comes from that background of competitions from over 2 decades! Read About Ms. Hetal Nagaraj.
To begin with, what are the types of dances ?
Be it Bharatanatyam, Indian folk dances or Bollywood/Movie inspired dances; usually these dances are non-commercial dances. For bollywood or tollywood dance industry genre, there is level of dance and name of dance as well. As we all know that bollywood dances emerge from various forms or styles or certain drama attributes and thus will always have name.
However, there are certain category of dances within bollywood that do not have name because they do no follow a form or style and are purely for entertainment or let’s just say – NO RULES thus, these dances makes them commercial dances and usually gets disqualified in first round itself if you do it in-spite of rules given. Open category of competitions usually accepts these for example – most reality show competitions are based on this! That dance industry/world is entirely different than education studio. Education world competitions are to encourage the dancer to follow the rules, get finer in it and excel with feedbacks and let’s just say prepare them for higher grounds of possibilities within the form or with fusions later, if trained. Then, break the rules-it is completely dancers wish and instructor’s wish! None-the-less, our students have won these open category dance competitions with their actual dance forms itself or with fusion depending on what is allowed. Usually it will depend on judges, number of rounds in competitions and students training level in that genre. Everything goes in there…
For Bharatanatyam/Classical Dances & indian folk dances, the category is always non-commercial and standard as it is dance form. Even for entertainment, creativity is out of this world if used within the form. Most classical dances are actual dance formats/margams itself and then there are dance dramas. Not to confuse with dance musicals!
There is this entire category of exclusive Indian Folk Dances that is entirely different than the dances that are into Community stage dances/cultural dances/regional dances/bollywood inspired folk dances/ethnic dances/creative folk dances. Why ? Because of rubrics of judging and rules that go with it is entirely different for both these categories. You cannot possibly compare Folk Dances rubrics to Bollywood or with Bharatanatyam. With Bollywood having different types of techniques and some folk dances do not even have expressions as their main factor. Likewise, Bharatanatyam nritta if done will lack several attributes of nritya or natyam itself. So rubrics are often kept in % by the genre or type of entries.
Depending on competitions, they categorize fusion dances or they put them in open category. Concept of fusion dances is very simple! Some go by dance done on other music to be considered as fusion because their argument is that if dance is not danced on its actual/real music then it is not that dance. That is true but if u do not consider music at all and see the dance without music; what will you name it? That raises lot of fundamental questions. So these occurrences have been very rare in over 10 years of history that we have participated. We had 2 such competitions that we came across in entire history of 10+ years where they had that kind of rule! We got 1st place in both anyway. The only argument to this was you cannot name that dance as fusion unless 2 or more dance form or styles are used. Rest are very clear about categories & thus you’ll know it well.
Then comes the judges. First experience is always a question for you because these competitions do not tell you who the judges are and some do not specify the rubrics either but when you test waters, you’ll know! We had tested some waters — we decided not to waste time there as they were bias to one team based on their friendly relations! Then be it that way, you should call only them!
Some competitions are very transparent to names of judges and their experiences and that is fun! Last but not the least, whether or not there it is any voting. If voting then how many % is counted towards total judging points. What age group we are competing in one category/genre is also important factor for stage like dances!!
Then comes, prize money if there is one or something of that sort. Then it is more motivating for students who are doing competitions regularly or something of that equivalent value. Nobody wants a 10$ trophy that just adds to a collection! It is just boring and for our students who have competed over 10 years do not even feel motivated to go there or submit their videos in first place. They rather spend money 10-20$ and do shows with us whether they know they are going to get recognition, feathers to wear that they can own as skill-set, perks, discounts and many more fun things to take home.
Alas, comes the winning part! Most difficult of all.
Just like that you do not get the wins & $$$. Here are some standard points that we have come across for rubrics in judgement & we would absolutely love to share with you:
1. Expressions 40% depending on genre. Some genres strongly requires that this element isn’t the part of dance because of restrictions on costumes, mask, type of song/pure technique competitions, or certain type of dramas. so % is then distributed.
2. Techniques 50% & % is distributed
3. Comfort level of dance & body movements-rest % divided, solo or group and as per difficulty level.
4. Coordination to music-rest % divided, if solo or group.
6. Costumes-rest % divided
7. Makeup / Dramatic effects of dance : % is divided by genre.
7. Props & usages
8. Choreography and Innovation in dance form without losing genre category—-some competitions have this highest! some have these 2 seperate.
10. Culture aspect depending on dance (if required depending on competitions since we have been to some of most difficult & strict competitions too!!!)
Sounds easy ? See you there..!!!!
Congrats to all our elites Nirja Setty, Samarth Setty, Setty Siblings, Hetal Nagaraj, and lot of our graduates who have won them through a decade as they grew with us by balancing not only personal life but studies too. Check out their real dances & real results as they have been doing it beautifully and gracefully like cute little swans!
Read about these budding stars : Here.
See their dance trainings at : https://www.graceandgrooves.com/our-graduates
Our Performing Teams too have won several such auditions/competitions or are called for special paid appearances : https://www.graceandgrooves.com/our-performing-team
Do not forget to sign up or subscribe our Youtube Channel Playlists. You will find lot of videos of our competition students, recreational dances, party dances, margam dances for classical dances, audition videos, our program videos, media releases & videos of different age groups starting from 3.5 to 5 years onwards to Adults 50+, and many more!!! Do not miss the Teenagers tribute of fun dances they do.
Hetal’s My Classroom break hour between practices.
Samarth Setty
Student of the year until 2019 December
Hetal Nagaraj
Hetal’s ConcertPaper, Folk Dance Drama
Nirja Setty
Ashna Pethe
Samarth Setty
Dates these page were updated : May 1, 2020. 930am.
Website : www.graceandgrooves.com
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Youtube Channel : https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw
Exclusive Copyrights by Reachh Mediaa for Hetal Joshi Nagaraj| Grace & Grooves | Grace Creations | Grace And Grooves | Nruthyakala Dance Academy | Mirchi Dance Academy | Kalasri Classical Dance Academy : 2012-2020.
This material can not be published, broadcast, rewritten or redistributed without permission.
Secret To Winning Indian Dance Competition For Dummies!!! Winning 1st 3 prizes for solo(s)/group(s) in Indian Dance Competitions for over a decade in our genre of specialization for non-voting Indian Dance Competitions sounds like a big thing.
Mansi Chauhan
downloading archives 🙂
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ABCD = anybody can dance. Can anybody teach? Schools have teachers’ certifications and qualifications. Doctors have certifications and qualifications. Sports and Nutrition where extensive work out happens and the personal training/work out classes happen; they require certifications and qualifications. Dance teachers too has that – did you know? Something called background and trainings. Specialty is taken in each field. Talk about general then there is no form or style to it.
Dance is an ART So What! Aren’t you sweating out physically? Aren’t you moving around using your body part? Won’t you burn calories? Won’t you get hurt if you do it wrong. How subtle can you do that it is not even recognizable to define it.
Genre of Dance: Does not matter.
Why you will need to have enough knowledge of dance, body, everything to go together? So that you do not harm yourself while doing it, teaching it and your students can follow through same all their life. This is irrespective of other activities they do! Balance is mastered in your routine life. In-spite of generations in performing arts for our own artistic director, Hetal Nagaraj, she too had to do her formal trainings. From her mainstream education school/colleges itself to her own mother(fully trained and student of fine arts) and her professional/formal dance teachers & institutes. She also has an excellent mainstream education and the knowledge that allows her to capitalize her talents and make entire business, a self-reliant machine. For dance, it is infused with culture and latest dance techniques per form or style as & when applicable. Right things at right times and at all the right places with right techniques. Results are faster and finer for any genre you do without compromising the dance form. Craftsmanship without right knowledge does not lead anywhere.
Knowledge is power when enough time is spent in gaining it. No book or video will ever teach you any talent that has practical methods for teaching it. It is learned during process of training. An example of half-knowledge that causes harm is from our history itself: Case of Abhimanyu in Mahabharata. For those who do not know, here’s the story: He gained his knowledge on a war strategy with his psychic abilities as per plan of lord Krishna when he was inside the womb of his mother when conversation about the war strategy happened. The conversation was left halfway and the final phase of exiting this war strategy was not given cunningly by Lord Krishna. Throughout his life he took all the trainings that he needed to become a successful warrior but in-spite of reminders, he did not care to take full knowledge of chakravyuh-the war strategy. In the end, he lost his life to it in actual battlefield only because he did not know how to exit the formation of this strategy. Here is why FULL knowledge comes in picture. Even if you debate on this story to be true, it has a lesson to learn that you should learn all the things that is required to master it fully instead of doing it halfway or from wrong resources. It is a whole different story whether or not you want to capitalize on your talents later onn.
If you go to right place, at-least you will save your own body to do other things!!
You pay for the knowledge and NOT for the in-born half talent or gifted talent that is not structured or disciplined. A gifted talent needs right guidance & training to sharpen it and follow through. This is why, all families in performing arts will ALWAYS have separate teachers for their kids or their parents will plan lessons as a class routine and train them depending on their priorities of learning to set a discipline depending on size of their institution. An unknown/unattended talent or a gift is like a diamond in the mine that is still unearthed and will eventually die with his/her lifeline. If only humans were rock, it would be wonderful because then rocks/diamonds can be unearthed anytime in million years.
Types of dances that you learn in dance school: Dances that you learn in dance classes are the dances that you cannot learn by watching or few drop-in classes. While most people can dance easily, it all boils down to techniques after that level. Festival dances are best example for which you do not need a huge training list but after some basic level, it requires training so that you do not harm your body. Even the festival dances come with techniques depending on genre. These may be the dances that do not fall in any category per se to define them depending on culture or festival. Some may not be even a style to call it Free Style. It is thus an open category of dance and there is no form or style to it and often recognized as street dances that exhibits regional culture and still NOT folk. Some street dances that emerge from festivals may or may not be called as festival dances as they may or may not have anything related to festival. It will depend on what is done in there. Party dances may or may not show any culture/tradition and are irrespective of any forms or style attached to it. Creative dances are not bind to forms or style and thus it is called creative dances; these exhibit mostly interpretation of words in the songs used or some concept. Fusion comes in picture only after 2 dance forms or styles are infused. Pls do not forget, we are talking about dance that can be defined even if music is not played. Best Example, we showcased in our Sarvaa Dance Production. Where Bollywood dances had categories, Fusion had so, Bharatanatyam was defined and so was folk! Festival Folk was showed and was compared with street dances that looked like folk, Creative dances were categorized as well.
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Define Dances. Top : Folk vs Bollywood Jashn, Bottom : Bollywood Traditional Dances Showing culture of Rajasthan
Define Dances : Top : Bollywood Folk representing Festival Street Dance that represent Marathi culture, Bottom : Festival Street Dances that do not represent any culture.
Forget Music, Define Dances. Top : Bollywood hiphop, Bottom : Bharatanatyam
Folk Dance : Music Composition : Hetal Nagaraj.
Bottom line, if you happen to see that your child has an inborn talent or gift or it’s a family thing to stay in the circle of performing arts or your child is coachable then it is best interest of child and parent to groom the talent with all the required fundamentals and all the formal trainings from the right sources. Pilot it to the right direction and that’s when you get results.
And we are right here to teach you to do it right, all your life!
One life – million years not so sure but let’s give you 100 years J, one body-not rock 😉
More Pictures of Sarvaa Dance Production – Click Here.
Names of Folk Dances are not shared deliberately as people are blindly copying without learning it. Do it right, to know it right. It is about how you value your time in learning it so that you can teach! CALL NOW, 972 979 2559.
Website : www.graceandgrooves.com
Facebook : https://www.facebook.com/GraceAndGrooves
Twitter : https://twitter.com/GraceAndGrooves
Youtube Channel : https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw
Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2019. This material can not be published, broadcast, rewritten or redistributed without permission.
Anybody Can Dance(ABCD), Can Anybody Teach? ABCD = anybody can dance. Can anybody teach? Schools have teachers’ certifications and qualifications. Doctors have certifications and qualifications.
Workshops Craze ? Relax!!
Workshops Craze ? Relax!!
Workshops….What are they ? Did I miss one? Relax!!
Did you know ? Our owner Mrs. Hetal Nagaraj’s first workshop was for Kathak in 1999. Her craze about one of movie star Mrs. Madhuri Dixit Nene made her try a Kathak crash course and friends’ influence got her enrolled for both Gharaanas that were famous in her cities/region. One of which was very much taken by her own folk guru’s daughter (Kathak…
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Celebrating Our Guest Artists
Celebrating Our Guest Artists
An ode to all our guest artists who have performed with us in past in our journey of dance productions. These guest artist are invited to come and perform with their own work. The talent that they perform are not taught by us.
These are not our students either. They have their own dance academy at some place/city or have their own group that they perform. We pick their performance dance based on…
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Free to watch • No registration required • HD streaming
Salutations To Our People...We love you.
Salutations To Our People…We love you.
We thought of compiling the list of parents who work for us as an applaud to their services and volunteer assignments when they are able to do so for all our social media, ads, flyer printing, customer service, entry submissions to our organizers, website maintenance, costumes maintenance and costumes.
They either come to us or they do it from their place. They dance with us or their kids dance…
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To All Our International Artist Prospects
To All Our International Artist Prospects
We will need the following if you would like us to sponsor :
Copy of your eligibility such as certificates, website or you-tube links, resumes with pictures, videos and such credentials. Your past or current workshop or practice video clips per artist as required for total number of people if there are more than 1 person in group.
Your experience details and such in the field.
Copy of passports,…
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Would You Know The Dancer By Dance Name ?? And yes, comes the answer from all our students and every dancer that we have ever known.
Bharatanatyam students who have completed their exclusive trainings by all means want to take that crown of being fully trained and be called as Bharatanatyam Dancer once they reach to performing dance level. What do these names tell you : Smt. Rama Vaidyanathan, Smt. Mrinalini Sarabhai, Smt. Mallika Sarabhai, Smt. Hemamalini :), Rukmani Devi Arundale.
Students of Indian Folk Dances have always made sure to exclude themselves from Bollywood Dancers or Classical Dancers and take that ethnic crowd. Folk Dances are nothing but dance forms just not that long or lengthy as Indian Classical Forms. And so does these name : Smt. Mallika Sarabhai, Shobhana, Smt. Hemamalini, many more…
And yes, we have Bollywood Students who proudly takes the pride of being called as Bollywood dancer as they showcase some of their favorite actors to unlimited creativity that they learn at Mirchi Dance Academy. Check these names that identify as Bollywood dancers or choreographers : Smt. Hemamalini, Madhuri Dixit, Prabhu Deva, Hritik Roshan, Deepika Padukone, and many more.
And yet, all of the above people know exactly what they are doing! We are very sure that there will be more that we may not have mentioned and have established themselves as dancers. What do the names tell you though 🙂
Some dancers that dance between dance categories like Madhuri Dixit, Hemamalini, Mallika Sarabhai are still identified with their skill-set and showcase them well when done as actual dance form piece. While creative dancing is at its hype these days (not fusion), these dancers have carved differences between each of the dances that they perform. You see fundamentals in their dances, and so comes along flawless execution that comes with years of training. We all have seen them aging, staying young, growing big and small by waist in sizes :), small to long hair, becoming tan to becoming most fair of all and yet they do can do it right.
Why ? Training :). It trains your body to be able to handle that work no matter what you go through and it mentally prepares you to just do it. Your reflex by default goes to muscle memory when being said to do so and that does not happen in days. Not even in 10 days even if you dance from 9am to 9 pm for straight 10 days. First 5 days, you will be pretty much just learning the basics if so! To master dance forms, you will need to master those movements and with those, the techniques. To build that, you have to do it for over 100 hours minimum. Life is very simple and so is dance. Even if we dance across all we have ever learned, you can outline each of dance technique, identify it and name it. And once done, next comes the dancer :).
A lot of students at Grace And Grooves dance between categories depending on commitment especially our Folk Dance Students and Bollywood Students and they all are able to outline, differentiate and flawless show what they are they are doing, with names :). They can outline creative dances as well when its done. While Bollywood/Movie Dance program students enjoy the liberty to be able to attend any class they want, it is not everybody’s cup of tea to handle a class of dance form.
Now that is power of training that you would want to pay for. And this is why you do not want teachers who tell you to watch and learn. Remember one thing that everything that is online and requires physical work with techniques is for those know what it is.
One body and one life we all have and yes, we aim to do right. Our life is that precious and we want you to value your life :).
Some of our elite performers. Bharatnatyam in 2 different styles and Indian Folk
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One of our elite & trained gymnasts.-We did not train for gymnastics 🙂
Website : www.graceandgrooves.com
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Youtube Channel : https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw
Grace And Grooves holds exclusive rights for all the pictures being posted with permission of organizers for exclusive Grace And Groove use only.
Exclusive Copyrights by Reach Media for Hetal Joshi | Grace & Grooves | Grace Creations | Grace And Grooves 2012-2018.
All Pictures posted here are with an exclusive consent of participating students, parents or school staffs. This material can not be published, broadcast, rewritten or redistributed without permission.
Know The Dancer By Dance Name Would You Know The Dancer By Dance Name ?? And yes, comes the answer from all our students and every dancer that we have ever known.
Anantha Dance Production Series…………..
Anantha-1 was a dance production series showcasing beauty, elegance, creativity, as well as infinite possibilities of Bharatnatyam, Indian Folk Dances, Rabindra Nruthya, Manipuri And Kathak. All of this without forsaking fundamentals.
Idea of Anantha was implanted in 2018 January when we had faced some challenges that opened doors to other possibilities. First announcements were made to public in various medias from Nov 2, 2018 and onwards. Every year it just happens that as Grace And Grooves LLC plan their annual programs/recitals and they come out so beautiful that it ends up in dance productions with and without dance-musical dramas.
But the idea of dance recital was not enough for Bharatnatyam and Indian Folk Students after getting ready for 30-45 mins with all that make-up and costume.
As students excel in dance forms, they needed something fun and exciting to rule over the stage. These students not only wanted clear understanding of possibilities within the dance form but to be creative(and safely) was other challenge. So, Anantha Production Series it was!
With straight background comes unlimited (Anantha) creativity. Thus, the name of “Anantha” was given to this dance production series with each dance showcasing unlimited possibilities in each dance forms. The name and concept is inspired from several dance productions of her mom, teachers, gurus, exponents and her own dance institutes such as Daksha V Joshi, Mrinalini Sarabhai, Daksha M Joshi, Tanjore Brothers Original Margam, Kalakshetra Foundation, Natyavihar Kalakendra, Malathi Iyengar. This intense training for over 34 years has given a shape to Hetal’s own dance creations within exclusive Indian Dance Forms and Bharatanatyam. Some dances have also received exclusive copyright permissions to republish under the name of Hetal Nagaraj and some have received competition awards early this year and years before as well.
Anantha-1 opened its door with some her elite students such as Ashna Pethe and The Setty Siblings who are in advance trainings from years now and Rinku Das-a budding artist of Dallas-Forth, Texas. Anantha was also a major event for Grace And Grooves LLC as their intern choreographers, performing team got every opportunity to be creative under the supervision, direction of Hetal Nagaraj and yet feel challenged without forsaking fundamentals of each dance form. All of it with full safety on practicing it in the right way. It is not about perfection, it is about doing it right.
Hetal Nagaraj is artistic director of Grace And Grooves LLC. This is her 4th dance program in a row showcasing A Grade Indian Dance Productions with each dance as a reflection of her experiences, trainings and now the degrees. It has been peculiarity of Hetal that her dances include Nritta, Natya and Nruthya as its basic components with balance of Tandav and Lasyam. Each dance of her has a name along with dance themes that are full of life, happiness, thankfulness, blessings and above all beautiful costumes that she herself designs. All the students have so much fun learning and practicing for Anantha during their regular class hours itself. It is not like you pay and you get to be part of it. It is what they learned, they showcase.
No outside students were allowed to perform or take trainings or as part of freelance dancers. Anantha Dance Production Series is about Grace And Grooves LLC students and their team only.
From students who wanted the thrill got it covered along with students who wanted the fun of natyam alone still staying in their respective dance forms. Hetal picks them by hand for this dance production and not everybody is able to make it to this. This is Hetal Nagaraj’s VERY FIRST exclusive dance production for Indian Dance Forms and A Tribute to Rabindranath Tagore Famous poem which as a matter of fact matched to our production name. Who said dance forms are boring..Not at Grace And Grooves!
Congratulations to Students Samarth Setty(Age 11) and Tejawini(Adults) for completing their entire Bharatanatyam margam in Anantha-1 by performing back to back for straight 3 hours from Pushpanjali, Allaripu, Jatiswaram, Thillana, Group-Shabdam, Creative Bharatanatyam, Copyright Bharatanatyam, and Rabindra Nruthya as well.
At Grace And Grooves, we aim to make sure you understand everything you see while we are just doing our job. Every beautiful thing under this sky has a name and so do the dances. From the thrill of nritta, beauty as in lasyam, fun of natyam, devotion as in bhakti and tapasya as in training, power as in shakti of tandav and possibilities as in Anantha- the infinite and we are still in same dance form 🙂
Anantha-1 Dance Production happened in Plano Courtyard Theater, Plano-Texas on Jan 27, 2019 and was made possible by Dhamaal Events in association with Grace Effects ( Gopal S and Dinesh Kumar for photography and videography services).
Big Shout Out To These Young Teenagers who had their paid student assignments at Anantha-1. Aditya Sangole as our South Technician and Emcee Yashika Nabar for our dance production Anantha-1.
Anantha Dance Production is next scheduled in March 2020.
Thillana, Shabdam by Hetal Nagaraj
Jatiswaram and Pushpanjali by Hetal Nagaraj
Rabindra Nruthya, Allaripu by Hetal Nagaraja
Indian Folk Dances, Dances of East India
Indian Folk Dances from North Indian
Indian Folk Dances from South by Performing Team with their own choreography…congratulations!!
Indian Folk Dances from the Western India
Congratulations Samarth Setty And Tejaswini for completing their entire Bharatantyam Margam in one show
Call NOW because time and tides wait for none…. 972 979 2559.
Website : www.graceandgrooves.com
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Youtube Channel : https://www.youtube.com/channel/UCSbZYIr0EPzrfPNzH_0FcVw
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Anantha Dance Production Series Anantha Dance Production Series.............. Anantha-1 was a dance production series showcasing beauty, elegance, creativity, as well as infinite possibilities of Bharatnatyam, Indian Folk Dances, Rabindra Nruthya, Manipuri And Kathak.
Why Seperate Names For Each Programs?
Why Seperate Names For Each Programs?
We always get this questions by people who do not know the art-forms.
That why Seperate Names For Each Programs?
We thought we will pen it, finally!
Bharatanatyam Students DO NOT want to even hear about what Bollywood/movie dance students are doing.
Funny but true that they are perfectly fine having Indian Folk Dances around during recital times but they want to hear ONLY BHARATANATYAM NEWS..
Sur…
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Rinku Bharttarcharya Das
Rinku Bhattarcharya Das
Rinku Bhattacharya Das was initiated to the world of Kathak dance by her mother Smt Mallika Bhattacharya disciple of Guru Acchan Maharajji and Guru Laxminarayanji of Gunijankahana Jaipur. Ever since winning the prestigious Indian national dance scholarship from West Bengal Governor B.D. Pande at age 5 she continued her training from Smt Bela Arnab ( Dean of Kathak dance…
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Hetal Nagaraj.
Hetal Nagaraj Dance Background :
Classical Background: Formal Trainings of introducing Indian dances started at the age of 4 from her mother Lt. Daksha M Joshi. Age 6, Formal Bharatnatyam Training started with Ms. Daksha. V. Joshi (Kalakshetra Style).
2018 Master of Fine Arts(Bharatnatyam) from Tiruchirappalli Diocesan Educational Society (Tamil University) under the mentorship/guide of Dr. Marie…
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