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@go-to-two
I know VAR has its place and I have a love/hate relationship with it but it'll be pure hate if it's used to officiate freeze frames of incidental plays, long story short they did Balogun dirty with that red

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Do you think Tracy will have a love interest in Anna Pigeon because of the book?
Well, we see in the trailer that she does- to some extent. Based on the books they're drawing from, she'll likely more than one in different capacities. What liberties they take for the show, we shall see.
I will say, USA Network was very tame with romance back in my day (the 2000s to early 2010s). Mostly in the line of... kiss, unbutton the shirt, fade to black.
One of the clearest signs that the Anna Pigeon novels are from the '90s is that they exist before the smutification of books. Using phrases like "lain with a man" and "they made love".
They're banging, Nevada.
Is Anna Pigeon only one season?
We don't know yet! The broadcast TV market is rough and tumble right now, but Anna Pigeon is largely Canadian-produced. That's something to factor in when looking at the likes of Versant and USA Network, and whatever their plans for programming are.
Maybe they'll do more, maybe they're one and done. No way to know right now.
Comcast letting go of the rest of NBCUNIVERSAL… one of the biggest media companies still wasn’t on my bingo!
Looooord I'm still trying to understand how the Versant spinoff really works. Now I gotta understand NBCU too. Crazy times.
It's still so fascinating to me that, amidst all this, entities USA Network and NBC are making a push to return to scripted programming and pilot seasons (respectively) on broadcast TV. They really are that dog saying "this is fine" while everything is on fire.
I need to read up more on what this all means, beyond what I believe is the countdown clock for network TV ticking a bit faster.

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Southern California. Monitor your air, go inside. You don't want to be breathing this stuff in.
How did you feel comfortable meeting someone from online fandoms if you want to be anonymous?
This is a fair question!
I will say, the in-person friendship started as anonymous DMs for a long time. We found out we had some commonalities in our history, but generally didn't know who the other was. We didn't ask for identifying information or press the other to give it. We just got along.
We didn't meet in-person until I had a last minute ticket to an event, and I offered them to join me with the understanding that we could just as easily stay anonymous. Honestly, I can't remember what we had already shared at that point. First names and vague details, I think. Before we met in person, we used other social media to confirm that we were who we said we were (wouldn't meet in person without doing so!) and we met for the first time in a crowded, public place (also wouldn't meet in person without doing so!)
I can't say what made me feel comfortable. For a while, we joked that we were that spiderman meme with the pointing. You know the one. Basically, neither of us were gonna expose the other because we didn't want to be exposed ourselves. It was a joke. Mostly.
Sometimes you just kind of know who you can trust, then take the steps I mentioned above to keep everyone honest and to meet as comfortably as possible.
How do you think you’d react if you got a job working with Trasse? Have you ever worked a job around someone you’ve been a fan of?
Well, I'd probably disappear from here, to start 😂
It feels like less of a thing now that they're off PD and I don't talk about PD nearly as much, but I still wouldn't be active here if I was working with someone I have posted about.
Other than that, they wouldn't know. I wouldn't say a word about fandom stuff. Same goes for any job, with anyone (because yes, I have had interactions with people who I've been a fan of). They seem like genuinely nice people so I'm sure working around them would be a good experience, but I wouldn't approach it any differently than any other job. Working around actors/musicians/etc doesn't really phase me anymore.
(feels worth noting that only one person I know IRL knows I have this blog, and I met them on here. I don't mix the worlds)
Do you think Tracy’s posting spree is help promotional?
Ehhhh, maybe? But also big promo pushes are more curated. If anything, it could just be Tracy's team requesting she post more in general rather than coming out with a comprehensive social media promo plan.
It also wouldn't surprise me if this is just Tracy posting more as she has more going on. Quick vacation posts aren't atypical for her, but lately she's making more professional appearances, so her feed reflects that.
Could be a natural combination of the two.
I'm usually a pretty open minded gal but these mandatory hydration breaks will make a purist out of me

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Can you share what your jobs are? Can you share how you find them in the entertainment industry?
This is one of those topics I stay pretty private on! Partially for general internet safety, and partially because I know there are some folks on here who are either from my city or the industry (or both!), and I'm trying to keep that wall of separation high.
So I won't say where I've worked or my exact titles, but it's been a mix of production companies, studios, and live entertainment (not in that order). I'll say generally how I got each job, but please keep in mind that some of these are contract/freelance, and I've spent a loooot of time out of work/looking for work. It's the way of the west in entertainment. Just something to keep in mind if you're asking with the intention of getting into it yourself. I'd say don't, but clearly I don't take my own advice 🙃
Job #1 (college job): pretty self-explanatory. My university had opportunities for students to work in production. I did.
Job #2 (internship): again, through my university. Past students had worked for this company on a rotating basis, so I rotated in when my time came.
Job #3 (first "adult" job after college): got lucky! Applied online, interviewed, was chosen
Job #4: brought in by someone at job #3
Job #5: didn't know anyone, but was brought in because of my job title at job #4
Job #6: was brought in by someone I had networked/grabbed coffee with a year prior. Played the long game, still didn't work out long-term.
Job #7: went the old fashioned way. Saw the job online, applied, interviewed.
Will you live post for Anna Pigeon?
Oh, I hadn't even thought about that.
Ehhhh, I don't know. I'll watch. I'll most likely share my thoughts. Undecided if it'll be live or not.
I started a new job recently (yes, I have said that a lot on here. Entertainment!) and the instability of everything has been really hard for a long time. I'm still adjusting. I'm getting home and just wanting to collapse. I'm on here less, and I'm not sure I'll be able to watch shows live. TBD what August will look like.
Long way to say... maybe. But I'm sure I'll share my reactions at some point.
I don't think Tracy believes everything happened * that night * but rather that they didn’t end up in bed (although I think they did 🤣) and that everything was quickly forgotten and forgiven after that night.
I think what she means is that a real reconciliation takes time.
Yeah, I think she regards them ending up in bed and a full reconciliation as one and the same. Can't blame her for that, considering if they were to have ended up in bed, that is all people would have really focused on.
Tracy has been very consistent in (1) leaving things ambiguous and (2) always making sure to bring the conversation back to how much Hailey was hurt, which is fair given the amount of work she put in to seasons 10 and 11. It almost feels like her agreeing that they end up together would cause the conversation to brush over all that, so she doesn't. I could be way wrong in my interpretation, but that's just the vibe I get from her answers.
Anyway. It could also be a case of her caught off guard by a question and doing her best to give a satisfactory answer, because I don't think she was expecting that.
Either way, a hopefully ambiguous ending means everyone gets to finish the story how they please. If they got drinks and said goodnight in your version, cool! If they ended up in bed, also cool! I don't have a solid theory I adhere to, beyond the general belief that they find their way back together.
Someone please tell Tracy that we don't believe Upstead endgame happened ~that night~
Ha, I mean there's only so much space for technicalities when answering a question in an interview, right? Especially an interview for another show altogether.
But okay, I'll do it. Tracy, if you're reading this (please, dear God, don't be reading this): yes we believe Jay and Hailey end up together, and no we don't believe she forgave everything and they moved past it all in one night.
I’m so happy for Tracy and can’t wait to watch her new show for her. I’m a bit surprised by the level of promotion that’s going into it. Maybe that’s wrong and this is just standard for a show like this and maybe I have a misconception on the extent of tv promotion nowadays.
I think it's pretty standard! Especially for Versant/USA Network relaunching scripted programming. It feels like a lot right now because her appearances have hit back to back to back. Upfronts, award shows, and TV festivals are all typical ways to put your talent and your show's name out there, but they just happened to fall one after the other (especially for someone like Tracy, whose professional appearances have been somewhat sporadic over the years). I would imagine they have a premiere planned for the show, as well as your typical industry rounds for interviews still to come.
(somewhat related sidenote: I'm a little jealous that she can wear yellow and still look good. We have similar-ish coloring, though I'm more pale, and I look like a bad banana in yellow)

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What female would you use for spin off?
Which woman would I have co-showrun or EP? There are plenty who could do the job, but I'd look at someone like Jane Raab. I know her name from Only Murders in the Buiding, but she was also EP on Blue Bloods for several seasons. If you look at her imdb, she has work that includes crime dramas (like Castle) and character-driven (like Sex and the City). I think she has a really cool resume. I don't believe she has been a showrunner before, but I do believe she has UPM experience so she's no stranger to the nitty gritty of production.
I'm pitching this as if it's reality 😂
Anyway. I'd look at someone like her to balance the case-heavy approach Wolf Ent showrunners tend to take.
https://x.com/i/status/2060098812790620465
https://x.com/i/status/2060171670053081429
Here are links to X threads from someone who was at the Anna Pigeon panel today in case you didn't see 🫶🏻
Oh I didn't, thank you! Also thanks to the OG poster, if you're on here.
So the season is based on book 1 and book 17, which is technically a prequel. Makes total sense. I'll read that after I'm done with book 2.
Interesting that they didn't use a studio or stages, but also a great way to use the setting when it's so important to the plot. OG poster, if you're on here, can you explain what you meant by "whole time a backlot"? I'm 99% sure you mean they created their sets fully on location, but this is just me being nosy.
7.5 day shoots is a pretty good pace. Being on location both helps (interior/exterior shots are more seamless, so less stop-and-go) and makes it risky (weather! sound! bears? 😭)
It's actually so nice to hear Tracy sound relieved about playing a character with more levity. I think we could all see and feel how exhausting it must have been to play Hailey in her final seasons. Love the character, always will, but I'm also happy Tracy got to step into something different that highlights her range.
Okay I'm done. Thanks again! Hopefully all who went to ATX had a great time.