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@glowingg1rl888
this is IâŚ..nice to meet you đЎđâŽď¸

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Young girls listen attentively in a sewing class
Greenville, S. Carolina
Margaret Bourke-White, 1956
A night out at a juke joint â South Carolina
Margaret Bourke-White â56
Valentineâs Day (1941) filmed by H. Lee Waters

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Etta James rehearsing a song in session!. 1960s.
A Mangueira samba school reveller performs at the Sambadrome during Carnival in Rio de Janeiro.
when you use a word and wonder if you used it right and you check and you correctly pulled an uncommon 3rd or 4th definition
omg you people can do anything

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IF YOUâRE HAPPY AND YOU KNOW IT: Track Of The Year Or Emotionally Manipulative Slop?
canât even criticize the diet industry or the recent wave in misogyny and return of thinspo with the rise of ozempic as a weight loss drug without everyone having this knee jerk reaction to defend âwomenâs rightsâ to be malnourished and conform to white patriarchal beauty standards in the name of feminism. god forbid we not encourage eating disorders and unhealthy body image in women. choice feminism is a disease and everyone is licking the rats itâs driving me crazy
âThe Militarization of the Police Department â Deadly Farce,â an original painting by Richard Williams from âThe 20 Dumbest People, Events, and Things of 2014âł in Mad magazine #531, published by DC Comics, February 2015.
Hereâs the original, for comparison. And hereâs a bit more about the artist and why he created the piece above for MAD Magazine.
Richard Williams on Norman Rockwell:
âFor most people, he was the painter of âAmerica,ââ he added. âBut even he said his vision was what he wanted âAmericaâ to be. It was a mythical âAmerica,â a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasnât really true⌠you just wished it was. My parody of Rockwellâs painting simply says, âThat myth is dead.ââ
I think itâs relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldnât allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.
A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.
But I donât think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here
Rockwellâs legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.
Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:
But I think itâs important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:
We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.
Iâd just like to briefly say even Rockwellâs seemingly feel good Americana pieces are often more political than people today realize for example
likely the most famous picture of a Thanksgiving dinner ever painted and you see it all the time.
What you may not know is its actual title
âFreedom From Wantâ itâs a part of a series of 4, including this now famous meme
âFreedom of Speechâ These paintings were illustrations of FDRâs âFour Freedomsâ speech where The President laid out a vision that would become what the Allies were fighting for in WWII universal human rights that became a part of the UN charter.
So this homey American Thanksgiving scene was also a bold statement that no one in the world should go hungry
Rockwellâs work was very political, he used that Americana small town America vibe of his work to make what he was saying feel very close to the viewers he was trying to reach and also his optimism of the human spirt but for sure not blind to the need to build a better world.
Frame, In Violet

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Sarah Dash.
Gemini had the fucking GALL to get in my email and summarize a 3-line email, taking up more space than the email did visually.
Hit the âthumbs down.â Itâs like, whatâs wrong??? Was our summary wrong? Were there offensive words? Thank you for helping us improve our AI tools :)
I selected âother.â
Text box popped up. Please elaborate!
Wrote in âI can fucking readâ submit comment
Then had to spend several minutes torching all my settings with a flamethrower. Let me be clear: Iâm (a lawyer) notoriously picky with my words FOR GOOD REASON (lawyering) so I overwhelmingly reject Gmailâs âhelpfulâ little assistance. My privacy settings were set to âfull paranoiaâ a little less than a year ago when I saw the writing on the wall and knew public defenders could become a target in the future. Better to lock it all down now.
Gemini had crept in there and turned ALL that shit back on. And showed itself by saying âJane Doe says sheâs so sorry for your loss and offers to reschedule for Thursday at 3â over an email from Jane Doe saying âIâm so sorry for your loss. We could reschedule for Thursday at 3?â
Why would I possibly need this. In what universe would I need this. I have eyes and a brain and a reading speed that twenty years ago was measured at 1500 wpm with full comprehension on dense scientific text. Furthermore! If I read a summary, Iâm not reading what they actually wrote. If Iâm not reading what they actually wrote, Iâm not using my own judgment on the words and phrases that they used.
I literally donât understand why this is helpful at all. This is just avoidance. Using LLMs to write is specifically Not Writing. Using LLMs to summarize is Not Reading. Using them to make art is Avoiding Making Art. Just READ! Just WRITE! I was not put on this fucking planet to not read and not write and not make art! Avoidance is an anxiety symptom and indulging it gives it more power.
If I had an AI to do my most dreaded task, answer the phone for clients, I wouldnât use it. Because an AI cannot help them. An AI cannot hear the facts of their case, make appropriate noises, be thoughtful and insightful, and then give them a realistic estimate of what could happen in court. I am unique. I cannot be replaced by machine learning. I have style. I have expertise. I donât hallucinate unless Iâm having a really great Friday night and Iâm off the clock.
When I need to outsource tasks from my own brain, I give them to people I know can do them and that I trust to do them right.
Fuck, it just sneaks up on you, doesnât it?? Goddamn Gemini jumpscare right in my own fucking email