HUDSON + JACOB
The Bowery Presents
PUT YOUR BEARD IN MY MOUTH
Hole
let's talk about Bridgerton tea, my ask is open
Show & Tell
ojovivo
★
d e v o n

roma★

bliss lane
𓃗
taylor price
NASA
KIROKAZE
One Nice Bug Per Day

Kiana Khansmith

gracie abrams
Noah Kahan

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@giveemhales
HUDSON + JACOB

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let's recenter shane and ilya roughhousing. shane and ilya play-wrestling in the living room after ilya ragebaits shane. ilya pinning shane down on the floor, holding his hands down and thinking he won. and then shane bucking up and using his strength to flip them over so fast that it surprises ilya a little. ilya suddenly being reminded that every time ilya pins shane down, it's because he lets it happen and that shane can absolutely body him if he tries. that reminder making ilya so fucking dizzy with lust he almost passes out but he manages to not do that only because he doesn't want to miss a second of being pinned down under his strong husband and all his muscles. anyway. let's recenter that
I’m sorry, but I just laughed so hard I choked on my own spit. I just stumbled across the funniest and cutest crackfic ever! Triple entendre for the win!
An Archive of Our Own, a project of the Organization for Transformative Works
Ilya is talking to Hayes and Bood about Halloween and couples costumes when he brings up Batman and Robin. He makes a comment about how Shane would be a sexy Robin when Wyatt interrupts and says "Stop! Please! I know Batman and Robin is a common couples costume but Robin is literally his son and I will not attend a party where I see Batman and Robin making out in every corner!!!!!"
In the end, everyone is happy when Ilya and Shane ultimately go as Batman and a genderbent Catwoman. Ilya gets to look sexy in leather, Shane gets to brood all night, and even though Wyatt is subjected to Hollanov shenanigans, at least it's comic book accurate...
... that is, until Zane and Cassie show up as Superman and Supergirl.
When I talked about how many pages were devoted to Ilya getting a dog, I was being sarcastic. Of course that’s not all there to it. That portion of the book also reads like a giant “fuck you” to closeted queer athletes everywhere, including the Ilya Rozanov of Heated Rivalry.
In Chapter 31, homophobia in hockey pretty much becomes a joke. Here Ilya and Troy are talking about Troy’s coming out experience. Troy says it’s been “the best of week of my life” and he feels like “like, a million pounds lighter”. This still seems somewhat OK because carrying a secret like that can be a huge burden. Troy describes being publicly out simply as “Amazing.” And that’s essentially the entire answer. There’s no qualification like amazing but scary, amazing despite the abuse, or I’m glad I did it but there have been consequences. The online response is described as overwhelmingly positive and supportive. Troy says “If I knew how good it felt to be out, I may have done it sooner”. (Dude, you’re making coming out as queer in a highly homophobic sport sound like going on Space Mountain). Ilya literally thinks that “coming out as bisexual wouldn’t be such a big deal. Not in a bad way, anyway”. Apparently the bigger deal is that he’s dating Shane. So it turns out the NHL isn’t that homophobic. They’re just rivalry-phobic. So why the fuck are all the queer players in the league so friggin scared then? Why were you? Do only Russian queer athletes have reasons to be scared? (Oh yeah, you’re still Russian too!) And why was Troy’s fear so profound that he ended up befriending a rapist to survive? It turns out that for years, he acted as a bigot and spewed nasty shit for being afraid of something that’s no big deal?
People can headcanon that there might be negative aspects to coming out for Troy. Then it makes no sense that none of that gets mentioned here. Troy is actively encouraging Ilya to come out here. Why wouldn’t you paint an accurate picture when your best friend is on the precipice of making one of the biggest decisions of his life, one that he potentially can’t walk back from?
This whole portion of the book risks being stigmatizing toward real closeted queer athletes, because the implication starts drifting from “the closet is a rational survival response to homophobia” toward “if only you knew how wonderful coming out was, you would have done it sooner.” Even for the HR show, queer hockey players have pushed back against this fantasy. Zach Sullivan said the “psychological and mental trauma” of being closeted in an overtly homophobic sport had been “totally disregarded”. Stephen Finkel also said it makes coming out look “way easier said than done.” If the narrative in HR was already problematic, TLG is way worse. Then lets look at some of the praise for HR. Outsports says queer athletes watching the show are revisiting “secrecy, fear, and isolation” and experiencing “a moment of validation,” with the show helping them understand that their struggles came from “a culture that long demanded silence, rather than any personal failings.” Real-life queer athletes would probably identify more with Shane in TLG as a mirror of their experiences and fears. Except instead of providing a moment of validation, his fear IS somehow portrayed as a personal failing with the underlying message that he is selfish in TLG.
Closeted queer athletes do not need fiction implying that their fear was unnecessary. They need the homophobia producing that fear to be taken somewhat seriously. You can give Troy a joyous coming-out story without making the closet look like a mistake queer athletes simply lacked the courage or information to avoid. It’s necessary in a story involving hockey players coming out to soften homophobia somewhat, but there is a big gap between being realistic and actually saying stuff like “coming out as bisexual wouldn’t be a big deal” and painting the queer character who’s the most afraid of coming out in the story as selfish.
The scene where Troy talks about how great coming out is genuinely one of the most infuriating scenes in TLG to me.
My dude… You are part of the reason people can’t come out. You actively spewed homophobic rhetoric on the ice for years, so that you wouldn’t have to experience it yourself. You were afraid of how you would be treated, and you made other people afraid too. You contributed to the reason players are afraid to come out. Players are scared to come out because they will know they will have to endure behavior that you perpetuated and normalized!
Troy acting like actually coming out is so great is basically saying that he spent his whole career terrorizing people on the ice and being a bigot… for no reason. He wasn’t even protecting himself, because there was apparently nothing he needed to be protected from. He has no excuse for the terrible things he did. Or he was protecting himself but is having so much fun being out that he can’t understand why anyone would stay in the closet (when he didn’t just stay in the closet, but also built a closet of reinforced steel and shoved everywhere in there with him). In which case he’s apparently just incapable of empathy. Either way, the conversation just makes him seem selfish/self-absorbed (while trying to act like someone who would keep their partner in the closet is selfish/self-absorbed)
Sorry but this is literally Troy during that conversation

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When I talked about how many pages were devoted to Ilya getting a dog, I was being sarcastic. Of course that’s not all there to it. That portion of the book also reads like a giant “fuck you” to closeted queer athletes everywhere, including the Ilya Rozanov of Heated Rivalry.
In Chapter 31, homophobia in hockey pretty much becomes a joke. Here Ilya and Troy are talking about Troy’s coming out experience. Troy says it’s been “the best of week of my life” and he feels like “like, a million pounds lighter”. This still seems somewhat OK because carrying a secret like that can be a huge burden. Troy describes being publicly out simply as “Amazing.” And that’s essentially the entire answer. There’s no qualification like amazing but scary, amazing despite the abuse, or I’m glad I did it but there have been consequences. The online response is described as overwhelmingly positive and supportive. Troy says “If I knew how good it felt to be out, I may have done it sooner”. (Dude, you’re making coming out as queer in a highly homophobic sport sound like going on Space Mountain). Ilya literally thinks that “coming out as bisexual wouldn’t be such a big deal. Not in a bad way, anyway”. Apparently the bigger deal is that he’s dating Shane. So it turns out the NHL isn’t that homophobic. They’re just rivalry-phobic. So why the fuck are all the queer players in the league so friggin scared then? Why were you? Do only Russian queer athletes have reasons to be scared? (Oh yeah, you’re still Russian too!) And why was Troy’s fear so profound that he ended up befriending a rapist to survive? It turns out that for years, he acted as a bigot and spewed nasty shit for being afraid of something that’s no big deal?
People can headcanon that there might be negative aspects to coming out for Troy. Then it makes no sense that none of that gets mentioned here. Troy is actively encouraging Ilya to come out here. Why wouldn’t you paint an accurate picture when your best friend is on the precipice of making one of the biggest decisions of his life, one that he potentially can’t walk back from?
This whole portion of the book risks being stigmatizing toward real closeted queer athletes, because the implication starts drifting from “the closet is a rational survival response to homophobia” toward “if only you knew how wonderful coming out was, you would have done it sooner.” Even for the HR show, queer hockey players have pushed back against this fantasy. Zach Sullivan said the “psychological and mental trauma” of being closeted in an overtly homophobic sport had been “totally disregarded”. Stephen Finkel also said it makes coming out look “way easier said than done.” If the narrative in HR was already problematic, TLG is way worse. Then lets look at some of the praise for HR. Outsports says queer athletes watching the show are revisiting “secrecy, fear, and isolation” and experiencing “a moment of validation,” with the show helping them understand that their struggles came from “a culture that long demanded silence, rather than any personal failings.” Real-life queer athletes would probably identify more with Shane in TLG as a mirror of their experiences and fears. Except instead of providing a moment of validation, his fear IS somehow portrayed as a personal failing with the underlying message that he is selfish in TLG.
Closeted queer athletes do not need fiction implying that their fear was unnecessary. They need the homophobia producing that fear to be taken somewhat seriously. You can give Troy a joyous coming-out story without making the closet look like a mistake queer athletes simply lacked the courage or information to avoid. It’s necessary in a story involving hockey players coming out to soften homophobia somewhat, but there is a big gap between being realistic and actually saying stuff like “coming out as bisexual wouldn’t be a big deal” and painting the queer character who’s the most afraid of coming out in the story as selfish.
The scene where Troy talks about how great coming out is genuinely one of the most infuriating scenes in TLG to me.
My dude… You are part of the reason people can’t come out. You actively spewed homophobic rhetoric on the ice for years, so that you wouldn’t have to experience it yourself. You were afraid of how you would be treated, and you made other people afraid too. You contributed to the reason players are afraid to come out. Players are scared to come out because they will know they will have to endure behavior that you perpetuated and normalized!
Troy acting like actually coming out is so great is basically saying that he spent his whole career terrorizing people on the ice and being a bigot… for no reason. He wasn’t even protecting himself, because there was apparently nothing he needed to be protected from. He has no excuse for the terrible things he did. Or he was protecting himself but is having so much fun being out that he can’t understand why anyone would stay in the closet (when he didn’t just stay in the closet, but also built a closet of reinforced steel and shoved everywhere in there with him). In which case he’s apparently just incapable of empathy. Either way, the conversation just makes him seem selfish/self-absorbed (while trying to act like someone who would keep their partner in the closet is selfish/self-absorbed)
I’m coming to the realization that one of the big issues in TLG is that Ilya keeps addressing their relationship problems similar to how he does in HR, but the way you treat your situationship is not how you should treat your life partner, and this issue is never resolved.
Like in HR, Ilya’s go to is to hold everything in and lash out without context (Sochi, Vegas rooftop scene). When he wants to have a serious talk with Shane, he refuses to be straightforward and won’t say what he means (tuna-melt convo about sex with girls). And when Shane is upset, Ilya’s go to is sex (Vegas bathroom and penthouse scene, Vegas rooftop scene) or he tries to deflect until Shane forces the conversation (Tampa). And this makes sense when sex is all that their relationship is, and all that they allow it to be. Ilya isn’t willing to open up about Russia and his family problems because that is not the relationship they have, and he doesn’t think they can ever have that relationship.
But they do have that relationship in TLG, yet that’s still how he acts. At the cottage, they realize they need to be honest with each other and they need to communicate. But that’s not what Ilya is doing in TLG. He is once again refusing to communicate to Shane about his issues and blows up on him without context (Boxing Day fight). He won’t say what he actually means (he is alone and wants to come out) and instead makes jokes (about Troy being hot and they could have a threesome). When Shane is the one who is upset, his solution is sex (trophy room) or downplaying (tripgate).
It makes sense for Shane to be fine with this and forgive and forget in heated rivalry. They have no commitment to each other and neither of them know what they are doing. But in the long game, they are in a committed relationship. They are adults and planning on spending the rest of their lives together and owe each other a duty to be honest to each other and emotionally support each other.
But Ilya has seemingly regressed. That can be explained by his depression, but that doesn’t explain Shane consistently being the one to apologize and being totally fine with Ilya’s disrespect. They reconcile after the Boxing Day fight, and they do both apologize, but the onus is on Shane to make concrete changes to their relationship. He proposes and agrees to come out in the summer. Ilya does not try to be more understanding of Shane’s fears, and he never provides meaningful emotional support after the outing (only sex and jokes). Ilya has regressed to his younger self. He does have character growth in the book, but all of it is internal (accepting his depression and getting treatment, etc), none of it is related to Shane, so he keeps treating Shane like he once did, when that is no longer acceptable. And Shane has character growth in regards to Ilya (realizes how much Ilya has sacrificed and that he needs to prioritize their relationship and not only his own concerns), so he treats Ilya better than he used to, but he has no internal growth (at least none that is meaningfully explored; he basically stops caring about any of his prior fears but there is no explanation of why, and he doesn’t stick up for himself against Ilya (or anyone really tbh)).
Ilya gets everything he wanted in the end, without becoming a better partner for Shane. Shane becomes a better partner for Ilya, but loses everything he wanted to keep. Shane’s ending is not happy and Ilya’s lack of mutual growth as a partner is a disservice to his character. And that sucks!!
I haven’t seen anyone else discuss this but my biggest issue with Shane going to Ottawa at the end of TLG is that means the last time he ever competes against Ilya, he tripped.
Like he knows his team thinks he tripped on purpose. The whole world thinks he tripped on purpose. Wouldn’t he be desperate to prove everyone wrong? How can he do that when he is on Ilya’s team? Now everyone is going to think this is proof. He tripped on purpose so his boyfriend and the team he planned to join could win.
And he’s never going to be able to prove otherwise. He can play the best hockey of his life, and that’s just further proof he tripped for Ilya, and is only playing well now for Ilya. As far as the world is concerned, he was a 3x Stanley cup winner… and then as soon as he’s in a relationship with Ilya (as far as the world knows), he loses to one of the worst teams in the league that happens to be captained by his boyfriend and is directly responsible for the loss (again, as far as the world can tell). And then he only goes back to playing well once he’s playing under Ilya.
He’s the most competitive person on earth and especially competitive with Ilya, and now that’s gone. He will never beat Ilya again (unless he goes to a new team). He can’t even say he’s equal to Ilya because Ilya is his captain now. He’s basically admitted defeat.
I know it’s a romance novel so them being together is supposed to be the happy ending, but I just don’t think it makes sense for his character. Realistically, I don’t think Shane would join Ilya on a team until he had a chance to prove himself while they were a couple. He would want an opportunity to remind the world he’s more than Ilya’s husband, he’s Shane fucking Hollander. And he loses that chance when Ilya becomes his captain. To the world, he will now be known as the man who gets on his knees, on and off the ice, for Ilya Rozanov. There is no more rivalry, because Shane Hollander lost. How is that a happy ending for Shane?
How dare you decide for Shane that his ending is not a happy one? Don’t you know that Shane is a real person in the real world who definitely has his own interiority and ability to make decisions and if he’s decided he’s happy, he is - and he is DEFINITELY not a fictional character whose emotions and reactions are actually dictated by his writer? No no, pay no attention to the writer behind the curtain. Shane is a REAL BOY who does not appreciate you projecting your hysterical emotions onto him, a definitely real human being with aaaaalllll the agency in the world because his writer said so. Sorry, I mean because SHANE said so. Because he is definitely a real person who can really decide how he feels for real.
shane gets ilya trapped in the same way cat owners get cat trapped. if he's chilling on the sofa of an evening ilya will commandeer his lap and that's where he's napping. full dead to the world sleep with his head tucked into shane's thighs. and shane absolutely doesn't mind. he abides by cat rules even if they have company like, "sorry, bud, i have an ilya." 🤷
Everything that happens to Shane in TLG is not actually about him. Everything that happens to him is simply a means to an end to get Ilyas story to go how the author wanted. Why did Shane come out to his team? What led him to believe they would be accepting? Or if he didn’t think that why did he still choose to come out? How did it go? How did this potentially impact how he views coming out going forward? There is no exploration of any of the answers to these questions at all. Why? Because it served no other purpose than making it so that Ilya couldn’t come out without people suspecting him and Shane. It was not so Shane could come out and could experience support or even about coming out and experiencing the opposite, it was simply to add to the pressure on Ilya not to come out and simply to make it even more “Shane’s fault”.
Shane being outed, Shane being ostracized from his team, Shane being dragged through the mud and pushed out of his team for trip gate, his professional reputation and career taking a huge hit, losing the respect of his colleagues bosses and many of his peers, being accused of cheating by one of his closest friends, none of it is explored at all with appropriate depth. Why? Because it wasn’t about Shane. All of these events were simply to make it so that Shane couldn’t possibly want to stay in Montreal. It was to force him to Ottawa so Ilya could get his Happily Ever After of Shane and him playing on the same team. None of it is ever explored. The fallout of it is literally condensed to three fucking paragraphs. That’s it. No of course Shane is perfectly ok after all of this happened. He just said Fuck It and is now Chill. Yeah he’s so Chill. And guys he’s so Happy!! He’s playing with his husband on the same team and he doesn’t even think about all that terrible shit that happened to him because it doesn’t matter cause now he’s on the same team as his man so therefore He Is Happy.
The problem I have is people will go “well he literally says he’s happy! The narrative tells us he’s happy guys stop saying he’s not it literally says it” and it’s like well have you never interpreted something before. Perhaps made an inference. What about learned the difference between “telling” vs “showing” in literature. Because frankly I don’t give a fuck what the narrative is telling me he feels, I have a brain and also feelings and empathy which means I can put myself in his shoes and try to imagine how that would make me feel. How would I be after this happens? How would most people be? And the answer to that is they would not be okay. They would be crashing out. At the end of the day, the author can tell me all day long that he’s happy but if you write a guy going through an absolute humiliation ritual of epic proportions and then say that he thought about it for two seconds and is now fine and dandy, I’m gonna call bullshit. Because that is not the way human beings respond to shit like that. We are emotional creatures and we feel things and we react to things accordingly. How Shane responds to what happens in TLG (I.e. barely any emotional response at all) is not reasonable, realistic, or normal. Listen, people have said this so many times but I’m gonna say it again: you cannot escape the logical consequences of your own narrative. And that includes emotional consequences, like what the emotional fallout would be like for Shane after everything that happens to him. If you are not prepared or do not want to write that level of emotional fallout, then don’t fucking write events that would logically lead to that level of emotional fallout. But again, the problem is that the purpose of what happens to Shane is not actually about how those events would affect someone, it is a means to an end. It is simply to get him to be where and who the author wants him to be For Ilya. And that kind of writing ends up flattening both of their characters and the overall story.

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I was ✨productive✨ yesterday
Thinking non-stop about Shane’s greatest fears coming true at the end of TLG. He’s forcefully outed. His team turns on him. He is benched and threatened (again) by the commissioner. Hes finally allowed to play and he trips and loses in the first round of the playoffs (after winning the cup the year prior) and is accused by everyone (including one of his best friends) of doing it on purpose so his boyfriend could win. His reputation and legacy and career are all questioned. His team, that he won 3 Stanley cups for, is so cruel and homophobic to him that he has to sign to a new team. He is living his worst nightmare.
And Ilya never comforts him about it. Instead, the books ends with him comforting Ilya. Wtf 😭
Just realized hollanov fits perfectly as spideypool
Shane is spiderman and he has the whole world on his shoulders. Because of his power, he has all of these responsibilities he never asked for. But he knows he has to use them for good. He has to be a hero. Yet even when he dedicates his life to being spiderman, putting his body through hell, neglecting his relationships, living solely to be a hero, it’s still not enough. The world still wants more from him.
Ilya is Deadpool and he literally just wants to die. By some cruel twist of fate, that’s impossible. He tries dozens of times to kill himself before giving up. He figures he can go back to being a mercenary—the world has never been kind to him, so why should he be kind back? Besides, it’s all he knows how to do. But this self-loathing asshole actually has so much love in his heart. He wants to be good. He knows he’s a monster but maybe he can try to be a hero too?
It’s hate at first sight when they meet. Ilya thinks spiderman is so self-righteous, always talking about how killing is “bad” (he also looks incredible in spandex and walks old ladies across the street and it drives him insane). Shane thinks of Deadpool as a reformed villain that he needs to keep in check, but he’ll never be a hero (he’s also the funniest person Shane has ever met and pauses in the middle of fights to save stray dogs and it drives him insane).
They eventually have to team up. There’s a Big Bad that spiderman wants to take down, and Deadpool is the one with the contacts who can help get Shane close enough to topple the villain. They end up having to hole up in a motel together to do some surveillance and uh oh there’s only one bed (Ilya keeps making jokes about how this fanfic is too cliche and shane is very confused wtf he’s talking about)
As they start talking, they begin to realize they are a lot more similar than they thought. Ilya assumed Shane loved being spiderman, he didn’t realize Shane also sometimes felt like his powers were a curse. Shane assumed Ilya killed for fun, he didn’t realize Ilya was also just a kid trying his best to do good after getting a shitty hand from life. They realize that maybe there’s nobody on earth who can understand them as well as each other.
And they fall in love
And have the freakiest, nastiest sex you can imagine because they are both superhuman
Hollanov fic recs - Crack (all rec lists here)
a pox on all your houses | Teen | 19.7k | by @the-apocrypha
Ilya gets chlamydia and it's hilarious.
Ilya Rozanov vs The Unintended Consequences of Woke Hockey | Teen | 5.1k | by Sagebrner
the rookies in the NHL choose psychological warfare to beat the Hollander-Rozanov duo, by flirting with Shane in front of Ilya.
#ilyarozanovisoverparty | Teen | 4.5k | by @cinnatrouille
Ilya was so in love he tried to find Shane in everyone he hooked up with. The world found out about his 'Asian fetish'...
cheater-cheater, pumpkin eater | Teen | 13.2k | by @anyabarnes
Hayden knows about Ilya. He also knows about Lily. The conclusion? Shane is cheating on Lily with Ilya fucking Rozanov.
Wooing One Ilya Rozanov (On Shane's Behalf) | Teen | 2.8k | by @aftgst
JJ figures out Shane likes Ilya, and tries to set him up with his own man.
I haven’t seen anyone else discuss this but my biggest issue with Shane going to Ottawa at the end of TLG is that means the last time he ever competes against Ilya, he tripped.
Like he knows his team thinks he tripped on purpose. The whole world thinks he tripped on purpose. Wouldn’t he be desperate to prove everyone wrong? How can he do that when he is on Ilya’s team? Now everyone is going to think this is proof. He tripped on purpose so his boyfriend and the team he planned to join could win.
And he’s never going to be able to prove otherwise. He can play the best hockey of his life, and that’s just further proof he tripped for Ilya, and is only playing well now for Ilya. As far as the world is concerned, he was a 3x Stanley cup winner… and then as soon as he’s in a relationship with Ilya (as far as the world knows), he loses to one of the worst teams in the league that happens to be captained by his boyfriend and is directly responsible for the loss (again, as far as the world can tell). And then he only goes back to playing well once he’s playing under Ilya.
He’s the most competitive person on earth and especially competitive with Ilya, and now that’s gone. He will never beat Ilya again (unless he goes to a new team). He can’t even say he’s equal to Ilya because Ilya is his captain now. He’s basically admitted defeat.
I know it’s a romance novel so them being together is supposed to be the happy ending, but I just don’t think it makes sense for his character. Realistically, I don’t think Shane would join Ilya on a team until he had a chance to prove himself while they were a couple. He would want an opportunity to remind the world he’s more than Ilya’s husband, he’s Shane fucking Hollander. And he loses that chance when Ilya becomes his captain. To the world, he will now be known as the man who gets on his knees, on and off the ice, for Ilya Rozanov. There is no more rivalry, because Shane Hollander lost. How is that a happy ending for Shane?

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My apparently hot take is that when I say fanfic writers should write whatever they want, that includes bad characterizations. So many people are always complaining about fanon or people not understanding a character and I simply do not care. Please go woobify that character. Feminize that man. Make the evil psychopath a nice guy and make the nice guy an evil psychopath. Turn that character into essentially a self-insert. Throw canon in the garbage. Who tf cares?
I love doing serious (and unserious) analysis on the characters and the books and everything, and it's ok to form a firm and unmovable understanding of them bc you've been pondering
But guys that shouldn't ever touch other's fanfic
If I want to write 10 fics about Shane Hollander Homotron 3000 eating pussy you better sit your ass down and not say anything to me I will treat my blorbo as I see fit and sometimes I see fit to treat him as chewed gum, manure, or the motherfucking king of Canada.
Sometimes someone will write him a sadistic circus performer and sometimes a woobly hockey player who couldn't stand up to anyone outside the ice and I fear that's what everyone should fucking do write what you want
And we don't need to stick a disclaimer on top of every fic like "I don't actually think canon makes Shane Hollander the type of guy who would break into Ilya's house and destroy his shit"
We should all as a fandom have the presence of mind to say "yeah no of course this isn't a thesis on character analysis, I don't need to peer review ao3 author sucktheseballs24"
It's All Canadian Vodka's Fault | Fic Binding
(Spoilers for the fic if you zoom in on the interior shots!)
I am a sucker for presumed dead fics, but I am also soooooo picky about them. When I read It's All Canadian Vodka's Fault by @fripiewrites I fell in love immediately. It's the perfect balance of angst, a realistic scenario, and comfort at the end. And, bonus, it has a bunch of multi-media elements! As soon as I finished I knew I wanted to bind the fic. It's a short enough fic that I wasn't sure I could make a hardcover work, but I did! The only thing I had to do different was use string for a bookmark instead of a ribbon.
For the interior, I spent a lot of time creating different looks for all those multi-media elements, and I learned a lot of stuff about InDesign I'd never done before, so that was super neat. Some parts were really tricky, like the Tweets, to keep them formatted right and not breaking weird between pages. But I got it done! (I about murdered my printer when printing it out, though. It kept fucking up. Printers are the devil.)
I also found a neat font that had a sort of jersey-ish feel to it for that title page. For the scene dividers I used some bottle symbols from a symbol font. For the page numbers, I used some sort of blob shaped symbols around the numbers, with different ones on the left vs. right pages.
For the endpapers, I chose this matte black that has a raised chevron pattern because it made me think of tire treads a bit, and then I used my Cricut to cut out vodka bottles with the Canadian maple leaf. Then I glued this nice blue with a subtle icy pattern to the back to create a solid endpaper. The front and back papers each have different vodka spills around them to add a little extra visual interest.
Then for the covers I picked a shiny black that reminded me of a high end vehicle interior, and a slightly burnt orange vinyl with a nice metallic shine to it. On the front cover, I wanted to go with a somewhat classic style of a border that had the title and some simple elements within, and I thought it would be fun to make that border a hockey rink, and I'm really happy with how it came out! It's not too in your face, but you CAN tell what it is.
Figuring out how to do the car was the biggest challenge, how to turn it into a Cricut friendly design, what size to make it, etc. I like how it came out, but I think I might go add a heart to the license plate at some point. It's not quite big enough to put any letters/numbers there, but I think a little heart would work great and fill that space in nicely.
On the back cover I wanted to keep it simple (to save myself weeding time... >.>) so I pulled out one of the main news headlines from the story, and some of Shane's texts. With the texts, I put them on the left side since they're ones Ilya is reading, and I put a blank space in between the second and third to leave that space where Ilya's response would've gone but didn't.
So yes! Very, very good fic that I can't recommend enough. I had so much fun binding it.