Not today Justin

oozey mess
One Nice Bug Per Day

Product Placement

shark vs the universe
Claire Keane
hello vonnie
almost home

pixel skylines
todays bird
Sade Olutola

PR's Tumblrdome
d e v o n

Love Begins
$LAYYYTER
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith
i don't do bad sauce passes
Xuebing Du
seen from Jordan

seen from Netherlands

seen from United States
seen from United States
seen from United States

seen from Hong Kong SAR China

seen from United Kingdom
seen from Switzerland

seen from United States
seen from United States
seen from United States

seen from United States
seen from Singapore
seen from United States
seen from United States

seen from Greece
seen from Türkiye

seen from United States
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seen from China
@ghost-pdf

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The First Love (Mari Terashima, 1989)
I rearranged my bookshelves with the festive season in mind, and I get so much joy from just looking at them.
Imo the most important thing a writer (or any artist) can be is earnest. You can have no technical skill whatsoever and write a complete stinker and you'll still have a story some readers will fall in love with, so long as they can tell you really meant it and really gave it a shot. Everything else is artifice.
joanna newsom by miranda july

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can you be a fucking faggot with me for a second
2015. i think.
where you’re not, and neither am i
i hope there’s a kid in the future digging through my internet archives seein what they can see about me, like how i do it
i hope we find what we’re looking for

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reverse image search
The Concept of Non-Photography:
Non-photography, theorized by François Laruelle, is about devorcing all context from a photgraph. There is no concept of a subject, photographer, composition, pretext, or context. It exsists in a void as a sort of non-thing, as if there was no sentient being able to percive and analize it. It exsist’s merely as an aeasthetic, but not even really as an aesthetic because that is a philosophy in itself.
He states that the photograph is not a picture of reality or even a copy or abstraction. It is a fiction that is “wholly real but in its own mode”- the fictional realm. The photograph is unique unto itself, an unlimited opening into the world occasioned by lights and shadows in time, but is in no way constrained by either the experiential universe or the theoretical and art historical preconditions set up for it.”
Anna Haifisch
Marilyn Monroe photographed by Eve Arnold during a press conference at the Plaza Hotel in New York on February 2, 1956.

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Alaska trip 12
What the Living Do, Marie Howe