Getami's Domain

[WARNING! THIS ARTICLE CONTAINS A CERTAIN AMOUNT OF SPOILERS: (JJK. VOL 26)]

I would like to draw the attention of sensitive readers that this article will contain some emotional parts from me; I cannot ignore the influence I feel towards these characters. I’m really sorry.

So, most people knowledgeable about this topic are aware of the fact: Geto Suguru, after deciding to leave the school and become a sect leader, wears something called a Gojo-kesa. But why? What does this have to do with Gojo? Was it really named after him? What exactly is it? Is there any fact that explains why Geto chose this? That’s already too many questions. Let’s dive in!

Short answer:

Yes. This kesa actually bears the surname of Gojo Satoru, or to be precise, the Gojo clan bears a name that is derived from a Buddhist tool.

Long answer:

The 五条 literally means “fifth in line” or “the fifth in the sequence.” The first kanji isn’t that interesting, as kanji representing numbers generally don’t carry additional meanings, but since we’re talking about Gege, let’s not skip over it. The number five is, of course, an important number in Buddhism, as it is used in many stories and is associated with good deeds. It also symbolizes harmony and refers to the five elements, which is an important philosophical element in Japanese culture. Remember when Gojo said, “whether it's above heaven, or it's under heaven, only I reign supreme”? This is a great connection to the five elements and Buddhism.

In Japanese culture, the number five represents a lot of things, but let me bring up my favorite: In Japanese tradition, sometimes the fifth season appears, which denotes the period after the spring bloom, the time of flowers and trees (if someone doesn’t know, I’m referring to the hidden inventory). Well, considering how insignificant the number five is, we've gathered quite a lot about it.

The second kanji, 条 (jou), almost always refers to a line. It means stripe, line, placement, etc. This kanji isn’t very common in everyday language; instead, it’s almost daily used in courts, as it appears in the naming of regulations and laws. Additionally, the 条 kanji often occurs in Buddhist texts, as it denotes laws, prescriptions, or important principles related to Buddhist teachings. In such contexts, 条 signifies the lines or sections of the teachings and is closely linked to the number five, representing the five basic principles of Buddhism, which are also a sort of rules.

So what’s next? Let’s return to the question of the Gojo-kesa. The kanji for the garment Gojo-kesa only partially matches because in this word, Gojo is written as 五條, meaning the other kanji has a few more strokes, as it denotes the striping itself, literally meaning “five-striped.” The origin of the kesa dates back to the beginnings of Buddhism and comes from the clothing worn by Buddha. According to Buddhist traditions, the kesa symbolizes renunciation and detachment from the material world. Perhaps in our case, it wanted to symbolize that Geto left behind his old life, along with Gojo Satoru? Who knows? Is there a conscious use of this? What Geto wears is also an existing type of kesa, which we can also call kasaya:

"Oomu-e: Priest's Kasaya with Porcelain Scrolls and Ritual Buddhist Implements (Known as 'Dream Robe')."

It was found at Nanzen-ji Monastery in Kyoto. The appellation comes from the legend that on the day after Ryūshū dreamt he had received a robe from the eminent Chinese master Wuzhun Shifan, someone appeared bringing him Wuzhun’s kasaya. The distinctive hand-drawn, gold-painted peony scrolls that cover the entire robe...

The historical 14th century kasaya

So... what do we have now? A garment that actually existed and dates back to the 14th century, associated with dreams, speaks of renunciation, and bears the name Gojo. Do we need anything more than that?

I have emphasized several times that Akutami Gege is a genius, and he hasn’t forgotten to prove it again now. But now we can also encounter his sadistic side, while I find it impressive that he already knew what he intended to accomplish by the end of volume 26 in volume 9.

The king of curses, the malevolent kitchen itself, but did he really exist? Where, when, and who was the strongest curse in history? Did Gege approach this case like the others, leaving historical hints in Sukuna as well?

According to some records, Ryomen Sukuna is a figure from ancient Japanese legend who appeared in the Hida Province during the reign of Emperor Nintoku. This is the depiction of Sukuna that Jujutsu Kaisen also uses, but it's not the only one. Emperor Nintoku himself is an interesting figure in Japanese history, so if you're interested in Japanese history, definitely look him up. He is one of those buried in a kofun, a mysterious ancient structure similar to the pyramids of Egypt, but that’s enough about Nintoku.

Sukuna had two faces, four arms, and four legs, with the faces and limbs located on both the front and back of his body. His two faces and four arms make him comparable to mythological beings like Janus from Roman mythology, the god of transitions and beginnings. Like Janus, Sukuna, with his dual faces, may have symbolized opposites and duality, representing both evil and good, destructive and protective forces. His height varies depending on the source, but he was significantly taller than the average people of that time (in some sources, he reached 50 meters, while in others, he was only slightly taller than the people of his era).

He was fast, super strong, and fought with weapons. Although little is known about him, as the Nihonshoki is such an ancient source with few equals outside of the Kojiki, similar information is scarce. Speaking of his weapons, we can again find some connections with Gege’s work. His main weapon was the bow, which—though in an extreme form—also appears in the second season and the manga under the name Divine Flame (竈 カミノ, Kamino).

According to the 'Nihonshoki,' Sukuna was merely a feudal lord, not a curse or demon. As I mentioned, there’s no evidence supporting his existence, yet he was featured in major ancient writings. From this, I infer that whether or not he existed, he was important enough to be mentioned, meaning that people of the time knew his name. Even as a man, he wasn’t without credit—he defied the imperial court and caused suffering to the people, so in 377, a general was sent to defeat him. However, in Hida and Mino provinces, he was revered as a hero and worshipped as a deity in several temples. His hidden deity status in the Minashi-jinja shrine suggests that his figure might have been connected to Shinto gods in some way. The local sacred mountain, Kuraiyama, was worshipped as the dwelling place of gods, and some theories suggest that Sukuna could have been the god of that mountain. Some even believe that Sukuna introduced Buddhism to the Hida province.

Anyone reading articles here knows that Buddhism always comes up—it’s one of the core themes of Jujutsu Kaisen when it comes to fight choreography, but it’s also an integral part of the characters. You can find references in their names, or you couldn’t deny that Geto Suguru himself is a reincarnation of Buddha—or at least his head is.

Other theories suggest that Sukuna might have been a symbol of twins or brothers, or perhaps the ruler of a dynasty in Hida that rivaled the Yamato dynasty. The stories of Oousu no Mikoto and Ousu no Mikoto, or Yamato Takeru and his brother, as well as Emperor Chuai’s sons, Kagosaka no Miko and Oshikuma no Mikoto, are all examples of brother pairs whose fates intertwined with Hida and Mino provinces. (Let's not even go into this… Japanese history surpasses any soap opera.) It’s said that he helped local communities and supported the region. He was worshipped in many local temples and shrines, and in several places, he was honored as a 'kaiki,' or temple founder. Here, I’ll insert a picture of Hida and Mino prefectures, for those interested in where this person lived:

So no trace? Archaeologists think otherwise, as several items bearing Sukuna's name still exist in modern-day Japan! A special, two-faced haniwa (clay figure) was discovered near Wakayama city, dating back to the Kofun period (early 6th century). This haniwa resembles Sukuna and suggests that the cult or iconography of two-faced figures was present in ancient Japan. Furthermore, the already mentioned Sukuna Kabocha, a pumpkin found in the Hida region, is linked to Sukuna’s name, although the exact connection remains unclear. Even though it’s not directly proven to be tied to Sukuna’s legend, this plant still serves as an intriguing reference to the local cultural heritage.

To be honest, I was skeptical, I didn't think so much could be discovered, but once again I wasn't disappointed by the master. Sukuna is more than the king of curses, and Gege Akutami is more than just a mangaka, he is a true historian.

A teacher’s words. Must the student surpass the teacher? What kind of deep wounds and memories shape the moral high ground a teacher speaks from? Which is more important—the teacher’s progress, or the progress of a new generation that will make this world a better place?

People say he burned out, that he stopped, that they made him stop. They say it wasn’t how he planned it, that he grew tired of it. As usual, everyone seems to know better than the master himself—the very one to whom so many people, those waiting for a sequel, owe so much beauty and goodness, so many tears and beautiful moments. I honestly can’t put my feelings into words; they’re too deep to express. In its beauty and in its grief, it was complete. And while many think it’s over, it’s only just beginning.

A fanbase truly forms when the work that created it comes to an end, for that’s when it shows whether it can continue to function as a community. We are that community, which is why I chose to engage in research. I want to give to you, I want to give to myself, and I want to be worthy of grasping just how much was hidden in this manga, and how much genius resides in this brilliant mangaka.

A teacher’s words. After all, I too am a teacher—I speak one of the most beautiful languages in the world (Hungarian), and I teach one of the most beautiful languages (Japanese). What happened to Gojo Satoru deeply moved and disturbed me, but I know that where he is now, with all that he achieved and accomplished, no teacher could wish for more. The way Akutami-sensei depicted my profession, I think, is incomprehensible to outsiders. Gojo was the best at what he needed to be; he passed on a knowledge that only the most worthy could come to understand.

Gege Akutami, you brilliant demon, please continue creating such marvelous works. And though you’ll probably never read this, if one day you do, know that there are a few of us who truly understand what Jujutsu Kaisen is.

This topic has intrigued me for quite some time. During my university years—which are still ongoing—one of our Japanese text-reading classes featured a passage about the Jōmon period. The text mentioned jujutsu and the jujutsushi (shamans). Of course, I was already reading the manga by then, and it was around the time the second season came out, so I actively started researching. Below is what I found.

Let’s begin with a brief kanji overview: 呪術 (Jujutsu)

呪 – SPELL

Reading: Ju

Its core meanings include “spell,” “curse,” “charm,” or “prayer,” often used in connection with malevolent or supernatural things. It belongs to the kango family (meaning it came from China), which is used for traditional terms. Fun fact: During the Heian period, Chinese influence was huge, and this was when most Chinese kanji flowed into Japan, giving us yet another hidden Heian reference from the mangaka. This is also a compound kanji, meaning it was created by combining two smaller kanji in ancient China—the kanji for “mouth” and “brother,” which forms yet another wordplay. The “brother” (which could refer to a monk or shaman) casts a spell or curse through his mouth. One long-standing issue with shounen anime is that characters always have to say their attack names, which can seem cheesy, but not in Jujutsu Kaisen. Gege solves this by introducing the legend of shamans, who could only cast spells through their spoken words, thus creating a logical basis for why attack names must be spoken aloud.

術 – TECHNIQUE

Reading: Jutsu

It is most commonly used to mean “art,” “technique,” “method,” or “skill,” especially in contexts requiring some level of expertise or technical knowledge. It’s also a kanbun word and another compound kanji, though in a slightly different way than the previous one—this might deserve a separate article. It’s used frequently, not just in the word jujutsu (which refers to the technique of magic), but also appears in Naruto, where the same kanji forms part of ninjutsu. You’ll also find it in more sophisticated words like bijutsu, which refers to the fine arts. But enough linguistics—let’s move on to who the jujutsushi were.

JUJUTSUSHI:

The jujutsushi of the Jōmon period (ca. 14,000 BCE – 300 BCE) were not specific historical figures, but rather a term referring to the practitioners of jujutsu. However, jujutsu here should not be understood as a modern martial art, but in its original meaning, referring to the art of curses or magic.

The jujutsushi (呪術師) were individuals who practiced magic, rituals, curses, and spiritual activities. In the Jōmon period, these people were likely spiritual leaders, shamans, or healers who maintained a connection with the natural and spiritual worlds. During this era, people believed only in nature and the things around them, and these shamans were responsible for ensuring the mental well-being of the tribes. They were thought to possess the ability to foresee the future, return from the dead, and influence the weather. In other words, they were considered omnipotent. This is especially interesting because we’re dealing with a time far before the Heian period—the Jōmon can be considered Japan's prehistoric age. Isn’t it fascinating that Heian-era Sukuna could only be defeated by magic much older than his own? In my humble opinion, this is a brilliant idea.

When discussing the Heian period, even 20 volumes would not suffice to fully explore the various magics and shamanism, but since we’re focusing on Jujutsu Kaisen, I’ll highlight two key spiritual traditions:

The first is incredibly interesting in its own right, as it not only inspired JJK but also countless other anime, manga, and games. It’s none other than Onmyōdō and the Onmyōji. One of the most significant spiritual traditions of the Heian period, Onmyōdō (陰陽道), developed from Chinese yin-yang philosophy and astrology. The onmyōji (陰陽師) were sorcerers or spiritual advisors who served the aristocracy and the imperial court. Their duties included exorcising evil spirits, performing rituals to bring good fortune, observing celestial movements, and conducting curse-breaking ceremonies. The onmyōji can be seen as the jujutsushi of the Heian period, as they too dealt with spiritual defense and magical techniques. Some of you may know that the Heian period was named after the capital city of the time, Heian (modern-day Kyoto), so it’s not far-fetched to assume that both spiritual traditions originated from there. And speaking of jujutsu techniques from the Tokyo school, those are more rooted in Buddhist foundations. Megumi’s shikigami also come to mind, which are not particularly Buddhist, but then I remembered that he comes from the Zenin clan, which is based in Kyoto—so we’re still on track.

The second tradition was more Buddhist and spiritual during the Heian period, known as Esoteric Buddhism (Mikkyō). Another major spiritual and magical system in the Heian period was esoteric Buddhism, associated with the Shingon and Tendai Buddhist schools. Priests performed intricate rituals and magic aimed at relieving human suffering and banishing evil spirits. The ceremonies often involved reciting mantras, using mudras (hand gestures), and employing mandalas. This tradition utilized mudras, which can be understood as hand gestures. Many characters in the series use this symbolic system. I wonder if you’ve noticed the sequence of mudras shown one after another in the second opening of the second season?

One last FanFact and that's it for today:

In Esoteric Buddhism, protective deities like Fudō Myōō (Acala) are common. These deities are strong, warrior-like protectors who can be invoked through rituals for protection. Similar defensive techniques also appear in Jujutsu Kaisen, such as the Domain Expansion (領域展開, Ryōiki Tenkai) techniques, which create a user-controlled territory. These resemble the ritualistic circles and protective symbols used in Esoteric Buddhist practices. In Jujutsu Kaisen, these techniques often involve spiritual or magical power to defeat opponents within the controlled area.

That's it for today! This topic might be worth a second part in the future, but we'll see. Do you have any questions? If there's any topic about Jujutsu Kaisen you're curious about, feel free to reach out to me!

Yo,

虎 - Tiger

Primary reading: Tora Secondary reading: Ita

This kanji dates back to the Han Dynasty (206 BC - 220 AD), a period when the tiger played an important symbolic role in China. It is a pictographic kanji, meaning it was originally a stylized representation of a tiger.

Sukuna and the symbolism of the tiger: Sukuna, the main antagonist and the demonic soul residing in Itadori's body, is often associated with the tiger. The tiger, a powerful and fearsome predator, can symbolize Sukuna's strength and dominance. In a sense, Itadori Yuuji, as Sukuna's host, also represents a controlled force that could break free at any moment.

"Tiger and lion" metaphor: In one scene from the Jujutsu Kaisen manga, Megumi Fushiguro tells Itadori, "there’s no difference between a tiger and a lion," as he tries to motivate him for battle. Here, the tiger and lion are portrayed as two equally powerful beasts, reflecting the competition and fighting spirit among warriors and jujutsu sorcerers.

Tiger as a symbol of strength and combat: In general, the tiger symbolizes strength, courage, and determination among jujutsu sorcerers. Itadori Yuuji’s extraordinary physical power and perseverance can also be associated with the tiger, an embodiment of strength and resilience in the animal kingdom.

杖 - STICK

Primary reading: Tsue Secondary reading: Dori

In Japanese culture, the staff holds special significance, not only as a practical tool but also as a spiritual or symbolic object. Walking sticks are often used by Buddhist monks during long pilgrimages. This staff also served as a symbolic protective tool, aiding travelers both spiritually and physically. The kanji is used not only in a literal sense (walking stick) but also metaphorically, such as in the meaning of "support." To "be someone’s staff" means to be someone’s support or help. In ancient times, staffs were not only used for support but also as tools of self-defense. Walking sticks sometimes functioned as hidden weapons, which could be used in dangerous situations.

Thus, the kanji 杖 refers to a simple object, but in Japanese culture, it carries deeper symbolic and historical meaning.

悠 - PEACE

Reading: Yuu

The kanji 悠 originally comes from Chinese and was used in classical Chinese texts, often referring to long life, calm and dignified behavior, as well as the serene passage of time. The Japanese language adopted this original meaning and applies it in a similar way. Due to its philosophical depth, the 悠 kanji appears in many Japanese works of art, poetry, and philosophy. The kanji is also popular in Japanese names, especially for boys, as it conveys notions of calm, endurance, and dignity. You can find it in names like 悠太 (Yūta) or 悠人 (Yūto) (a small note: the kanji in our Okkotsu Yūta, aka 乙骨憂太, is different, but it's an interesting fact). These names often suggest timeless strength, stability, and composure. Choosing such names for a child might also indicate that the parents wish for a long and harmonious life for them.

仁 - Goodness

Primary reading: Jin Secondary reading: Ji

According to some interpretations, the kanji 仁 refers to mutual respect and empathy between people. For Confucius, 仁 (jin) was a central virtue that expressed respect and love between individuals. It represents the ideal of achieving humanity and moral righteousness. The ideal person, or the "jin person," is someone who treats others with care, compassion, and virtue, and adheres to social norms. This concept also appears in Japanese Buddhism, where 仁 symbolizes compassion and love towards others. In Buddhism, a loving attitude and the alleviation of suffering play a central role, aligning with the spirit of 仁.

This is my own interpretation, but it’s fascinating that the kanji 二 (two) and 人 (person) come together here—representing "two" and "person"—and it’s beautiful how two people inhabit Yuji's body at once.

In summary, this name primarily carries Buddhist and Confucian elements. We know that these two religions deeply influenced the Heian period, and with this in mind, this manga is a living portrayal of the Heian era. Just by gathering this much information from one name, it proves two things:

It's worth researching Jujutsu Kaisen

Gege Akutami is a freaking genius.

~Getami