Horst Bartnig. 3622 Variationen, 1984
YOU ARE THE REASON
trying on a metaphor
Aqua Utopia|海の底で記憶を紡ぐ

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Horst Bartnig. 3622 Variationen, 1984

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Christina Niederberger (Swiss, 1961), Agnes' Hanky, 2024. Acrylic on canvas, 31 x 25 cm.
Carlos Estévez — Oneiric Firetruck (oil, watercolor pencil, on canvas, 2024)
Carlos Estévez (Cuban, 1969)
Eva Hesse, Untitled, 1962
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Thomas Muller
Untitled, 2021
ballpoint pen on Arches handmade paper

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Jasper Johns, Figure 4, 1959
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Richard Pousette-Dart, White Garden, Sky, 1951
graphite and oil on linen: overall: 135.9 x 154.3 cm
Art by women #5: Bridget Riley, Late Morning, 1967-8
Bridget Riley is known for geometric works that produce sensations of movement or colour. Her early Op-art works only use black and white, but in the 1960s start featuring colour. Riley was interested in the way that light and colour can play with each other to create visual illusions and disorientation.
The stripes form the structure of this painting, Late Morning, leaving the sequence of colours used to bring the work alive. Riley explores how one colour next to another can create subtle effects, and in this work she’s interested in how warm and cold colours effect white. When red, white, green and blue are combined they’re next to each other, your eyes are tricked into seeing yellow light radiating across the work. Can you see it??
Nicolas de Staël (French, born Russia, 1914-1955), Paysage, La Ciotat [Landscape, La Ciotat], 1952. Oil on canvas, 80 x 80 cm.
via ufansius

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« En tous points pareils » Detail 1 - Drawing on paper - 2023 Fabrice Clapiès
Home 5/5 (2016) by Tim Allen
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Heerhugowaard, Netherlands.
« Déconstruction » Drawing 50x39cm on paper 75x55cm - 2023 Fabrice Clapiès

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Bridget Riley (British, b. 1931), Reverse, 1963. Emulsion on board, 43.25 x 28.25 in.