Gdyby Kózka

Karina Kulyk: Dominus Satanas.

Antonio Turok, Solar Eclipse, Chiapas, Mexico, 1991.

William “Bill” Traylor (1853–1949) was an African-American self-taught artist from Lowndes County, Alabama. Born into slavery, Traylor spent the majority of his life after emancipation as a sharecropper. It was only after 1939, following his move to Montgomery, Alabama that Traylor began to draw. At the age of 85, he took up a pencil and a scrap of cardboard to document his recollections and observations. From 1939 to 1942, while working on the sidewalks of Montgomery, Traylor produced nearly 1,500 pieces of art.

Kaljo Põllu “Üle järve”, 1976

James Ensor, The Skeleton Painter, 1896

rott. gouache watercolor 2019

FRANCIS BACON / "PAINTING" / 1946 [oil and pastel on linen | 6' 5 7/8" x 52"]

Thon

‘The Woman and the Puppet’ by Angel Zarraga, 1909

"Wound from a rupture of a projectile" Medical illustration by William Schultz, 1863

Lilith by Andrei Posea.

A Moonlight Phantasy, circa 1930 by Hilda Hechle.

Leonora Carrington - Untitled (Ritual), 1964

‘La Nuit’ (The Night) by Tomas Julio Leal da Camara, 1903