Gatogun -> Gatogummie
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JVL

★
AnasAbdin
Game of Thrones Daily

祝日 / Permanent Vacation
he wasn't even looking at me and he found me
wallacepolsom
Not today Justin
"I'm Dorothy Gale from Kansas"

titsay

if i look back, i am lost

Janaina Medeiros

Discoholic 🪩
art blog(derogatory)
Three Goblin Art
taylor price

Origami Around

ellievsbear
Cosimo Galluzzi

seen from Malaysia
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@gatogummie
Gatogun -> Gatogummie
My youtube
My TikTok
My artfight
My Comic Geeks
My Strawpage
My Art

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
wait now i’m curious what’s everyone’s go-to pair of shoes
"What does this have to do with politics??" *Posts soviet suprematist painter Malevich*
When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field, the critics and, along with them, the public sighed, "Everything which we loved is lost. We are in a desert. . . . Before us is nothing but a black square on a white background!" "Withering" words were sought to drive off the symbol of the "desert" so that one might behold on the "dead square" the beloved likeness of "reality" ( "true objectivity" and a spiritual feeling). The square seemed incomprehensible and dangerous to the critics and the public... and this, of course, was to be expected. The ascent to the heights of nonobjective art is arduous and painful... but it is nevertheless rewarding. The familiar recedes ever further and further. into the background... The contours of the objective world fade more and more and so it goes, step by step, until finally the world-"everything we loved and by which we have lived" becomes lost to sight. No more "likeness of reality," no idealistic images-nothing but a desert! But this desert is filled with the spirit of nonobjective sensation which pervades everything. Even I was gripped by a kind of timidity bordering on fear when it came to leaving "the world of will and idea," in which I had lived and worked and in the reality of which I had believed. But a blissful sense of liberating nonobjectivity drew me forth into the "desert," where nothing is real except feeling... and so feeling became the substance of my life. This was no "empty square" which I had exhibited but rather the feeling of nonobjectivity. I realized that the "thing" and the "concept" were substituted for feeling and understood the falsity of the world of will and idea. Is a milk bottle, then, the symbol of milk? Suprematism is the rediscovery of pure art which, in the course of time, had become obscured by the accumulation of "things." It appears to me that, for the critics and the public, the painting of Raphael, Rubens, Rembrandt, etc., has become nothing more than a conglomeration of countless "things," which conceal its true value the feeling which gave rise to it. The virtuosity of the objective representation is the only thing admired. If it were possible to extract from the works of the great masters the feeling expressed in them-the actual artistic value, that is-and to hide this away, the public, along with the critics and the art scholars, would never even miss it. So it is not at all strange that my square seemed empty to the public. If one insists on judging an art work on the basis of the virtuosity of the objective representation-the verisimilitude of the illusion and thinks he sees in the objective representation itself a symbol of the inducing emotion, he will never partake of the gladdening content of a work of art.
Suprematism
Kasimir Malevich, 1927
Чистый Красный Цвет (Pure Red Color)
A. Rodchenko, 1921
And so the Constructivists working with the surface plane, despite themselves, confirmed the representational, of which their constructions were an element. And when the artist really wanted to get rid of representation, he achieved this only at the cost of destroying painting and only at the cost of destroying himself as a painter. I am referring to the canvas which Rodchenko offered to the attention of an astonished public at one of this season's exhibitions [5x5 = 25, 1921]. This was a smallish, almost square canvas painted entirely in a single red colour. This canvas is extremely significant for the evolution of artistic forms which art has undergone in the last ten years. It is not merely a stage which can be followed by new ones but it represents the last and final step of a long journey, the last word, after which painting must become silent, the last 'picture' made by an artist. This canvas eloquently demonstrates that painting as a figurative art - which it has always been - is outdated. If Malevich's Black Square on a White Background, despite the poverty of its artistic meaning, did contain some painterly idea which the author called 'economy', 'the fifth dimension', then Rodchenko's canvas, which is devoid of any content, is a meaningless, dumb and blind wall. However, as a link in the chain of development, viewed not as a self-contained value (which it isn't) but as a stage in evolution, it is historically significant and 'marks an epoch.’
From the Easel to the Machine
Nikolai Tarabukhin, 1922
hello instagram artist. your challenge is to do a portrait study of a woman but you’re not allowed to stylize them so their eyes are really big and more cat eyed than the reference photo. You’re also not allowed to make their noses more of a button nose or their lips full and pouty or their faces heart shaped with no double chin. Also you have to draw a fat woman. one thats actually fat and not just slightly curvier than the kpop demon hunters body type. good luck
never not thinking abt this
fun fact - I took this screenshot back in 2018 so it's not that, the guy's name is Ross Draws and he's sucked for a lot longer than that
thank youuuuuu I’ve been seeing a lot of people lately confidently claim art is ai when it was very clearly drawn by a person.
yes, all the changes to the reference were intentional and deliberate and I think that’s important context here
but also why are people at office jobs getting free donuts more than jobs where you're actually hungry as fuck 😭😭😭 give donuts to anyone doing manual labor and the performative dieting issue will disappear immediately #truthnuke

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"why do you know that" i am curious about the world around me
Stephanie if she were in Knight fight <3
I feel like I’m gonna pass out
so metropolitan museum of art has a register of books they’ve published that are out of print and that you can download for free! they’re mostly books on art, archeology, architecture, fashion and history and i just think that’s super useful and interesting so i wanted to share! you can find all of the books available here!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
can we get 36 hours a day? not for any productive purposes i just want to finish my to watch & to read list in this lifetime . also probably get enough sleep
i’ve never watched euphoria but this is funny as hell. very jughead of him
so there’s this princess
always remember your comic mutual is going through hell at any point ever
why do men have this eternal fear of being used for money they don’t have lol

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
if you've ever applied for a job you deserve 50 million dollars in financial compensation