KIROKAZE
almost home
Origami Around
dirt enthusiast
Alisa U Zemlji Chuda
Janaina Medeiros
styofa doing anything
Sweet Seals For You, Always
Kaledo Art
roma★
hello vonnie
occasionally subtle
Cosimo Galluzzi
NASA
One Nice Bug Per Day
taylor price
Three Goblin Art
d e v o n
Game of Thrones Daily
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@garrettfest
More environment concepts and color keys for the TMNT short I art directed called TMNT: Chrome Alone 2—Lost in New Jersey. Directed by Kent Seki and written by Andrew Joustra. These scenes are when the turtles have discovered some derivative, bootlegged toy versions of their likeness and are investigating their source from a company called Authentic Imitations.
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Some color keys and the outfit designs of the ninja turtles in the NYC winter from a TMNT short I art directed! If you saw the Spongebob movie last winter, you would've seen our short titled Teenage Mutant Ninja Turtles: Chrome Alone 2—Lost in New Jersey in theaters. Directed by Kent Seki and written by Andrew Joustra, this was one of the most fun projects I've ever gotten to work on as the title may already suggest. The art team I worked with was also top notch as they were temporarily borrowed from the full-length TMNT feature sequel to make killer artwork on this thing. Will share more art soon. If you want to see additional artwork, please check out my instagram which I'm more active on—@hi_garrett, thank you!
Some work from Thelma that I did in 2020! It was very early on and a huge honor getting to work with directors Jared Hess (Napoleon Dynamite) and Lynn Wang (Unikitty). It was my first time getting to create early exploratory concepts for a feature and I feel very lucky that they took a chance on letting me contribute to the look and style of the film. A lot of these designs made it into the final too! Congrats to the whole team on its recent release :)
A few paintings I made for the Netflix animated series Blue Eye Samurai. Congrats to the team for all the Annie Award wins!!
Back to school! A fitting time of year to share this—my first painting for the movie back when it was a version called TMNT: The Next Chapter almost 3 years ago. There wasn’t a completed script at the time but we were pretty certain it would predominantly take place in high school so I was asked to tackle the classrooms and more. My assignments were to design the sets but I put a lot of extra effort into describing the vibe and style of our movie through a ton of research on nyc high schools and going for that first day of school feeling.Â
Director: Jeff Rowe
Production Designer: Yashar Kassai
Art Director: Lauren Airess
I’m sharing all the art my peers post on my IG stories, please check them out everyone is INCREDIBLY talented!
Instagram: @hi_garrett
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Superfly's home base for the TMNT: Mutant Mayhem movie! I based this location on the Arthur Kill ship graveyard in Staten Island. It was really fun painting in the existing boats there and figuring out the type of ship that felt right for Superfly and family. Included some sketches of other ideas I had for the set.
More work on my ig: @hi_garrett
A painting I made for the TMNT: Mutant Mayhem movie! I designed this bodega for the scene where the turtles have to grab groceries around town. I hid the turtles and even a couple bodega cats in there that accidentally look like the ones at my house.
If you like looking at visual development art, I'll be posting my turtles stuff and sharing the art of all my friends who worked on it in my ig stories @hi_garrett thanks so much!
Some recent nocturnes painted around Los Angeles. These originals will all be for sale tomorrow at https://www.giantrobot.com/, the store goes live March 18 at 12 PM PST! They’re showing in a group exhibit called Sitting Outside 2 with a ton of super talented painters and friends.
Altar Ego
Lifters
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A bunch of paintings and things I made for the movie Vivo on Netflix!Â
Art Credits:
Production Designer: Carlos Zaragoza
Art Directors: Wendell Dalit, Andy Harkness
Art Dept Production: Rachel Surnow, Jason Weitzner, Chad Boldini
Some of these were painted over geometry by John Butiu and Nobu Sasagawa
Had a great time working on this thing at Sony with an incredible crew. More work on my ig: @hi_garrett
🌴👻🌴
Early concepts for the robot transports in The Mitchells Vs. The Machines. A dense energy track, a transport with a circular QR-like code as dashboard interface, and a bunch of steering controls. I tried to think of unusual designs that would seem intuitive to a robot but alien to a human like Rick Mitchell.
Robot Transports This is how the robots and Mitchell family in The Mitchells Vs. The Machines get around the transformed PAL Labs. Robots pasted in for scale. There were a lot of design iterations and the clean and simple look seen in the last image matched the Pal Labs design language the best.
More little background items for The Mitchells vs. The Machines. Some ideas for things laying around Katie’s room. This was my first assignment on my first day—started off easy on some cups and books to clue me in on the style. Our production designer, Lindsey Olivares, pushed me to go looser and less polished to give the 3D artists room to interpret. A note that I still think about today. Lots of references here.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I did a bunch of minor background elements for The Mitchells Vs. The Machines movie. Stuff behind the characters you’re not supposed to notice but make the world feel real. Here are some buildings I pitched for the town outside of Pal Labs based on some real places across California.
🤖Robot City Perimeter🤖
Where the transformed Pal Labs meets the human world in The Mitchells vs The Machines movie. I pitched around 60 ideas for this area, so here’s a few to show how the design began to take shape over the course of the week. Also that’s the Mitchell family in their Pal robot disguises down there!Â
More art on my ig page:
@hi_garrett