Doing the devil's work and I'm so fucking here for it.
"If you teach your kids to hate I'm going to teach them to disobey you."
Words to fucking live by.

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@g00seg1raffe
Doing the devil's work and I'm so fucking here for it.
"If you teach your kids to hate I'm going to teach them to disobey you."
Words to fucking live by.

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one thing i love about helly in severance is that she really drives home how gender conformity is learned, not innate. like she's dressed as a professional woman, in heels and a skirt and makeup, but her voice and body language, all the little ways people perform gender, don't match it. she doesn't modulate her voice higher or modify her speech to be less blunt. she's got her shoulders up in a very tense, afraid posture (bc she IS tense and afraid) and she walks with a very purposeful stride. helly is helena without the years of training to be quiet and compliant, without years of being taught how to perform gender, so she just...speaks in her regular voice. has the posture of a scared little animal because that's what she is. it's gender non-conforming but it's not masculine or anything to do with her personal gender identity. she's just being a person, having realistic human reactions to the situation she's in. and so much of gender non-conformity for women is like this. you don't have to deliberately wear menswear to be seen as unfeminine. you can just not wear makeup or not shave your legs, just exist in your unmodified body and speak with your unmodified voice, and that's enough. i sometimes see art of helly in more masc clothing or trying on mark's suit and it's cute but i think reading her lack of "appropriate femininity" as a desire to present masculine kinda misses the key point that she is not acting like a man or a woman. she is simply existing as a human being
"shipping discourse" but it's in 2nd-Age Numenor and the major opinions are "boats are making this country great" vs "boats are destroying the environment and also my marriage"
Little Stars
nobody:
literally not a single fucking person:
me: actually if i was going to handle silmarils i no longer have any right to because i killed people and shit, i would simply not touch them bare handed. i, being an intellectual who knows that these stones burned the innards of a literal werewolf, a creature whose own stomach acids probably had the same corrosive effect as lava, am perfectly aware that my silly little tummy (which throws tantrums about dairy) is no match. a silmaril would give me instant stigmata. carve a perfect tunnel through my flesh. i, being clever and possessing the ability to look up at the sky, am equally aware that eärendil’s newest labret piercing being visible to the naked eye from the stratosphere makes it pretty clear that the thing is probably very bright. as bright as a star. neil armstrong walked on the moon in a space suit. he did not wank off the stars in his birthday suit. all things considered, i, unlike maedhros fëanorian who spent the first 500 years of his life eating hot chip, specialising in himbodom, lying, and not educating himself on basic physics, i would be trotting away peacefully from eönwë’s camp, my silmarils clenched victoriously in

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not getting any less ugly
okay what kind of leaves are we using
Nettle
oh so we're doing genital torture? ginger wasn't good enough for them?
Ginger too yummy
okay what kind of leaves are we using
Nettle
I think one important step in decolonizing fantasy is to recognize how wildly anti-environment Europeans became, and how this affects the way we look at the nonhuman world. Like, in England wolves were driven to extinction because they were perceived as threats to sheep. And white people absolutely carried this kind of mentality everywhere they colonized. We see it in people who think rattlesnakes should be killed on sight. And it comes out in fantasy when every kind of creature that's challenging to humans is degraded, unpersoned, and treated like something to kill or keep contained out in the deep wilds.
I HAVE FELT THIS FOR SO LONG!!! Like I was always like "It's kinda fucked up that monstrous creatures/people in fantasy fiction are only approached in terms of being conquered or killed, right? Or in terms of only how they serve humans and that's IT." and it's fucked!
Yep! That's literally the colonialist mentality at work. If you want to feel even more vindicated, I recommend checking out Robin Wall Kimmerer's books and/or watching her interviews and speeches on YouTube.
Normal carnivorous animals always being portrayed as relentless hunters even if it causes them more harm than good. Fantasy monsters that are supposedly a natural part of the world but don't seem to have any actual purpose within their environment for no reason (like at least make them an invasive species or an artificial creation or something? that could be neat!)
This definitely also falls in line with the portrayal of any group of fantasy people as a flat stereotype of "evil" or "good".
I have caught myself worrying that the fantasy creatures I've put in my own world aren't epic and dangerous enough, because I make them in a way that actually gives them an environmental niche, and their behaviors are just normal animal behaviors. So they may not feel as fantastical and monstrous. But more and more I think it's just not worth it to me to force them to be monsters just for the sake of fitting a trope into my writing. I like my big olm-like amphibious wyrms. They don't need to be ravenous hunters. They're just big fat wet noodles.
Feelin shitty 💅✨

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A DNA study of inhabitants of ancient Rome found some surprising results, and helps chart mass migration dating back 9,000 years.
Surprise. :)
romans: conquer a shitload of the known world, including parts of africa and the middle east
romans: institute a policy that says that conquered peoples are allowed to gain citizenship by military service, but also can’t serve in their home areas (because armed native soldiers + angry locals = revolt), thus requiring everyone who wants to be a citizen to work abroad for years of their lives, creating diversity.
racists: a single black person in an educational video about rome is unrealistic and i feel attacked.
And a lot of times legionaries settled down not far from where they served once their service was up. Some brawny Libyan kid signs on with the legions and gets stationed on the Rhine frontier. He learns to fight but also how to build roads and walls. After his service is up, he finds work as a mason, settles down with a sandy-haired German lass, and has a couple half-Libyan, half-German kids.
It ends up being a multi-generational thing when one of the kids also signs on with the legions. He gets stationed in Iberia, protecting Rome’s silver- and steel resources. He falls in love with a Celtiberian woman and has a couple quarter-Libyan, quarter-German, quarter-Celtic, quarter-Iberian kids.
Libyan kid’s grandson keeps the family tradition going by also signing up for the legions. He gets assigned to the Parthian frontier and after retirement settles down with a Syrian woman to raise a bunch of eighth-Libyan, eighth-German, eighth-Celtic, eighth-Iberian, half-Syrian kids.
And this is just from the legions. This isn’t counting trade fleets and caravans, the tourist industry, the slave-trade, or migration to Rome and provincial capitols for jobs or political reasons.
Stop clutching your pearls, racists. The Roman Empire was problematic in many ways, but racism wasn’t one of them. (They did occasionally act bigoted toward people of a specific nationality, but that was about culture, not about appearances.)
A poster boy—literally—for this diversity: black Egyptian kid grows up in Thebes (where there were a lot of people of color due to Ethiopia being next door), joins the Roman army, rises to command his largely-black home legion, and is sent with them to Gaul to deal with an uprising.
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Firstly I love your art and you are one of my all time favourite Tolkien artists. Secondly, a crumb of Elros if you’re still doing requests? 🥹🙏🏽
Your Elros is finally finished ✨✨✨ young king Elros was probably a hot mess, he had to be with descendants like his. The design is half though out and pretty much just the first idea I went with. I like royal purples for him using a lot of influence from Byzantine/ancient Egypt and Rome.
Today in niche genres of joke that I can never get enough of and will probably still be secretly thinking about four years later
“bits to use in everyday conversations”
i have so many thoughts about The Bucky i feel like I need to be on a podcast talking about them like some kind of expert on a topic
Bucky is a particularly interesting character to analyze in light of the decisions made in Captain America:The Winter Soldier that changed him from the comics winter soldier.
These changes from comics canon contain some of the things about the character that were compelling, and also the things MCU had no idea what to do with in later installments
In the winter soldier comics, (which are themselves a violent re-invention of the character, he was raised on a military base and became Steve's sidekick after Steve had become Captain America, kind of a darker figure willing to do dirty work that Cap couldn't be seen doing
in the movie, he's Steve's closest childhood friend. They only end up paired up and fighting together because Steve goes on a desperate mission to save his life
in the winter soldier comics, he is something like 7 or 8 years younger than Steve and they still have a mentor/sidekick type of relationship
in the movie they are the same age and steve is no longer a "mentor" figure, that dynamic is eliminated
in the winter soldier comics Bucky loses all his prior memories after his apparent death, making him a blank slate to be groomed into a soviet super-assassin. There is no brainwashing.
in the movie they deliberately erase his memories by strapping him into this scary device that fries his brain with electricity. It's clearly torture: he is shown hyperventilating as the restraints close onto his limbs and then screaming in agony as the device activates.
in the winter soldier comics Bucky as the Winter Soldier is capable of independent thought and snark, and is shown questioning and mouthing off at his superiors
in the movie, Bucky is completely passive. He barely speaks at all; when he does, he is almost childlike, meek and quiet in his interactions with the Hydra characters, stubborn and confused in his fight with Steve. The main antagonist slaps him across the face for not answering a question and he doesn't retaliate at all even though he can obviously kill everyone in the room in the blink of an eye. In the same scene he also lets the scientists manhandle him and eagerly opens his mouth for the mouthguard even as his heart rate is spiking on the monitor and he's starting to hyperventilate because he KNOWS the pain is coming.
(side note: he is shirtless in this scene for no reason)
(second side note: the line "who the hell is Bucky?" is in the movie because it's iconic from the comics, but it's arguably super OOC for mcu!bucky)
The long hair and cyborg arm are straight from the comics, but the most striking change to his appearance is his mask: in the comics, he's wearing a domino mask over his eyes, but in the film, he has an opaque black mask covering his nose and mouth that takes away much of his ability to emote and looks strikingly like a muzzle. The comics mask evokes mysterious wiles; the film's mask evokes dehumanization.
basically the films gave him a much deeper and more intimate connection to Steve while putting the two of them on even footing as friends and partners, and changed him from a morally gray character who indifferently kills people and regrets and becomes angsty once his memories are restored, to a tortured and dehumanized human weapon who obeys despite not understanding anything that's going on because he knows nothing but pain and punishment.
The film's version is really much more interesting. Snarky antiheroes who kill indifferently are a dime a dozen; a character who is palpably, terrifyingly dominating and powerful yet completely powerless in the hands of those who control him, who is hollowed out of all personal identity and who has no agency or control over his own body as it is mutilated, reconstructed and wielded as a weapon, is something much more delicious and fascinating.
We watch this guy slaughter people effortlessly with an apex predator swagger that projects pure dominance and prowess, then we watch him meekly accept abuse and torture with soft, confused eyes.
Of course I'm insane about him. There's a lot to be insane about.
@deus3xmachinablog Peer review
what gets me is like. Ed Brubaker knew what the fuck he was doing when reinventing The Bucky from tragically killed-off sidekick to reanimated cyborg death machine. Sebastian Stan knew what the fuck he was doing when portraying The Bucky. And I'm sure the other people involved with CA:TWS had SOME inkling, because this compelling portrayal doesn't assemble itself by accident.
The rest of the MCU portrayal of Bucky though after that? Clearly no idea what they fuck they had on their hands or what the fuck they were doing with it.
Flattening his character out into "morally gray depression man and he has Gun." And essentially making his story about shouldering responsibility for what he did as the Winter Soldier. A very flat, "guy did bad thing and now he's angsty and guilty about it and trying to redeem himself" (boring) instead of like. the gut wrenching horror of having your memories burned away and your name taken from you and your body reconstructed without your consent and used against your will.
The horror of being a weapon that was once a person and having your very selfhood irretrievably lost to you.
this is where the fanfictions pick it up, and I'm honestly pretty sad that fanfictions are still so widely viewed as Not Real Art, when they are closer to how humans told stories for the last hundred thousand years, and indeed to how storytelling works at its best and most alive and thriving.
We could be telling the most brilliant stories about The Bucky, if we all understood the essential principles (that stories are not Owned by anyone, but become Alive when they are told, in the hearts of the teller and the listener, and to listen to a story gives the gift of the power to tell it again)
And if we could all defeat our enemy, the Cringe (which is to say, that which cringes at sincerity)
God, the writers you put on this earth to write Buckyfic are trying to create something "Original" instead
(because originality receives respect by society as real, legitimate art, and is capable of becoming profitable)
The Hydra Trash Party-goers knew what they were doing, as well.
I think, with hindsight, the main problem the post-TWS movies had with Bucky is the torture.
The broad consensus in modern western media seems to be that Torture Is Basically Fine. It works. Torture is an effective way of extracting accurate information. And because that alone isn't enough to make it seem legitimate, there's another failsafe: Torture works only on bad people. Villains crack under torture, and heroes don't.
This is how media creates a culture that finds torture justifiable. Especially media that is largely sponsored by the US military, of course, who in a post-Abu Ghraib, post-Guantanamo, post-CIA papers world has an interest in creating public indifference (or straight up support) for torture, but there's torture in animated movies for children, too. It's ubiquitous.
In real life, torture is horrific violence inflicted on our fellow human beings, that traumatizes both the victim and the torturer, creates heaps of false information, and has no discernible benefits. It doesn't work.
But in fiction, it must work, every time, because if it doesn't, then that collapses the entire structure, doesn't it?
In comes Bucky in TWS.
He's a character who is tortured into complete submission. Who is given electric shocks to the brain to erase his memory, but he still holds onto his own humanity. He is tortured into doing horrible things - the torture works - but it doesn't work completely. He breaks through it. He's beaten, abused, violated on screen, but - and this is important! - because he overcomes in the end, he's not the villain. His story evokes pity and sympathy, not suspicion.
With hindsight, it is clear to me that the mind wipe scene was meant to inspire disgust in the audience. Bucky's terror without fighting back, his defeated acceptance of the inevitable, the slow, lingering pan up his unclothed body. This is emasculating; at the time a lot of meta has been written about how Bucky is shot like a woman in a rape scene.
He submits. This is meant to be suspicious.
But it completely backfires, because what is shown and what follows is the story of a victim of unspeakable abuse finally breaking free from his abuser in a show of awe-inspiring mental strength.
(and also through the power of gay love but let's not get into that)
That's a problem. By complete accident, the film ends up saying Hey, torture is maybe sometimes bad? And that cannot be allowed. There is a more conventional torture scene in the film, where Steve and Sam throw a guy off a roof to get information out of him, but that almost doesn't matter. This is the one instance that makes the whole house of cards come crumbling down. If Bucky is a victim, then torture is both bad and does not work.
It is obvious to me that what followed TWS didn't know how to reconcile that. CA:CW felt extremely jarring because it treats Bucky with so much suspicion; it even retcons in the trigger word nonsense to justify that suspicion. Bucky has to earn trust. He has to redeem himself. From what? Not being able to withstand seven decades of torture?
Well, yes, the film says. Torture only works on bad guys. Bucky allowed the torture to work on him, and so, has proven himself to be untrustworthy. The abuse he suffered sullied him. He has to earn back his moral righteousness.
I want to stress that I do not think any of this is intentional. I don't think there was a meeting in the writer's room where they talked about how they accidentally made it seem like Torture Is Bad Maybe, and how they could reconcile that. If that had been the case, CW would have been a more honest movie. But looking back, it is clear in how the directors talked about the characters after CW came out, and in the baffling writing choices they made, that they were trying to breach this disconnect, without being aware that this is what they were doing.
For the fan spaces I hung around in at the time, where cis men were a minority, this was baffling. There's a reason post-TWS fic almost exclusively talked about Bucky's recovery, not his redemption. There simply was, in fandom's eyes, nothing to redeem him from. CW made clear that w completely misinterpreted TWS.
I'd love to go back in time to observe what the fallout from TWS and CW was in male-dominated fan spaces; how they talked about Bucky in 2015 and 2017.
Anyhow. With the benefit of hindsight, it is obvious to me that no one involved in the writing of CW and what came after took a moment to actually think about the themes and motives of the movies beyond the shallowest surface, and not just with regards to Bucky.
TWS ended up taking the tamest, most inconsistent anti-torture stance possible by complete accident and that could not be allowed. It had to be forcefully retconned. And that's why, in my opinion, post-TWS Bucky ended up being Like That.
Thank you thank you thank you for this. I don't know if you've read my Buckyfic but I've written a lot of meta about torture in relation to my fic and the political context re: torture at the time, to the point that Abu Ghraib is mentioned/discussed in the fic as the thing that broke Steve's desire to be Captain America
I've never thought of it in this light, though; this is actually a great explanation for why the trigger words were introduced in Civil War and why it feels like a retcon. Audiences didn't respond to Bucky as expected, and they had to change the method of his control/brainwashing to make audiences read him as a threat/antagonist for Civil War
You're also completely correct that the scene where the protagonists throw the Hydra dude off the roof is a torture scene. (I realized this after watching Jacob Geller's video analyzing the torture scenes in Call of Duty. Highly recommend if this topic interests you)
It is absolutely true that torture scenes in fiction often serve to show off the (usually male) character's "toughness" and mental resolve, which is a fantasy, one that comes out of this political context at the time of Guantanamo and the torture memos and the political agenda to make torture more acceptable/palatable to the public.
So in this context, the vault scene (where Bucky is struck across the face and doesn't retaliate, and passively submits to torture without complaint) evokes sympathy for Bucky but it's also supposed to show that Bucky isn't a "hero" in the same way the Heroes are heroes. Heroes don't "break" under torture; Bucky does.
Which means that accidentally, the scene was a little more honest about torture than movies are usually allowed to be.
This is what I meant when I said the Hydra Trash Party-goers knew what they were doing, btw. Real life torture is almost inseparable from sexual violence.
The popular portrayal of torture in movies is fully irreconcilable with that: when a Hero is tortured, it's an opportunity for him to reinforce his strength (and masculinity) by Not Breaking and hanging on to his dignity. The reality of what a torture victim would actually go through is so threatening to that fantasy version that it can't be acknowledged.
Wait okay. Dragging some things out of the sewer in my brain where I put them.
Which MCU movie was it where Thor was suffering from PTSD and the whole film was spent constantly belittling him and mocking his trauma and his body, to the point that another character threatens to slap him (or actually slaps him? I can't remember) to "snap him out of" a panic attack?
I think it was Endgame (gagging) and if I remember right, that movie had the same directors as CA:TWS, right? The Russo brothers?
Okay.
So this feels pretty revealing of what the directors think about a "hero" and what makes one, right? Thor lost his "hero" status because he was traumatized and because he gained weight, and it's framed as a personal failing of his character that he has to overcome/"get over."
This helps contextualize Bucky's portrayal: a character being "heroic" means being untouchable, and being affected by trauma is at least partially Your Fault.
I remember nothing of most of the character portrayals in later Avengers because I threw it in my brain sewer, but I do remember the climactic scene in endgame where Tony Stark sacrifices himself saying "i am Iron Man," and I thought it was stupid at the time (his last words are erecting a monument to his ego? and we're supposed to think this is cool and heroic?) but it's a message about what makes a "heroic" character: a hero is, above all, defiant.
So in light of this, it does seem likely that Bucky's torture scene is supposed to be unflattering to him.
I know the term "male gaze" has been used wildly inappropriately, but I feel like the real actual sense of the term might actually apply here? The viewer of the films is assumed to be a Dude, and not just a dude, but a dude that subscribes to a certain ideal of toxic masculinity.
Men that don't break down or get vulnerable (or who get over it fast when they do), who are defiant and untouchable to the very end, are supposed to be admirable. Bucky is completely broken and compliant and accepts his abuse, so even if the movie portrays him as sympathetic, he's still not heroic; he's not supposed to be a character that audiences admire and project onto.
However, the directors didn't consider as much who a female audience (broadly) would relate to or find admirable. They didn't consider as much how someone (male or female or other) who doesn't subscribe to toxic masculinity and the idea of heroic males as untouchable would perceive Bucky.
It's possible that the directors never really thought about Bucky being viewed from the perspective of a person who has experienced abuse. From the point of view of toxic masculinity, men are never victims and if they are, they aren't real men.
Which means that a lot of people (many of them women) watched The Vault Scene and instead of thinking
"oh, he's letting the bad guys control him, unlike what a Real Hero [read: a real man] would do, so he's sympathetic but still bad"
they thought
"Oh. Oh. I don't like what this is implying. Oh. Oh no."

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Elven words for Dawn and Sunrise
I had a post that tried to catalogue the many elven words for dawn and twilight however there are so many of them and I couldn’t include them all! So I wanted to do this one and another for the evening.
More in the linguistic resources and word of the day (wotd) tags! Let me know if there are any topics you would like to see covered!
This one is also for @rana-temporaria and @ulmondil
Ambarónë is the most common Quenya word for sunrise or earlier dawn. It translates to uprising or rising east.
Amrûn is its Sindarin cognate meaning the same.
Amaurë is the Quenya word for early morning, meaning upper day.
Haidri is an older Sindarin word for morning, specifically the time between breakfast and midday. Maudri meant the time before breakfast.
Tindómë (Q) means starry twilight or the time before sunrise 🌅
Minuial is the Sindarin word for morning’s twilight, translating to first twilight. Ironically, the older version of this word, nuimath, means second twilight.
Candóra is a word from early Quenya meaning bright dawn or red sky in the morning. It derives from an archaic root for shine “kndn”.
Thegla is an archaic Sindarin word for the first lights of dawn however no further translation or etymology is given. This is purely speculative but I wonder if it’s related to thê, another archaic Sindarin word meaning to see
Glô is another archaic Sindarin word for dawn, it derives from kala meaning shine golden
Artuilë from Quenya means day spring or early morning . Tuilë, the word for spring means spring like the season and relates to growth and renewal however it is also related to the word for spring like an issue of water
Lindórea is a Quenya word meaning singing at dawn, usually though not always referring to birds
yeah