Understanding BvSâs Lex Luthor: CSA and Repressed Homosexuality
(Re-posted with minor revisions after I moved accounts and accidentally deleted this post)
Lexâs motivations are quite explicit in BvS, he has a whole speech explaining why he is doing what heâs doing and what he says is consistently shown throughout his screentime. But I think there is a lot unspoken beneath the surface that most people wouldnât think of, based on my observations I think that BvSâs Lex was molested by his father and that heâs sexually attracted to Clark, and that his issues with Superman partially stem from the duality of desiring Clark and being afraid of him. That may sound strange, especially the csa bit, but hear me out because there is quite a bit of evidence and it may give you a clearer perspective on the character.
NOTE: I just want to clarify that it is not at all my intention to equate homosexuality with CSA nor demonize CSA survivors, Iâm simply observing this particular character who happens to be a villain. Lex being attracted to Clark doesnât make him villainous, the way he deals with it because of trauma and internalized homophobia is the problem.
1.) Daddyâs Abominations?
âNo man in the sky intervened when I was a boy to save me from daddyâs fists and abominations!â
This is quite self-explanatory, Lex just said that his father sexually abused him. The only other possible interpretation I could think of is a more general âmy dad made me evil because he was evilâ but thatâs a really weak explanation especially since the line is equated with the trauma of being beaten by his dad and the way he is very visibly triggered saying that line. When he finishes âabominationsâ he immediately flinches away from Superman and shakes his hand in front of his face as if desperately trying to erase what he just confessed.
2.) Lolita + Alice in Wonderland
âPlain Lo in the morning, Lola is slacks -â
âLate, late says the white rabbitâ
Lolita and Alice in Wonderland...those are interesting choices of literature for a supervillain to quote. Youâd think something more threatening and/or pretentious would be an obvious choice for a traditional mastermind-type supervillain rather than two obscure (not very masculine) classics that only have one thing in common: themes of sexual obsession and pedophilia.
Lolita is the story of a pedophile who uses his power as a step-father to groom and sexually abuse a child. Alice in Wonderland, while not having explicit pedophilic content, was written by a suspected pedophile and is obsessively focused on a child that there are photographs of the author kissing on the mouth. These are the two novels Lex relates to enough to quote them casually off the top of his head.
3.) The âitâs cherryâ scene
So this is obviously a sexual innuendo but the question is, why this guy? This character is utterly unimportant on his own and this doesnât affect anything plot-wise which means this action is entirely about characterizing Lex. What are they trying to communicate here? This guy represents a figure similar to Lexâs father, an older businessman who behaved as if he had authority over Lex, and Lexâs instinct to that is to assert dominance in a sexually suggestive manner. This establishes Lex as a character who uses sexuality to dominate and make others uncomfortable, and relates it to a man who who represents his father.
4.) Two Versions Of The Same Scene
Lex caressing Zodâs face directly parallels him caressing around Clarkâs face, even the framing is identical. I think these are two versions of Lex confronting Superman, one with the actual Superman where he has to keep his distance and put on a callous front, and the other with a Kryptonian corpse he can project Superman onto. The scene with Zod I think shows how Lex truly feels about Clark. âYou flew too close to the sunâ heâs saying this and crying as heâs creating a monster to kill Clark which makes me think those words were not for Zod but the god he feels he has to kill. Thereâs no reason for Lex to cry for Zod, Lex has no relationship with him, itâs much more coherent that this scene is using Zodâs body as a substitute for what Lex canât express to the real Superman.
EDIT: Upon rewatch I noticed a small moment where the Jolly Rancher Dude (I donât think he has a name lol?) says with a smile âYou want Zodâs body?â and Lex goes âOkayâ, itâs a very playful interaction and it I think strengthens the connection between Zodâs body being an implied sex symbol of Superman.
4.5.) The Sexual Tension In The Rooftop Scene
Every moment of the rooftop scene (and all of this film) is so multilayered and intense, I could talk about it for hours but I want to talk a little more about the moment in the above gif.
Seconds before this, Lex was wagging his fingers inches for Supermanâs glowing laser eyes but now when he knows Clark isnât going to attack him, he wonât touch him? Lex is less afraid of having his fingers burned off than he is to touch Clarkâs head knowing that he wonât do anything. Because Lex would be happy if Superman burned him, that would prove him right and give him an easy category to put Clark in but letting himself touch Clark in an âaffectionateâ manner is terrifying.
A straight male villain that just wanted to use physical contact to assert dominance over the hero would have touched Clark here (and also would have no reason to caress Zodâs dead body) but Lex canât even though heâs literally trembling with desire to and we know for a fact heâs not afraid of invading Clarkâs personal space in an even more physically dangerous moment.
5.) The Dual Realities Of An Abused Child
âIf God is all good then he cannot be all powerful.â
Now, Iâm not an expert in psychology but I will do my best to articulate this. When someone, especially a child, is abused by someone they love it creates an extreme paradox in their mind. They love this person and they have to trust them but they also have to fear them, their brains are forced to compartmentalize when this person is a threat vs when they are a protector. In some cases, like Lexâs, this can lead to someone entirely thinking in absolutes and dualities.
Itâs a consistent theme in Lexâs dialogue that he thinks in absolutes. The cornerstone of his ideology is people have to be âall goodâ or âall powerfulâ when really no one is either, there arguably is no such thing as either.
Itâs also a theme that he has dual views of people in his life, the most prominent being his father and Superman. In one scene heâs reminiscing about wishing his dad would come back, in another heâs emotionally describing the abuse he inflicted. And Lex does the same with Clark as explained in point 4.
Lex even seems to have a dual view of himself. In the rooftop scene he points to himself as âthe evil in the worldâ but his speech about Prometheus at the party is clearly meant to illustrate that he sees himself as a misunderstood savior of humanity (this is even confirmed in the bonus material).
6.) Internalized Homophobia
âI donât hate the sinner, I hate the sin.â
Two things are important to me with this line. First is that it reinforces point 5 but also this is a very, very common phrase in homophobic rhetoric so for him to say this and gesture to Clarkâs body as the âsinâ has implications. And yes, yes, I know he meant that Clarkâs powers are a sin but things can have double meanings and I sincerely doubt that anyone making a movie in the western worldâs current political climate wouldnât realize that phrase is strongly linked to homophobia.
To elaborate on how it reinforces 5: Lex is openly saying that he doesnât hate Clark, he just hates his power, which brings us back to the idea of an abuse victimâs dual reality. Itâs Clarkâs power that is the threat to him but he can still love Clark, same way his fatherâs abuse was a threat but he can still love his father. Note: Lex calls Clark âmy friendâ and âClark Joeâ and similar affectionate names throughout their interactions which I think suggests that Lex sees Clark as partially a person.
DCEUâs Lex Luthor was a fresh, contemporary take on the character so it was a jarring difference from the Lex weâve seen in other recent mainstream media. I also think it was upsetting partially because it took away Lex as a male power fantasy; a buff, suave billionaire whoâs hyper masculine and doesnât let anything get to him including his canonical abuse. Now weâve got this definitely charming and silver-tongued but effeminate and deeply traumatized Lex that I think is much, much more dynamic and compelling (and definitely fits this universe) but was uncomfortable for people that were attached to the charecter as a male power fantasy.
Nevertheless we need more villains like this. That can be both intimidating and vulnerable, that are human and offer a real ideological opposition to the hero. BvS could not have been the story it is without this Lex. BvS is a brilliant and nuanced film about how fear and trauma affects peopleâs worldviews, which is an important thing to explore when you have a Superhero that is the embodiment of hope. Itâs important to show that not everyone can have hope so easily and to humanize those people.
Anyways this post is really long and I could literally talk for days about DCEU and this film especially so thanks for reading, please be respectful in the notes.