Leave the World Brighter

i realized this was also lost in the fall of the CH website so

I do it too, I’m not going to pretend I don’t make jokes about the hets, or the down with cis bus, or whatever

But I recently befriended a cis, straight dude and I have watched him be dismissed, degraded, and unambiguously insulted for the perceived “crime” of being straight — all in queer environments where he is allegedly “completely welcome” and surrounded by “friends”

This guy is not a toxic person! But I have seen him be made to feel so small and like his comfort and safety in those spaces are conditional on his silence and acceptance of being treated like a human dunk zone, and I think that some of y’all have had so much shit from straight/cis people that the second you feel like you’ve got an inch, you want to luxuriate in the perceived catharsis of bullying someone who— actually —doesn’t deserve it

And until he very, very carefully mentioned to me in private that it makes him feel bad, I didn’t even clock that I was involved in doing that, that it had become so instinctive for me to make casual jokes like that, and that— well meaning or otherwise —I had been contributing to an environment that made someone I really really like feel like shit

I’m gonna say this point blank— you’re a tar pit if you think this way

Your suffering does not make you special, you are not granted brand new permissions to be belligerent and cruel because you have been treated poorly, straight people aren’t an oppressed class, no, but they’re people who are entitled to the same amount of basic decency that you, yourself, are entitled to

In the Japanese version of Fullmetal Alchemist, the antagonists are named after the seven deadly sins, in English. As in, rather than the Japanese word, "Greed" is still Greed in the original.

Because loan words from English are often pretty "cool", as with your Spanish and French example.

But this presents a problem, because, to give them a bit of flair, the antagonists are sometimes given a proper Japanese adjective along with their name, to make a sort of title of sorts.

"Greedy Greed"

The italicized part would be a Japanese adjective, and the bolded part is an English loanword. This is fine in Japanese, but would be totally nonsense in an English translation.

After all, it's common sense to keep the names the same, duh, and obviously the whole point of what you're doing is to translate the Japanese.

Greedy Greed. You cannot call him that.

You can't go 1-to-1. To keep the [concept of coolness], you have to identify what made the original cool, and then recreate it in the new language.

And here, we have a foreign word, and a native word, both meaning the same thing, paired together to give an antagonist a cool sounding title. So how do we do that in English.

Well, the seven deadly sins, being Christian and Catholic and all, have fancy names in Latin. Or well, they just sound fancy in English, because Latin was the language of intellectuals for a long long time.

And in fact, while we also have the word "greed", English has a fancier sounding word that means the same thing, but whose etymology comes from the fancy Latin. That might give a similar cool-loanword feeling, right?

Let's try it.

"Greed the Avaricious"

I think it must be, at least partially, because, people hate the imperfect victim. Its easy for so many people to sympathize with someone who never lashed out. Less so for people to sympathize with people who are angry and lash out. Even though its a perfectly sensible reaction to being hurt over and over. I'm sure most people would like to think they would simply never.

1. COMMIT TO THE BIT

2. PARTAKE IN THE DIVINE ACT OF CREATION

1) Be funny/ continue the online joke: persona you are conveying ( Think Gorbachev)

2) Have sex/fuck someone ( It is specifying say straight sex but we can ignore that part on tumblr)

And they agree that yes, they do know how to eat, in theory. The problem is the watermelon. Surely, if they figured out where to start, they'd figure out how to do it, but they have no clue how to get started with it.

This goes back and forth. No, it's not an emotional issue, they're not afraid of the watermelon. They can eat any other fruit, other sweet things, and other watery things ("it's watery?" they ask you). Is it the colour? Do they have a problem eating things that are green on the outside and red on the inside?

"It's red on the inside?"

Wait, they've never seen the inside? At this point you have to ask them how, exactly, they eat the watermelon. So to demonstrate, they take a whole, round, uncut watermelon, and try to bite straight into it. Even if they could bite through the crust, there's no way to get human jaws around it.

"Oh, you're supposed to cut it first. You cut the crust open and only chew through the insides."

And they had no idea. All their life this person has had no idea how to eat a watermelon, despite of being told again and again and again that it's easy, it's ridiculous to struggle with something so simple, there's no way that someone just can't eat a watermelon, how can you even mange to be bad at something as fucking simple as eating watermelon.

https://drmaciver.substack.com/p/how-to-do-everything had a nice list of additional examples like this, with (non-)obvious major insights with regard to opening stitched bags, cleaning your bathroom floor, using a search engine, catching a ball, pinging somebody, proving a theorem, playing sudoku, passing as “normal”, improving your writing, generating novel ideas, and solving your problem.

If you’d asked me six months ago how to get better at something, I’d probably have pointed you to how to do hard things. I still think this is a good approach and you should do it, but I now think it’s the wrong starting point and I’ve been undervaluing small insights. [...]

Every time he tells me this story, his frustration by this point in the story, years later, is evident. He still sounds frustrated by it, despite all the time that passed. Teachers had been giving him crap for years because he hadn't been making much progress with the instrument.

When he got to the private instructor, she acknowledged his frustration, and asked him to try to play for her. He did, and she saw all he was doing. She then did something no one else had done before. She asked him to put his mouthpiece on a different clarinet and try to play the same notes. Like magic, it worked. She looked at the clarinet he had been using and found that the school's clarinet needed it's pads replaced.

He went from last chair to first chair nearly overnight, having been taught far more techniques than typically taught at that age just to overcome the broken instrument preventing him from making noise.

Metro Man was not loved growing up in a way that mattered. His adopted father was clearly very absent, and while we don't know much about his family, their relationship seems superficial. Because of this, his sense of duty to the world is also superficial, hence his boredom.

Hal wasn't raised with power. He gained it and was shown how to use it by a 'space dad' who only taught him power and not love. Hence, he sees it only as a grasping means to an end.

And Hal. Hal is selfish in that way that incels are, where he never really matured past the age of four, and he sees Roxie not as a person he respects and admires, but as a goal. He doesn't love her, he loves the idea of being with her because he thinks that he deserves a woman and because Roxie is forced to spend time with him because of her job.

My half a yearly big hsr post that takes up most of the screen, featuring me falling in love with Lygus of all characters

bonus (because someone asked to add Lygus in that pic):