God made the child she
advanced with outstretched arms
said—
come to me and we can rest
together
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 181
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God made the child she
advanced with outstretched arms
said—
come to me and we can rest
together
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 181

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forgive the bitter
asylum of america
a tomb of the undead
desperate for power
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 173
nothing but a key in the
churchyard within me,
a vampire wound
not healed
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 167
I know I could be precious—
good, settled into the
light.
not disturbed.
ablaze with sunshine
and delight. but I love
darkness too much.
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 157
lips red and nasty, disturbed
speaking down
to God, staring
at nothing
rude and ill
and empty
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 148
image overlay source: Isamaya Ffrench wearing red lipstick from her brand, Isamaya Beauty

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I
see
no
light
in
life
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 127
the mother— a wild
flower and a wolf
circling the moon, howling
the voice of the body
remembered
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 123
Image Overlay Credit: The Sacred Feminine Spirit by Zillah Letty
attached to an
evil root of spiritual
pathology, fighting
the heart’s blood—
an anxious agony
with the lover.
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 104
smoky beauty of sunset breathing
recuperative power over his
mind, his passions, his
paroxysms— certain natures
improved,
naturally terrible.
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 101
Image Overlay Source: I am the rage by Martina McGowan, MD
nonsense sends love spells
perpetually murmuring
padded room wishes to fools
disassociated into a sort of
coma.
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 93

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men fear hell—
let them. raised to signal
some terrible doom, his
stronger nature seems to work
inwardly against himself.
men are beyond help.
god seems to have deserted
them.
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 72
you— tall, uncommon
handsome, clever
and an immense lunatic
what power you have
I am undressing
I am writing this to you
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 47
sweet ripple
joined subtle change
I seized wild desire
the dark passage to
my very soul—
burning
whole
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 43
image source overlay: Elude. Oil on wood by Henrik Uldalen.
bitterness shall take no refusal—
engaged to resistless discourse
that the door had
closed in every way.
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 27
amongst the bright
sparkling waters, the walls
of my castle— broken, saturine
left me marked
but fortified. they say the people
who are near death change
the atmosphere. believe it.
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 20

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the wolves around us howling
through jagged white teeth, a
peculiar perforce to command
the darkness
came upon me.
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 11
weird and ghost-like
speaking wild cries of
encouragement to passengers—
a guard against the evil eye.
—
Source text: Stoker, Bram. Dracula. London: Constable & Co., 1897. Print. Pg 7