Extending the Museum

Al Museu Calouste Gulbenkian “Art on Display. 1949-69”: una mostra che interroga i modi di esporre l'arte nei musei e nelle mostre attraverso le soluzioni storiche di Franco Albini e Franca Helg, Carlo Scarpa, Lina Bo Bardi, Aldo van Eyck e Alison e Peter Smithson

Da Bolzano a Merano le iniziative online e social di Museion, ar/ge kunst, Fondazione Antonio Dalle Nogare e Kunst Meran Merano Arte per #iorestoacasa

This digital publication explores the story of the planning and politics of a series of overpasses on Long Island, commissioned in the 1920s and 1930s by Robert Moses. The story suggests that the bridges had been designed to prevent the passage of buses, thereby allowing only people who could afford to own a car to access Long Island’s leisure spaces. The possible devious intent of Moses and the transformation of the story in subsequent decades shaped a scholarly debate. The publication accompanies the film Misleading Innocence (tracing what a bridge can do), conceived by Francesco Garutti and directed by Shahab Mihandoust. It points to the complexity of the topic and the elusiveness of clear answers by presenting objects and documents that Francesco Garutti encountered during research. Essays and a conversation deepen the analysis and widen the scope beyond the case of the bridges. In English. Edited by Francesco Garutti. Design and development by Linked by Air, New York.

These curators, all aged 35 years old and younger, are bringing fresh, millennial perspectives to museums, exhibitions, and projects across the globe.

The Met, Microsoft, and MIT have teamed up for the second time to explore ways that viewers can engage with the collection via AI

PLEASE NOTE: We have been overwhelmed and delighted at the interest in our Robot Tours. We are looking at ways to make these available to all in the near future. For now, priority booking is available and will be given...