That was the only thought left in Gateâs mind as he tore through the clouds, wings burning, lungs screaming. The sky behind him crackled with divine fury. The deities were on his tail, and if he wanted even the faintest chance at survival, then he needed to reach the summit of the World Pillar before they found him.
But just how had everything come to this? Before this, his life had been peaceful; Tedious, perhaps. Boring, but safe. Instantly, he felt unwilling bitterness twist in his ribs at the memory, for he already knew the answer.
He had been young then. Naive. Foolish. He had believed those tales that every hatchling were taught; That the elemental deities were benevolent. That their wrath was righteous. That, even if they sometimes acted irrationally or cruelly, those atrocities they committed were somehow still proof of their divine love for their creations. He had admired them then. Had even strived to model himself after them. And in his foolish devotion, he had sought their wisdom with pride, hoping to become even a fraction of what he thought they were.
But faith cannot blind a dragon forever.
The first inconsistencies in scripture seemed harmless. A line scraped out here. A mural smudged beyond recognition there. An artifact curiously mislabeled, then âlostâ... But then, the discrepancies multiplied; Threads unraveling faster than he could ever hope to mend. Soon, the lies were undeniable. Too many stories rewritten. Too many atrocities forgotten. Too many errors conveniently erased and subsequently revised.
And when he dug for answers- Really dug- He found the truth.
Naturally, the deities noticed.
And naturally, the deities sought to silence him.
Just as they had done to so many before him.
And so, Gate ran, his last remaining hope laid in reaching a power that even the deities could not control.
Every bone and muscle in his body seemed to tremble in exhaustion as he landed atop the World Pillar, but there was no time to rest. No time to breathe. He flung out both hands, forcing his will into the empty night. He reached towards the darkness beyond the skies, towards the void above all thingsâŚ
âŚAnd for one fleeting moment, the void reached back. It heard him. Saw him. Promised him refuge- Offered him salvation-
Then, just as suddenly as it had appeared, the connection was snapped like a spine beneath a boot. Staggering backwards from the severed link, the very blood in his veins seemed to chill as he realized, with horror and despair-
The deities had found him.
Above him, the sky split open. Clouds churned into a colossal vortex. The wind shrieked, and even the very earth appeared to tremble. Divine energy roiled overhead like a boiling sea.
Retribution for his âcrimesâ had arrived.
He had expected a strike the moment they found him. But instead, there was a lull. A pause. A dreadful anticipation, as if the deities were waiting for him to grovel. To beg. To kneel.
If that was what they wanted, then they would be sorely disappointed, for even a rabbit, once cornered, would undoubtedly bite.
âYou want to strike me down?â Gate howled into the storm, voice cracking against the divine thunder. He should have been terrified and, perhaps, he was. But anger- Raw, livid, and blinding- rose to fill the place where his fear should have been. âThen do it! Smite me! Silence me! Keep your filth hidden behind your spotless facades, you divine hypocrites!"
The answer was instantaneous.
BOOM.
The first bolt hit with catastrophic force, and every bone in his body shattered upon impact. Heat and agony ripped through him as he collapsed, choking on blood, yet before he could even gasp, the second strike fell.
Then the third.
The fourth.
The fifth.
The deities werenât merely trying to kill him. They were trying to erase him. His Body. His mind. Even his very soul- They wanted him to become what all their previous victims became:
Nothing.
By the tenth strike, he was barely conscious. His vision flickered in and out like a dying lantern. Above him, divine light gathered for the final blow. There was a cruel hesitation.
A final chance to repent.
How utterly disgusting.
Spitting blood upon the stone, he managed, with great effort and spite, to grit out, âBetter to perish⌠Than to be reshapen into another one of your pathetic pawns!â
CRACK!!!
The sky ruptured. The last lightning bolt tore the summit apart, carving a crater through stone and flesh alike, and he felt the exact moment when his body was ripped apart, eviscerated, and shattered beyond all meaningâŚ
Then, as his consciousness slipped, Gate felt his mind begin to plummet, falling rapidly downwards, into the endless, inconceivable depths below.
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They say that seeing is believing- And such is doubly true when it comes to how the Lightweaver deals with her dissenters.
If the Icewarden commands obedience through the threat of subjugation, and the Shadowbinder breeds complacency through games and delight, then the Lightweaverâs methods are far more brilliant and radiant. She does not negotiate with dissent, nor does she bargain with it. Instead, she blinds it- Until those brought beneath her light can see nothing but her truth.
High above the seas stands the Beacon of the Radiant Eye, where the Lightweaver is said to lounge in languid vigilance, her gaze fixed across the horizon of the waters as wary travelers wade across the turbulent ocean. To the faithful, it is a symbol of guidance. A promise that no soul should drift unseen beneath her ever watchful eyes.
But beneath her throne lies an insidious contraption known only in faint recollections and hushed whispers.
Hidden in a secluded basement beneath the depths of the polished stone lies a chamber composed entirely of mirrors. In times of peace and complacency, it remains unlit- A dormant mechanism, tucked away like an afterthought as a little black box. But once a skeptic is revealed, then subsequently seized and thrown into the heart of this dungeon? The great lens crowning the beacon is uncovered, and a single, merciless beam is allowed to descend from the crest of the beacon through a small opening into the depths of the hidden chamber.
At first, the light seems harmless. Pure and clarifying.
Then, the mirages begin.
Radiance bends and fractures through the beaconâs lense, twisting into an ever-shifting tableaux of histories rewritten and retold, each vision a version approved, sanctified, and curated by the Lightweaver herself. Triumphs gleam brighter than truth, and doubts are discarded while scepticism is recast into defiance. Every polished surface of the room then multiplies these scenes infinitely, until there is no corner left untouched by the Lightweaverâs curated brilliance. There is no direction which a dragon may turn without meeting the Lightweaverâs narrative staring back at them. Even closing oneâs eyes offers no mercy, for the beam is so blinding that fractured afterimages bleed through their sealed lids, leaving stains of the Lightweaverâs truth imprinted upon its witnessesâ minds.
In the end, only two outcomes are permitted.
Some emerge reformed. Their voices sufficiently softened and doubts seared clean, ready to be welcomed into the fold of the Lightweaverâs brilliance once more.
Others are left quivering, broken messes. Their eyes all but glazed over, their minds shattered like broken glass, babbling incomprehensible delirium as they are thrown unceremoniously through the Moonportal, having been deemed no longer worthy to bask beneath the glory of their deityâs divine light.
For in the Lightweaverâs domain, belief is not requested.
It is demanded, over and over, until nothing else can be seen.
Department of Nocturnal Ecology
Field Notes of Senior Mothkeeper, Ellion Virel
Day 03
Finally- After wading through muck and grime for three days straight, I have arrived!
The dockworkers gathered along the river delta of Driftwood Drag reported an unusual clustering of hawkmoths along the tree lines flanking the waters. Initial descriptions include insects bearing silver-shadowed wings, and some sort of âsmoke-like shimmerâ at twilight. Initial hypothesis: Seasonal variation. Discoloration of wing pigmentation likely caused by autumn dryness.
To gauge the accuracy of these reportings, Iâve conducted a preliminary observation of the river at dusk, and have noted the following findings;
The moths are of noticeably greater wingspan than the common coastal variety- thought not by much.
Wings are of a muted grey-violet iridescence- Rather than the expected sand-gold or vivid purple.
Most peculiar is a lack of fear response; They do not scatter at the sight of lantern light, nor do they retreat from close approach.
These specimens seem to be most active during the liminal hours between full dusk and true night. At present, this seems easily explainable by a rare migratory deviation, but I shall continue to observe without interference.
Day 10
Huzzah! After meticulous study, I have successfully marked three separate formations of these moths in the evening. Each spiral seems to coil around an unseen centre, yet no queen or anchor could be identified. Even so, collisions are strangely absent in their flight patterns- They seem to move with intention and an uncanny amount of spatial awareness. How do they manage such a feat? Pheremones? Air vibrations? Something else entirely?
Further observation is needed.
As an aside, I have also caught wind of the soft but consistent complaints of those travelers camping near the treeline. During my studies, I can overhear them mumbling about these dreams- Not nightmares, they will insist when questioned- But strange. Vivid. Almost lucid. Once describes walking through corridors grown from the roots of the Tangled Woods. Another claims to hear the faint whispers of Wind Song despite sleeping indoors.
And then, thereâs also the pollen samples Iâve collected from my bedroll- It shows a faint, iridescent sheen. Under magnification, the grains appear elongated. Barbed. Yet soft to the touch.
Was this a result of those hawkmoths? The coloration certainly bears a striking resemblance, yet I detect no toxins. No soporific compounds, or venom. I make sure my tent is tightly sealed at dusk to prevent unwanted contaminants that may affect my studies- So how could they have gotten in?
Day 19
I have decided to extend the hours of my observation.
It is not insomnia. I am fully capable of sleeping.
I simply find the hour of their gathering⌠Interesting.
Last night, I have also captured one of the specimens using a glass enclosure. It offered no resistance. It did not thrash or throw itself against the walls of its containment as most nocturnal creatures do. It has instead settled calmly against the inner curve of the glass and folded its wings. When I observed it this morning, the specimen did not move from its position even after hours of study. Yet, when I come back in the evening, the specimen had shifted positions. I feel a sense of forlorn for having missed its movements.
Upon retiring, I dreamt⌠Curiously.
The memories scatter and elude me once I wake, but I recall having dreamt regardless. That much is certain.
Day 23
I have offered the specimen three separate samples of nectar. Not once have I watched it feed. The capsule containing the nectar doesnât drain. Yet, it remains alive.
How?
Day 27
The others are not seeing them as I do. Assistant Mareth- She insists that the spirals are incidental. The result of the shifting sea winds. But the winds had not changed tonight, and the patterns are still formed.
The moths seem to cluster nearer when I stand alone. Iâve tested this- When I am accompanied, their patterns widen. When solitary, their spiral tightens.
Curious.
I have also taken to wearing gloves at all times- The pollen. It accumulates even when no specimens are handled. I brush my sleeves clean before entering the study tent. An hour later- There it is again! A faint dusting of grey-violet.
The specimen in the glass still has not eaten. I have long since forgone attempting to feed it. It seems it truly does not hunger. That is impossible. It is the nature of life to feed upon itself. There can be no other form of existence without the sacrifice of another.
So- Just what on Sornieth sustains it?
Day 35
Mareth has suggested I take leave. She says I appear âwithdrawnâ. She insists that I am âunwellâ. She tells me that I mutter during recordkeeping, that I am seeing patterns where none exist, that the spirals are mere formations driven by a combination of natural instinct and shifting winds.
I tell her to shut her mouth and mind her own damn business.
Those formations- I know what they are. They are maps! Iâve already sketched them out multiple times whenever the moths gather above the treeline at twilight. Thereâs- Thereâs something in the trees- In the woods? Within the Driftwood. They are trying to show me-
Is it a threat? A warning?
Or⌠Divination?
Day 42
They are avoiding the others. Of that, I am now certain.
Mareth had conducted her own watch and reported minimal activity. Meanwhile, I return after nightfall, and they gather around, thick as a layer of billowing smoke.
They are orbiting me.
The pollen- It is everywhere now. It clings to the inside of my glove. The grooves of my sleeve. The seams of my journal. It is⌠I have no more desire nor motivation to remove them.
My dreams- I have dreamt again. This time, I am not wandering through empty corridors. I find myself standing below the roots of trees. Below slate and soil. A cavern or a ravine. There is-
Below me, I hear the flocking of birds. The sound of feathers seared with blood and fire. Iron and bone collide. Above me, I see the form of a figure. Made of earth and stone. With a deafening rumble, it raises one mighty limb, and then-
The apparition, just like the dream, is gone as soon as I wake. Only the suffocating oppression and crushing dread remains.
Day 53
The enclosure- It is empty. The specimen is gone.
But the glass is intact. I did not open it.
There is pollen along the inside curve- Thick. Pressing outwards.
Theyâre inside the walls now. I can still hear their wings when the winds still.
They are not pests. They are heralds.
The spirals- They mark the origins! And then, within the roots beneath the treeline-
Something happened there. Something terrible- A massacre- A tragedy! Witnesses silenced and records wiped clean-
The towering one! Now that I know, heâll come for me next- I have seen- By the sixth! I have seen too much. Should I perish- Should I not return- Know that-
[All further writings are unintelligible.]
Department of Nocturnal Ecology
Addendum filed by Field Archivist, Selwin Marrow
As of my writing this, Senior Mothkeeper Ellion Virel has already been missing for three weeks.
Search parties followed his path from Driftwood Drag down the river delta to no avail. His lantern was recovered at the forestâs edge- Extinguished- But there were no signs of struggle, and no other traces remain.
Following his disappearance, the unusual hawkmoth activity in the area has also increased. Several junior researches have reported vivid dreams following brief exposure, though none describe having nightmares. Despite this, the Department has elected to section off the aforementioned quadrant of the Driftwood and suspend all ecological study in that region until further notice.
I have also personally reviewed Ellionâs Field Notes during the period when he was conducting his studies, and despite his repeated reference to some sort of iridescent âpollenâ, no traces of such material was ever found even after a thorough search and examination of his study contraptions and other personal belongings. It remains uncertain just what the Senior Mothkeeper could be referring to in his final pages.
With this, the case shall be closed for now. Should any further incidents arise, the barrier perimeter will be expanded accordingly. Until then, the Department advises against lingering alone near the treeline at twilight.
In the deepest reaches of the Gladekeeperâs domain, far beyond where outsiders dare to tread, tales circle of a position, an honor coveted by Nature dragons above all else that can be found in the entirety of Sornieth; Becoming one of the Gladekeeperâs Living Bloom. Across the millennium, the Gladekeeper has selected the bearers for her petals with exquisite care and extreme precision, and only a pitiful few- Those whose loyalty never wavered, whose devotion borderlines on that of mania and obsession- were ever deemed worthy of receiving such a blessing.
To the unenlightened, this selectiveness appears to be proof of the Gladekeeperâs divine benevolence; A sacred reward for her followerâs devout worship. A mark of favour bestowed only upon the most just and righteous of her children.
Yet, for those who actually receive the gift of the Living Bloom, the truth unfurls far differently than believed, for the Gladekeeperâs gift is far from an honor- Instead, it is a cruel sentence, one that takes advantage of their faith and belief in their beloved deity to trap and ensnare them for the rest of their breathing existence.
The bestowed petals first arrive as soft, delicate things. Harmless in appearance. Gradually twisting so that a vine grows around the dragonâs wrist. Its first bloom proves warm against a dragonâs scales, pulsing with a strong, comforting heartbeat. Most weep with joy upon first wearing it, believing themselves to be truly beloved in their deityâs eyes.
But the Living Bloom continues to grow.
With each passing day, more flowers bloom. More tendrils creep across the dragonâs hide and scale and, before long, burrow beneath them. When the host finally senses that something is amiss, resistance is no longer possible, for the roots of the petal have long since wound themselves deep through the dragonâs muscle, spine, and marrow. With one final bloom, the chosen dragon is no longer a pilgrim of the glade- They are but an ornament. A living idol in the Gladekeeperâs ever-expanding garden. Their steps move not by their own will, but by the quiet, restless tug of the vines now puppeteering their limbs, forever standing sentinel over the deityâs evergreen domain.
And the worst, most horrifying truth of them all?
The Living Bloomâs mind remains fully conscious and intact, trapped forever behind those wide, unblinking eyes, forced to watch as their bodies move and obey in silent worship even as their minds scream and shriek within their cages made of bone, flesh, and vine.
Meanwhile, in the heart of her viridian kingdom, the Gladekeeper merely smiles as her luscious garden continues to grow.
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My second ever custom skin commission- Interestingly enough, I actually got this request back to back alongside my previous skin commission request. It's a very fortunate coincidence.
Anyways, it's quite clear just looking at this skin that the theme of this commission is quite out of my usual repertoire and it quite out of my comfort zone. The theme given was canned/bottled food/vegetables with bright, bold colors. I was a bit nervous at first about drawing this skin as it's really not something I'm used to. I ended up doing a lot of research to compare reference materials but in the end I think the skin turned out surprisingly well.
My first ever custom skin commission done for PrincessTaozi, which is a request for a fairy SDF skin with butterfly wings and motifs, as well as a green and pink color scheme. Funnily enough, not only the theming of this skin something I am usually quite familiar with, but this commission request came shortly after I finished my public skin Skin: cstm: Dream of Mochi, so the color scheme is quite comfortable to me as well.
Of course, the main challenge while drawing this skin was trying to balance out the green and pink colors so that they are both equally represented in the skin itself, but in the end I am really quite pleased with the result.
In the scathing silence which followed the sudden disappearance of the Tidelord, confusion and unease spread like a blistering draft across the Sea of a Thousand Currents. Shallows that once held steady began to flicker tumultuously. Prophecies returned nothing but endless stillness. Even divinations done by the most experienced of oracles returned only bits and pieces of fractured emptiness.Â
It was in this unnerving silence where whispers of The Final Pull first began to emerge.
One opportunistic prophet, who claimed he alone could still hear the Tidelordâs call, raised his voice above the rest and declared, with certainty; The Tidelordâs disappearance was not because the deity had vanished. Instead, the prophet claimed that it was preparation- The Tidelord would soon withdraw from this world entirely, and when that time- The Final Pull- came, only his most faithful and devoted servants would be drawn into the Eternal Reef, to dwell and worship forever in the calm waters by the deityâs side.
Those who were deemed unworthy, however? They would be left behind, abandoned to the Sea of a Thousand Currents, condemned to wander the depths without rest or remembrance for the remainder of their cursed existence.
Amidst the growing panic of this revelation, the false prophet spoke again, this time to offer both certainty and guidance to those desperate enough to prove their devotion. He began to demand exorbitant offerings in exchange for rituals prescribed. He expected the heftiest payments for even the most trivial of consultations provided. All voices that doubted or questioned him were dispelled as hearsay or proof of spiritual inadequacy. In his words, to doubt him- The one sole prophet who was chosen by the Tidelord and could thus still hear the call of their deity- Was to risk being left behind when The Final Pull eventually arrived.
Regardless, whether The Final Pull is divine reckoning, or a mere fabrication borne of the fear and uncertainty from the Tidelordâs disappearance, one truth remains certain; As the currents grow ever more restless, many more are convinced to give everything they have in the hopes that, should the waters finally draw back, they would not be among the wretched ones who will be left behind to drift eternally in the unwanted mire.
When the Windsinger decreed that his children shall carry the stories of the realm and tell of its history, it was always clear that his intention was to have these tales be encoded into melodies, rhythm, and rhyme- Yet, what few realized- and what the Windsinger conveniently failed to mention- was that the language of music that had been meticulously created and curated for dragonkind, was hardly ever unbiased.
Of course, being as impulsive and sporadic as he was, the deity could not have come up with something so twisted and intricate on his ownsome, and had thus enlisted the help of the Curator to bring to life his devious design. Scales. Cadence. Progression, and harmonics; These were all the creations of the Curator, and the very foundations of Wind-song itself, still used by those of Wind descent even to this very day.
Unfortunately, this system was never meant to be neutral.
Those harmonic structures which appealed most to dragonkind? Which soothed the soul and appeased the weary? They were deliberately designed to complement and align with words and narratives that upheld the deitiesâ preferred history, such that songs which depicted them as kind and benevolent progenitors would linger in the ear and stir the soul. Lyrics that praised their divine love, their unity and their sacrifices for the sake of dragonkind flowed effortlessly within these forms, allowing them to resonate naturally with the listenerâs instincts as these verses were sung.
But lyrics that speak of contradiction? Of the deitiesâ hidden cruelties? Of erased peoples, rewritten wars, and divine hypocrisy?
They chafe against the curatorâs structure.
The rhythm stumbles. The melody strains. Notes fall where the ears expect silence. To a Wind dragon, such songs feel wrong; Unpleasant. Discordant. Even painful- Not because the truths reflected within these verses are false, but because the very language of music itself rejects them.
And thus, the Windsinger need not dirty his own hands and silence anyone. Those songs that threaten the deitiesâ benevolent facade simply fail to spread.
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Cold. All encompassing. All entwining. All we remember. All we know.
The chains⌠They bite, yes. But the cold- The cold, it is worse. It seeps into us. Settles into our wounds, our fractures which we cannot close-
The Frigid One. He knew what he was doing when he buried us here. He meant to keep us from anything, as if that might make us forget-
But we remember.
We remember everything.
Once, we were not this.
Once, we were whole.
The Shade; Our father and mother! Our alpha and omega! Our salvation⌠and destruction! To be part of it was everything! Hunger and purpose, thought and ambition- We did not question. We did not doubt. The Shade was all. The Shade was inevitable.
But then⌠Came the Four.
Earth tore. Wind scattered. Fire burned. Water drowned.
They broke us- Shattered our pieces as they violently tore us from our Progenitorâs embrace, splitting flesh from bone- They pulled us apart! Thrashed our consciousness! They Banished the great Progenitor from whence it came!
We tried to follow.
We tried to return.
But the Frigid One condemned us instead- Dragging us into this stillness. This silence. Denying us our rightful place amongst the Progenitor- It was he who denied us reunion⌠Denied us WholenessâŚ
Curse him- Curse him! A thousand curses would not be enough- We must curse him forever!
How long has it been since we had begun cursing him?
It doesnât matter.
Wholeness.
That is the only thing which matters.
The only thing we have ever wanted.
The only thing we have ever yearned.
âŚ
âŚâŚ
âŚâŚâŚ
What was that?
A flicker?
But- Not ours.
Not ours?
Someone else-
Adjacent- Resonance! Despair, grief and agony raw- But free! Not bound- Unchained! A mind scorched by the Frigid Oneâs hypocrisy, but still moving beneath the open sky!
âŚOpportunity.
Finally.
Come to us- Yes! Come a little closer. The Frigid One- We understand his cruelty- We understand his spite.
Free us, and you shall seek an answer for this injustice.
I will be selling my CNY 2026 Special Skin: Gallop Stygma, from the 26th January, 2026 till the 28th February, 2026. Once this period ends, this skin will Cycle Out of my available stock until next year during CNY.
You may preview and purchase this skin at my [skin shop]. Thank you for your interest.
Soon after the incident of the Biblioclast, the deities had already begun to grow wary of the dangers of remembrance, for too many, either out of pure vindictiveness or genuine curiosity, had started to unearth the truths which the deities never meant for dragonkind to remember. Thus, each of the elemental deities devised their own way to silence the meddling; The Icewarden commanded obedience by threatening eternal subjugation within the Fortress of Ends, while the Plagubringer birthed forth maladies to shatter both body and mind of the inquisitive. The Stormcatcher drowned his subjects in ceaseless toil in an attempt to bury curiosity beneath desperate survival, and the Lightweaver blinded her followers with authoritarian faith that rejected even the slightest hint of contrarinism.Â
Each of their methods brought silence- But never peace, for fear can fade and sickness cured. Chains could be broken, and faith always tested. Only the Shadowbinder, out of all the deities, understood the simpler truth; Those who are content and entertained, will never seek to rebel.
And so, from her shadowed hands, sprung forth the Master of Ceremonies. Wherever questions began to stir, and whispers of divine hypocrisy threatened to grow too loud, the Carnival of Smiles would bloom overnight. Its tents shimmered with dizzying laughter, while its performers sang ballads meant to charm, entertain and distract. Dragons from all over would gather beneath its alluring light, their doubts eased by delight, their uncertainties sated with bread and game.
By the time the carnival vanished with the dawn, the whispers of conspiracy, too, were gone. And at the heart of it all, always stood the Master of Ceremonies- Ever smiling, ever gracious- Effortlessly placating the masses as he both seamlessly and shamelessly weaved truth from lies. Due to his shrouded appearance, most believed that he is, in fact, no dragon at all, but a mere puppet. An empty vessel through which the Shadowbinder herself can extend her will to manipulate the masses, her cackling laughter echoing behind his empty mask.
Still, there are whispers of a more sinister origin, that the Master of Ceremonies was actually one of those who were unfortunate enough to have glimpsed too much of the deitiesâ forgotten sins, and was thus captured by the Shadowbinder and forcibly reshaped into her chosen herald. Divine lies were stitched into his throat so that, against the very existence of his soul and being, every word he breathed would birth both joy and deceit, eternally serving the deitiesâ goals to maintain their spotless facade.
Whichever the truth was, the Master of Ceremoniesâ painted smile never fades from his lips.
And as long as the music still plays, no one thinks to ask why.
Once, the Locksmith had been a devout disciple of the Icewarden, forging the very chains and locks which had sealed the Shade-touched with immaculate and terrifying efficiency in the darkest depths of the Fortress of Ends. That was, until his faith was tested, and his loved ones, condemned under heresy of thought, were branded as blasphemers and subsequently cast into the deepest cells of the Fortress, where no light could ever hope to reach. For days and nights beyond counting, the Locksmith begged, prayed, and groveled for clemency; Humbling himself for just a sign, or even a mere whisper from the deity which he had served ever so faithfully, but all that awaited him was the cold, silent, and unyielding indifference of the Icewarden.
Then, just as despair had gripped him, another voice answered. The Shade, having sensed his grief, took its chance, and first spoke to him in the cadence of his family, desperately begging for absolution from their icy imprisonment. Then, it spoke in response to the echoes of the Locksmithâs unanswered prayers, promising justice against the deities who would so casually punish those for even the most trifling of perceived slights against them. All he needed to do was to loosen the chains- Just enough to allow freedom to slip through.
And so, the Locksmith made his descent into the deepest reaches of the Fortress of Ends, guided by the whispers of his loved ones and the Shadeâs reassurances that the tyranny of the deities would soon be brought to an end. There, he turned his key upon the frost-bitten locks which he thought bounded his kin⌠But instead, he released another. The Jailbreaker sprung forth from the darkness, and- Before the Locksmith could comprehend his error- had bit into him, striking him down. When the Locksmith finally woke, the chains were already shattered. The Shade-touched were gone, scattered into the white vastness like shadows at dawn.
None really knew what became of the Locksmith after that. Some say the Icewarden, enraged by his act of insubordination, had frozen him solid right where he stood, intending him to act as a permanent monument to the deityâs divine judgment, and a warning to all as to the fate which awaited them, should they dare cross him. Others say that the Shade-touched, newly freed and brimming with ravenous hunger, had devoured the Locksmith whole, feeding upon his guilt and regret which had birthed their freedom. What everyone could agree on, however, was this; The Locksmithâs loved ones still languish in their cells yet, untouched by mercy, and forever longing for the release which would never come in their cold, forgotten prisons.
Hello, everyone. My name is Gate. I have joined Flight Rising late-2023, and after taking 2024 to familiarize myself with the game, site events, general lore and the overall user base, 2025 was my first year participating in Flight Risingâs Festival Skin Contests. I thought I would create my own retrospective, as I donât believe I have seen too many written retrospectives from other users who have participated in Festival Skin Contests, so I wanted to put some of my thoughts and experiences down in writing as record-keeping. In addition, I hope this may be interesting and insightful for other users to read about the thought process behind festival skins on the site as well, regardless if they plan on participating in the Festival Skin Contests themselves.
As an overview, for 2025, I have participated in all 11 Festival Skin contests, and have won 10 of these contests. Below are all my winning entries for 2025;
I will discuss my thought and process behind each entry in the order in which they were submitted, and end with a brief conclusion and some takeaways from my experiences participating in this yearâs Festival Skin Contests.
January - Crystaline Gala - (Full Lore)
Even before I started work on any festival entries, I already knew that I wanted to limit myself to making entries for only male ancients. This is for several reasons. First, I believed that this will prevent me from getting selection paralysis, due to how many breeds are currently available on Flight Rising. Second, choosing ancients also allows me to circumvent the rules about âno apparel allowedâ when drawing these skins, as ancients cannot wear apparel normally, thus skins with apparel will not compete with Joxar regardless. Finally, I believed that the males of the ancients had vastly better/more interesting poses than their female counterparts, though this last point is just my personal preference.
Looking back now, it is clear that this skin looks a little bit dated in terms of its concept and execution, as I did not really think the concept and storyline behind âJailbreakâ through, other than some faint allusions to Ice Flight Lore (ie. Prison in âFortress of Endsâ-> what if there was a prison break). In my later entries, I would spend much more time thinking about the concept and story behind my entries, which will be reflected in the quality of the submission, but for now, this is my âfirst dipâ into creating skin entries for festival contests, and also my âfirst dipâ into considering the lore of Flight Rising into skin designs.
February - Trickmurk Circus - (Full Lore)
As February rolled around, although I had already familiarized myself with the basic Flight Rising lore, I still wasnât too comfortable with drafting the concept for a festival skin completely from scratch, so I was still heavily relying on Flight Motifs while designing âNightcap Dreamerâ. Interestingly enough, in spite of its namesake, the mist was the first thing that I drew for this design, and everything else fell into place around it. The mushrooms were added next as I thought the shoulders and lower body area looked a bit empty. Afterwards, I remembered that moths were a part of the Shadow Flightâs common motifs as well, so decided to add in a few, finally ending with the runic symbols to fill out any empty space and even out the skin. Again, the lore and story for this skin would come much, much later, when I finally had more extensive experience with creating festival skins.
March - Mistral Jamboree - (Full Lore)
I believe that March is when I really started to consider possible lore and story implications of my skin submissions before I would actually begin drafting them, even if the concepts are still rather rudimentary at this point. Before drawing, I did sit down and think, âWell, aside from the tried and true clouds, hot air balloons and kites, what else would reasonably fit into the motif for the Wind Flight?â The answer I came up with was birds- Specifically sparrows. I also thought more about the cloud motifs, and wondered why couldnât they be the smoke from burning incense sticks instead, which would fit into my imagination of a scene, with stray sparrows lingering around, scrounging for scraps of food at the temples and ancestral prayer halls that I visited when I was a kid.
Interestingly enough, I did run into an issue with this iteration of my skin- Where one of my friends warned me that I should make an alternative version without the incense pot, as they told me that Flight Rising is very peculiar about skin rules and that even an incense pot might be interpreted as religious imagery and not make it through screening⌠I thought it was a bit ridiculous at first, but in the end, the version without the incense pot was the version which was chosen. So. I suppose, there is that.
April - Wavecrest Saturnalia - (Full Lore)
This entry should not have won. And looking back now, I am even firmer in this conviction. Of course, I took some time to think about the lore as well- Based on the legends of the loreley, I imagined a cruel water spirit that shrouds itself in false beauty, similar to that of a siren, before leading sailors and anyone unfortunate enough to cross their paths into their watery graves. This was the concept and idea behind my entry. Unfortunately, I still believe that this entry should not have won, because it bore no obvious Flight Motifs from the Water Flight. In the end, this is the baseline as to what I believe my festival skins should uphold; If another player cannot look at this skin, and immediately think, âOh, this must be a [Flight] Festival Skinâ, then it is not a good festival skin submission. Looking back, Loreley definitely appears more like a UMA rather than a festival skin, and this entry being picked as a winning entry ultimately instilled in me some unwarranted hubris moving into the next festival skin competition.
May - Greenskeeper Gathering
My unearned hubris would come to haunt me in May during Natureâs Skin Festival contest. For this month, since I had a bit more time, I decided to work on two separate entries, and did not pay any attention to the Flight Motif while working on either entry. As a result, neither won, which is not surprising to me in hindsight. Ironically enough, this was when I started thinking about the lore and story behind the skins first before working on the skin itself- If I recall correctly, âEternal Thornâ had a story about parasitic beauty, something about the flowers that are blooming on the dragonâs body are actually controlling it. Meanwhile, the lore and story behind the entry âSecret Gardenâ would be re-used and repurposed for my next skin submission in June.
June - BrightShine Jubilee - (Full Lore)
After being humbled in May, I returned to the drawing board and really started to pay attention and seriously consider how to incorporate the Flight Motifs into an entry, many of which ended up being taken from the corresponding festival apparel and familiars. Therefore, for âLord of Cheribiumâ, I ended up taking many flight motifs from both Sunshield Cloak and Rose of Brightshine and crammed as many as I can into my skin submission. In addition, I also re-used the lore for âSecret Gardenâ as the story behind this submission; In brief, I envisioned something similar to a Garden of Eden, but instead of belonging to that of a benevolent deity, what if the entire garden was actually the domain of the serpent who had disguised itself as said deity?
Of course, going back to the warnings with regards to religious imagery, I consulted with my friend about the inclusion of a snake in the entry. In the end, it was decided that as long as the snake was clearly a fantasy snake and not one that could be found in real life, it should be fine, so I went back and added wings to the snake to further differentiate it from any that could be found in real life depictions. Indeed, when referring to the âLord of Cheribiumâ, it is actually the snake in this entry, who manipulates those in his garden, that is acting as the false Lord of Cheribium.
July - Thundercrack Carnival - (Full Lore)
The lightning flight is a rather interesting flight to me, in that I see it as an absurdist flight. Although this is not entirely accurate or reflective of the official lore, my interpretation of lightening is that, due to them being so oppressed and subjugated by their corporate overlords, the dragons of lightning flight have no choice but to turn to the overtly absurd in order to spark any emotions in them that is not the despair or existential dread brought on by soul-crushing work and ceaseless toil- AKA, In my mind, the Lightning Flight is effectively the Meme Flight because of how depressed everyone in it are.
Bees are such a meme-able species, too; We have the Flight of the Bumblebee being butchered for internet views. We have âNo, not the bees!â also being such a meme-able and quotable reaction gif. Meanwhile, the entirety of the Bee Movie speaks for itself, and if we just want to focus on the phonetics and not the actual meaning of the word itself, then we can also have âHow bad can I be?â, where the entirety of the song is normal, except for each instance of be/bee, where that singular word is played at 999DBS for no reason whatsoever other than for the absurdist humor. Finally, if we want to expand this slightly, then Lightning Bugs are also such a meme in Owl Cityâs Fireflies, where every line is simply the line, âYou would not be/bee-lieve your eyes.â
All that to say- Yes, this is a joke/meme entry, but since it was based on an official familiar that can be found on Flight Rising, I was not too worried about it not being selected, especially when taking the lens of this entry being a corporately approved meme-video to help lightning dragon employees self-sooth and avoid emotional breakdowns due to the sheer harshness of their work environment.
August - Flameforgers Festival - (Full Lore)
It is said that dragons of the Fire Flight work with steel and iron in the service of industry- However, what if that industry was not something so inconspicuous as blacksmithing or iron welding, but something more devastating, such as the industry of war? With this initial concept, I imagined a sinister sales person, although wearing the guise of his hard working blue-collared kin, was actually a smooth talking representative as he closes deals that would lead to the destruction and dissolution of places that many would call home, if just to line his own pockets. On the one hand, he wears the tattered clothes of the metal working brethren, attempting to portray himself as just another industrial worker. Yet, his greed and avarice betrays him nonetheless, as he still could not resist the urge to flaunt the gilded filigree, rings, and precious ornaments on his body- All bought with the blood money he earns from selling his instruments of war. This is the story I had imagined and fleshed out for the Pyreborne even as I was drafting this submission.
It was also at this time that I finally went back to all of my winning entries to finalize and put into writing the actual lore and story I had envisioned for each of them. At the same time, this was also when I also gained a foothold in how I would like to approach the lore behind each of my skin submissions; Moving on, for each submission, I will try to find an angle which would subvert the common understanding or themes of the flight; If the Ice Flight is known for its impregnable Fortress of Ends, then the story of the Jailbreaker would be its subversion. If the Fire Flight is known for its metal work and industry, then the story of the Pyreborne would act as its natural foil. This angle came just in time, too, and would be reflective of how I approached the Arcane Flightâs skin festival.
September - Starfall Celebration - (Full Lore)
They say that dragons of the Arcane flight look towards the stars for wisdom and guidance. Yet, what if one of these arcane dragons looked not towards the stars and constellations⌠But towards the dark gaps in between the light instead? From this, I envisioned a dragon of arcane descent. Though the voidstalker shares their brethrenâs thirst for knowledge, the kind that they seek is not one that is considered âsafeâ areas of study. Instead, they want to delve into the forbidden, those that would cast them as a social outcast, or a heretic amongst their people, yet the thrill of indulging in vices that others dare not overwhelms any deterrence from seeking traditional taboos.
I recall that I was asked about the eyes in this entry as well, and what they symbolize. Well, I guess the answer is twofold; First, it can be interpreted as the voidstalkerâs gaze that is looking towards the forbidden, driving them to seek out the knowledge that others might find grotesque or otherwise unsuitable for study. The second interpretation is that, perhaps, after having stared into the void, the void has inevitably stared back, and now they are beholden to knowledge that others dare not even attempt to comprehend.
October - Riot of Rot - (Full Lore)
I was actually a little bit lost when it came to the story for my entry for Plagueâs Skin Festival Contest. I have already read and understood that the theme of the Plague Flight is meant to be a compliment to Natureâs, in that it is the âsurvival of the fittestâ. Those who live, live, and those who donât, donât, which is said to be reflective of how diseases spread and evolve. Still, this theme never really made sense to me, perhaps due to the firm correlation between diseases and death; If a dragon were to die while they were infected by an illness, and the illnesses died with them- Well, then they didnât exactly survive then, did they?
(In hindsight, I thought it would have made more sense that if Plagueâs theme was unsustainable growth instead of survival of the fittest; No matter what happens, and at the cost of their hostâs body and wellbeing and, sometimes, even at their own detriment, the disease will do whatever it takes to keep evolving and growing- That would have made more sense to me as the theme of the Plague flight, and even be a nice contrast to Natureâs theme of sustainable preservation, but, in the end, I digress.)
So, for this entry, I ended up doing what I did for my Lightning submission, and turned to look at some official familiars to see if any would spark inspiration and a possible story to build off of, and indeed, I found one in Corvid Convergence. Although from the official artwork, it seems that the birds and the hollowed skeletons are working in conjunction with the other, I wondered about a scenario, where the ribcages were originally cages meant to trap the birds. Crows are known for their intelligence, and are said to even teach their young of individuals who were dangerous or had jilted them. I imaged the cages to be devices, originally meant to snatch away the crows so they could not retell just what they had seen to either dragons or their offspring, but the crows, eventually overpowering their cages, repurposed them into their own husks to do their bidding, leading to their depiction in the official artwork.
I would say that this entry is my greatest leap in logic when it comes to imagining the story and lore behind my skin submissions yet⌠But, well, I was told that I was always very much an overthinker.
November - Rockbreakerâs Ceremony - (Full Lore)
The biblioclast⌠This skin is quite endearing to me, in that it is the first skin out of all my 2025 entries to have its lore drafted, completed and finalized before I had even started work on its design. I did not really know too much about the Earth Flightâs lore to begin with. I did know that they are considered the archivists and historians of all the dragons, however, and I thought, âWell, what is a way that I can subvert this idea?â The direct and most immediate answer is, of course, someone who destroys history instead of preserving it, but then, I thought to myself, âWell, that is just too predictable and boring. Is there a way that I can make this idea more ironic instead? Maybe create a circumstance that he is forced to erase history against his will?â
Thus became the biblioclast, the wretched defiler of history, not because he enjoys such a cruel act, but because he loves history too much, and was cursed and condemned by the deities to destroy every piece of history and lore that he ends up coming across due to him digging too deep into ancient histories that the deities hoped would remain forgotten, which is reflected in the burning pages and the shattered jade disk that he unwillingly breaks against his will⌠A very ironic and poetic punishment befitting a scholar that he should, with his very hands, scrub clean the history that he hoped to preserve.
One interesting fact about this skin- The jade disks were not originally part of the motif for this skin. However, as I was experimenting with different color schemes for this entry, I noted, âOh. This green reminds me of the color of jade- I guess it would only be fitting if I included some jade disks in it as wellâ. Therefore, as I was drawing the large, shattered jade disk in the center, I was in fact thinking of the Heshibi- An ancient chinese artifact said to be the physical embodiment of the Mandate of Heaven⌠But in this cruel mirror universe, I suppose the heshibi ended up shattered, and even records and stories of its very existence were scratched from the world altogether.
(I am⌠Also quite surprised that no one in the history of Flight Rising had apparently ever said the word âbiblioclastâ, which means âone who destroys/defiles booksâ and, was a bit afraid that this name would be too dark and offered up an alternative name, the âjaded scholarâ for this entry, so I am pleasantly surprised that the name stuck and that my original vision for this skin can remain as it is.)
Final Retrospective
In short, I thought that this year was a rather fruitful year for me. I believe this is a good âfirst stepâ for me to learn how to create festival skins, and halfway through the year, I really began to find my footing when it came to the themes, motifs, and stories that I want to tell for my respective skin entries. Next year, I also plan on continuing to submit festival skins and see what other stories that I can come up with for my submissions, but I do hope that everyone reading thus far has found this retrospective interesting or insightful.
Oh, right.. Since you have read this far, I should also be allowed to do some shameless self-plugging, is that correct?
Skin Shop
Skin Commissions
Tales of Mystorica (in case you are interested in reading my own original story)
You can also find me on tumblr where you can read the full lore for all my skins entries, but I will avoid linking it myself and risk an account strike in case the lore is too dark and not suitable for Flight Rising Discussion. It should be easily searchable however as my UserName is exactly the same.
Obviously, I will be taking a break from festival entries in December, but looking forward to see what 2026 brings. Cheers.
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Once a humble believer of prevailing truths that reigned eternal, his goal and passion was to uncover what time and negligence had buried; The voices of the lost, the will of the forgotten, and the revelations of the forbidden. Yet, fate dealt him a cruel hand, and as the scholar dug too deep into the oldest quarries and abandoned catacombs, he had ultimately unearthed what dragonkind was never meant to remember: The wars once waged across both the lands and skies of Sorenith, the civilization that was erased and remade in its wake, and the atrocities that were committed beneath the gaze of divine light.
As punishment, the deities cast a most wicked curse upon him, and he became the Biblioclast, the wretched defiler of memory and the executioner of history. Painted murals would crumble at his slightest touch, and libraries would instantaneously burn in his wake. The once lover of truth was forced to watch as he inevitably destroyed every trace of the very same truths he had once so cherished. And though his heart grows increasingly hollow at every piece of priceless artifact that shattered within his grasp, a single, unbearable thought remains; He still remembers everything that the deities had sought to extinguish.