SELECT

the buildings I shoot which in front of my home at upward street.

The material and some class and candle used in my footage.

The material I used to create the movement of dust flowing.

shooting process at SCA dark room with the red light.

the wind flowing. and the sunset shoot in my college.

the clowd with wood

The catalogue designed and produced for this exhibition will be a continuation of the research in the exhibition, bringing together archival material, selected texts, and exhibition images. The texts will form an integral component of Lin Tianmiao’s solo exhibition Systems, which offer to the viewers a trajectory to engage with different readings derived from the exhibition. A series of public education events will also take place in conjunction with the exhibition to further explore different the themes related to Systems.

The piece points towards memory through its composition of materials as the keys were collected from thousands of people around the world. Each key holds memories of the individual through their previous daily use, and now hangs amongst the many other memory-tied talismans above the heads of passing visitors. “Keys are familiar and very valuable things that protect important people and spaces in our lives,” said Shiota. “They also inspire us to open the door to unknown worlds… I would like to use keys provided by the general public that are imbued with various recollections and memories that have accumulated over a long period of daily use.”

After nearly a decade of focusing on silk as the medium for his poetic, dream-like portraits of women, Tuan has taken an unexpected turn with his latest Red Thread series, appropriating the traditional medium of do paper with ink and watercolors. The artist insists, however, that the shift is…

Red Thread