mihi dilecto et pre aliis amico carissimo

like lapo has a noticeable influence from both guido and dante yes, but when you read him you can still See that he maintains a personal and original style. he has that lightness that is different from guido's because it stems from optimism but that optimism is different from dante's because it's not religiously founded, and even the relationship with the woman is different because it's less abstract and it takes itself less seriously, not because he's not as deep but because (at least this is the impression i'm getting these days that i've been reading him) (take what i say about him with a pinch of salt i haven't read enough papers yet) he has a fundamentally different conception of love (and consequently i'd say life too). Also very noticeably lapo often expresses himself/narrates the story with a more distinctly juridical filter, as can be expected from a notary, which is another strictly personal trait of his poetry. Basically what i feel is that all three of them, guido dante and lapo, are faced with the common problem of Love but each one reacts differently: guido abandons himself to an extreme acceptance of suffering, dante to an extreme refusal, lapo is the middle ground who accepts it like a (pass me the term) "sane" person, he is able to take it lightly and still be essentially optimistic. he faces struggles but can easily pick himself back up.

in che senso mi state dicendo che un antenato di montagnani (lapo gianni) ha combattuto a campaldino.

sitting down to send my cv to two new places, tickets are out now

today i brought my cv to these two shops. they both wanted it on paper, no emails or sites involved (thank fuck), so this gives me a bit of hope that 1) they'll actually read it (so 2) no ai scam) 3) perhaps slight chance they'll also think yeag i want her and her none cv with left zero experience.

DATATA 1300-1399????