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This is an example of nudist photography from sixty or so years ago. The models are models, meaning that they aren't a bunch of folks the picture taker found at the club, but professional naked people. (I draw such people regularly.) As somebody who aspires to a nudist world, I forgive this because the photographer was portraying something in his imagination. The picture is an abstraction, as art necessarily is.
I wonder if somebody busted Brunelleschi for introducing perspective into painting in the early fifteen hundreds, or Jan van Eyck for his effects in oil. Photography itself presented 19th and 20th century art with a quandary. "Why make pictures with mind and hand, when a camera does such a good job so effortlessly?"
AI is a similar novel medium. It lets somebody without camera or drawing chops make an artistic statement. We can laugh at its extra limbs and digits or Russian epaulets on American historical figures. More problematically, the medium is the property of the nefarious rich, but it is new, and as a society we're working out that kind of inequity.
I believe that AI is one of the tools that we're going to need to move eight billion people successfully through the 21st century. Quirky, flawed nudist memes are crumbs, not the loaf. They are art, abstractions, the heirs of media that came before and persists.
Enjoying the beach naturally
let’s hear it for normal sized men of a certain age who don’t give a rip and who are enjoying summer and the beach…
The difference between "There used to be hot summers too,” and a climate crisis.
Look, we all know this is true. But there isn't a SOURCE for this, and the graph itself is basically illegible beyond "ooh colors". If we want to be good stewards of our informational resources, we need to cite our sources.
From a reverse image search, I found the website Show Your Stripes, run by the University of Reading in the UK, which is likely where the above graph originated. It provides temperature data for various regions of the world from approximately 1900-2025. For example, here are graphs for Canada, India, and Papua New Guinea:
All clearly show a sharp rise in temperature beginning around approximately the 1980s, which corresponds with the graph in OP's post. But now we know where this data came from, and we can verify its validity accordingly.
I'd be inclined to believe the original post. In the 1980s, my job had me figuring savings for conservation improvements in Minneapolis. The default number of annual heating degree days, an average of 1970s winters, was 8, 159. In the nineties we used 8, 000. Since the mid-nineties, winters have bounced around 7, 000.

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Living the nude life

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To The Ascension LightWorker Collective. THE ENTIRE EARTH IS MOVING INTO A NEW DIMENSION: What Happens When a Planet Changes Frequency and What It Asks of the Human Being: A profound transition is taking place upon our Earth, a shift into a higher dimensional reality that will transform not only the planet itself, but the consciousness of those who are here to experience it.
This time on earth was long ago predicted , when humanity would reach a point of evolutionary choice, to continue living through the consciousness of fear, separation, control and limitation, or to awaken into a higher frequency of conscious awareness.
This is a literal dimensional shift, a collective evolution and a profound transformation in collective consciousness, the message holds a powerful question: What happens to the human being when the frequency of the world around them begins to change?
The answer is that we cannot remain who we once were . We are living through a planetary phase in which the old ways of being are increasingly difficult to sustain. Structures built upon fear are now being questioned. Relationships based upon dependency and illusion are being fully exposed. Beliefs once accepted without question are being challenged. And within ascending individuals, something deeper is awakening, a knowing that can no longer be silenced.
This is why the Ascension process is not just about the Earth changing. It is about humanity changing with it. THE EARTH IS NOT THE ONLY THING TRANSFORMING. When we speak about planetary ascension, it can be easy to imagine that Earth is moving into a new frequency while humanity continues watching from the sidelines.
The deeper understanding is that Earth and human consciousness are interconnected. As the collective frequency changes, everything that is incompatible with that frequency begins to come into conscious awareness. This happens collectively and within the self.
The things that were once tolerated become impossible to ignore. The relationships that once felt comfortable begin to feel energetically misaligned. Old self identities start to rapidly dissolve. Patterns you thought you had healed can return, because you are now able to see them from a deeper level of consciousness.
This is why the Ascension journey can feel so paradoxical. The self can feel more expanded and more exhausted at the sane time . More source connected and more humanly alone.
More intuitive and yet more uncertain. The self will experience profound moments of knowing, followed by phases where everything seems to disappear. This is not regression, it is recalibration.
THE INNER EARTHQUAKE: The greatest changes taking place may not be visible from the outside. They are happening within. The human being is transitioning from living through the conditioned personality into a more embodied relationship with the Higher Self.
This requires a profound restructuring of consciousness. The old self was built around survival. Around seeking approval. Around fear of rejection. Around the need to control outcomes. Around proving worth, carrying identities that were formed through childhood, trauma, family systems and societal conditioning.
As consciousness expands, these structures begin to lose their power and internal grip. And this can feel deeply uncomfortable for a time .
Because awakening is not just about becoming more loving. It is about becoming conscious of everything within that is not love. The judgement. The resentment. The fear. The need to be right. The desire to control. The parts of ourselves we would rather not see.
This is why the Ascension process will bring us face-to-face with our own shadow. The darkness we encounter is not always evidence that we are moving backwards, it is about what becomes visible when the light reaches places within us that have been unconscious for a very long time.
The shadow is not the opposite of awakening. It is a big part of the path into it.
WHY SO MANY PEOPLE FEEL DIFFERENT: Many moving through profound inner transformation describe feeling as though they no longer belong to the world they once knew. Conversations feel different. Priorities change. Certain environments become overwhelming. The need for solitude increases. The nervous system becomes highly sensitive.
There will be periods of exhaustion, emotional releases, heightened intuition, vivid dreaming, deeper introspection and an intense need to withdraw from external noise.
The ascending experience a loss of identity. They often ask: Who am I now? The person I was no longer feels like me. But the person I am becoming has not yet fully arrived.
This is one of the most misunderstood stages of transformation. There is often a space between identities. A sacred pause. The old self has been dismantled, but the new self is still being embodied. This can feel like emptiness. But emptiness is not absence. It is space being created for something new.
THE BODY IS PART OF THE ASCENSION We cannot separate consciousness from the body. The human body is the vessel through which consciousness is experienced, profound inner transformation will also change the way we experience ourselves physically and energetically.
As those ascending become more sensitive and aware, they notice subtle changes in their relationship with their bodies, their environment, their emotions and their energy. The nervous system becomes more responsive. Rest becomes more necessary. Sleep becomes more sacred.
The body may demand greater periods of stillness. Old emotional patterns may surface through the body. The need to live more consciously and authentically becomes increasingly apparent.
This is where discernment is essential. Most physical and emotional experiences are attributed to Ascension. The physical body still requires care, conscious attention and practical support when needed.
The ascending self becomes more deeply embodied. To listen. To slow down. To honour the body as part of the transformation rather than treating it as something separate from the ascension journey.
THE COLLAPSE OF THE OLD WORLD: Earth is moving toward a higher expression of consciousness, the structures built upon lower consciousness cannot remain unchanged forever.
This does not mean that everything collapses overnight. It means that what is hidden begins to reveal itself. What is built upon manipulation becomes easier to recognise. What is built upon fear becomes increasingly difficult to maintain. What is false is challenged by what is real. This can create enormous turbulence and this will be necessary. The old must become fully visible before it can be totally transformed.
This is why many feel they are witnessing the simultaneous collapse and birth of worlds. One reality is losing its grip. Another is beginning to emerge. And we are standing in the space between them.
THE SHIFT FROM BELIEVING TO KNOWING The transition from the Age of Pisces into the Age of Aquarius is an extremely significant movement from external authority toward inner knowing.
For thousands of years, humanity has looked outside itself for answers. For permission. For salvation. For someone else to tell humanity what is true.
The emerging new earth consciousness asks something different. Can you learn to hear your own inner truth? This does not mean believing every thought or feeling that arises. It means developing discernment. Learning the difference between intuition and fear. Between inner knowing and emotional reaction.
Between the voice of the Higher Self and the voice of the wounded ego. This is where true sovereignty begins. Not in rejecting the world. But in becoming increasingly conscious of the energy from which we live.
WE ARE NOT HERE TO ESCAPE THE EARTH One of the greatest misunderstandings of ascension awakening is the belief that ascension means leaving the human experience behind. The opposite is true, we are here to bring higher consciousness into the human experience.
To become more present. More embodied. More compassionate. More truthful. To learn how to hold higher frequencies while still living ordinary human lives. To love while remaining discerning. To forgive without abandoning boundaries. To see the darkness without becoming consumed by it. To recognise the illusion without becoming disconnected from humanity.
This is the real work. The goal is not to become less human. It is to become a more conscious human being.
THE EARTH IS CHANGING AND SO ARE WE The shift is not just something happening to humanity. It is something humanity is being asked to participate in. The Earth changes. The collective changes. Our relationships change. Our bodies change. Our perceptions change. Our identities change. And eventually, the way we experience reality itself begins to change.
The greatest transformation in self is to realise that the world we are waiting for cannot be created by the consciousness that created the old one. A new Earth requires a new way of being. And that transformation begins within each individual who is willing to look honestly within. To heal what has been wounded. To release what no longer belongs. To meet the shadow without judgement. To embody and express the Higher Self .
To choose love without losing discernment. To choose truth without becoming rigid. To choose sovereignty without disconnecting from others. The Earth is moving into a 5 D frequency and the ascending are transforming with it.
Ascension is about becoming conscious enough to help create the next one. The Earth is changing. Human consciousness is changing.
And within the space between what is ending and what is beginning, we are being asked to become who we truly came here to be.
In loving and devoted ascension service.
by Ascension LightWorkers.
Image: Where Life Ascends Norman Lindsay Recreation by Talon Abraxas
It can be scary.
Carl Larsson - The Model Writing a Postcard (1906) [3840 x 2548]
The magnificent Villa of the Mysteries, Pompeii. Located near the Herculaneum Gate, just outside Pompeii, this magnificent villa was built in the 1st century BC. Originally a residential villa, it was converted into an agricultural complex after the earthquake of 62 AD.

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”I have this artistic idea but not the skills to achieve it to the standard I want.”
congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!
Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmother’s house? Two books trying to unravel the complexities of familial relationships?
Don’t let the fear of it not being perfect on the first try stop you from being Weird About It!
Please view Hokusai's gradual working towards The Great Wave Off Kanagawa, over a period of 39 years.
An early exploration of the themes Hokusai would keep coming back to is Spring in Enoshima, done in 1793 when he was 33. The wave is small and there are no boats, but Mt Fuji is clear in the background, and Enoshima is in Kanagawa, so we are clearly beginning to work towards something here.
A second pass, eleven years later in 1803 when he was 44. The title of this one begins to get more familiar: The View of Honmoku Off Kanazawa. It has a towering wave over a smaller boat, but Mt Fuji is not present, and the boat is considerably larger and has a sail. But the feeling of danger in the wave and the smallness of the boat are here, and of course the general composition is definitely recognizable.
This is A View Of Express Delivery Boats, done in 1805, merely two years later at age 46. Here we find the wave and the boats almost exactly as we'll find them in The Great Wave Off Kanagawa, though Mt Fuji isn't present, and the location is uncertain. And it's a good picture! The wave is threatening, the boats are small -- but the feeling of "ocean" isn't really there yet, is it? It's unlikely this picture would have become a classic for the ages. But that's okay, there's still time.
And here we have it, a full 26 years later, done by Hokusai in 1831 at the age of 72. The Great Wave Off Kanagawa, one of the most recognizable pieces of art in the world. The boats are there, the mountain is there, the wave is there, and the FEELING is there. He did it! He reached the apex of his ongoing motif and theme!
Or did he? Because the whole point of a motif is not that you're striving to get to the perfect version of it, the one idealized image you carried in your head all along, and when it is done, you are also done. Hokusai is on record at the age of 73 saying he'd only just begun to feel like he was learning how to draw things properly, and that "if I keep up my efforts, I will have even a better understanding when I was 80 and by 90 will have penetrated to the heart of things. At 100, I may reach a level of divine understanding, and if I live decades beyond that, everything I paint — dot and line — will be alive." He had drawn The Great Wave, but he didn't believe he was finished -- he thought that he was still just beginning to get started.
And he wasn't finished with his ocean motif, either. Please check out his Mt Fuji At Sea, done in 1834 at the age of 75.
It's all there; Mt Fuji, the ocean, the wave. The boats are gone, but replaced with birds, flying with the wave instead of fighting against it. It's not as famous as The Great Wave Off Kanagawa, but that's not what motifs are for -- each successive work does not have to surpass the previous in terms of success, especially in terms of external success. They're there for you to keep playing with, keep remixing and re-experiencing, for as long as you think you have something to say.