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LAX (1997)

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zegalba

Mark Arian: Lovers (1976)

#fine art

zegalba

Germaine Dulac: The Seashell and the Clergyman (1928)

thirdity

“Poetry survives because it haunts and it haunts because it is simultaneously utterly clear and deeply mysterious; because it cannot be entirely accounted for, it cannot be exhausted.”

— Louise Glück, American Originality

#text

batteredshoes

Californian Christmas | Buoy-borne, obelisk Christmas trees float in a three-mile-long circle around Naples in Alamitos Bay, Long Beach, California. Photographed for the December 1968 issue of House & Garden magazine.⁠

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batteredshoes

Mystery Train | Jim Jarmusch | 1989

subilux

#fine art

continuousmonument

L.A. River Los Angeles, CA, 2025 photograph by Sean Deyoe

nontemporary

ZAC HENDERSON

scientronid

lightlines

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thirdity

“The truly great writer does not want to write. He wants the world to be a place in which he can live the life of the imagination. The first quivering word he puts to paper is the word of the wounded angel: pain.”

— Henry Miller, The Rosy Crucifixion

#text

ayyenn

Melancholia in Arcadia

Gabriel Lester '2011

SALT, Istanbul, Turkey

calleido

teatro colón, buenos aires, argentina

renemagritte-art

Clear ideas, 1958

Rene Magritte

#fine art

raboartcollection

The title of the work is identical to a series of photographs by Huseyin shot in Odessa, showing curtains blowing in the wind. These images inspired an installation of hardened lace curtains, frozen in time and space. The work refers to the gesture of opening the windows to set free the soul of the deceased, as well as the idea of a spirit present in a room, mysteriously lifting the curtains to reveal its presence.

Gabriel Lester, Melancholia in Arcadia (2011)

All rights are reserved. Photography by Peter Cox. Rabo Art Collection

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americaisdead

arcadia, calif. march 2026

x192

https://www.instagram.com/p/BYnVfYol1Ph/

#women are beautiful

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