By Annette Balesteri

Andulka
Mike Driver
Three Goblin Art
PUT YOUR BEARD IN MY MOUTH

shark vs the universe
he wasn't even looking at me and he found me
Cosimo Galluzzi
wallacepolsom
Stranger Things

ojovivo
Sade Olutola
h

PR's Tumblrdome
sheepfilms
Monterey Bay Aquarium
YOU ARE THE REASON
Game of Thrones Daily
EXPECTATIONS
Show & Tell

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@emeritusprofessorofnothing
By Annette Balesteri

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Vanessa Stockard (Australian, b. 1975, Sydney, Australia) - Reflections aka Kevin in a Compact, Paintings: Oil
Imagine spending years honing your craft only to have the internet go crazy over a fuzzy rendition of a kitten. Anyway, I love Kevin.
Mad Max told a story about sexual violence and survivorship without relying on rape scenes to impress upon the audience how *serious* things were.
instead of watching the abuse on screen, we hear about it through the interactions between the wives. they tell us what happened, and in that way they take control of their own narrative.
rather than being voyeurs witnessing the wives’ trauma played out onscreen, we were an audience listening to their story.
and that makes a world of difference.
THIS THIS THIS.
So instead of showcasing the specific treatment we were told of it, which is the contrary philosophy of most filmmaking (show, don’t tell)
or they made the decision to not sensationalize and fetishize the rape and brutalization of women. and in doing so spared the feelings of thousands of trauma survivors in their audience.
but whatever, film theory 101.
“Show don’t tell” is for FUCKING AMATEURS.
This statement:
“So instead of showcasing the specific treatment we were told of it, which is the contrary philosophy of most filmmaking (show, don’t tell)”
demonstrates a fundamental misunderstanding of the idea behind “show, don’t tell.” I would argue that Mad Max: Fury Road DOES show us how the Wives were treated by Immortan Joe. However, it chooses not to do so in the obvious way (which would be showing the abuse), but rather by showing us in other ways.
We’re shown the message the Wives leave behind: “We are not things,” from which we can infer that’s exactly how they’ve been treated for God knows how long.
We’re shown that they wear flimsy white fabric that leaves their bodies on display, unlike pretty much everybody else in the film.
We’re shown them using boltcutters to rid themselves of chastity belts, devices which pretty much exist solely to remove a woman’s ability to choose her sexual partners.
We’re shown rage from the Dag when, even though time is of the essence, she takes the time to run back and kick one of the discarded belts as hard as she can before running back to join the others at the War Rig.
We’re shown Angharad using her pregnant body to shield Max and Furiosa from Immortan Joe, because she knows beyond a shadow of a doubt he won’t shoot her or her unborn child because he still views her as his property.
We hear Furiosa’s “Remember me?” before she kills Joe, and there’s so much fury and anger in those two words that you know she was a Wife before she was an Imperator.
We ARE shown what happened to the Wives. The issue lies in thinking that the only way to show that they were abused is to show the abuse itself. And as MM:FR demonstrates, that isn’t the case.
I don't always find there's much on here in feminist tags about how economic imperialism affects women, so I thought I'd start documenting some examples of it when I see them. this is an excerpt from jason hickel's book the divide

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This combines my two favorite things: tone deaf organizations doing obviously stupid stuff and trans people reacting viciously to people who are just trying to help. 10 out of 10. Chef's kiss.
Nobody ever talks about the fact that the creator of the trans flag said the blue was for “little boys” and the pink was for “little girls”. But i remember.
And how he stole his mom's underwear to masterbate in, also he stole a woman's bra from the dryer in his apartment complex for the same reason. Anyway, they've always been like that.
yknow the sad thing is some of you actually think sabrina carpenter and chappell roan’s whole schtick is empowering to women. lol
Jonas Wood
"Black Cat"

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MGTOW was the funniest development in the manosphere to date imo because the whole concept was just leaving women alone, but they couldn't do that
I will end with a final illustration of spiritual materialism, as I see it. There is very good scientific evidence that all the atoms in our bodies, except for hydrogen and helium, the two smallest atoms, were manufactured at the centers of stars. If you could tag each of the atoms in your body and follow them backwards in time, through the air that you breathed during your life, through the food that you ate, back through the geological history of the Earth, through the ancient seas and soil, back to the formation of the Earth out of the solar nebular cloud and then out into interstellar space, you could trace each of your atoms, those exact atoms, to particular massive stars in our galaxy’s past. At the end of their lifetimes, those stars exploded and spewed out their newly forged atoms into space, later to condense into planets and oceans and plants and your body at this moment. We have seen such stellar explosions with our telescopes and know they occur. If, instead of going backwards in time, I were to go forward in time, to my death and beyond, the atoms in my body will remain, only they will be scattered about. Those atoms will not know where they came from, but they will have been mine. Some of them will once have been part of the memory of my mother dancing the bossa nova. Some will once have been part of the memory of the vinegary smell of my first apartment. Some will once have been part of my hand. If I could label each of my atoms at this moment, imprint each with my Social Security number, someone could follow them for the next thousand years as they floated in air, mixed with the soil, became parts of particular plants and trees, dissolved in the ocean, and then floated again to the air. And some will undoubtedly become parts of other people, particular people. So, we are literally connected to the stars, and we are literally connected to future generations of people. In this way, even in a material universe, we are connected to all things future and past. I don’t believe in miracles, but I do believe in the miraculous.
Alan Lightman, The Transcendent Brain

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Toni Braxton First African American woman to play Belle on Broadway (1998-1999)
Keke Palmer First African American woman to play Cinderella on Broadway (2014-2015)
cholitas skaters by célia d. luna