Don't let the bastards get you down

Obviously a publisher is a business and a business needs to make money, but the idea used to be that you'd have a couple of very successful authors who bring in so much cash that they subsidise the new kid who is building a back catalogue of books that sell okay until they get name recognition and pay for themselves. I was told back then that a couple thousand pounds was very reasonable for a debut novel because you want to get royalties for the sales exceeding your advance and that way the publisher sees you as a profitable investment. The last couple of years I keep hearing about six figure book deals for debut (!) literary fiction (!) novels, what on earth?

My day job is as a freelance editor for nonfiction books, and I can safely say that if the publishing industry were operating as intended, I would either not have a job at all or be working for a specific press. Authors pay me directly to do the work that a press editor used to do as part of publication contracts. This is because so many presses have started outsourcing all their editorial work to either third-party contractors or, even worse, to genAI.

Anyway, I love editing. I think I love editing almost more than writing, and I'm pretty sure that I'm better at it. Last year I edited an academic article from 11k to 9k words for my supervisor and I felt like a god when I finished it, but when my supervisor asked if I'd thought about doing this professionally, I had to tell her that there's just not a viable career in editing anymore. Publishers used to employ! editors! Several different kinds of editors for different stages of the process! That used to be my dream job!

Editing is so essential to making a text good. It doesn't matter how talented or dedicated you are as a writer, you cannot achieve the level of quality by yourself that you could achieve by working with a skilled editor. That's normal! The lone genius who comes out of the cave with the perfect novel does not exist! The manuscript that gets sold to a publisher is supposed to be handed off to an editor who tells you to tighten up that plotline and reminds you that every day can't be Tuesday and sharpens your prose so your voice really shines. Skimping out on that part of the publication process takes money out of the hands of skilled professionals, leads to consumers (ew) receiving subpar products (ew!), and is such an injustice to the writers whose work can't reach its full potential (and the writers who won't get published because they can't afford to pay an editor out of pocket!).

Meet one of the world’s smallest reptiles: the Nosy Hara leaf chameleon (Brookesia micra)! It's named after the islet off the northwest coast of Madagascar in which it's found. An adult grows to be just over 1 in (2.5 cm) long, and a juvenile can fit on the head of a match. Scientists think that its miniature size may be an extreme form of island dwarfism—a process by which species decrease in size over generations in response to an island’s limited resources. This species was described as recently as 2012. 

From Wikipedia:

“Mangeshkar recorded songs in over thirty-six Indian languages and a few foreign languages, though primarily in Hindustani, Bengali and Marathi.

“Known for her discipline, Mangeshkar always recorded her songs barefoot as a mark of respect for the recording studio, which she considered a temple. Despite her perfectionism, she famously never listened to her own songs after their release, stating in interviews that she would only find mistakes in her singing.”

She also received many, many awards and “She appeared in the Guinness World Records as the most recorded artist in history before being replaced by her sister, Asha Bhosle”.

thanks for your submission! what an insane amount of languages! also known as The Nightingale of India