PRIDE AND PREJUDICE (2005)
dir. joe wright

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Lint Roller? I Barely Know Her
he wasn't even looking at me and he found me
2025 on Tumblr: Trends That Defined the Year
YOU ARE THE REASON
let's talk about Bridgerton tea, my ask is open

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@elbereth97
PRIDE AND PREJUDICE (2005)
dir. joe wright

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mutuals this is us when we r all online
the david zwirner gallery and the felix gonzalez torres foundation in the smithsonian removed the descriptive plaque for portrait of ross in la by felix gonzalez-torres. the old plaque explained portrait for ross' origins as the artist's partner's aids related death, and replaced it with a plaque with absolutely no information about the piece itself, who ross was, or who gonzalez-torres was either. portrait of ross was also reeranged to lay on the floor long ways instead of in a pile as it typically is situated, and the plaque outside the exhibition FOR GONZALEZ-TORRES omits his sexuality, as well as his aids related death. i'm in utter disbelief
By omitting the tragic story behind Felix GonzΓ‘lez-Torres "Untitled" (Portrait of Ross in L.A.), the Smithsonian National Portrait Gallery i
PRIDE AND PREJUDICE (2005)Β + Joe Wrightβs DVD Commentary

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The amount of fanfiction written for a piece of media usually just reflects how unhappy the fans are with the canon
So a couple days ago, some folks braved my long-dormant social media accounts to make sure Iβd seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. Β These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.Β They had a lot of knowledge, but β hereβs the important bit β a lot of them didnβt share it. Β Itβs not just that they werenβt internet-savvy enough to share it, or didnβt have the time to write up tutorials β no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Β Now, thatβs a generalization β there were definitely some lovely and kind and helpful old-school costumers β but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasnβt much of a thing. Β And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. Β NOT beginner friendly, is what Iβm saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. Β What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. Β I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we werenβt inclined to deal with yet another one.Β They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. Β If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Β Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying β and succeeding with β materials that βseriousβ costumers would never have considered. Β I was one of those costumers, but there were many more β I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing. Β
Iβm not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. Β Iβm saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. Β That wasnβt necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didnβt share that info I could probably hang on to that edge for a year, or two, or three. Β And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. Β People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. Β And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud. Β
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesnβt that page just scream βI learned how to code on Geocities!β), and having it embraced as a springboard for newer and better things warms this fandom-oldβs heart. Β This is our legacy, and a legacy the current group of cosplayers is still creating, and itβs a good one. Β
(Oh, and for anyone wondering: yes, Iβm over 40 now, and yes, Iβm still making costumes. And that armor is still in great shape after 17 years in a hot attic!) Β
Low Opacity Elrond: the trifecta
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It creached!
That's a porg

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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the other day i started writing an office romance but i quickly remembered that i have no idea what working in an office is like
as opposed to your vast personal expertise in romance?
DURIN IV & ANNATAR THE LORD OF THE RINGS: Rings of Power β 2.03
no autistic white boy don't excuse your racist tendencies as traits inherent to autism
a bit conflicted on that part, are we?
It does not take the eye of an eagle to see your thoughts have flown far afield.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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So how 'bout those trailers. OMG.
body positivity has largely failed because people started arguing for attractiveness and romantic prospects instead of respect and dignity
this is truly the best summary of what all of this SHOULD be about