Kanghee Kim
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Kanghee Kim

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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— Fyodor Dostoevsky; Letter to his brother 9th August 1838
Springer NM, RA Clayton
Andrea Gibson, "DEPRESSION [VERB]", Lord of the Butterflies

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Jeanne Mammen (German, 1890-1976) Café Reimann, ca. 1931. Watercolour and pencil on paper, 45.7 x 36.2 cm. The Morgan Library & Museum, New York. Bequest of Fred Ebb.
Avebury Stone Circle, Avebury, Unesco World Heritage Site, Wiltshire, England By Adam Woolfitt
François Dejardin
‘I’m in love with the LOLO.’ Riosgraphy Zine about life and death of Lolo Ferrari.
In my teenage years I was obsessed with the identity of Lolo Ferrari. She was a great prototype of someone who really wanted to become famous. To attract attention, we find nowadays very similar behavior in social media.
Back then I read every single article I could get about her. It was pure fascination for a person who wanted fame so badly, that she would have done anything to reach that goal.
Lolo Ferrari is the exaggerated cliché of a busty star in the late 90’s. Porn, plastic surgery, a mouth complex and pill addiction was paired with a small ego, which got all pimped up and pushed by her husband and former junk dealer, Eric Vigne.
This zine questions the bizarreness of fame, by focussing and mixing faces, situation and boobs
that are bigger than anything we know. Besides that I want this zine to be a humble memory of the girl Ève Valois - Who questioned her beauty to such an extent that she became Lolo Ferrari.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Donald Judd [USA] (1928-1994) ~ ‘Untitled’, 1988. Woodcut on Okawara paper (60 × 80 cm).
Yasujiro Ozu, Floating Weeds, 1959
Herbert Hamak, Untitled - 2013, resina e pigmenti, 264 x 96,5 x 19 cm
“Cicero’s capacities were reserved for lies that mattered. Ideology, though that word was yet unknown to him: the veil of sustaining fiction that drove the world, what people needed to believe. This, Cicero wished to unmask and unmake, decry and destroy.”
— Jonathan Lethem, Dissident Gardens

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
by Emi Anrakuji / 安楽寺えみ From the book: e hagaki (One Picture Book Series #40) / 絵はがき (2006)
その狂人はまだ生きている 全てを忘れずに The madman is still alive…He remembers everything…
Josef Breitenbach, 1946