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@annabethisterrified you’re

Donut box vs finger

Noting Rowling’s vast financial success, Barker felt that Rowling’s newfound position of fame ought to exclude her from discussing trans rights. He added, “It really just seems redundant for a woman as successful, as validated in the world, as Ms Rowling, to be negative, to be disruptive if you will, to a very beaten up subculture. These are human beings. She has no right to opine, I think, upon the lives of human beings that she does not know.”

“I feel very protective of people who are on the edge of our culture as gay people still are,” Barker continued. “And certainly transgender people are on the edge of our culture. And here you have one of the most successful people in the frigging world – Ms Rowling. Going after a very emotionally vulnerable portion of our culture. It just seems unnecessary and unfair.”

1) Binary files are 1s and 0s

2) Knitting has knit stitches and purl stitches

You could represent binary data in knitting, as a pattern of knits and purls…

You can knit Doom.

However, after crunching some more numbers:

The compressed Doom installer binary is 2.93 MB. Assuming you are using sock weight yarn, with 7 stitches per inch, results in knitted doom being…

3322 square feet

The idea of a “binary code” was originally developed in the textile industry in pretty much this exact form. Remember punch cards? Probably not! They were a precursor to the floppy disc, and were used to store information in the same sort of binary code that we still use:

Here’s Mary Jackson (c.late 1950s) at a computer. If you look closely in the yellow box, you’ll see a stack of blank punch cards that she will use to store her calculations.

This is what a card might look like once punched. Note that the written numbers on the card are for human reference, and not understood by the computer. 

But what does it have to do with textiles? Almost exactly what OP suggested. Now even though machine knitting is old as balls, I feel that there are few people outside of the industry or craft communities who have ever seen a knitting machine. 

Here’s a flatbed knitting machine (as opposed to a round or tube machine), which honestly looks pretty damn similar to the ones that were first invented in the sixteenth century, and here’s a nice little diagram explaining how it works:

But what if you don’t just want a plain stocking stitch sweater? What if you want a multi-color design, or lace, or the like? You can quite easily add in another color and integrate it into your design, but for, say, a consistent intarsia (two-color repeating pattern), human error is too likely. Plus, it takes too long for a knitter in an industrial setting. This is where the binary comes in!

Here’s an intarsia swatch I made in my knitwear class last year. As you can see, the front of the swatch is the inverse of the back. When knitting this, I put a punch card in the reader,

and as you can see, the holes (or 0′s) told the machine not to knit the ground color (1′s) and the machine was set up in such a way that the second color would come through when the first color was told not to knit.

Wires going through magnets.  This is how all of the important early digital computers stored information temporarily.  Each magnetic core could store a single bit - a 0 or a 1.  Here’s a picture of a variation of this, called rope core memory, from one NASA’s Apollo guidance computers:

You may think this looks incredibly handmade, and that’s because it is.  But these are also extreme close-ups.  Here’s the scale of the individual cores:

The only people who had the skills necessary to thread all of these cores precisely enough were textile and garment workers.  Little old ladies would literally thread the wires by hand.

With a Jacquard loom instead of painstakingly picking up every little thread by hand to weave in a pattern, which is what folks used to do for brocades in Ye Olde Times, this basically automated that. Essentially all you have to do to weave here is advance the punch cards and throw the shuttle. SO EASY. 

ALSO, it’s not just “little old ladies sewed the first spacesuits,” it’s “the women from the Playtex Corp were the only ones who could sew within the tolerances needed.” Yes, THAT Playtex Corp, the one who makes bras. Bra-makers sent us to the moon. 

And the cool thing with them was that they did it all WITHOUT PINS, WITHOUT SEAM RIPPING and in ONE TRY. You couldn’t use pins or re-sew seams because the spacesuits had to be airtight, so any additional holes in them were NO GOOD. They were also sewing to some STUPID tight tolerances-in our costume shop if you’re within an eighth of an inch of being on the line, you’re usually good. The Playtex ladies were working on tolerances of 1/32nd of an inch. 1/32nd. AND IN 21 LAYERS OF FABRIC. 

Here are the punch cards:

Some of these looms take up to 1600 spools. That is necessary to make their many different patterns.  Here are some patterns:

How many punchcards per pattern?

 This many:

And here’s the thing. Classics is really often portrayed as the last bastion of academic privilege, a subject that is only taught to rich white kids so that they can brag about knowing Latin and get jobs as Tory MPs. But these kids were OBSESSED. They had already done some stuff on myths, and they were so excited to talk about it. They knew all the stories, all the heroes, the gods, the monsters. I have never seen such an excitable group of kids as these 6 year olds shouting about Odysseus.

For the lesson, I asked them to think of their favourite myth and to consider it from the point of view of the monster rather than the hero. The end goal was to show that often the monsters and heroes are quite similar. We decided to do Polyphemus (the Cyclops) in the Odyssey, and so I asked them why they thought Polyphemus might have been so angry at Odysseus that he killed some of his men.

Because he came home and found lots of strange men in his house, eating his food, said the kids.

So, I asked them, do you think that was a good reason to kill people?

No, they said, but he was very cross, and he didn’t do it because it was fun.

And then this KID, this SIX YEAR OLD CHILD, put her hand up and said “well, it was very bad of him, but if we’re cross with him then we have to be cross with Odysseus too, because when he came home from his adventure and found lots of men in his house, trying to marry his wife, he killed them, and that’s the same thing, isn’t it?”

AND LET ME TELL YOU

I am a published Classicist! A PhD student! And I have never made that connection before! Not once! And this child was six years old! And she made the link! By herself!

And so I tried not to show how gobsmacked I was, and we talked more about other monsters, including Medusa, and at the end of the lesson a lot of them said that they thought the monsters were not as evil as we usually think, and then I went home.

Bena, daughter of Rom and Leeta.

Considering her mother survived a brutal fascist occupation, her father started the first Ferengi workers’ union, and her grandmother championed social revolution on Ferenginar, I figured she’d be an anti-authoritarian activist. She looks up to Kira (even borrowing her wardrobe style), and quotes her dad a lot. Not on speaking terms with uncle Quark.

Just thinking about Spock interacting with full blooded Vulcan children as an adult and seeing them not be as “Vulcan” as they’re supposed to be (like they’re still kids, they’re not gonna have a full handle on how to contain their emotions and stuff) and no one bats an eye at that, because they’re full-blooded, so their status as a Vulcan is never called into question

tumblr, which is held together with duct tape and madness, run by three raccoons in blood stained Yahoo! hats and a handful of crabs, its only discernible source of income the sale of shoelaces from an inside joke so inside no one knows the original source anymore and fake blue checkmarks... that website still lives on