"He pushed the door open with his shoulder, moving with too much grace for someone of his size. From across the room, he caught her staring. Bella’s breath caught in her throat. His eyes widened. Then dulled, disinterested with what they landed on. The same golden eyes that haunted Bella’s dreams every night since she first saw them last summer."
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Totality
A much needed Eclipse fix-it fic
Read it on AO3 and FFN.
Summary: Edward has finally returned to his love and his life in Forks. As he struggles to put back the pieces of his broken relationship, he realizes they didn’t fit quite right to begin with. Bella and Edward must learn to reshape the pieces, so what they rebuild can stand strong for their forever together.
More completed works under break...
Undertow
Read it on A03 or FFN
Summary: Edward Masen has just been adopted by a young couple with a heart for orphaned teens. When he discovers life as the shiny new toy to the even shiner Cullen family may be worse than life as a faceless nobody, he finds comfort in the oddest place: in the dark eyes of a stranger, as deep and mysterious as the ocean itself. Will he find the solace he had been always searching for in this strange, quiet girl, or will he find something greater than he could ever imagine?
Undertow won 4th best fic completed in May 2022
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Bleeding Hearts
Read on FFN or AO3
Summary: Vampire vigilantes Edward Masen and Rosalie Hale quench their bloodlust by murdering and feeding on common criminals. When their paths cross with Bella and Emmett Swan—pure-hearted siblings who’ve never seemed to experience any luck, let alone be down on it—Edward and Rosalie are compelled to help them.
Bleeding Hearts won 6th best fic completed in November 2022.
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Dazzled
Read on AO3
Summary: Bella Swan and Edward Cullen are self-imposed outcasts. Edward: the freak among monsters, the unwanted seventh wheel, the invasive mind reader. Bella: unable to see her worth past her dress size. When their paths cross, they're struck by one another.
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See the Stars
A Sequel to Solar Eclipse
Read on FFN or AO3
Summary: "I like the night. Without the night, we would never be able to see the stars." The Twilight of Bella's life is over. She will finally have the love, the family, and the life she fought to keep. Though it was once everything she wanted, Bella discovers her new life with the Cullens under the stars drifts between a dream and a nightmare.
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Flaws
Read on FFN or AO3
Summary: Bella expects her transformation from human to vampire to fix the flaws that kept her from being a worthy partner of Edward. When Edward’s venom does not seem to work on her appearance, Bella fears he will not want to tolerate her flaws for the rest of eternity.
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I am so tired of short-attention-span, trim-the-fat culture.
All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line?
The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy?
Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess.
I want the fat left it.
I want the pleasure and the indolence and the indulgence.
Fuck this art-advice that's always "your art needs Ozempic."
Stephenie Meyer had a lot of guts when writing Midnight Sun. She could have minimized a lot of the weird behaviors Edward displayed throughout the saga and made them seem not as bad. Instead she fully committed to it and made Edward even more of a little weirdo. And I love her for it.
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I maintain that the best summation of my feminist beliefs are that men and women are not fundamentally different. There are a few quantifiable differences if you average out every woman and every man, but they are not qualitative. And most of them are socially constructed, and would be fixed if we started treating men and women the same. Neither is inherently smarter, neither is inherently kinder, neither is inherently more stoic or stronger or angrier or softer. Everyone is obsessed with the differences between women and men, with finding them and creating them and distancing themselves from the "other half". It's fucked up
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One of my favorite angles of Edward Cullen is what he brings to the concept of nature vs nurture.
Like. He's the classic self-hating broody vampire. Except I don't think Edward truly hates being a vampire. He's actually mostly okay about it before he meets Bella-- at most, he resents aspects of it. We get the sense that he sees all the instinctual stuff as undignified, and both the lived experience and prospect of eternity are dull, if a bit droll.
What Edward truly hates about himself are choices he's made: his Dexter era (and disappointing Carlisle with said Dexter era), dooming Bella's prospects of a 'natural' life, leaving Bella. The fact that he hates his own choices are much more rich than if smeyer had left him at simply hating what he is (struggling with extreme propensity for slaughter), because becoming a vampire was not his choice.
And sure, vampires are rational enough that any murder they commit (purposefully or otherwise) can weigh on them in an interesting way, except that for all the Cullens talk about not wanting to be monsters, Twilight has a very whoopsy-daisy approach to vampires that eat humans. Killing people is not a choice for Twilight vampires. It is the default. The lack of a choice, giving into natural urges results in dead humans. Killing is effortless; resistance is the uphill climb.
Despite this, taking literal pains to abstain from human blood is not seen as some base courtesy in the same vein of humans refraining to hurt each other when our emotions get charged (I really deserve some praise and awe for not beating my coworkers daily!!). No, they are framed as awesome and praiseworthy for their commitment (even though their commitment to preserving human life does not extend to removing their dangerous selves from society altogether). It's something they don't have to do to be considered decent; no one ever bemoans Jasper or Carlisle for having human-eating friends, with the exception of when it endangers Bella. Eating humans is on par with having a mildly cringe political belief in the Twilightverse. "Oh, yeah, my buddy Garrett.... killed more people than my immortal supercomputer brain can count, but otherwise he's cool." Bella thinks the world of the Cullens for their efforts, but in turn she's extremely forgiving of their mistakes. Jasper attacking her is (according to her) her fault for being in his house and full of juicy delicious blood.
So is Edward to resent Carlisle for forcing this nature onto him, or appreciate him for showing him how to deny these instincts and remain a benign actor in the world? Can Edward really attribute the blood on his hands to vampirism when his most ardent dream as a human was to join the Great War? If the war lasted to past 18th birthday and he hadn't died, there's no way of knowing if any blood would have been directly on his hands the way he can count how many people he ate as a vampire. But does that matter? He'd have contributed to a war machine that killed people as impersonally and callously as the average vampire picks their victims. At least vampirism gave him the means to be more deliberate in playing God, no?
But what playing God really his motivation, or was he simply raised to believe that war=glory? It's almost definitely the latter, and he never asked to be raised that way (further complication: his own mother tried to sway him away from enlisting), so how does that stack up to the killer instincts of vampirism?
Basically I love how Edward is semi-aware that he was always doomed to be a killer, yet in the face of the ineffable forces/concepts of nature and nurture, he chooses to believe "actually I just suck as a person". #1 character of all time
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