ELIZABETH CATLETT
1915-2012
Female Torso, circa 1988
Bronze with dark blue patina 13-Âź in | 33.7 cm. High on a 3 in. | 7.62 cm. wooden base.
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ELIZABETH CATLETT
1915-2012
Female Torso, circa 1988
Bronze with dark blue patina 13-Âź in | 33.7 cm. High on a 3 in. | 7.62 cm. wooden base.

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Ildjima by MĂŠlissa De Araujo for Novembre Magazine - February 2021
for a moment I thought this was @evilrashida wow
Same

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Still from art film, âFairestâ // Joy Gregory // 2010
+ // peau noire; a collaborative diary featuring Jgickalbert Brown
instagram.com/justinamoafo
by Nadine Ijiwere
Feminine Colorful Photography by Laurence Philomene

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âHow much time do you want for your progress?â
No Flex Zone
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#S H O P F L O O R W H O R E :) Tinsel marabou headbandÂ
I keep thinking about something Spivak said. She said: âWe all know that when we engage profoundly with one person, the responses come from both sides: this is responsibility and accountability⌠The object of ethical action is not an object of benevolence, for here responses flow from both sides.â The ideal relation to the Other, then, is an individual-to-individual levelâan âembrace, an act of loveâ I cannot stop thinking about how ethical work with unlearning only comes on an individual level. Like Spivak says, strategic essentialism is important in feminismâ crucially importantâit enables recognition of the problem. We must be able to inhabit and understand the social constructs, we are not âpost-racialâ beings or âpost-misogynisticâ beings, by any means, but we also have to learn to move beyond these constructs I think about how this applies to this site all the time People are interested in demonstrating how much they care about the Otherâ reblogging posts about violence that is done to marginalized groupsâ but thatâs not the unlearning work they need to be doing Building intimate, individual, interpersonal relationships are, I think, the only way to move beyond
A Black Body, by Ronan Mckenzie

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Vogue US June 2016, âGet Up Stand Upâ Tami Williams by Jamie Hawksworth.