love is lost on you.

The parking garage is nearly empty. The late night shadows and overhead fluorescents are doing their usual thing- that sickly amber wash that makes everything look darker and more jaundiced, turns concrete pillars and painted lines into something out of a liminal space photograph. Your shift ended nine minutes ago. You've been sitting in this car for three of those minutes and you're no closer to leaving than you were when you got in.

You try the ignition a third time because you are a person who went to medical school, which means you are clinically incapable of accepting a result without attempting to replicate it, and the result is the same.

Silence.

The dashboard stays dark. The engine stays dead. Your car, the one last reliable thing you have left in your life has chosen today- today- of all days, to stop working.

Something behind your sternum cracks, a seam letting go, a thread that's been holding two pieces of fabric together finally giving up under the accumulated weight of seventeen hours of Park's voice in your ear, Park's corrections on your chart, Park's particular way of standing just inside your peripheral vision so that you could never fully forget he's watching. The sound he makes when you do something wrong, a small exhalation through his nose that somehow communicates more disappointment than a full sentence. The way clicks his tongue when you fumbled the angle of the retractors, not loud enough for the scrub nurse to hear, pitched just for you, intimate in its cruelty.

You get out of the car.

The concrete is gritty under your sneakers. The garage has that particular underground acoustics thing where every sound arrives twice, once directly and once as an echo off the low ceiling, so the slam of your door comes back to you a half second later, duller, like the garage is mocking you. You walk to the front of the car. You pull the hood release. You prop the hood up with the little metal arm and you stare at the engine.

You have no idea what you’re looking at.

You know this. You are aware, in a detached and increasingly unhinged way, that you possess exactly zero mechanical knowledge, that the greasy labyrinth of hoses and reservoirs and metal components in front of you might as well be quantum mechanics for all the good looking at it is going to do. But you’re looking anyway, because the alternative is standing in an empty parking garage at eleven pm and crying, and you are not going to cry. You are not. You’ve made it through seventeen hours without crying and you are not going to let a dead battery or a seized alternator or whatever the fuck is wrong be the thing that-

Your eyes are wet.

You blink. Hard. Twice. You sniff, once, sharp, and press the back of your wrist against your nose and stare at the engine and try to convince yourself that you are absolutely, categorically not falling apart in a parking garage. The fluorescent light catches the moisture on your lashes and turns it amber. A tear escapes down the side of your nose and you swipe it away with your knuckle so hard the skin stings.

Headlights bloom across the concrete behind you.

The light stretches your shadow forward, elongates it across the front of your car, and for a second you’re just annoyed; someone pulling through on their way out, someone who got to have a normal end to their shift and get in their functioning car and leave. The engine behind you is idling, smooth and low, and it doesn’t pass. It slows. It stops.

A door opens.

You don’t turn around because some self preserving corner of your brain already knows. Before the footsteps, before the particular rhythm of that walk-  unhurried, deliberate, the gait of a man who has never once rushed to be anywhere because everywhere he goes adjusts to accommodate his arrival-  you know who it is.

You know the way you know a headache is about to become a migraine. The way you know a patient is about to code before the monitors catch up. A full body premonition, cellular and certain.

Park’s footsteps stop somewhere behind your left shoulder.

You keep staring at the engine. Your vision has gone blurry, half tears, half exhaustion, half the flat refusal of your eyes to focus on anything that isn’t a pillow. You can feel him behind, the shift in pressure and temperature that changes the quality of the air against the back of your neck.

He doesn’t say anything for five seconds. You count them.

Then he leans past you.

His arm enters your field of vision from the left and he reaches into the engine compartment with the casualness of a man who reaches into open body cavities for a living and finds a car engine charmingly simple by comparison. His shoulder is close enough to yours that you can feel the warmth radiating off him through his clothes. 

You catch it then, his cologne, or whatever it is, something clean and warm and slightly woody that cuts through the garage smell of concrete and motor oil and settles into the space between your throat and your chest with an specificity that makes you want to bite down on something.

He smells good. Offensively, inappropriately good. And you hate him for it with a purity that borders on religious, that causes you to jerk back, take several steps away with your arms crossed over your chest and your teeth clenched so tight your jaw is clicking. 

He doesn’t let you get very far before. “Come here.”

He says it without looking up from the engine compartment, one hand braced on the frame, the other buried somewhere in the tangle of hoses and cables, and he says come here like he’s calling a dog that pissed on the carpet. 

You don’t move.

“I said come here. I’m not going to say it again.”

You move and he grabs your wrist, fingers closing around delicate bones, and pulls you forward until you’re standing beside him with your hip against the bumper and your face approximately eighteen inches from an engine block you couldn’t identify at gunpoint.

“Look.” He positions your hand over a cable terminal crusted with greenish white buildup. Presses your fingers down onto the corroded metal and holds them there. “Feel that?”

You feel it. Gritty. Calcified. Wrong.

“That’s neglect.” He says it close to your ear. Not whispering. Just close. “Months of it.”

He lets that sit for a second. His thumb shifts against the inside of your wrist, a small, almost idle adjustment that drags across your pulse point and there’s absolutely no way he doesn’t feel how fast it’s going.

“When did you buy this car?”

“Two years ago.”

“Two years.” He drops your wrist like he lost interest in holding it, and straightens up. Pulls a cloth from somewhere- his back pocket, his jacket, the fucking ether- and wipes his hands with slow, methodical attention, finger by finger, knuckle by knuckle, while you stand there with engine grease on your palm and the residual ghost pressure of his grip still pulsing around your wrist bones. “And you’ve never once popped the hood. Not once. You’re telling me you’ll spend six hours memorizing the branches of the brachial plexus but you can’t spend five minutes making sure the thing that keeps you alive on the highway actually works.”

He’s not looking at you. He’s looking at his own hands as he cleans them, like they’re the only thing worth his tim,  has all the time in the world and you are not a factor in how he spends it.

“I mean, it’s almost impressive.” He glances at you. Just a flick of his eyes, there and gone. “The commitment to not giving a shit. You’re consistent, I’ll give you that.”

“That’s not- ”

“Your positive cable’s loose. Terminals are shot.” He’s still cleaning his hands. Still not looking at you. “The whole system’s been dying for weeks and you just- what? Turned the key every morning and assumed it would keep working because it always had?” He folds the cloth. Tucks it in his pocket. “That’s not optimism. That’s not even denial. That’s just being stupid about the things you depend on.”

The word stupid lands different coming from him. Not like an insult. A fact. Like a lab value being read off the chart, something they can’t be interpreted in any other way, just is, and always will be. 

“You’re smart in the OR. I’ve seen it.” He says flatly, without investment, a concession that costs him nothing. “You’ve got good hands when they’re not shaking. Good instincts when you’re not choking on them. But then you do this- ” He nods at the engine. “And I have to wonder if the OR version of you is the anomaly and this is the baseline.”

He lets that hang.

“Get in the car.”

“What?”

“My car.” He says, an instruction, not an offer, delivered with the expectation of immediate compliance.

“I can call a- “

“It’s eleven at night, you’re not calling a tow from a parking garage, and you’re not sleeping in your car. Get in.”

“But-”

He’s already walking away. He doesn’t wait, doesn’t look back. Just walks to his car- a dark Lexus that looks like it costs more than your annual salary- and gets into the driver’s side and sits there with the engine running and the passenger door unlocked and the absolute unshakeable certainty that you will follow. 

You follow. 

The inside of his car smells like him. That’s the first thing you register as you pull the door shut, the contained, ambient version of whatever you caught leaning over the engine, multiplied and warmed by the closed space. 

You put on your seatbelt. You stare straight ahead. You give him your address in a voice that comes out smaller than you intended and you feel him register that, feel the quality of his silence change as he files it away. 

He pulls out of the garage. 

He doesn’t speak.

You wait for it- braced- shoulders locked, breath held, every nerve ending oriented toward him. You’ve spent enough time in his proximity to know how he operates: silence first, then the observation, then the correction, delivered with the flat, unhurried precision of a man who learned a long time ago that volume is unnecessary when accuracy will do. You know it’s coming. You sit in the passenger seat with your hands in your lap and your spine so straight your lower back is already aching and you wait.

A minute passes.

Two.

The streetlights strobe across the windshield in rhythmic amber intervals. The road noise fills the car, a low, constant hiss of tires on asphalt, the faint vibration of the chassis transmitting through the seat into your femurs, your pelvis, the base of your spine. The heater is on. You can feel it against your shins, a warm current that smells like clean filters and leather conditioner.

Three minutes.

He’s not going to say anything.

The realization doesn’t bring relief. It brings something worse, a vacuum. The silence that Park deploys in the OR when a resident has made an error significant enough that commentary would be redundant. The silence that says I’m not going to dignify this with a response. The silence that forces you to sit inside your own failure without the scaffolding of his criticism to push against, without even the dignity of being yelled at, because yelling would mean he cared enough to raise his voice and Park does not care enough to raise his voice. Park has never cared enough to raise his voice. He saves his volume for the things that matter and you, apparently, do not meet the threshold.

Your throat is doing something. Tightening. The muscles along the anterior triangle contracting in a slow, involuntary squeeze that you recognize as the precursor to crying and you clench your jaw against it so hard you feel your masseter pop. You are not going to cry in this car. You are not going to give him the satisfaction of watching you cry in his car with his cologne in your lungs and his silence pressing against you from every direction like something with weight.

You stare at the dashboard. The blue numbers of the clock. The GPS display showing your route- a clean, illuminated line from the hospital to your house, nineteen minutes, no traffic, as though the journey is simple, as though the distance between where you are and where you’re going can be measured in miles.

“The tibial plateau.”

His voice enters the silence without disturbing it. No change in his posture, no preliminary breath. Just the words, arriving with the same flat, unremarkable cadence he uses to call out hardware sizes mid-procedure.

“You hesitated.”

That’s it. That’s all he says. He doesn’t elaborate. He doesn’t explain which moment, which hesitation, which specific fraction of a second he’s referring to. He doesn’t need to. You know. He knows you know. The sentence is a key inserted into a lock you’ve been trying not to look at all day, and it turns with a click you can feel in your back teeth.

The silence returns.

It’s worse now. It has a shape. The two words gave it a frame and now the quiet is no longer empty, it’s full- full of every specific thing he could have said and chose not to, every elaboration he’s withholding, every detail of your performance that he catalogued and filed and is currently letting you imagine instead of stating outright. Your brain fills the silence the way fluid fills an enclosed space, expanding into every available cavity until the pressure builds against the walls.

You think about the tibial plateau. You think about the oscillating saw in your hand and the way your fingers tightened on the grip a half second before you made the cut and that half second is what he’s talking about. That imperceptible pause. That flicker of uncertainty between intention and execution. Anyone else would have missed it. The scrub nurse didn’t see it. The anesthesiologist didn’t see it. But Park was standing across the table with his hands resting on the sterile drape and his eyes on your hands and he saw it, he felt the hesitation, stored it, and now he’s taken it out of storage and placed it between you in the car like an exhibit.

Your eyes are burning.

“And the hardware count.”

Four more words. Still no elaboration. 

Flat, observational, a statement of fact that requires no emotional emphasis because the gravity is inherent. He keeps his eyes on the road.

You know what he’s referring to. The post-op notes. Six screws documented instead of eight. A discrepancy in the record that could follow the patient to every subsequent surgery, every future scan. He caught it. He corrected it. He didn’t report it.

He’s telling you now, in this car, in the dark, with nineteen minutes of road between you and your house, and the telling is worse than a formal write up because a formal write up would have structure. A formal write up would have a process: documentation, a meeting, a remediation plan, something to do with the failure. This has nothing. This is Park dropping two facts into the silence and letting you drown in the space around them.

Your left hand is trembling. You flatten it against your thigh and hold it there, pressing the tremor into the muscle, willing the vibration to disperse through the fascia and the quadricep and the femur beneath it. Your dominant hand. Your operating hand. The one that held the saw. The one that miscounted the screws. The one that’s been shaking on and off since hour six of a seventeen hour day and you’ve been hiding it by keeping it busy, keeping it occupied with tasks and tools and the physical business of the job so that nobody- so that he- wouldn’t see.

“You should have asked for a break during the reconstruction.”

You close your eyes.

“Your hand was fatiguing by hour four. You compensated by overtightening your grip on the retractor, which changed the angle.” A pause. “You knew the tremor was developing and you chose to hide it rather than ask for relief because you were more concerned with how it would look than with how it would affect the surgical field.”

That’s the most he’s said at once. Three sentences. They land in your chest like hardware being placed in sequence- tap, tap, tap-  each one seated precisely, each one load bearing, the cumulative construct designed to hold a specific weight.

Silence again.

The thing that’s happening in your chest is not something you can name with language. It’s too large and too formless and it keeps changing shape, contracting into something hot and dense behind your sternum and then expanding outward into your ribs, your clavicles, the soft tissue of your throat where the tightness has progressed from uncomfortable to actively painful. You swallow against it. Your throat clicks. The sound is audible in the quiet car and you hate it, hate the way your body keeps betraying you in small acoustic ways, producing evidence of its own distress for him to collect.

You think: say something back.

You think: defend yourself.

You think: tell him he’s wrong, tell him the hesitation was clinical judgment not fear, tell him the hardware count was a transcription error not negligence, tell him the tremor was fatigue not incompetence, tell him he doesn’t get to sit there in his seventy-two-thousand-dollar car smelling like that and sounding like that and dismantling you with seven sentences spread across ten minutes of silence-

You don’t say any of it.

You don’t say any of it because your throat is closed and your eyes are wet and your hands are shaking and everything he said is true. Not approximately true. Not partially true. Not true-with-caveats-you-could-argue-if-you-had-the-energy. True. Completely, specifically, documentably true, and the fact of its truth is sitting on your chest like a sternum retractor, cranking you open one inch at a time.

A tear escapes. It tracks down the side of your nose and catches at the corner of your mouth and you taste salt and you don’t wipe it away because wiping it away would require moving your hand and moving your hand would require admitting that you’re crying and you are not admitting that you’re crying. You are sitting in this car looking straight ahead and the moisture on your face is condensation, it’s a physiological response to dry air, it’s anything other than what it is.

Park doesn’t look at you.

He knows. You know he knows. The quality of his silence has shifted again- it’s softer now, or not softer, that’s not the right word, it’s attentive. The silence of a man who is aware that something is happening beside him and has decided to let it happen. To let you sit in it. To not offer a tissue or a word or even the small mercy of turning up the radio. He just drives, steady and unhurried, and the road unspools, and you cry without sound in the passenger seat of his car while he navigates the route to your house.

You wait for the rest. The elaboration. The lecture.

It doesn’t come. Instead, after a long moment, he says something worse.

“You know what’s funny?”

You don’t answer.

“You’re actually not bad.”

The sentence lands wrong. It lands wrong because it sounds, for one disorienting half second, like a compliment, and your starved, exhausted brain almost reaches for it before the rest of him catches up- the tone, the timing, the particular way he says not bad. A minimum. A floor. The lowest possible bar of acceptability, offered with the cadence of praise so your body responds to it like praise while your brain is still trying to decode that it isn’t.

“You’ve got a feel for the work. I’ve seen you read a fracture pattern faster than most of my third years. Your spatial reasoning’s above average. Your hands- ” He pauses. You feel the pause in your sternum. “When your hands are right, they’re right.”

He’s building something. You can feel it assembling in real time, each sentence another load bearing element, and you don’t know what the structure is yet but you know it has a weight it hasn’t distributed.

“That’s what makes it hard to watch, actually.”

There it is.

“Watching someone who could be good just… ” He makes a sound. Not a sigh. Something smaller. Something almost like amusement, which is so much worse than disappointment that your vision blurs. “It’s like watching someone with perfect pitch sing off key on purpose. You want to fix it. But you can’t want it more than they do.”

He turns onto your street.

“And I’m starting to think you don’t want it at all. I think you want to want it. I think you like the idea of being good. But when it actually costs you something, when it means admitting the tremor, asking for the break, counting the fucking screws, you’d rather protect your ego than protect your patient. And that’s- ”

He pulls into your driveway.

The engine idles. The blue dashboard light hums. Your house is dark. The porch light is off because you forgot to set the timer this morning, because this morning happened to a different person in a different version of your life.

“That’s not a skill problem. I can fix a skill problem.” He’s looking straight ahead. Blue lit profile. One hand on the wheel. “That’s a you problem. And I can’t fix you.”

I can’t fix you.

Four words that shouldn’t feel like anything. Four words that are, technically, a statement of professional boundaries, an acknowledgment that his role has limits, that your development is ultimately your own responsibility. That’s what they are on paper. That is not what they are in this car at eleven pm with salt drying on your face and his cologne in your lungs.

I can’t fix you means you’re broken. It means I looked, and what I found isn’t worth the effort. It means he assessed you the way he did with the engine and the prognosis is: not salvageable. Not worth the parts.

You should get out. You should open the door and walk inside and lock it behind you and shower and sleep and come back tomorrow and be better, be sharper, be the version of yourself that doesn’t hesitate on the approach and doesn’t miscount hardware and doesn’t sit in a man’s car at eleven pm leaking tears onto her own scrub top.

Your hand is on the seatbelt release.

“The hesitation,” Park says.

You stop.

He’s looking straight ahead. His profile is blue lit, jaw set, one hand resting on the steering wheel at twelve o’clock. His index finger taps the leather once, a single, idle percussion that might mean nothing and might mean everything.

“It’s going to get someone killed.”

Six words. Delivered without emphasis, without cruelty, without any of the sharp edges that have characterized everything else he’s said today. That’s what makes them worse. The previous comments were barbed, they were designed to cut and they cut and the cutting was something you could be angry about, something you could push against, something that gave the pain a direction.

This is different. Neutral. Factual. Almost gentle in its certainty.

It’s going to get someone killed.

Not it might. Not it could. Going to. Future tense. Inevitable. A definitive, not a warning.

You sit there with your hand on the seatbelt and the salt drying on your upper lip and you feel the sentence settle into the shape of your self concept like a fracture propagating, a slow, branching failure that spreads outward from the point of impact into every adjacent structure until the whole system is compromised.

He doesn’t say anything else.

He just sits there. Engine idling. Blue light. One hand on the wheel. And the silence after the sentence is the worst silence of the night because there’s nothing left to wait for. He’s said the thing. The final thing. The thing that all the other things were building toward- the corroded terminals, the loose cable, the tremor, the miscount- all of it was scaffolding for this, the load bearing statement at the center of the construct, and now that it’s in place the scaffolding falls away and you’re left sitting in the bare, terrible clarity of what he actually thinks.

He thinks you’re going to kill someone.

He thinks it with the same certainty that he had when he looked at your engine and found the problem in four seconds. He looked at you the same way. He looked at your hands the same way. He’s been looking at you for months, confirming what he already suspected, and tonight- the car, the drive, the prognosis- tonight was the consultation where he tells you the findings.

Your seatbelt is still buckled. Your hand is still on the release. Your body is doing something that doesn’t align with the plan your brain is trying to execute, which is: unbuckle, open door, leave. Simple. 

Three steps. Motor planning so basic a first year anatomy student could diagram the neural pathway. But the signal is getting lost somewhere between your prefrontal cortex and your extremities, scrambled by the interference of everything else your body is processing- the smell of his cologne in the warm car, the blue light on his hands, the tear track tightening on your cheek, the ache in your trapezius, the tremor in your dominant hand, the sound of his breathing.

His breathing.

You’re listening to him breathe. You’ve been listening to him breathe for the entire drive, you realize, a low, even rhythm that hasn’t changed once, that maintained the same rate and depth through every cruel observation and every silence and every tear you failed to hide. His respiratory rate is probably twelve. Maybe fourteen. Resting. Resting. He’s been resting this entire time. His nervous system has been in parasympathetic mode for the entirety of this drive, calm and regulated, while yours has been in full sympathetic cascade- tachycardic, diaphoretic, pupils dilated, hands trembling- and the asymmetry of it, the sheer physiological unfairness of it, lights something in the back of your skull that isn’t sadness and isn’t defeat.

It’s rage.

Not the sharp, vocal, defensible kind. Not the kind that generates arguments and rebuttals and righteous indignation.

Something lower. Something that lives in the body, not the mind. Something that has nothing to do with what he said and everything to do with the way he’s sitting there, breathing his twelve fucking breaths a minute, resting his hand on his thigh, occupying his leather seat with the boneless ease of a man who has never once lost sleep over the things he’s said to someone while you sit fourteen inches away vibrating at a frequency that might actually be damaging your soft tissue.

You want to hit him.

The thought arrives without preamble. You want to hit him in his calm, blue lit face. You want to put your fist into the hinge of his jaw and feel the impact travel back up your metacarpals and into your wrist and you want him to feel something, anything, any disruption at all in the flat, metronomic equilibrium of his goddamn resting heart rate.

You don’t hit him.

You look at him.

You turn your head and you look at him and he must feel the weight of it because he turns too, slow, unhurried, and his eyes find yours in the blue dark of the car and they’re steady. Completely steady. No tension in his eyes, no furrow in his corrugator, nothing in his expression that suggests he’s experiencing any version of the catastrophic internal event currently leveling every structure in your chest. He’s just looking at you. The way he looks at the surgical field. The way he looks at a fracture pattern on a film. Assessing. Reading. Processing the data without any visible emotional response to the findings.

But there’s something else. Something you almost miss because it’s buried so deep in his face that you’d need to be exactly this close, exactly this wrecked, exactly this far past the boundary of professional distance to catch it.

His gaze drops.

To your mouth.

It’s fast. A quarter second. Maybe less. And then it’s back, steady and clinical and blank, but you saw it and the seeing rewires something in your brain so fast you feel it as a physical lurch, a tilt in the axis of the car, the sudden sickening recalibration of a system that just received information it doesn’t know how to process.

He looked at your mouth.

He has spent the last twenty minutes telling you that you’re negligent and broken and dangerous and going to kill someone and he just looked at your mouth.

And the thing that breaks you isn’t the cruelty. It isn’t the silence, or the criticism, or I can’t fix you, or it’s going to get someone killed. It’s the quarter second glance. It’s the knowledge that somewhere inside of this man who has spent seventeen hours making you feel like the smallest, most incompetent person in the building, there is a circuit that looked at your mouth. That the same eyes that catalogued your hesitation and your tremor and your miscounted screws also, in the same sitting, looked at your mouth. And he thought you wouldn’t catch it. And you did. And now you’re both sitting in the knowledge of it and the air in the car has changed entirely.

And something about the way he can sit here in the aftermath of everything he’s said and look at you with the same detached focus, cracks the last load bearing wall in whatever structure was keeping you upright.

Your body, which has been running on cortisol and adrenaline and seventeen hours of accumulated fight-or-flight with no outlet, moves without conscious thought. Your hand comes off the seatbelt release and goes to the back of his neck and your fingers close in the short hair above his collar and you pull, and your mouth finds his in the dark, and it’s not a kiss so much as a loss of structural integrity. Catastrophic failure at the point of highest stress. The break you saw coming but couldn’t prevent because the forces were already in motion before you understood what they were.

He doesn’t flinch.

That’s the last thing you register before everything goes: he doesn’t flinch, doesn’t pull away, doesn’t stiffen. His mouth is warm and the sound he makes against your mouth is quiet and short and so unsurprised it makes your blood run sideways.

He was waiting for this.

The knowledge doesn’t stop you. It should. It should be the thing that makes you pull back, that trips the wire between mistake and trap, but his mouth is already moving against yours and your brain has been demoted to a purely observational role, a bystander taking notes while your body runs the operation.

You kiss him like you’re trying to hurt him. Teeth and pressure and the graceless, artless force of someone who doesn’t know what they’re doing and doesn’t care, and for a second- a long, terrible second- he lets you. He sits there and he takes it, your mouth on his, your hand fisted in his collar, your breath coming in sharp little pulls through your nose, and he doesn’t move. Doesn’t reciprocate. Doesn’t push you away. Just absorbs it, and the passivity of it is so much worse than rejection that you feel your eyes sting behind your closed lids.

Then his hand moves.

It goes to the back of your neck, fingers closing around the nape and gripping, thumb pressing into the tendon beside your spine, the rest of his hand spanning the width of your neck, and he holds you there. Holds you mid kiss, mid breath, mid everything, and the grip says stop. Not stop kissing him. Just… stop. Stop thrashing. Stop fighting. Stop moving.

You stop.

He pulls you back. Just enough to break the contact. An inch of cold air between your mouth and his, and you can feel the heat of his breath against your wet lower lip and you can see his eyes, close enough to make out the individual fibers of his iris contracting in the low light, and he’s looking at you with something that makes your animal brain go very, very still.

He doesn’t say anything.

He just looks. And the quality of the looking is- you don’t have language for it. Something pre-verbal, pre-civilized, something that belongs in a context where the lighting is firelight instead of dashboard glow and the power dynamic is measured in muscle mass and jaw strength rather than titles and institutional hierarchy. 

He looks at you like he’s deciding where to bite down.

His grip on your neck tightens. Fractionally. A compression you feel in your molars.

Then he kisses you.

And it’s different. Everything about it is different. Where yours was frantic and desperate and searching, his is slow. His mouth moves against yours with a patience that feels predatory, that feels like the unhurried gait of something that doesn’t need to chase because it already has what it was after, and his hand on your neck isn’t holding you still anymore, it’s steering. 

Tilting your head where he wants it, adjusting the angle, his thumb pressing under your jaw until your chin lifts and your throat is exposed and the sound that comes out of you is something you’ll hear in your own head for weeks.

Your fingers scramble against his shoulders. Your nails catch the fabric of his scrub top and drag and you feel the muscle underneath shift in response, a twitch, a contraction, involuntary and brief, and that one small proof that his body is responding makes you desperate in a way you don’t recognize.

You need to be closer. The thought is incoherent and absolute. There’s a center console between you and fourteen inches of dead space and it’s intolerable, physically intolerable, your body rejecting the distance, urgently, violently, without higher input.

You pull back. Fumble the seatbelt. The buckle snaps free. You get one knee on the console and your hand on the headrest behind him and you’re climbing, graceless, desperate, your shin banging the gear shift, your elbow catching the rearview mirror, and the logistics are terrible and you don’t care. You don’t care because his hands have dropped to his sides and he’s not helping you, he’s just watching, his head tipped back against the headrest, his eyes half lidded, tracking your clumsy, frantic movements in the space with something that isn’t amusement and isn’t patience.

It’s hunger.

Controlled, banked, hunger behind glass.

Your knee finds the seat beside his thigh. Then the other one. You settle into his lap and the steering wheel cuts into your lower back and his thighs are solid beneath yours and you’re breathing too hard, chest heaving, hands shaking where they grip his shoulders, and he’s… still.

Completely still.

Looking up at you. His hands at his sides. His jaw set. The only thing moving is his chest, rising and falling with breaths that are marginally faster than they were ten minutes ago, and you fixate on that the way a drowning person fixates on a piece of floating debris.

You wait for him to touch you.

He doesn’t.

The seconds stretch. Three. Five. Seven. You’re sitting in his lap and his hands are resting on the seat on either side of his thighs and he’s looking up at you with that banked, glass walled hunger and he is not touching you. 

He is making you sit in it, in the wanting, in the desperation, in the raw, humiliating fact that you just climbed into your attending’s lap in a driveway and he’s giving you nothing back.

Your hips shift. You can’t help it. A restless, involuntary roll that presses your cunt into his cock, and you feel his abdomen tighten beneath you, a hard, sudden contraction that he controls almost immediately but not before you feel it, not before you register the proof that his body is doing things his face won’t admit to.

His jaw tightens. You see it. The masseter flexing, the tendon standing out below his ear.

Then finally- finally- his hands move.

They don’t go where you expect. They go to your hips. Both of them. Settling over the bones with a grip that is immediately, unambiguously possessive, not exploratory, not tentative, not the careful hands of a man testing boundaries. He grips you like you’re his. Like you’ve always been his. Like the last four months of corrections and cruelty and silence were just the long, patient process of wearing you down to this, to the moment where you’d put yourself in his hands because you had nowhere else to go.

His thumbs dig into the hollows inside your hip bones. The pressure is just on the edge of pain, right at the threshold where sensation tips from one thing into another, and you gasp and his hands tighten in response and you realize with a full body lurch that the sound you made didn’t concern him. It fed him.

He pulls you forward. Down. A controlled, forceful drag that seats you flush against his him, and the contact makes your vision white out at the edges and one of his hands goes from your hip to your hair and he's gripping it, pulling it, fingers twisted strands at the crown of your head, yanking, exposing your throat, and the sound he makes rewires something fundamental in your nervous system.

His mouth finds your neck, teeth grazing the tendon that runs from your ear to your clavicle, a slow, dragging pressure that leaves a trail of heat in its wake, and then he bites down, hard enough to make you jolt, to make your fingers tighten on his shoulders, to make your hips roll forward again in a motion that is completely involuntary and that he responds to by pulling you into his clothed cock harder, fingers digging into the meat of your hips with a strength that’s going to leave marks. 

You know it’s going to leave marks. You know because his hands are surgeon’s hands, hands that crack bones into alignment and drive hardware through cortical shell, and they are currently clamped onto your body like he’s setting a fracture and the thing he’s reducing is you.

He doesn’t let go of the bite. He holds it. His jaw flexing against your throat, his breath hot against your pulse point, and you can feel your own heartbeat hammering against his teeth and he can feel it too; you know he can feel it, your pulse trapped between his mouth and your skin, and he stays there. Counting it, maybe. Tasting it.

Your hands are moving without thought. Down his chest, pulling at the fabric, trying to find skin and not finding it fast enough. You’re making sounds- small, fractured, desperate things that you’ve lost the ability to be embarrassed about because embarrassment requires a functioning prefrontal cortex and yours left the building sometime around the moment you smelled the cologne on him in the parking garage.

He releases the bite. His tongue passes over the indentation once, flat and slow and then his mouth is at your ear and his breathing is different now. Ragged at the edges. Fraying. The composure that he’s worn like a second skin all day is coming apart in increments you can measure by the roughness of each exhale and the tightening of his grip.

“You should eat more,” he says and his hands slide under your scrub top, palms flat against your bare skin and the heat of them is obscene, radiating a constant steady warmth that seeps into your tissue, spreading outwards from the points of contact and into the muscles beneath. His hands slide up your sides, palms dragging over abdominal muscles, calluses catching against your skin, and his thumbs find the ridges of bone, thumbs tracing your ribs, counting them. “I can feel every one of these.”

It’s not tender. It’s not concern. It’s inventory. He’s cataloguing what’s his and finding it insufficient and the disapproval is so tangled up with the want that you can’t separate them, can’t tell where the criticism ends and the desire begins because in him they’re the same thing. The same impulse. He wants you and he’s angry about the state of what he wants, angry when something he’s claimed isn’t being maintained to his standard.

His hands stop. Bracketing your ribcage, fingers splayed across your back, thumbs resting in the shallow valley between bones. The heat of his palms is sinking through your intercostal now, settling into the spaces between your ribs like something poured, and you can feel your own lungs expanding against his hand with every breath, pushing into the warmth, your body leaning into him without your permission because its been so long since anyone touched you with this much sustained focused heat.

His hands drop to the hem of your scrub top. He pulls it up, bunching the fabric at your ribs, exposing your waist, your stomach, the line of your hip bones above the drawstring of your scrub pants until your shirt is pulled above your head and dropped somewhere to the side. The air in the car hits your bare skin and you shiver and he flattens his palms against your stomach.

“Someone needs to feed you,” he mutters. His thumbs press into the soft tissue below your navel. “Make sure you actually sleep.” His hands drag down, hooking into the waistband pads of his fingers against your lower abdomen, the weight of his grip tilting your pelvis toward him. “You’re a goddamn mess.”

You are. You are a goddamn mess. You are shaking and crying and half undressed in your attending’s lap in a parked car and his hands are on your bare skin and his teeth marks are throbbing on your neck and every word out of his mouth is an insult wrapped in something that sounds, horribly, like a promise.

A promise that he’s going to fix what you can’t fix. That he’s already decided. That this- the car, the drive, the cruelty, the bite, his hands inside your waistband- this is just the intake assessment. The preliminary exam. The first step in a treatment plan that he’s been designing for months, one that ends with you exactly where he wants you, which is right here. Underneath his hands. Dependent on his attention. Unable to function without the particular combination of damage and repair that only he provides.

You should be terrified.

His hands tighten. He pulls you into him again, harder, and your breath leaves your body in a rush and your forehead drops to his shoulder and your teeth find the muscle where his neck meets his trapezius and you bite down because it’s the only language your body has left.

He groans. The sound travels through his chest cavity into yours, a vibration you feel in your sternum, and his hand slides up your spine and fists in your hair again and pulls, arching your neck back, exposing your throat, and he looks at you, looks up at you from below, his lips parted, his breathing finally, irrevocably wrecked, and the expression on his face is the most honest thing you’ve ever seen from him.

It’s not the mask. It’s not the bored superiority. It’s not the carefully metered cruelty he portions out across an operating day.

It’s greed.

Simple, uncut, undisguised. The face of a man who found something he wants and is currently in the process of closing his hand around it and he does not intend to open that hand again.

“Come here,” he says, for the second time tonight, and this time it means something completely different and exactly the same.

You come, your body answering the order the way it answers every order he’s ever given- before thought, before shame, before the part of your brain that still pretends it has dignity can raise an objection, and you lean in, mouth crashing against his.

You hate yourself for it. You hate the speed of it, the automaticity, the way your knees dig harder into the leather on either side of his thighs and your mouth finds his again. You hate that you’re shaking and he’s not. You hate that your hands are fisted into his collar and pulling and desperate and his are still, idle, unbothered, a man being kissed by someone while he decides whether or not to kiss back. 

He tracks you. Every tremor of your lower lip, every frantic slide of your tongue against his, every wet graceless sound you make when his teeth catch your bottom lip and tug. Controlled. Proprietary. Taking this in like he takes in everything, filing it, noting it, adding it to whatever mental inventory he maintains of all the ways you embarrass yourself in front of him. 

You pull back. Your chest is heaving. His isn’t.

“Fuck you,” you say.

It comes out wrecked. Shaking. Nothing close to the strength you want it to be. He looks at you flatly, unimpressed. 

He hooks two fingers into the drawstring of your scrub pants and pulls. One motion. The knot gives. The pants slide down your thighs and you should stop this. You should stop this right now. You should climb off his lap and open the door and walk into your house and lock it behind him and never look at him again. You know this. The knowledge is clean and certain and completely irrelevant to what your body is actually doing, which is lifting one knee, then the other, kicking cotton of your ankles, while your hand stays fisted in his collar like letting go would kill you. 

His hand goes behind your back. One flick of his thumb and the bra releases and the straps slide down your shoulders and you feel the air hit your skin and the humiliation is so acute it tastes metallic, like biting down on foil, like blood from a split lip. 

He doesn’t even look. 

He lets the fabric fall and his palms settle over your breasts and his thumbs brush across nipples already tight from the cold and the adrenaline and he does it with absent focus, like this is a step in a sequence, like your body is a series of tasks to be completed on the way to something else. 

“You’re an asshole,” you whisper. Your voice cracks. “You know that? You’re a completely fucking-”

His hand slides down your stomach. Hooks into the waistband of your underwear. Drags. The fabric catches on your thighs, resists, then gives away with a tear. 

“- asshole.”

“Yeah,” he says. That’s it. Yeah. One syllable. Bored. His eyes haven’t changed. His breathing hasn’t changed. You are sitting in his lap in nothing but the blue dashboard light, stripped and shaking, every flaw and rib and tremor illuminated, and his pulse is resting. 

You want to claw his face off.

You want to rake your nails down his cheeks until he bleeds, until something in his expression breaks, until he shows you one single shred of evidence that this is affecting him even a fraction as much as it’s affecting you. But he’s still dressed beneath you- scrub top, scrub pants- and the obscene imbalance of naked and clothed, wrecked and composed, is doing something to the power dynamic that you feel in the base of your skull like a boot on your neck. 

One hand leaves your hip. You hear the shift of fabric, the elastic drag of a waistband, and then he’s there, cock pressing against the inside of your thigh, hard and hot. He wraps his hand around himself and strokes once, slow, lazy, and you watch the muscle in his jaw flex and that’s it. That’s all he gives you. One flex of one muscle while you’re sitting naked in his lap with tears drying on your face and your whole body vibrating like a plucked string. 

Then he lines the head of his cock up, blunt insistent pressure of him against the entrance to your cunt, and your body- your traitorous, mutinous, shame soaked body- is already wet. Has been wet. Has been wet since the you smelled his cologne in the parking garage, maybe earlier, maybe since the OR, maybe since the moment you were first introduced to him as your attending and the knowledge of that is so humiliating you actually close your eyes against it, squeeze them shut like a child who thinks not seeing makes them invisible. 

“Sit.” A command. Like he’s speaking to a dog, like you’re a dog, like you’re a misbehaving mutt caught doing something you shouldn’t and he’s issuing a command to correct. Sit, heel, lay down, roll over-

Don’t, you think. 

You sink. 

The stretch is immediate. Obscene. A slow, relentless parting that you feel in your cunt, your thighs, your abdomen, your teeth, and you hate every inch of it and the contradiction is going to break you in half. He fills your cunt the way he takes up any space around him- completely, unapologetically, without any interest in whether you were ready to accommodate him or not. 

Your hands fly to his biceps. Nails through fabric into muscle. And for one heartbeat you sit there, trembling, adjusting, feeling the way you body has to restructure around him, and your eyes are open now and burning and you’re looking directly at his face and his expression is…

Calm. 

He looks calm. His dick is buried inside of you to the hilt and his face is the face of a man sitting in traffic. Waiting for the light to change. Reading a notification on his phone. And you want to scream, wrap your hands around his throat and squeeze until something in those steady, half lidded eyes shows you that he’s here, that he’s present, that this is costing him anything at all. 

His hands find your hips again. Thumbs pressing bruises into bone. And then he moves you. 

Up. Down. Controlled. Like you’re nothing more than a doll, an instrument, something he can use and play until he’s had his fill, and that pisses you off.

You start to move on your own and the first roll of your hips without his guidance is yours, angry and hard, grinding down onto him with a force that’s closer to violence than fucking, and you watch his face for the flinch, for the flutter of his eyes, for his lips to part open, for any crack, any goddamn indication that you’re getting to him. 

His eyes lower. Barely. The faintest contraction around the corner of his eyes. 

That’s it. That’s all you get. 

His hands tighten and he takes back control of the rhythm, pulling you down on his cock hard, forcing the depth, and the sound that rips out of you is something between a sob and a moan and you hate it, hate the wet broken sound, hate that he heard it, hate that his expression doesn’t change when he hears it. 

“This is what you’re good at.”

The words are like a slap and you feel them behind your eyes, in your lungs, in the slick slide where your body is betraying you again, again, again.

“Fuck you- “

“Not the tibial plateau.” His hips drive up. “Not the hardware count.” Again. “Not even remembering to get your fucking car serviced.” His hands drag you down so hard onto his cock that your clit grinds against the base of him and your vision whites out and your mouth falls open with a sound you can’t control, high pitched and needy. “This. This is the only thing I’ve never seen you hesitate on.”

“I hate you- “ Your voice splinters with another thrust, that grinds his cock against the spot that has your nails digging into his shoulders hard enough to break skin through fabric. “I hate you, you fucking-”

“I know,” he says. Quiet. Unbothered. Like you just told him the weather. And then he rolls his hips up into you with a hard grind that makes your spine arch and your head fall back and the I hate you dissolves into a whimper you’ll never forgive yourself for. 

“Look at you,” His breathing hasn't changed. Twelve per minute. Resting. While yours comes ragged and sobbing, chest heaving, your whole body shaking on top of his. “Seventeen hours of your hands shaking. Seventeen hours of being unable to hold a retractor steady. But you can ride cock like this. Perfect rhythm. No tremor. No hesitation.” He pulls you into another downstroke, meets you with his hips, punches the breath from your lungs. “Maybe this is what I should have had you doing all along instead of letting you pretend you’re a surgeon.”

You hit him. 

Your palm connects with his face, an open handed strike that lands hard enough to make a sound in the car, and he doesn’t flinch, doesn’t tense, just absorbs it the way he absorbs everything, and his hands on your hips don’t even stutter. 

He smiles. 

Not wide. Not warm. A thin, asymmetric thing, one corner of his mouth pulling up in the blue dark, and it’s the first genuine expression you’ve seen on his face and it’s the worst thing you’ve ever looked at. Because the smile says he liked that. The smile says do it again. The smile says he has been waiting, patiently, methodically, for the entire duration of the encounter, for you to hit him, and now that you have he can file it alongside every other piece of evidence that you are exactly as out of control as he’s always suspected. 

“There she is.” His thumb slides between your bodies. Finds your clit. Circles it in a way that makes your spine lock and your teeth clench. “There’s the good girl I knew was buried under all that incompetence.”

“Don’t call me- “ Your voice breaks, hips moving faster not, frantic, beyond your control. “Don’t you dare-”

“Come on.” His thumb presses harder. His other hand drags you down into the next thrust. “Show me the one thing you’re actually competent at.”

“I fucking hate you- “

“You keep saying that.” His mouth is close to your ear. His breathing is finally, finally different- rougher, a fraction faster, the composure fraying at the thinnest edges- but his voice is still steady. Still controlled. Still the voice of a man who is winning and knows it. “And yet here you are.”

And yet here you are. 

The truth of those words- the bare, unarguable, catastrophic truth of them- hits harder than anything else he’s said all day. Here you are. In his lap. In his car. In his hands. Naked and shaking and full of him and crying and still moving, still rolling your hips into his, still chasing the orgasm that’s building in your lower abdomen, because he told you to and because you want to and because the wanting and the hate have fused into something singular and molten that you couldn’t separate even if you had the higher brain function to try. 

The car is rocking on its suspension. The windows are opaque. Sweat slides down the valley of your spine. Your breasts move with every thrust and his eyes track them and the shame of being watched makes something tighten in your lower belly and you hate that too, hate the wiring of your own body, hate that humiliation and arousal are using the same neural pathways and you can’t tell where one stops and the other starts. 

“This is what you’re good at,” he says again. Quieter now. Almost fond. And the fondness is worse than the cruelty because the cruelty you can fight but the fondness seeps in and finds the soft tissue and stays. “Not saving lives. Not pretending to be a doctor. Just this. Just taking what I give you until you forget you ever had anything else to fuck up.”

“Shut up.” You’re crying openly now. Tears and sweat and the sounds coming out of your mouth are wet and broken and you can’t stop them and you can’t stop moving. “Shut the fuck up-”

“Make me.”

Two words. And they’re not said like a challenge. They’re said like a dare, and underneath the dare is something that sounds terrifyingly like affection, the way someone would talk to a small animal that keeps trying to bite them, amused and patient and completely unthreatened. 

Your orgasm is building. You feel it in every trembling muscle, the quiver in your inner thighs, the tightening low in your abdomen, the involuntary clenching of your body around his cock that makes his breath hitch for one unguarded second before he smooths it over. 

You’re close. You’re so close it’s blurring the edges of your rage, softening the anger into something needier, something that wants to collapse forward against his chest and be held and the wanting of that- the wanting to be held by the man who’s been destroying you- is the most humiliating thing that’s happened all night and that is a competitive field. 

His grip adjusts. His thumb digs in deeper. His pace doesn’t falter. 

His mouth finds your ear. 

“Don’t you dare come until I tell you you’ve earned it.” His thumb circles your clit and the contradiction- don’t come while his hands do everything to guarantee you will- is so perfectly, characteristically cruel that a laugh rips out of you, unhinged and wet and bordering on hysterical. “You don’t get to be good at anything unless I say so.”

And you keep bouncing, because he told you to. 

Because somewhere between the parking garage and the engine and the drive and the months of him taking you apart and breaking you down like you were a failed construct, you stopped being a person who makes her own decisions and became a person who waits for his. 

You hate him.

You don’t stop. 

***

The hospital smells the same. 

That’s what gets you. The absolute, insulting sameness. You walk through the door at six thirty and the air hits your face with its standard cocktail of antiseptic and recycled ventilation and floor wax and the distant, perpetual ghost of coffee, and it is exactly, precisely, atomically the same as it was yesterday morning when you walked in as a person who had not yet detonated her entire life ion the front seat of a Lexus. 

Your neck hurts. 

Not the muscular ache of a bad night’s sleep, though there’s that too- you slept maybe ninety minutes, in twenty three minute increments, each one interrupted by the sensation of waking up inside a body that still smelled like him despite the shower. The shower that was too hot. The shower where you stood with your forehead against the tile and your hands flat on the wall and mentally assessed the damage- bruise on your left knee, bruises on your hips in the shape of his fingerprints, raw patch on your lower back from the steering wheel, and the bite. The bite on your neck, which you examined in the bathroom mirror, reddish purple, visible above the collar of a scrub top. Visible above the collar of anything you own. 

You’re wearing a turtleneck under your scrubs. In September. 

You keep your head down. Badge clipped. Hair pulled back so tight your scalp aches. You walk with a posture that says normal day, regular morning, nothing to report, and you’re almost to the locker room when another resident steps into the hallway and says, “Admin wants you.”

Every drop of blood in your body goes cold. You stare at him. 

“Underwood’s office.” He says. “Now.”

You don’t ask why. You don’t ask why because your body already knows. Your body already knows before he opened his mouth, maybe before, maybe the moment you walked through the doors and the air tasted the same and the hallway looked the same and nothing was different except everything was different. 

The walk takes ninety seconds. You count your footsteps because counting is something your brain can do while the rest of it shuts down. 

You see him through the open door. 

Park is in the left chair. One ankle crossed over the opposite knee. He’s holding a coffee, steam curling from the lip, which means its fresh, which means he stopped on his way here, which means he budgeted time into his morning for this.

He doesn’t look up when you walk in. 

Gloria Underwood is standing beside her desk. She’s holding a manilla folder. It’s thick. Too thick for something assembled this morning. Too thick for a single incident. The thickness of it does something to the air in your lungs, displaces it, compresses it, makes the next breath feel like trying to inflate against a weight. 

Gloria’s face is arranged in the express you’ve seen administrators use when they’re about to change the trajectory of a person’s life. Controlled. A mask of professional compassion that has been practiced in mirrors and refined in meetings and has nothing to do with whether the person wearing it actually feels anything at all. 

“Please sit down.”

You sit. The chair is identical to his. Your elbow is inches from his elbow and you can smell him, smell the coffee, and the soap, and the cologne, and your body responds with a full system lurch of sense memory so violent you have to press your fingernails into your palms to stay in the chair. 

“A formal complaint has been filed,” Gloria says, opening the folder. Turns to a page that’s already been flagged with a colored tab, pre-marked, pre-organized, the administrative infrastructure of a process that was set in motion before you arrived. “Regarding conduct of sexual nature directed at Dr. Brendon Park by a subordinate member of the surgical team.”

Directed at. 

The preposition enters your ear and detonates. 

Directed at Dr. Park. Not by Dr. Park. Not between you and Dr. Park. At him. By you. 

“Dr. Park has reported that over the course of several months, he has been subjected to escalating patterns of inappropriate attention from an intern under his direct supervision.” Gloria’s eyes move across the page but she’s not reading. She memorized this. “Including persistent attempts to initiate physical proximity, repeated instances of unprofessional fixation during surgical procedures, and recently, an incident of unsolicited sexual contact initiated in his vehicle after he offered professional assistance with a mechanical issue in the hospital parking garage.”

Persistent attempts to initiate physical proximity. 

That’s- standing near him. In the OR. Where he assigned you to stand. 

Unprofessional fixation during surgical procedures. 

That’s- watching him operate. When you were assisting. 

Unsolicited sexual contact.

That’s-

The room is doing something. The walls aren’t moving but the space between them is contracting, the air thickening, the fluorescent light taking on a quality that feels granular, particulate, like you’re trying to see through something that’s settling between you and the rest of the room. 

“The complaint has been supported by documented observations,” Gloria continues. She turns another page. Another colored tab. “Dr. Park has provided a written timeline of concerning behavior, including specific dates and incidents.”

A timeline. 

He kept a timeline. He’s been keeping a timeline. Every shift, every surgery, every moment you stood too close or looked too long or held your breath- he was writing it down. Dating it. Building a file. Constructing a narrative in which every single thing your body did in his presence was evidence of you pursuing him, and the evidence is in Gloria Underwood’s hands right now, and it’s thick, and it has colored tabs, and it’s been here since before you walked in the door. 

“Given the nature of the supervisory relationship and the severity of the allegations, you are being placed on immediate administrative suspension pending investigation, effective as of this meeting.”

You open your mouth.

Nothing comes out. 

You try again and what emerges is a sound that isn’t a word, is a breath, a fragment, the beginning of that’s not what happened that stalls in your larynx before your larynx has done the math that your brain hasn’t finished yet. 

The math is:

He is a senior attending. Board certified orthopedic surgeon. Ten years at this hospital. Published. Respected. The kind of name that appears on department letterheads and in the acknowledgment section of textbook chapters. He has a reputation. He has colleagues. He has a record, spotless and long and documented in the same filing system that is currently absorbing this complaint. 

You are an intern. Four months in. No publications, no tenure, no institutional weight. You have a shaking hand and miscounted screws and a performance record that he has been personally authoring for your entire rotation. 

Who is Gloria going to believe?

Who is anyone going to believe?

The intern who can’t hold a retractor steady? The one who freezes on approaches and forgets to count hardware and cries in parking garages? The one who ended up naked in her attending’s car at midnight? 

Or the attending who has spent months carefully, meticulously, documentably expressing concern about a subordinate’s fixation. 

“During the suspension period,” Gloria is saying. “You are not to enter clinical areas, access patient records, or make contact with Dr. Park directly or through intermediaries.”

You turn your head. 

Park is looking at Gloria. He’s been looking at Gloria the entire time. Sitting in the chair with his coffee and his crossed ankle, and his face arranged in an expression of restrained concern; brows drawn, mouth set, carefully composed like a man navigating a difficult situation with professionalism and grace. He looks like someone this is being done to. He looks like a man who tried his best with a troubled intern and is now dealing with the unfortunate consequences of his own generosity. 

He is sitting in this chair, hours after his teeth were in your neck and his cock inside you and his hands on your hips dragging you down onto him while he told you that riding him was the only thing you were competent at and he looks troubled. 

Something happens behind your face. Not tears. Something past tears, something drier and more dangerous. A sensation like the moment before something snaps, the last frame of structural integrity, the instant where the material is still holding its shape but the forces have already exceeded its capacity and the failure is inevitable, just not yet visible. 

“Do you have anything to add,” Gloria asks you. 

You're still looking at Park. 

He turns his head. Finally. Slowly. Meets your eyes for the first time since you walked in. 

His face is still wearing the mask. The concern, the gravity, the restrained compassion of the Wronged-Mentor. It’s flawless. Every muscle recruited, every micro expression calibrated, the kind of performance that could only be produced by someone who’s been rehearsing it for a very long time. 

But his eyes.

In the space behind the performance, in the deep architecture of his gaze, where the mask doesn’t quite reach, there’s something looking back at you that makes your blood crystallize in your veins. 

It’s not guilt. It’s not satisfaction. It’s not even cruelty.

It’s patience.

The bottomless, immovable patience of a man who built something and is now watching it work. 

He holds your gaze for two seconds. Then he turns back to Gloria and picks up his coffee and drinks and the meeting continues, and the folder stays open, and your badge is collected, and you walk out of the hospital at seven forty one am wearing a turtleneck in September and it’s sunny outside and the sky is very blue and you don’t remember driving home.

(And Park watches you leave, coffee in hand. You look very small. Smaller than you looked in scrubs, which is saying a lot, because you already looked like a stiff breeze would snap you in half-

(And the first part is done. Solved. He doesn’t have to watch you bite your lip when you concentrate anymore, doesn’t have to correct the angle of your hands and pretend the contact is clinical. Doesn’t have to stand behind you during a procedure and smell your shampoo and keep his hands professional while he vividly imagines what he’d do to you if the room was empty- 

(Four months of that. Four months of keeping his hands on the instruments instead of on your waist, of watching your throat move when you swallow and thinking about his teeth there, of memorizing the exact pitch of your voice when you’re nervous because he wanted to know what it would sound like under him, or fucking his fist to the memory of the little punched out breath you made when you startled coming out of the supply closet, imagining you making that sound with his fist in your hair and his cock grinding against your cervix-

(And you’ll spiral. That’s fine. That’s the design. You’ll go home and fall apart and burn through the anger hot and fast the way you burn through everything, and then the anger will run out and what’s left will be the silence. No OR. No corrections. No one watching. No one who knows you hold your breath when you’re nervous or that your left hand shakes first or that you haven’t been eating enough or sleeping enough or taking care of yourself the way someone should be taking care of you. The way he would, if you’d stop being so fucking difficult about it-

(Give it three weeks. Maybe four. You’ll reach for your phone. You won’t call, not yet. But the intervals between looking at his name and putting the phone down will shrink every time until eventually you just stop putting it down. And he’ll answer when he’s ready, and you’ll be crying, and he’ll listen the way he always listens to you you- completely- because that’s the drug and he’s the only supply you’ve got left. 

(Pavlov’s dog with a prettier face. He spent four months ringing the bell- every correction a tap, every silence a withhold, every rare scrape of approval timed to land when you were most desperate for it- and now that the bell is gone and you’re salivating into nothing, confused and aching and reaching for the only hand that ever fed you even though it’s the same hand that kept you starving-

(He’ll feed you. Get your weight back up. Move you into his place once you can’t make rent. He’ll frame it as practical. You’ll be grateful. And in six months you’ll be standing in his kitchen in his T-shirt and you’ll look up when he walks in with that open, searching expression- the same one you used to give him across the operating table- checking his face for what he wants you to do next, his pretty obedient wife, trained so fucking well-

they’re all cut from the same cloth—high achieving, independent, confident. they rattle off the answers to complex questions and are caught up on the latest literature and they’re the ideal resident, each in their own way.

you are not one of them. you think robby tolerates your slowness and your occasional confusion and profoundly apparent lack of confidence because it’s been a couple months since the pittfest shooting, and he feels bad. 

it makes sense from the outside, you suppose. you are just an intern. you thought the whole point of this year was to adapt and understand and try to figure out where you fit in within the food chain that is the hospital hierarchy. 

day to day it depends on the senior resident you’re assigned to. you try, really hard, to stay caught up, to not let your mind wander, to have the right answer and make diagnoses as quickly as you can.

you think maybe there’s just something wrong with you. it hadn’t always been like this. you were getting better. 

and then everything happened and its felt like one step forward, two steps backward ever since.

robby is the one that finally caves and approaches you. he must have gotten enough complaints, or he must be fed up with your zoning out and freezing up, because he pulls you aside for a chat at eight in the morning.

“how do you feel about switching to the night shift for a little?” 

his idea, as he’d explained it to you, was that maybe being on the night shift would help your skills to grow. that the pace and the little extra time in between patients and dr. abbot’s tutelage might help you get more adjusted to the environment. 

i am adjusting, you want to argue, i’m trying my best. but your best is not enough when it comes to life and death. 

you know where your faults lie. slow to get to the answer, slow to move without thinking. even your muscle memory is slow—you feel like you’re always waiting for someone to tell you what to do, before you start doing it, just to make sure you’re not doing the wrong thing. 

it hurts your chest to think about it. you’d matched emergency medicine wide-eyed and excited. it’s hard to think about when you enjoyed the hustle and bustle, thought it was exhilarating to be in trauma rooms instead of terrifying, when you were excited to help people with their bad days and stopping them from getting any worse.

it’s you now that has the perpetual bad day. coated in embarrassment and anxiety, worried sick that you’re not doing good enough, that you’re going to be on the chopping block if you don’t get it together.

and then the rush of gurneys and yelling brings you back to the chaos of pittfest in an instant, and you think dealing with the triage patients’ burns and sutures is all the commotion you can handle for now. 

on your last day shift for the foreseeable future, you tell dana that you’ll see her at sign-offs tomorrow night. 

“you sure you’re doing okay, kid?” she asks, and you feel her concern like it’s something visible hanging in the air. 

you’re not doing okay. you don’t know the last time you felt okay. 

but you’re also not a nutcase. you don’t need any rumors at work that you’re not cut out for this—you don’t need to feel that burden weighing down on you, not on top of the others that are already there. you don’t think you could handle it, don’t think your own brain would let you process it. you might be close to giving up if that happens.

you snap out of it when dana repeats your name.

“i’m okay,” you lie, “just not sure about this sleep schedule. i need to set up my black-out curtains,” you say with a forced laugh, hoping she can’t see right through you. 

dana looks back at you a little quizzically, like she’s trying to figure out the real meaning behind your words, but she gets called away before she can finish her assessment.

“just let me know if you need something, okay?” 

“i will,” you lie again. it sucks—you don’t like lying to dana. she’s everyone’s work-mom and you know she actually cares.

maybe you don’t fully understand it yourself. you want to tell someone how you feel, but you don’t want to put your burden on her shoulders either, not when she already has so much going on, so much to worry about. 

it’d be unfair, you conclude as you head out for your walk to the bus-stop. 

it’d be unfair to put the task of helping you and listening to you and fixing you to someone else’s already long to-do list. 

and as you go to sleep that night, trying to stay up as late as you can to sleep in as much as you can, you think—and maybe hope a little bit too—that robby is right. maybe night shift is what you need.

𝜗ৎ

“she’s not doing that good,” robby admits, his eyes following you as you handle your triage sign-offs with parker. he turns back to jack. “she’s anxious. a little slow, but i’m not saying that-”

whatever robby is saying to him briefly fades into background noise. jack’s eyes go to where robby was looking—watching you for a moment.

he knows who you are. he knows your name, knows you’re an intern. he knows robby is mildly concerned about you, knows that he set you up in triage and chairs because you were having trouble with the trauma cases. 

jack knows that it’s not right—an intern needs to experience what it feels like to be in the thick of it. there’s no short-cuts when you become a second year and third year and beyond—you have to know how to conduct yourself. it’s a non-negotiable part of the residency program, it’s how their program creates competent residents and good doctors.

he follows you with his eyes again. you blink fast and play with your necklace while explaining the last of your cases. 

he knows you’re going through the pertinent history, the acute presentation, your assessment and treatment plans and what’s left to monitor for continuity of care.

it’s not what you’re saying. it’s how you say it. you look like your heart is racing, like someone’s about to cut your tether to the hospital if you say the wrong thing. like you’re waiting for someone to stop you and tell you that you’ve messed up.

even from the across the room he can tell something’s wrong. he feels something strange move around his brain and make its way into his chest. he dismisses it immediately—maybe it’s because he hadn’t noticed the issues you’ve been having himself. jack thinks he’s usually pretty good at that sort of thing.

when parker moves on to the next patient and cassie takes over, jack is still looking at you. your shoulders, which seem to be perpetually up by your ears, relax a little. you let go of your necklace and take a deep breath.

“jack?” robby’s voice says, and he doesn’t hear it until robby repeats himself.

“yeah?” jack answers, turning back to face robby. 

“so, what d’you think? does it sound like a good plan?”

“what plan?”

“have her come to night shift for a little while. show her the ropes. work her way back up. sounds good?”

honestly, jack can’t tell if it does sound good or not. on one hand, there’s less residents working on the night shift. there’s not as much cherry-picking, and everyone has to lend their hand equally. you would get to see everything you’ve been missing out on during the day shift. 

he’s sure that parker could guide you well. jack thinks for a moment that taking on another responsibility wouldn’t be a good idea, but watching your sullen expression as you finish sign outs, like you’re counting down the seconds until you can leave, he thinks it’d be better to get you help now, rather than delaying the inevitable.

jack almost snorts. he’s one to talk. 

he concludes that maybe this might be a good idea given that you’re only an intern and you still have so much to learn and you’re much too young to be stuck in this feeling forever. your sad expression lingers in his head even after you’ve walked back to the lockers.

maybe, just maybe, jack could help with that.

when he looks up at robby to respond, he’s half way across the room.

“thanks a lot, brother,” robby half-shouts, and this time, jack does groan. 

well after the day shift has left, he tries to think about the best plan of approach. he has to tell parker, obviously, since some of the responsibility will fall on her too. he’ll tell john the next time he sees him. 

he could start you slow. a step-up from chairs triage, starting with some urgent cases and working your way up. 

if too many people is the problem, you’ll be good as gold after a few shifts. he thinks about the rest of the plan, how he can get you started on incoming traumas and maybe if there’s something you can read to work on a step-by-step approach, if that’s where the issue lies—he doesn’t know since robby didn’t tell him anything else—but he gets distracted all at once.

your sad, pretty face hasn’t left his mind since robby pointed you out. jack can’t tell exactly why, but it feels unfair, almost. unfair to you that this is what you’re going through during your first year as a doctor. 

jack understands the nerves. he would expect you to be nervous, everyone is. it’s the fact that it’s not followed by excited. nervous and excited. 

nervous and excited and gaining confidence, all things you should be feeling. 

it’s the combination you have instead that worries him. nervous and anxious and sad and pensive. 

and well, if that’s what you’re going through, maybe he can help you after all.

𝜗ৎ

jack doesn’t know how much robby’s told you. he keeps it simple on your first shift of nights—tells you that you’ll be working on the remainder of the patients from the morning and then jumping on the most urgent of the chairs alongside parker until you feel (or he decides) that you’re ready to handle it solo. 

jack doesn’t know what he expects from you, if anything. 

it’s a colder night than usual, and you wear a cream-colored underscrub with the sleeves pulled over your hands. he notices a jacket on the chair behind you, baby pink. and just before he approached you, you set down a yellow water bottle.

but when he meets your eyes, the words go out the window. 

sad and pretty. you look at him with your full attention, like looking away would get you in trouble. you nod to everything he says, even though he knows you must be getting anxious at his words. you try to hide it well, but your hands—chewed nails, he notices—go to your necklace right away.

huh, jack thinks. so that’s your tell. 

and just before he leaves, heading out to finish up with robby’s patients from sign-outs, you speak to jack abbot for the first time.

“i’m sorry,” you say quietly. “sorry you have to do all this for me.” 

jack swallows. you’re incredibly beautiful, and almost devastatingly sad. how can he respond to that—he hasn’t done anything, not yet at least. he showed up for work like any other day. he gives you an assignment like he would any other resident. there’s nothing to be sorry about, but you still are, and he thinks that he really needs to understand why. 

jack dwells on it for half a heartbeat, trying to figure out what to say, but you smile—half heartedly—and turn around to go find your next patient.

oh no. 

𝜗ৎ

the night shift is, like robby had told you, a little better for you. it hasn’t even really slowed down yet, but there’s something about the environment that just feels a little more digestible to you.

maybe it’s those things that you were trying so hard to bury—how your feelings of incompetence increase even further when the 4th years on their rotations seem to move faster than you, seem to have the answer quicker than you. 

maybe it’s extra worse because when you were doing your audition here—you had been that student. ever-eager, trying to prove your worth to whichever resident you’d been assigned to that day. you went home and studied rosen’s emergency medicine textbook and listened to case-report podcasts on your commute to the hospital. you answered questions quickly and you didn’t let it show when you got tired and you did everything right, just to end up worse than when you started.

you can’t wrap your head around it. there’s something deeper going on with you—bubbling beneath the surface of your skin, trying hard to rip through and make its way out. you’ve been suppressing it ever since that night, watching how everyone around you made their way back to normal, wondering why you’re the only one that’s lagging behind. 

or maybe they’re not back to normal. but it’s obvious to you that everyone is better at hiding it than you are. 

case in point—you’re the only one that robby shipped off to the night shift. 

you guess you need to earn your stripes back. the first mission towards that goal is convincing jack abbot that you’re not a complete dud. 

maybe the thing that’s been setting you off so much lately is that you have no idea what’s going to come in from those two doors. you can distinctly remember a few short months ago where that feeling was exciting, almost exhilarating. you were seeing something new every single day, the pages of your textbooks coming alive in patients that you finally got to treat, instead of waiting and watching and observing. 

that’s why working out of chairs feels so much safer. the list is endless—sprains and allergic reactions and lots of sutures. it was, at the very least, predictable. 

you smile at your patient—a little girl who was playing with scissors instead of finishing a school project, despite, you’re sure, the many times her mom told her to not do that. mom is heavily pregnant and watches you suture her hand, near tears herself even though the little girl is taking it like a champ. 

“all done,” you hum, wondering if you can go find a lollipop somewhere for her. “you did great.” 

you look up at mom, offering her a tissue for her tears before explaining the rest of the steps. you’re about to find the written suture care instructions just incase, when parker pokes her head in.

“incoming, five minutes. we’re up. meet you out there.” she’s gone before you can even say anything. you spend two of those five minutes making sure the mom gets the instruction paper she needs, and then you walk towards the ambulance bay.

parker is already gowned and gloved up, and dr. abbot is pulling the yellow material on, and you can even faintly make out the outline of his arms under it. 

standing there, it hits you all at once. your feet feel frozen to the ground. the ambulance is maybe sixty seconds away, and you can hear the sirens, and in the craziness of the day shift, the noise didn’t stand out as much as it does now. 

it almost sounds multiplied. like there’s a dozen sirens going off. you can’t fathom that your brain is making it up, so there must be some sort of crazy trauma with tons of patients and absolutely no time for you to shut down. you can almost hear it—the noise will fill the space soon. screaming and crying and that sound that tires make when the person driving slams the brakes too fast.

you are not ready for that. you thought dr. abbot said something about working your way up, slowly, that you’d deal with the lower tier cases before jumping back into incoming traumas. maybe you’d misheard him—you’d felt so embarrassed that he even had to have this conversation with you to begin with, and he was looking at you so earnestly.

he was probably wondering what was wrong with you. you’re asking yourself that question every day.

dr. abbot takes a few steps towards you, and for some reason, you take a step backwards. as if the extra foot of space would protect you from what’s about to happen. 

the part of your brain that’s always reminding you about how you need to get it together has momentarily gone silent. where is it, when you really need it, like right now? the part that reminds you that you’ve done this before and that this used to be something that excited you and that the person coming in that ambulance is counting on you to help save their life? where did it go?

you don’t know how you must look to him. a mess, probably. appearing like way more work than he signed up for. you should apologize again, maybe, like that might help your situation. you are on his night-shift for the foreseeable future. 

“um, dr. abbot, i-” your heart is pounding in your chest.

“that’s okay,” he says, taking a step closer, shrinking the space between the two of you. the sound of the siren gets louder and louder—

but he’s not very far from you. looking up at him, you see hazel eyes that are focused on you. his hair is actually curly—you hadn’t noticed before.

“i-i thought that-”

“you’re fine, kid. you’re not jumping on any traumas until you’re ready. why don’t you go find bridget and get started on something to present to dr. ellis?” 

your relief must be visible to him—your shoulders sink down, your heart slows down a little, and you blink like you’ve just been rebooted. 

“okay,” you start. “i’m sorry, i-”

“stop apologizing,” jack says, walking towards parker, towards the trauma, snapping gloves over his hands. he stops for a moment. “take a deep breath. come find me if you need me.” 

“okay. i will.” 

it’s like your feet need a minute to thaw before you can move. you stand there, processing what dr. abbot just said and your own feelings and why you locked up at the very sound of an incoming trauma for a little longer, as if you won’t spend the rest of your shift and all night and all day tomorrow thinking about it.

and you don’t catch it—but jack looks back at you before he steps outside. stuck for a moment, your fingers going to your necklace, before you turn around. and he turns around too.

𝜗ৎ

your next patient is a man who just flew back from england earlier today. his calf aches and his chest hurts. he tells you how he’s been worried sick since he got back home, and he’s never usually like that.

must be nice, you think, scrambling to find parker once her and dr. abbot leave the trauma room. their patient is going up to surgery and you see dr. walsh in the room.

you feel better once parker’s in the room with you, and then you think about how messed up that is. you should feel perfectly confident with or without someone beside you. you shouldn’t require a babysitter, and maybe you need to make your next goal figuring out how to gain some of that confidence back, but—

“so, walk me through it. what’s next?” parker asks, her gaze going towards the monitor to evaluate his stats.

“dopper ultrasound of the lower extremity. uh, CTPA, order a d-dimer. monitor stats to see if we need supplemental oxygen.”

“good. and?” she asks, and you blank for a moment.

“and?” you repeat. you don’t know why your brain does this. hurry up, you think, he could die while you’re waiting to figure out what else he needs. “and, um-” 

through the glass, you see dr. abbot walking by. he glances in, locking eyes with you for a second, and then he walks away, like he’s not worried about what’s happening in the room. 

“and we start him on anticoagulants after the imaging.”

“good,” parker says, nodding. she explains the next steps to the patient, and one of the night-shift nurses whose name you don’t know yet gets the bedside ultrasound ready. “hm.. let’s see. how about virchow’s triad?”

you shake the ultrasound gel bottle and warn the patient that it’s a little cold. 

“venous stasis, hypercoagulability, and endothelial injury.” 

“good job,” she states, and you appreciate the comment, just because it’s been a while since you’ve heard it. while you work the probe up, she monitors the screen with you. “now, what are we looking for?”

“a darkened area, where the veins don’t compress. no flow on the doppler.”

“uh-huh. bingo. see that?” 

“yeah,” you breathe. “i do.”

it’s a small thing, but handling the case with parker feels good. you’d already been taught times to never assume what the diagnosis is, even if everything is pointing in that direction. coming up with the answer—the correct answer—feels good. 

there’s nothing wrong with wrapping up ankles and stitching up lacs. but you feel a step closer to whatever goal it is that you’re trying to achieve.

the patient heads off to get a ct scan and you and parker go back out to find the next case. 

while you walk back to central, she brings it up. it’s inevitable, and you should have thought ahead.

“so…” she starts, and you swallow. “i didn’t know about the thing with the incoming traumas.”

“i, um,” you blink, heart rate increasing again. you feel your hand going to your pendant, moving it around your fingers. “i’m working on it.”

“that’s okay,” parker says, reassuringly. “well, you did great in there.”

“thank you,” you breathe. “i’m not sure what they told you-”

“don’t worry. abbot told me afterwards. no traumas until you’re ready, i got it.”

“he said that?” 

“you can ask him yourself,” parker says, her eyes going to somewhere behind you. you turn around to see dr. abbot walking towards the two of you. 

“how’s the patient?” he asks, though he’s looking at you. 

“good. um, he’s up in ct right now. we’ll start anticoagulants once we get the results. he was stable, though.” 

“good, good. who’s next?” 

“working on that right now,” parker replies. she turns to you next. “i’ll come find you.”

you nod, turning back to face dr. abbot. your eyes go to his badge for a moment, clipped to the pocket on his scrub top. jack. it’s hard to think of him like that when he’s only ever been dr. abbot to you, the shoulders you see from behind swaying as he shifts his weight from leg to leg, talking to robby at seven pm or the camo backpack walking out at seven am. 

you zone out for a moment, but dr. abbot snaps you back into it.

“you doin’ okay so far, kid?” 

you wish you weren’t the person that everyone had to ask that question to. the embarrassment alone is enough to make you want to work even harder to get back to day shift, to get back to the level you were at before.

“i’m okay,” you respond after a pause. your heart rate hasn’t slowed down. “i, i-i’m sorry about earlier. i don’t know why-”

“i told you to stop apologizing,” jack repeats, and it comes out a little sterner than he wanted. but it gets your attention. you look up at him, blinking quickly. 

“dr. abbot-”

“these things don't change overnight. you…you can’t expect yourself to get back to normal in a day.”

you go quiet, contemplating his words. without even meaning to, you feel your waterline brim with hot tears. 

“i feel like everyone else did,” you admit quietly. “i’m so behind. i feel like i’ll never catch up.”

you take a deep breath, and then you widen your eyes. these are things that you’ve never even admitted to yourself, never given your brain enough time to mull and mope on. and now they’re pouring out in front of your attending, a man you’ve had maybe three conversations with, most of which were today. 

“i’m so-”

“stop,” dr. abbot says firmly. “no apologies. you’re not behind in anything. thinking like that is only going to make you feel worse. you don’t have to say anything, just nod if you understand.” 

you feel your head nodding before you even realize you’re doing it.

“before you leave night shift, you’ll be caught up in whatever you feel like you’re behind in. okay?” you nod again. “good. i’m sure dr. ellis has a case for you, if you’re ready.” 

you release a breath you didn’t realize you were holding in. your hands fall to your side. your heart slows down a little. you start walking towards parker but then you pause, turning back again.

“dr. abbot?” 

“yeah, kid?”

“thank you.” 

you smile at him again—that quick half-smile, and you’re gone before he can even try to stare. 

𝜗ৎ

your first night shift is, overall, a success. you don’t jump on any crazy incoming traumas, though you help treat a man who took a spill down some stairs around midnight that came in via ambulance. you mostly attend to the rest of the people in chairs, switching off between the lacs and dislocations to the more urgent cases as they come in. 

it’s almost four before you know it—and during one of the lulls, you go to the empty break room and make yourself a cup of tea. you try to get as much of your charting done before you see the next person and before your tea gets cold—the longer it takes you, the longer dr. abbot has to wait before he can review them, and the longer he has to stay after the shift ends.

you started yawning because you don’t think your body has adjusted yet, or even will adjust for the next few weeks. mid-yawn, stretching your arms, you had looked around and saw that dr. abbot was already looking in your direction. 

you turned quickly and went back to the charts. god knows you’ve already embarrassed yourself in front of him enough today.

despite whatever you think and assume, it seems like he can almost read your mind. you start feeling anxious when you notice everyone coming in for the day shift, going to the lockers and preparing to come back out. 

it’s your first time doing sign-offs for night shift. it’s clear to you that everyone knows there’s something wrong with you, and that’s why you made the switch. even if they don’t know, they’re about to find out. 

but before you can think too much about it, dr. abbot comes up to you. it’s quick, just in passing before he goes to robby, no doubt to tell him how you did. 

you feel doubly embarrassed that you’re even a topic of conversation for your two attendings.

jack abbot tells you you did great, kid. see you tonight, and walks towards robby. and the hand that was coming to play with your necklace falls to your side. when you do sign-offs, you forget to be nervous. 

for once, you think you had a some-what decent shift. and you know what, or rather who, is responsible for that.

but this is just one shift. you have a lifetime of them ahead of you. you need to take it day by day, hope for progress with each passing one. 

(when you go home and shower and then crawl into bed, with your gray curtains completely shut, despite the fact that light pours through regardless, and a sleep mask that you bought during medical school, you think, for the first time in ages, that you’re not dreading going to work tomorrow. it’s not dread. it’s not excitement either. it’s something in between, something that makes you want to get up in the afternoon because you know what’s waiting for you in the evening. or rather—who is waiting for you in the evening. someone kind and patient and who understands you without needing to say anything at all. and then, you fall asleep.)

𝜗ৎ

you’re back under the fluorescent lighting of the hospital before you know it. you elected to leave your house early today—you couldn’t sleep past two and you had time to do everything you wanted and then some. 

you made yourself a big lunch. you tidied up your apartment, put in a load of laundry. you paid bills and scheduled a dentist appointment that you can actually go to now. even with all of that, you still had enough time to leave early and buy yourself an iced chai before your shift.

you take sips of it while working on your charts once you find a moment to sit down. it’s mostly melted ice and milk now, but still, you’ll take any caffeine you can get. 

you’re mid-yawn, covering your mouth when he walks over and stands behind the computer screen. 

“oh,” you say, putting your hand down. “sorry, dr. abbot.”

“what did i say about apologizing to me?” his voice is gruff, but he has a teasing lilt to it. 

you wonder if he talks to all his residents like this.

“sorry,” you say inadvertently, and then you freeze, realizing what you did. “you know what i mean.”

and then dr. abbot laughs.

you can’t help the smile that takes over your face. his laugh seems contagious to you, and you start laughing before you can help it.

staring at his smile, you realize that you can’t remember the last time you had laughed in the hospital. it always felt like there just wasn’t any time during the day, with so many people to take care of, with so many conversations happening that you didn’t realize where you could even fit in.

it doesn’t really feel that way now.

“so,” dr. abbot starts, and you focus all your attention on him. 

you wonder if he’s going to want to talk about it—your freeze-ups and whatever blanks robby didn’t fill in for him. he must be curious, at least, why you needed the change so quickly, so out of nowhere. at least, that’s what you think, because surely, you’d be curious too if someone—

“-how’d you sleep last night?” 

you stare at him. the thoughts circling your brain shut up mid-sentence. 

“um, good?” you answer, tentative. as if you could possibly be giving him the wrong answer. “how about you?” you ask, brightening up a little, pleased that you can have a real conversation not only about a patient with someone at work.

“uh, fine,” he answers, his eyebrows furrowed like he’s a little confused. “i just meant, i know the first shift on nights is hard. hard to fall asleep during the day.”

“oh.” you want to smack your ipad against your forehead. “oh, yeah, definitely. i mean it was hard, but it was fine. i fell asleep eventually. and then i-i woke up and i couldn’t go back to sleep. so i left early to-” 

your eyes flick down towards your melty chai. the plastic cup’s left a ring of condensation on the station where you were typing up your notes. dana would have your ass if she saw water on the counter—

jeez. your mind is bouncing around at a mile a minute. what were you even talking about?

you look at dr. abbot blankly, and he looks like he’s suppressing a laugh, like your behavior is entirely amusing to him. 

“-i’m gonna… stop talking now.” stupid. stupid stupid stupid. you have one coworker who kind of gets you and he happens to be your new attending and you can’t stop looking like a fool in front of him and he’s staring at you with these hazel eyes—

“don’t stop on my account,” he laughs with a quiet laugh, and you feel your face burn. but you can tell he’s not laughing at you, something you’ve forced yourself be able to discern quickly. he’s laughing with you, or rather because of you. “i’ll, uh, let you finish your charts.”

“thank you,” you reply, a little too quickly. you just need a moment alone, maybe, like that could fix the things that are wrong with you. “sor-” you close your mouth before the word can come out. 

the look that dr. abbot gives you is a new one. you’ve seen a couple so far, notably the one by the ambulance bay and the one at sign-offs this morning.

this one is almost approving. like he’s pleased you’re listening to what he says. pleased that you’re doing what he tells you.

“try the black-out shades. those are really helpful.”

“oh, really? i-i will,” you lie between your teeth. the black-out curtains you ordered are sitting in a discombobulated mess by your window. you had tried putting them up for all of fifteen minutes before giving up and going to bed with your quilt pulled over your head. 

“yeah. i can’t sleep without ‘em.” 

“good. that’s good. i will,” you get out before he walks away. you release a breath and finish the rest of your chai before throwing it away.

𝜗ৎ

your shift is going just like the one from yesterday. maybe even slightly better—now that your apparent inabilities have already been broadcasted to the team, you don’t have to explain yourself or try to work up some twisted excuse as to why you can’t assist on traumas.

you take care of three fractures—two scaphoids and one pinky toe. you suture up a few different lacs and correctly diagnose a hot appy which gets sent up to surgery.

and right now you’re with a mrs. wilson, a sweet older woman who fell at her house. her daughter drove her in and you take her back almost immediately, getting her a ct and waiting for her bloodwork.

she’s got a small cut on her forehead from the spill that you’re using dermabond to repair when parker stops by.

“what’d we got here?” she asks you, and you rattle off the case information. “do you use a blood thinner, ma’am?”

“i never forget to take my eliquis,” she responds, and you smile brightly at her.

“that’s great, mrs. wilson.” you turn to parker. “her daughter just ran to get a coffee. uh, history checks out, head ct’s negative. labs are all normal. she’s on an anti-hypertensive. i think it was orthostatic.”

“agreed. what’s next?”

“-what’s next is that you need to get me that gentleman’s phone number,” mrs. wilson interjects. she’s staring past the open curtain towards central, and you move your eyes almost involuntarily to see what—or rather who—she’s looking at. 

you blink quickly. your mouth feels a little dry.

parker turns to look too, turning back with a laugh. 

“that’s our attending,” she says. “i’m sure he’ll be around to check on you shortly.”

“no, dear, i need his phone number-” she starts again, locking eyes with you. “unless, of course, he’s married-” 

you blink faster.

oh my god. mrs. wilson has just made you realize that you’re a complete idiot. 

you turn your head again to stare at him, waiting five seconds before he picks up an ipad with his left hand. dr. abbot has a black wedding ring that he’s been wearing this entire time. and here you are, staring at him and falling asleep thinking about him and looking forward to the night shift because he’s making your life somewhat easier, easier than it’s felt in months and months, and—

“i-i’m so sorry, mrs. wilson,” you stammer, a little too quickly. you can feel parker’s eyes move to you. “i think is he married.” 

the news seems like a hit to the both of you.

“aw,” she starts. “my daughter. she’s divorced. i’ve been trying to set her up for months, but, well, all the good ones are always taken, y’know, i told her—”

“actually,” parker says quietly. “he’s not. but, mrs. wilson, right now, we need to focus on your-”

your eyes go a little wide. it takes all your strength and willpower not to zone out again while parker discusses the next steps in patient care with mrs. wilson. 

her daughter comes back with that cup of coffee while you explain how to take care of the wound at home. and you hate yourself—hate—because you find yourself looking at her, groaning internally because she’s very pretty and very nice to you. 

and you file away the new information you’ve learned to a small, hidden part of your brain. dr. abbot is not married, but he wears a wedding band anyways. and then you go see your next patient.

𝜗ৎ

you think you’re beginning to find a rhythm. it’s hard, but with each passing day, it feels like it’s getting easier. 

(you bury thoughts of your attending deep inside your head and then you close the door and lock it up with chains, placing a mental do not open sign in front of it. it might be working.)

your focus should be on your medical education. you’re almost positive that’s the only thing dr. abbot is concerned with, anyways. 

at least, you think that’s the only thing he’s concerned with.

you groan as bridget hands you the ipad detailing the information of the next case. fifty-three year old man, chief complaint of priapism. 

“really?” you sigh, and she shoots you a sympathetic look. 

you think you’ve been doing better. you haven’t worked up to the level of severe incoming traumas just yet, and you know you’d be useless if there was a few back to back, but you’re trying your best for now. the night shift doesn’t have as many of those incidents as the day shift, so you’ve begun collecting back your confidence in bits and pieces.

this doesn’t phase you. you celebrate the small victory, that you can handle the urgent chairs cases alone, that you’re not stuck in that familiar pattern you had been only a short week ago. 

(you try not to dwell on the reason why you’ve escaped the pattern.)

your only concern for the patient you’re about to see is what he’s taken and how much he took. you know the procedure, having assisted once with cassie, what seems like forever ago. the order is nerve block, aspiration, irrigation, and then injection.

you’re thinking about where you saw john last. you’ll have to report to him and then both of you will have to do the procedure. you’re going to have to track him down—it’s getting to that part of the night where he’s on the hunt for a snack, once his coffee runs out.

you pull back the curtain and smile politely at your patient.

that might have been your first mistake. you introduce yourself, and while you confirm his name and date of birth, the only thing you can think is sleazy. this guy looks sleazy.

there’s a reason why he’s in the emergency room with priapism at two in the morning, and you don’t think you want to know why, though you’re about to find out.

and a little while later, across the room, jack is looking for you. it’s become his latest bad habit—he likes to have eyes on you, like he’s worried you’ll slip away if he’s not careful enough. 

(he does need to be careful, he thinks. it’s been a week of watching you get more and more comfortable around him. a week of watching you take on new, different cases and do your sign-offs without seeming frightened of the task. it’s been a good feeling. maybe, too much of a good feeling—)

“bridget?” he asks, approaching central. “have you seen my intern?”

his intern. the word comes out like a freudian slip. it’s supposed to be the intern. 

if she notices, she doesn’t say anything. though, jack thinks she’s looking at him a bit more oddly than usual. 

“priapism in bed ten,” bridget says. “i think she’s getting the history before—oh, speak of the devil.” 

he turns around and you’re approaching him.

whatever part of jack abbot understands you, whatever’s inside of him that always seem to know what’s going on with you and how to fix it, and whatever compels him to care so much about you even though you’ve only been here for a short while, gets triggered on high alert when he sees your expression.

he doesn’t even say thanks to bridget before walking up to you, meeting you half-way. 

you look uncomfortable. and jack has never seen you look like this before. it’s written all over your face and your body language. you don’t touch your necklace like when you’re anxious. no, you’re wringing your hands, rubbing your arms like you’re reminding yourself they’re still there.

“what’s the matter, kid?” he asks, and you look incredibly apologetic. he wishes you wouldn’t look at him like that. it makes him want to take care of you forever. 

whatever precautions he was thinking about taking because maybe he’s getting a little too worried about you and a little too pleased with your progress goes out the window.

“um, i need help with my patient,” you start. “i’m sorry, i-i-”

jack is too much in his head about you. his hand hovers over your back, leading you to an empty corner against a wall. it doesn’t look all that professional, though there’s barely any eyes that are paying attention to the two of you. 

he’s got a patient up in ct he’s waiting on for results. two people to discharge. and john is out there manning the front lines by himself for a few minutes.

but nothing else seems to matter when you need his help. 

“what’s wrong?” he repeats, and something in his chest starts to churn uncomfortably. like a hand squeezing his heart at the speed that yours must be going right now, undoubtedly. 

he wishes he could pick up your hand and feel your pulse, but he can’t. he knows he can’t. his fingers still twitch at the thought, though.

“um, my priapism patient is being really creepy. i-i don’t feel uncomfortable going back unless you come with me, maybe? or-or john. i know you’re busy, i-”

“what did he say?”

“um, dr. abbot-”

“what did he say?” 

your eyes go a little big. 

“he said something about… he’ll stay awake for the procedure if it’s me doing it, and…”

“and?” jack is beginning to see red.

“-and he won’t need the procedure if i would just help him out-”  

jack has always been pretty decent at handling his temper, especially in the hospital. people are scared, people are frightened, people are worried about their life and limb and say things they don’t always mean. he keeps it under check because he knows better.

most of the time. 

his hand turns into a fist while he’s talking to you. your eyes flick towards it before you go back to meeting his gaze. 

“dr. abbot?” you say quietly, blinking fast. 

“why don’t you go find bridget and find a new case to work on?” jack sounds surprisingly calm. 

you should have expected it—of course, he’s calm. he’s your attending, after all, all-knowing and knows how to keep his cool in a situation like this much better than you do.

you couldn’t even handle it yourself. you ran to get help as soon as you felt uncomfortable. a different intern might have been able to handle it. you’re not sure how exactly, but you know someone else could have figured it out, someone smarter than you. a different intern might not have needed help—

“are you sure, i-”

“i’m sure, kid. go ahead.” dr. abbot pauses for a moment, like he’s assessing you too. you want to shirk under his gaze. “if you need a break you can go sit down for a little-”

“no,” you interrupt, fiddling with your necklace, “i don’t need a break.”

you do need a break. that guy was so, so creepy. you need to go sit down and watch videos of cats playing with yarn and eat something before you can go see someone else. but that’s not how this job works, you don’t just get a break because—

“why don’t you go find a protein bar and i’ll come get you?”

“no, dr. abbot, i-”

“find something to eat. break room,” he says, and you want to protest, feel the words almost coming out, but before you can, “-now.” 

he walks away, leaving you in the corner, blinking stupidly at his back as you watch him go. you don’t know what it is—it seems like he can just read your mind, like your thoughts are out on display for him all the time. 

you don’t think you like it. 

you decide to be a good intern and listen to your attending. 

you head to the break room and nibble on a granola bar that’s been in your jacket pocket for god knows how long. you pick up your yellow mug with the intention of making a cup of coffee, but you can’t stop pacing.

you just need to work on getting faster. thinking quicker on your feet. if you could figure out what to say, instead of freezing up and running away, you could probably solve half of your problems yourself, without needing help.

and you can’t stop thinking about what dr. abbot said.

not even exactly what he said, but more of how he said it. like he wants you to listen to him, like he’s not going to let up until you do. like you deserve snack breaks and time to sit down and recollect your thoughts after a bad encounter. 

you don’t deserve that. a better intern wouldn’t need those things. a better intern would be out running head first into traumas, coming up with miraculous saves and not being too scared to answer questions and not feel their heart rate spiking every time they’re too close to the ambulance bay.

because on the night of the pittfest shooting, that had been where you—

“hey,” bridget says, and you look up quickly, snapped out of your thoughts. “i got a midnight fall two minutes away, and i can’t find anyone. are you—?” 

“yes,” you reply, setting your empty mug down onto the table a little too hard. “i’ll be right there.”

you leave it as it is, shoving the granola bar back into your pocket. you forget for a moment that dr. abbot told you to stay put, but you certainly can’t ignore the patient to follow his instructions.

(something inside of you feels uncomfortable at the idea of not complying, though.)

you walk by the closed curtain where the creepy patient was currently residing. you can make out two pairs of shoes, one being dr. abbot and the other being john, you assume, and the sounds coming from behind the curtain almost make you stop in your tracks. 

your mind wants to dwell on it for a little longer, but luckily, this time you don’t have a choice but to focus on your new patient, who is also fifty-three and tripped on a dog toy, courtesy of his new puppy, while trying to open the door to let her out. 

you’re pleased with yourself at being able to run through the entire thing with a few watchful eyes. bridget leaves to find parker while you order your head ct and x-rays, though you don’t think there’s anything serious going on. 

the thoughts are momentarily subsided—like each achievement can temporarily ease the burden they leave on your brain. the constant voice echoing that reminds you of how you should be doing better stays quiet while the patient smiles at you and thanks you for your help. 

and you even end up eating the other half of your granola bar a little later, sitting at your station and working on notes until you’re needed next. you drink water to distract yourself from your tiredness, being thrown off your usual routine today. 

john ends up finding you first. 

“well,” he says, leaning on the other side of the counter. he buries his head in his hands for a moment and then stretches. “that was fun.”

“i heard,” you reply, pausing and taking a breath. “i, um, i’m sorry that i didn’t-”

“no biggie,” he interrupts, before you can finish the entire apology. “that guy was a weirdo. better me than you.”

you swallow uncomfortably. 

“thank you.”

“i only have abbot to thank. he said we’re going to conveniently lower his pain meds and i said i was extremely in-”

you laugh, and then feel bad for doing so. while you try to come to terms with what john just told you, your head feels like it’s ringing a little bit. he didn’t have to do that, you think, feeling guilty about the patient’s pain. and then you remember the slimy way he’d spoken to you and suddenly you want to find jack abbot and give him a—

“so, you hold down the fort for us?” john asks, rustling through one of the drawers until he finds what he’s looking for—a packet of poptarts. 

“uh, i tried,” you say with a small smile. “incoming who tripped over his dog’s toy. i think it’s a broken tailbone. dr. ellis is waiting on the ct, and then i thought i’d catch up on my charts, so..”

“yeah, good idea. don’t wanna leave those until seven. abbot will-”

“i will, what?” you turn your head to look at where his voice came from, but you falter as  soon as you see it.

your yellow mug. in your attending’s hands.

if john’s confused, he doesn’t say anything. they keep talking and you hear laughter, see dr. abbot’s smile as he jokes around with john. your head feels like it’s ringing even louder, if possible. 

well, it’s not like you’d announced it was your mug, or anything. people in the hospital share stuff like that all the time. there’s other communal mugs too, you’ve seen them. you just usually keep it tucked away, but you left it on that table, and maybe he thought—

dr. abbot turns towards you and he puts the mug down next to your keyboard. you stare at his freckled forearm for a moment too long.

“i thought i told you to take a break,” he says, and your mind goes empty.

your gaze flicks between the cup of coffee, that somehow looks exactly like the cup you make every night, and your attending, who is staring at you.

“i…i did take a break,” you finally get out, quietly. you finally tear your eyes away from your mug to look at him.

dr. abbot has incredibly pretty hazel eyes.

“it’s okay if you need a moment. that would have been a lot for anyone.”

“i… yeah, i guess so.” 

he shakes his head, blinking at you. 

“not a guess. i know it was. did you eat something, at least?”

“yes,” you answer, suddenly breathless. “but there was just a patient, so i-”

“yeah,” john pipes up, and the two of you break the seemingly endless, prolonged eye contact. oh my god, you think. john’s been there the whole time, watching as you gape like an idiot. “parker’s with the slip and fall now. and young padawan here handled it all by herself.”

you feel like your chest is going to explode from the emotions swarming around inside. dr. abbot smiles at you, meeting your eyes again—

“good job, kid. drink your coffee.” 

“thanks, dr. abbot.” 

he walks away, towards the trauma room where parker is. you have to force yourself to remember that he’s your attending, not just some guy who’s been sweet to you for the hell of it. his whole job is making you better at this. your chest still feels warm and fuzzy and you have to ground yourself, worried you’d float away with your thoughts if you don’t.

his job is to check on you, all of you. you’re not special just because—

“huh,” john says, peering over the counter and at the yellow mug resting by your hands. “he’s never made me coffee before.”

the coffee becomes a regular occurrence. each shift, around a quarter past one, your mug is delivered to you by your attending, no matter where you might be at the moment.

he leaves it at the desk where you type your notes. he hands it to you when you’re coming out from behind a curtain, telling you to sit down and drink it before it gets cold.

and before you can reply, almost as soon as thank you leaves your mouth, he’s off, walking in the other direction and going to help someone else.

parker and john have noticed. they’d be idiots not to. (one thing you know for certain is that you are the only idiot on the night shift.)

you try to brush it off mentally, almost like if you admitted it, if you said it out loud or even thought about it for too long, the walls would come crashing in around you. 

you have so much on your plate as it is. you’ve just started getting better at this, having a better grip on your emotions, not spiraling every time you don’t know the answer to a question or getting nervous when someone looks at you for instructions.

you push it aside and decide it’s because you feel comfortable with your coworkers. not that you hadn’t before—but the fear of failure was so much more jarring with the day shift. the night shift seems decidedly more calm. there’s less people, so less opportunities to embarrass yourself. everyone’s been nothing but kind so far. 

you feel supported and encouraged. and when dr. abbot tells you that you’ve done a good job you feel every nerve in your body tingle with joy. and when you drink the coffee he made you, it tastes better than any cup you’ve ever made yourself. 

you used to have a countdown until your next day off, mentally ticking off the shifts, waiting for minutes and seconds to pass until you had a day of freedom, but now—

whatever jack abbot has done to you, it makes you want to work every day of the week. 

and much to your displeasure, that’s not how the schedule works.

𝜗ৎ

when jack comes in at six forty-five, he thinks it’s a little weird. something feels off. parker shows up at six-fifty. shen at seven on the dot with his iced coffee.

and you are usually here at six-forty, five minutes before him. you’ve usually put your jacket on that chair you always sit at and have your ridiculously bright water bottle perched under the counter, waiting to be pulled out when you start your midnight charting session. 

his eyes linger on your empty seat during sign-offs. he thinks he’s not being very obvious, until—

“even interns have days off, you know,” parker says, and john nods in agreement. jack hears the familiar noise of ice moving as john shakes his drink.

“actually, two. tonight and tomorrow night. golden weekend for the intern,” he replies, shaking his head. “where was mine when-”

parker and john continue chatting, but it fades into background noise. he doesn’t even realize they’re poking fun at him, that it must be obvious that he’s searching for you, even on your day off.

he’s your attending. he should really know about things like that. but you hadn’t brought it up last night, not even when he’d brought you your usual cup at two in the morning, right when he goes to get another cup of coffee—a little behind schedule this time. 

you had smiled at him. sleepy. tired. thanked him sweetly like you always do.

you’d made sure all your notes were submitted and reviewed before seven, regardless of how much you yawn while finishing them. 

and you are currently out celebrating your first few days off since you’ve started the night shift. you must be happy, he thinks, with two nights off in a row, and that too on a weekend. you must be celebrating all the small victories you’ve achieved, all the patients you’ve saved. he’d make you celebrate double for every patient you helped that came in on an ambulance, because even though the two of you haven’t talked about, it’s clear as day to him that—

you’re celebrating right now. and he feels oddly unhappy about it, because he’s not there with you. 

and a few hours later, his head perks up at bridget, telling him to get ready for an incoming. female, twenties, alcohol poisoning. not very far from here, that bar just a few blocks away.

and by the time jack walks up with parker, the ambulance is already there, unloading the patient. he’s just pulling on his gloves, about to ask what do we got? when he hears it—

your voice.

his stomach drops. his feet move even faster, and then he braces himself, getting ready to see you on the gurney.

“you can’t escape this place, can you?” parker shouts, over the blare of the sirens. you take the paramedic’s hand to help you get off the rig. 

“i guess not. gcs nine, i think. sorry, i had a couple drinks too,” you say apologetically, like you should be chastised for drinking on your day off, as if you should have been aware this would happen. 

for a moment, you look back at the ambulance, blinking fast, chewing on your cheek, rubbing your arms. jack almost misses your expression—but he’s relieved you didn’t catch him staring at you again. all your attention focuses onto your friend once you walk into the hospital.

the girl on the gurney looks delirious and tired. her head is rolled to the side and jack’s almost positive her eyes are closed. 

“so this is where you work?” another voice pipes up from behind you. another girl, someone your age, he assumes, walks behind you, staring around. when her eyes go towards the fluorescent lights, she winces and looks down. “jeez. that’s bright.”

jack’s first question in these cases is always how much did she have? and he looks up at you to get the answer—you’re still saying something to parker, filling her in on whatever happened on the rig—and then he locks eyes with you.

parker’s placing orders and setting up fluids when jack realizes he shouldn’t have done that. it’s the first time he’s ever seen you out of scrubs, and he can’t stop staring.

your hair is done up all pretty, a little mussed up from all the commotion. your eyelids are glittery and your lips are shiny. you’re wearing a short skirt and he realizes he’s never seen the skin of your thighs before—

his eyes go up, following your exposed thighs to the skirt that’s going to plague him, all the way up past your shirt, to your fingers that are playing with your necklace. and then you two lock eyes again. 

“i don’t know how much she took,” you say, chewing your cheek, like you want to say i’m sorry, but you know better. “we turned around for five minutes and she was downing shots-”

“that’s okay, kid-”

“well, i didn’t think she’d take all of the shots,” your other friend interjects, covering the light with her hand to protect her eyes. “we were supposed to be celebrating you, not her-”

“it’s okay-”

“it is so not okay,” your friend argues, and he feels an overwhelming amount of gratitude for her. 

because it’s not okay. 

it’s one of your two days off during the chaos of your intern year. you work the night shift now, which means you can’t just go out for drinks with friends anymore, because your schedule doesn’t work like that. 

and from everything he knows about you, he knows you don’t do things like this very much anyways, even when you were on days. he shouldn’t be annoyed, but he is, annoyed that your golden weekend was ruined. annoyed that you somehow ended up back in the hospital. annoyed that—

well, he’s not annoyed about that part. the fact that he gets to see you after he spent most of the last four hours grumbling internally about how you weren’t there certainly doesn’t hurt. 

the outfit you’re wearing—he can’t dream of being annoyed by that. the way you squeeze your friend’s hand and keep checking her vitals even though she ruined your night out. the way your other hand doesn’t leave your necklace.

all things he can’t be annoyed about.

bridget pokes her head in. 

“thought that was you,” she says, and you look towards her, turning your worried expression into a smile quickly. 

“what can i say? can’t go a night without my favorite charge nurse.” you stay smiling but shift on your feet, on what he assumes are uncomfortable, pretty shoes. 

“oh, i’m gonna tell dana you said that.” bridget’s eyes glances towards your friend, and then towards jack. he’s still staring. “you want me to bring you some scrubs?” she asks, facing you again.

“oh, no, that’s okay. we’ll just wait in here until she wakes up. thank you, though.” you turn towards your friend again.

and jack doesn’t need anyone to tell him that you’re nervous. that you feel bad. that you’re embarrassed that you’re here, that you couldn’t take care of your friend. 

“sure,” bridget replies, and then she looks at jack again. there’s something in her expression he can’t quite understand. “got another one pulling up in three minutes. let me know if you need anything.”

“sure. i’m coming,” jack says, though he wishes, momentarily, that he didn’t have to leave the room. he walks around the bed, next to where you are, and your eyes stay on him. “she’ll be fine, kid. you did everything right. and i’m not sure how much closer you can get to handling an incoming trauma than that, so-”

you interrupt him with a laugh and a smile. a winning combination in his eyes.

“thank you,” you say quietly. 

“we’ll be back after to check on her. you should get some rest if you can.”

“yeah,” you reply. “i’ll try.”

your eyes turn back to your friend, and he slides the door to step out, and just as he’s about to close it, he hears it—

“so,” your friend starts quietly, still shielding her eyes. “which one is jack?”

“oh my god, shh-”

he smiles the entire way to the ambulance bay.

by the time he makes his way back to the curtain where they’ve moved your friend for monitoring, he’s seen three and a half extra patients, not including the incoming he originally got called away for. 

it’s well past two, and jack feels a certain… displeasure bubbling inside of him. it started the moment he’d realized you would be stuck here all night on your day off, and hasn’t subsided since john had made a joke about giving you some scrubs and giving you a few of the overflowing patients.

the displeasure rears its ugly head, and turns into something worse, something he can’t describe, when he pulls back the curtain.

(yes, he’s supposed to be checking in on your friend—the patient—but it was really an excuse to see you. he tries to deny it, tries to reason with his subconscious that he spends every other shift making sure you’re okay, so tonight doesn’t feel any different. he’s not sure if he’s winning that argument.)

your other friend is asleep in the chair. the patient is still knocked out, snoring now, with stable vitals.

and you’re standing, looking between the monitor and your friend while you yawn and rub your eyes. 

you turn at the noise and smile instinctively, fingers going to your necklace right away.

“hey kid,” he says quietly. he gestures with his hand, motioning for you to follow him, and you do, quietly closing the curtain behind you.

“how’s it goin’ in there?”

“oh, uh, good. they both fell asleep, but, i guess it is late for them.”

“but not for us. congrats, you’re a real night shifter now.”

you smile and laugh. you are tired, he knows, because he can tell. you’re supposed to be asleep now too, back in your own bed, without any alarms to wake you tomorrow morning.

you should be doing whatever it is people your age do on their days off. he wouldn’t have any idea about any of that. you’ve mentioned some stuff and he’s overheard others in passing—something about the public library and a coffee shop and those heated workout classes that sound like a nightmare—

“dr. abbot?” you question, saying his name quietly like you feel bad for interrupting his train of thought.

“yeah. sorry, uh, just wanted to come check on you-” you smile again, a little wider, before he realizes what he just said. “uh, you and the patient. but it seems all good, for now.” 

“yes. yeah, it’s fine. i can monitor, too. i’m basically sober now.” your eyes travel—darting from him to your shoes quickly.

“don’t let shen hear you. an hour ago he wanted you on the floor.”

you laugh—which jack has come to realize is his new favorite sound.

“no, he just hates suturing. i’ll be back before he knows it.” 

“sorry this happened on your day off,” jack says, and without meaning to, he moves his head, trying to catch your eyes. you look up slowly, locking gazes.

“that’s okay,” you say, sounding much too close to a default, rehearsed answer. 

he’s positive that you won’t give your friend a hard time about this tomorrow. that you’ll neglect to mention how you paced for two hours and didn’t sleep or sit down until you were sure she’s okay.

displeasure turns into anger at the very idea that someone might take advantage of all of your sweetness, all of your caring and your anxious nature that doesn’t let you admit that it’s not okay.

it’s not okay, certainly not when he’s seen you freeze up when you take one step too close to the ambulance bay. how you try to hide how you really feel when you hear the sirens pulling up. why, even a few weeks in, he’s still easing you in to the noise and the chaos as much as he can.

“it’s not okay,” he says firmly, eyes latched onto yours. 

you blink fast, tears suddenly welling up at his words. that’s silly, you think, crying over your attending’s words. he’s just trying to make you feel better, like he always does. in that moment, standing in front of jack abbot, you realize that he doesn’t really have to try. 

he does make you feel better.

“it’s just that sound,” you admit quietly. you feel embarrassed but you can’t find the energy to care, not in your tired, barely-tipsy state. “the sirens. every time i get too close i feel like it’s that night all over again. it’s stupid, i know-”

“it’s not stupid.”

“no one else that works here feels like that. no one else lets it interfere with their work. it’s just me that-”

“it’s not just you. i promise it’s not. and there’s nothing wrong with needing to talk to somebody about it.” 

something in his chest burns and shifts, like lava seeping through his veins. you’re so young to be feeling this way—like you’re all alone in the world, with no one who can understand what you’re going through.

how can he show you that he knows? that he understands, probably better than anyone else in this hospital? that you should talk to him, not here, not even today, not in scrubs under bright lights too close to the source of your worry. 

somewhere else, somewhere quiet, where he could explain to you all the reasons why it’s okay to feel what you’re feeling. talk to you about how great you’ve been doing. show you that you won’t feel like this forever—and that he knows because he didn’t either. 

it’s an entirely unprofessional thought that lingers for much too long. in a few months, you’ll be back on the day shift and this will all be a distant, faded memory. a few months after that you’ll be a second year resident and maybe he’ll see you on nights again.

but right now you’re an intern that he has no business thinking so much about. yet, still—

“how do you always know?” you ask, blinking at him. your wet eyes gnaw at him. he knows he’ll be thinking about them long after you’ve finally gone home.

“know what?”

“what i’m thinking. how i feel. before i say anything.”

“i know a little something about how you’re feeling, kid.”

“really?” you breathe.

“yeah. that, and you have a tell.”

“i do?”

“your necklace. it’s a wonder that thing hasn’t fallen off yet.”  

you smile and he smiles too, and he’s thinking about what he could say next, when your friend says your name from behind the curtain. 

“go ahead,” jack says, before you can think about apologizing for cutting the conversation short. you step towards the curtain and he turns to walk away, when he hears you.

“dr. abbot?” 

“yeah, kid?”

“thank you.”

“you’re welcome.”

𝜗ৎ

just like you said, you’re back at work before you know it. monday evening at seven pm, you’re greeted by parker and john, who ask you how your friend is doing and joke about your brief interlude at the hospital this weekend.

and you tell them the truth—that she’s doing fine now, and has mostly learned her lesson about back to back shots past a certain age. 

what you don’t fess up to is how thoughts of your last conversation with jack have kept you completely preoccupied through the rest of the weekend. they don’t need the details of that, though you feel like you’re suddenly hiding something. 

you don’t like that feeling, either. hiding something usually means you’re doing something wrong, which can have brutal consequences if you’re not careful. and you don’t know if what you’re doing is wrong or not, though your moral guide is usually much sharper than this. 

the truth is that jack abbot makes your head spin. 

you feel suddenly breathless when he turns towards you to quietly ask you a question—usually revealing that he already knows something about you that you’ve been trying so hard to keep hidden. you’re close to lightheaded when he brings you your daily coffee. you get dizzy when you think about someone seeing, someone noticing what’s going on between you and the attending.

because that is wrong. you can’t justify that. attending-intern relationships are strictly frowned upon—you know this because they made you sit through a seminar at orientation with all the other first-years.

you also know this because you’re not that much of an idiot. you’ve watched the steamy doctor tv-shows. you’ve even lived it these last few months, when you overhear nurses gossiping about some resident upstairs who fell for the married attending.

john and ellis are still talking about something you can’t pay attention to when your heart starts racing. you think of how it might feel to be the intern that everyone’s talking about, for everyone to know that you have feelings for jack—

shit, you think. his name is dr. abbot. dr. abbot, your attending, not jack, the guy who seems to know you better than you know yourself. 

dr. abbot, dr. abbot, dr. abbot—

you conclude that you’d have to find a new job. you remember how overwhelming and scary the process had been to find this job, but you think there could be nothing worse than leaving right now.

you’d just began making progress again—the good kind, that makes you excited over small victories, and has you less and less nervous with each shift that you complete. co-residents that you feel comfortable with, that you can approach with questions easily. nurses that you can make silly jokes with. 

you feel like more and more of yourself is coming back with each night shift.

(you have to ignore why exactly that is, just to stomach the thought.)

you can’t possibly mess it up now, you decide, taking the ipad from parker and visiting your first patient of the evening for an evaluation of a burn. 

you repeat it to yourself while you debride the wound—you can’t mess this up when you finally have something to lose. you remind yourself of it when you finish up with the patient, trying to find john instead of dr. abbot to report back to. 

you almost zone out to your thoughts while bridget asks you about your friend from this weekend when she comes to help you with the discharge papers.

and you keep it going for as long as you can, doubling down even more when you hear gossipy chatter coming from somewhere behind you as you try to type up your charts during a brief lull.

you can barely deal with everyone knowing that you couldn’t handle the day shift anymore, much less the fact that you’re falling in love with your—

“hey, kid,” he says, and you look up so quickly that you feel your head rush. “you okay?”

the strength that was holding what little resolve you had melts down like ice cream in the sun. jack abbot, six hours into a busy shift, checking in on you during what’s likely his first opportunity all night to sit down.

“i’m okay,” you reply quietly, trying to move your eyes back to your computer. “just working on these notes. do you have a patient for me?” 

you try to change the topic, hoping he’ll do that thing he always does, read your mind before you’ve even fully spelled out the thought yourself. 

we can’t be something that people gossip about at two am, we can’t, we can’t, i can’t—

“not yet.” 

jack leans against the counter, forearms set up right near the edge of your monitor. your eyes move between the screen and his arms quickly. if you look for too long you’ll start staring at his freckles, and you definitely don’t want that.

“i just wanted to ask, uh, how-”

“oh,” you breathe, interrupting him, even though you know you shouldn’t. you know what he’s about to ask. “she’s fine now. feeling a lot better. i talked to her this morning, so…” you drift off and blink at him, trying to regain your focus.

it’s just so hard when he’s around you.

“oh. that’s good,” jack says, with a small smile that makes your heart thump loudly in your chest. “but i was going to ask how you’re doing?” 

you think that you must look like a confused fish right now—your mouth parts, your eyes widen, and you keep staring at him until you snap out of it. jack smiles like something’s funny about this, like it’s amusing that he turns your brain into a puddle of nothing with a few simple words.

you keep blinking, while a million thoughts run through your head. you’re so hardwired to worry about other people that you didn’t, for a moment, assume that jack was going to ask about you. 

and you’re so afraid of your own anxiety and the thought that you might be doing something to make your own life harder, that you spent a whole half-shift away from the one person that seems to have a knack for finding your off-switch.

“uh… kid?” jack questions, tilting his head in a mix of confusion and concern. 

“yeah?” you reply, the sound of your heart thumping in your ears. it’s getting louder with each passing second.

“how are you doing?” 

you breathe out and the sounds of the emergency department return all at once. monitors and the ceaseless chatter and even your foot tapping against the floor.

“i’m okay,” you answer, and for once, you’re being truthful. “really.”

“good,” jack replies, and for a moment, you stare up at him, wondering if he’ll say anything else.

the truth is that jack doesn’t need so many words to understand you. he stays like that for a moment, watching your shy smile and deciding that this time, he does believe you.

why you thought he’d be asking about your friend is beyond him. jack knows you took care of her even after you’d left the hospital that night. he has no doubts about that, not with the way you care and worry so deeply.

for a moment he lets his mind drift off and wonder how it might feel to be on the receiving side of it. 

“uh… dr. abbot?” you question hesitantly.

“yes?”

“i just wanted to say-”

“hey, abbot, just got a call about a multi-car pile up on the bridge. three incomings, five minutes out-” the shout comes from half way across the room. both of your heads turn immediately towards the nurse. you watch as john and parker move quickly on their feet towards the ambulance bay, and you even steady your hand on the counter, rising on your feet instinctively. 

jack says something back and turns to look at you. he takes a step closer.

“you don’t have to help if you’re not ready,” he says, locking eyes with yours again. 

the truth is you don’t know if you’ll ever be completely ready.

but you feel compelled to follow him, to help him for once, help the others, instead of being the one relying on help and strategic timing and praying for one less ambulance. 

“i-i’m ready,” you say, and once your feet start moving, they don’t stop. you follow jack to the ambulance bay, pulling out a yellow gown and blue gloves for yourself. 

if parker and john are surprised, they don’t say anything. they head outside first and while you quickly tug on the gown, you feel him standing behind you. jack ties the strings behind your neck and waist. warmth radiates from his touch and would make you a little feverish if you weren’t so anxiously awaiting the incoming.

you half expect him to say something about it being okay if you need to leave or tap out, because you know, even now, what he must think of you. you’re still figuring out your trauma skills and this is the equivalent of being thrown into the deep end, and still—

every time you think you know what jack abbot is going to say to you, you end up surprised.

“if you need something, just let me know, okay?” jack says quietly, and you find yourself nodding. 

he doesn’t seem like he’s doubting your abilities. he doesn’t seem like he’s worried that you’ll run out in the middle of the trauma or freeze up to the point that you’re politely asked to leave, like you had during the day shift.

it seems like, to the best of your discernment, that jack believes in you. he thinks you can do this and you don’t want to prove him wrong. 

you and jack follow parker and john outside, and as the sound of the ambulance sirens gets nearer, your hand creeps towards your neck. but when jack meets your eyes again, you feel it fall somewhere by your side. 

it must be silly, the way it feels around him. the noise of the sirens is dimmed. the voice in your head quiets down enough for you to hear and process your own thoughts. 

that’s exactly what happens. you end up on opposite sides of the patient, a woman who looks only a few years older than you. so far she’s got broken ribs from the airbag and a fractured leg. your job is on the e-fast, and you go through the views, glancing up at jack and parker for confirmation while you state your findings. 

you shift over to the other lung when you see it on the monitor, a black area that makes you stop in your tracks.

“there’s a huge hemothorax on the left-” you start, adjusting your probe to get a clearer view. 

“she can thank the airbag for that,” john comments. someone had read the vitals out just a few minutes ago, and you find yourself wondering how she’s still stable with this much fluid in her chest. a nurse pokes her head into the room, telling them that parker needs help, and john leaves, telling jack he’s got it. 

the thought comes up and around your head quickly—you don’t know everything. another one, more quietly—leave it to the real adults, you’re just an intern. 

but today is not the day to listen. 

because you’re not afraid of being wrong around him. because there’s no punishment for you if you say the wrong thing. there’s no one coming to drag you away. just the soft hazel of jack’s reassuring gaze on you.

“i think we need to intubate, because-” you’re interrupted by the blare of the monitor. another nurse reads off the vitals, her oxygen tanking quickly, and you watch as they bring the ambu bag to her face.

“good call,” jack says to you. “c’mon, kid. you up for it?”

you nod. 

you’ve intubated before—a few trauma patients and the dummy in the skills lab pop into your mind immediately—but this seems a little different. you position the scope into the patient’s mouth while the nurse pulls the et tube from a drawer for you.

and it’s almost like muscle memory. the patient’s head is tilted back, you move the tongue, and just as you’re holding the tube in your hand, scope heavy in your other one, getting ready to insert it, you freeze.

it seems like an eternity. the tube in your hand is moving in slow-motion, but your mind locks up. there’s a million thoughts in a second—starting and ending with the last time you intubated someone. 

it was a young girl from pittfest and though you’d thought she was stable, she wasn’t. you’d also thought you could do it, but just like then, you’d frozen up for a moment. that day, luckily, mel had been walking by and helped you. luckily, they got her up to surgery in time.

but it wasn’t because of you. you had almost failed her.

and you’d thought that some other day you’d be alone, without anyone to help, and you’d have to figure it out by yourself, and you’d fail. 

you’d fail yourself. fail your patient. let that poor girl die or get irreparable brain damage from hypoxia because you weren’t fast enough. 

they tell you that in emergency medicine, the difference between life and death is a matter of seconds. 

and this does take a second—one, maybe two—to think and process. to debate—flight or fight? which one will you step up to today?

and then one glance at jack standing next to you, looking at you intently, but not with concern, not with fear or worry, but rather something closer to trust. waiting for you to keep going. the safety net that he provides feels like a catch-all that could protect you through anything and everything.

you extend the neck further until you’ve got a straight shot down to the vocal cords. the tube glides in and by the time you secure the bag and check the end-tidal, the surgery team in rolling in to pick up where you and jack left off. 

another head pokes in—bridget, telling jack that john and parker need him, and he looks back at you quickly.

he says good job, kid, and leaves, and you stay there, a little stunned at yourself, filling in the gaps for the surgeons, answering questions and watching as they work quickly, seeing where you can help.

in that moment, there’s no time to overanalyze everything. you work as quickly as you can to do the best you can for your patient. you don’t stop to think that you’re doing the wrong thing, that judgemental eyes will cast down on you if you take an extra second to think about your answer.

it comes back like a soreness, the good kind, like a muscle you’ve been neglecting to train. 

by the time she’s been wheeled up to surgery, you take a breath and slump your shoulders. one of the nurses is on the phone, calling the patient’s emergency contact number, but you ask if you can do it instead. 

you call her parents, leaning against the wall while you tell them that she was in an accident and was brought to ptmc, and that she has a few broken bones, one of which punctured her lung. you tell them that the team was able to stabilize her and get her up to surgery, and the relief in their voice, and the feeling that you helped contribute to saving her, gives you a rush unequal to anything you’ve ever felt.

it’s almost strange, feeling adrenaline rush through you and causing this sort of reaction. usually it’s coated in anxiety, sticking to every thought inside of you, resulting in thoughts that you try to shove down and away.

today it’s a high. one that will likely only last a little while longer—there’s head lacs and chest pains waiting to be seen, and they don’t care that you were saving that girl’s life, just that you took so long to see them, and you’ll have to calm your beating heart when you start stitching people up, but for now—

for now, you want to find jack and thank him for believing in you. 

there were three gurneys that came from the accident on the bridge. your patient is wheeled upstairs, another gurney is parked by the nearest curtain, with the night shift nurse practitioner whose name you still don’t know suturing their wound. 

and the last gurney is in the other trauma room, parallel to the one you’d been in. you peak in, but whatever excitement had been in your body dissipates as quickly as it had seeped in. 

jack is doing compressions, covered in a sheen of sweat you can see from the window. but from the way john and parker look at each other, there was no reason to keep going. 

you step away from the glass, wanting to give them privacy. it’s entirely unfair—you get to feel good about your save, only for the universe to take that feeling away from jack and john and parker. 

it’s almost an hour later that you see him. parker had come by and you’d given her the update on your next two patients.

“so, how was it? back on traumas?” she asks, and you smile, but wish you hadn’t.

“reminded me why i’m doing this,” you answer sincerely. “i’m sorry about your patient, though. can i do anything?”

“no, but thanks. his family should be here soon.”

“do you want me to-”

“nah, don’t worry. we’ll work on these discharges. abbot will want to speak to them himself.” 

you swallow uncomfortably.

“yeah, of course.” you pause, tiptoeing the line between professional and self-serving. “do you know where he is?”

“if i had to guess, the roof.”

“w-why would he be on the roof?”

“uh,” parker starts, trailing off. you look at her with a quizzical expression, but before she can meet your eye, she’s looking somewhere in the distance behind you. her face changes too—into an expression of surprise. “to get some air. but forget i said that. he’s over there. and i think he’s looking for you.” 

“me? uh-” parker doesn’t wait for your answer, taking off towards the curtains.

when you turn around, jack is walking towards you with your yellow mug in his hand.

“oh. thank you, dr. abbot,” you say, as he sets down the cup. 

jack is mostly a mystery to you. you know him through bits and pieces, you think, through how he treats you and how he is with the others. he makes silly, stupid jokes and always reminds the residents to eat when they can. he’ll take over any trauma if it’s getting to be too much for one of you. 

and he never fails to make you the perfect cup of coffee. sweet and much too delicious for regular hospital brew, though he has managed to perfect it. it can’t even compare to the cups you used to make hurriedly in between one and two during the day shift. 

you’re sure that this cup will prove to be no different. you take a sip, feeling the warmth rush all over you, and when you meet jack’s eyes, you know it’ll turn from warm to hot, like always. his stare is as intense as they come, right now during the lull between patients and in the trauma rooms like you were earlier. 

intense. in a way that you have gotten way too familiar with.

but when you look up to meet his eyes, they don’t seem that way. 

jack looks, maybe for the first time, the closest you’ve ever seen to sad. 

and it’s heartbreaking. for someone that you know through bits and pieces, it pulls at your heartstrings immediately. there’s no smirking smile, no reminder for you to sit and drink your coffee and work on your notes or take a break. 

you don’t actually remember when or where you’d heard it. something about your attendings—robby and abbot—and the roof and getting some air after a bad patient. you hadn’t understood it at the time, mostly confused, thinking if they needed air, they should go out to the ambulance bay. there’s a tiny bench by the side of the wall, hidden from plain sight, and when you used to go and sit there and cover your ears, you should have understood what they meant about the roof.

but he didn’t go to the roof today. he went to make you a cup of coffee instead.

something hot and smoldering burns inside your chest at the thought. you want to say something, say the perfect thing, the thing that makes him feel better and makes him laugh and makes the horrible, aching feeling of losing a patient go away, even if it’s just for a few heartbeats.

but you’ve never been good at that sort of thing. that’s jack’s job.

“you’re not okay, are you?” 

the words come out softly. too soft to be spoken to your battle-hardened attending. there’s just the two of you by the desks at central, everyone else running around or looking for a caffeine fix. but suddenly, it feels like the entire hospital is empty.

“don’t worry about me, kid,” jack replies quietly, and you feel your heart sink. “i’ll be fine.” 

he won’t be fine. this is the sort of pain that gnaws at you for a while, keeps working until it’s through the skin and down to the bone. jack will move on and treat fifteen other patients before sunrise but when he goes home, he’ll think about the one he couldn’t save.

that’s always how it is. you know it firsthand. 

and maybe for the first time, you think there’s not that many differences between you and jack abbot.

and he—well, he always takes care of you. always. in the room with the trauma. with the patient who harassed you. with your own emotions that are always battling against you. 

maybe it’s your turn to prove to him, show him that you can take care of him too—

jack turns to leave, about to pick up his hand from where it rests near your cup, but you move faster than he does, putting your hand over his. he turns back around slowly.

“kid, i-”

“i know,” you say quickly, not wanting him to finish his sentence. “i know. but i can’t just let you be sad all by yourself. you never let me be sad by myself.”

“i’m not sad,” jack starts, taking a step back towards you. your hand burns where you touch his rough, warm skin. “i’m… i don’t have a word for what i am.”

how silly, you think to yourself, that a few hours ago you were worried about you and jack abbot becoming hospital gossip. it seems so small and inconsequential now, when you look into his pensive, pretty hazel eyes. 

you’re holding your attending’s hands while you talk about the patient he lost. this isn’t just hospital gossip, it’d be front page news if one of the blabbermouths saw the two of you. but it’s so hard to care.

so hard to even think about that when you know what he’s feeling. hard to process that your all-knowing, all-seeing attending, who can discern your feelings from across the room, might be going through something just like you right now. 

that you might be the only person here today that could help him through this. that you might be the reason he didn’t go to the roof.

“it’s okay,” you say, supplying words that he’s told you before. “you don’t have to know what it is. i don’t either, sometimes. but, you’re not alone. whatever you’re feeling. i feel it too.” 

“you don’t have to,” he says, with a sad, quiet laugh. “you did great tonight. you saved your patient.”

“but i want to.” the words slip out before you can stop them. 

“kid, i-” you interrupt him before he can finish.

“it’s not about being happy or sad. you’ve helped me every single time i needed it. why can’t i help you when you need it?”

jack pauses, his intense gaze boring into your eyes. then he looks down at your yellow mug, and looks back at where your hands are touching each other.

“you already did.” 

“because you didn’t go to the roof?” you ask, biting your cheek. 

it might be too bold, but you feel like you have to know, feel like there’s an answer that’ll make your head spin. 

and jack thinks it too, keeping the thought in his grip tightly. 

something about how when jack feels like this, he doesn’t want to go to the roof for air. 

he goes and does the one thing that gives him an excuse to see you. 

you, with the uncanny ability to make him think twice about his feelings. you, that he’s looked at for weeks, and wondered why you doubt yourself, why you feel like this, like he used to, when he’s there to help you through it. and so caught up in those emotions, he forgot that at the core of all of this, is the way you think about everyone and everything in this hospital.

think about what others are feeling, what others are thinking. what they’re doing and why they’re doing it. the overthinking intern that he wanted to coax into trusting your gut and calming your fears, while almost forgetting that it’s also your biggest strength.

you can see through jack in an instant. you see the worry and the pain underneath—the urge to take care of everyone stemming from a need to fix what he can, to make sure that the things he does have control over are taken care of. how uncertain it can feel when the things you thought you had control over fail you. when a patient doesn’t come back even though you did everything you could.

“because i didn’t go to the roof,” jack replies. 

“if it’s worth anything,” you start quietly, eyes fixed on your overlapping hands, “i’m glad you didn’t. i… i don’t know what i’d do if you went to the roof.” 

“you’d figure it out, kid.”

“maybe,” you reply, reflecting his sad smile back at him. your hand feels like it’s holding his a little tighter. “but i sure don’t want to find out.”

you use your other hand to take another drink, setting the cup closer to him. jack picks it up and takes a sip.

and he turns and leaves, going towards the viewing room and waiting for the family—a wife and two young kids. you stay there and finish your notes. 

and until seven am, the two of you don’t stop thinking about each other.

𝜗ৎ

robby finds jack at six-fifty am on a wednesday morning. the shift was no different than any other, though he has a harder time remembering the patients and the traumas now than he ever has before.

jack skims through his memories and picks up a few easily—the cup of coffee he made you at midnight. the way you took a sip and then offered him one. he drank it, even though it’s insanely sweet compared to the way he takes his—just plain black. he remembers bringing you a protein bar at three, your sweet smile followed by a yawn, and the faded purple of your underscrub today.

“jack?” robby asks, and he blinks. 

“uh, yeah? sorry. lost my train of thought.”

“no problem,” robby says, more confused than suspicious. “was your shift okay?”

it’s a harmless question which also carries the weight of a freight train. okay is relative these days, jack thinks, because there’s a bias forcing him to think he’s okay, even when he’s not.

or rather—making him think he will be okay, even if he’s not right now. you sit next to him for thirty seconds and talk to him in a soft, gentle voice like no one else should be allowed to hear what the two of you are saying.

and then you smile at him with reassurance, something you’ve had to work on since he got you here. it’ll be okay. we’ll be okay. 

“it was okay,” jack answers. “what’s up?” he stretches his neck, trying to see where you’ve gone off to. you had helped him with the last incoming car accident at six, who is currently stable and waiting in trauma two for surgery. you had done the e-fast, intubated, found a pouch of free fluid and two broken ribs.

and he found himself smiling on the way out, telling you good job, teasing you without meaning to. you feel warm and don’t say anything but you don’t stop smiling either.

you’re smiling now, talking to king and kwon about your sign-offs. 

it wasn’t even that long ago, he thinks, maybe yesterday or the day before. joy had come up to him around seven, groaning as she handed him the tablet he was searching for.

“get me out of here,” joy had said, and jack had looked at her with his usual, confused expression. her gaze is focused somewhere across the room, and when he looks to see what she’s looking at, jack finds himself smiling.

you. you’re talking to the new nurse—emma, he thinks—smiling and laughing with her. the two of you were wearing the same flower-patterned underscrub.

“what?” jack asks, and joy tears her eyes away from the two of you (mostly emma, he surmises), before groaning again.

“dr. bambi and nurse thumper. i didn’t realize i was working at the woodland animal clinic.” 

he turns back to look at you, finding himself agreeing with that assessment. dr. bambi can’t be the worst nickname he’s thought secretly in his head before. the others aren’t nearly work-appropriate.

“be nice,” jack says, though he knows joy doesn’t mean it like that. he beats around the bush—the two of them are two idiots in a pod, staring at that coworker they’re not supposed to be staring at.

“now those two could have saved bambi’s mother, i’m sure.”

jack snorts. even looking at you now, the memory feels fresh. dr. bambi—

robby clears his throat.

“uh, well, i’ve been thinking maybe it’s time to bring her back to days. what’d you say?”

jack whips his head back.

“what? she just got here-”

“it’s been almost a month. and it seems like she’s doing great. i mean, i’m noticing a big change. haven’t you?”

fuck. 

something in jack stirs, a sad, ugly thing that rears its head. he wants to lie, instantly, for purely selfish reasons. to keep you by his side a little longer, to protect the little bubble the two of you work inside of. a bubble made of late night coffee and early morning smiles and taking care of each other without really trying that hard. 

it’s always been easy for him, he thinks, to try and take care of you. he’s only just begun to realize that it might be easy for you too, to take care of him. 

and he’s selfish, he wants to keep you there forever. if not just for him—

he wants you where he can see you, can reassure you, can make sure you don’t go back to that place he just snuck you out of—full of doubt and fear and anxiety. 

but it is for him, at the same time. you push away thoughts that he once felt he could never escape from. teaching you a new procedure or complimenting your work gives him a rush unequal to anything else—your grateful smile is just one part of it.

he has been beating around the bush with it, taking his time, trying to protect you, protect this, whatever this is, not rushing things and regretting anything.

but now—

he can’t lie. 

lying would mean… saying that you’re not ready to leave. that you haven’t improved, that there hasn’t been any changes. that you’re not incredibly smart and competent, that you just needed a little push and a little encouragement and the safe space that jack abbot’s night shift team seems to provide you.

lying would hurt you. impact your education. if you found out that he said those things, things that he didn’t even believe, well, he might not be able to forgive himself.

he stares at robby, head swirling between the two ideas, wondering how, if at all, he can get out of this conversation. he briefly considers telling robby he’ll tell him later but right now he’s going upstairs, but robby’ll just follow him.

and you—well, you’ll follow him too.

“yeah. big change,” jack says, the words feeling painful to get out. 

get it together. she’s your intern. this is a good thing. 

right? 

“al-right, then. maybe starting up at the end of the week? friday morning? i can go talk to her before-”

“no, uh, i’ll talk to her. i got it,” jack says, and robby’s expression is more suspicion than confusion now, but he doesn’t notice.

and you feel it before you hear it—the noise of thunder outside, the strike of lightning. you’ve already had one car accident today because of the wet, slippery roads and heavy rain, and you’re sure it’ll only be worse as the day goes on.

you’re grateful again for the night shift, because now you get to go home and fall asleep to the rain.

(fall asleep and dream, because all you’ve been doing recently is dreaming. about your attending, about his kind words and actions and big hands that make your yellow mug look so incredibly small.)

you say goodbye to parker and john, watching as they disappear with their umbrellas to the parking garage. you usually walk to the bus stop, but you stand by the door, waiting for him.

for jack. it’s something of an unspoken routine—you wait for the other. he walks towards his car, and you walk towards the street, and you don’t say anything besides get some rest, dr. abbot, and he replies with, you too, kid. 

and that’s it—but it’s after every single night. and you’ve always been a creature of habit, so you wait, thinking he’s running a bit late. 

you stare at the rain—too heavy to brave it without any backup. you look through your bag for your umbrella, but it’s nowhere to be found. it would be obvious—it’s yellow, like your mug.

you must have left it at home. 

you unlock your phone, trying to find the rideshare app, scrolling when—

“hey, kid.”

“oh,” you breathe, your heart thudding in your chest, turning to face him. “hi.”

“i need to talk to you about something. it’s-” jack’s eyes flick towards your screen for a moment. “what’s that?”

“i, uh… forgot my umbrella,” you admit sheepishly. “and i didn’t want to get soaked walking to the bus stop, so-”

“you forgot your umbrella?” he questions, raising an eyebrow. 

you think a few weeks ago your face would burn at the line of questioning. silly mistake from a silly intern. now you know that everything jack says to you has an automatic layer of concern on top of it. 

it still makes your face burn a little bit, though.

“well, i-i didn’t realize it would be raining when we left.”

we. you shouldn’t have said that—it’s not even really the truth. you and jack leaving together every shift is not a promised thing. 

it’s just a coincidence, you try to convince yourself. 

you hope he doesn’t notice, and you start chewing on your cheek at the idea that may he does—of course he does—your hand coming to toy with your necklace when he responds.

“i can bring you home, kid,” he says, his hazel eyes staring at you with a different kind of intensity than you’re used to. 

he looks almost… wistful. 

you try to dismiss the thought—why would jack be wistful about driving you home? you’d be a filthy liar if you hadn’t imagined what it might be like to sit in the passenger seat of his truck, to listen to the music he likes, to watch his arms and hands while he—

“that’s okay, dr. abbot,” you respond before you completely give yourself away. “i can just call the-”

jack sighs, smiling a little, like he’s trying to hide it from you. but it’s not what his smile is usually like—sweet and amused like he’s watching a fawn walk on legs for the first time and resisting the urge to swoop in and help. 

it’s something you can’t quite place.

“c’mon. truck’s over here,” he says, and you drop the challenge immediately. you follow him out, through the door that you never go through, the one that you watch him disappear past every day when you leave for the bus stop. 

and stupid as it is, when you walk towards the passenger side of his truck, you notice that he’s following you instead of going to the driver’s side.

“oh. um, do you-?” you get out, a little confused. 

jack steps in front of you, opening the door. 

“oh. thank you.”

“you’re welcome, kid,” he says. you take a seat and he shuts the door, pausing for a moment outside the window while you put your seatbelt on. you meet his eyes through the glass for half of a heartbeat before he walks away.

when he takes his seat and puts on his seatbelt, you realize you’re terrible at this.

“are you okay?” you ask, staring at him.

it’s gloomy outside and the sky is painted in gray and white, the heavy rain making everything a little damp and slow. including your brain. 

but you can’t help it. something seems off about jack today and you need to know what before it drives you crazy. 

normally, you imagine you’d be beside yourself at the idea of sitting in his truck and soaking in the feeling of knowing that he’d drive you home even when it’s out of his way, but you can’t think of that when there’s something he’s not telling you.

“i’m fine, kid,” he says, and you don’t believe him for one second.

you decide to be bold.

you take your hand and put it over his, and he turns to look at you. you think this is what it feels like to melt. jack’s eyes reveal whatever he doesn’t want to tell you, and you feel your heart start to beat faster.

“what is it? it’s okay. you can tell me,” you say, starting to get nervous. 

his skin feels warm where you’re touching it, realizing this is twice in a week that you’ve held jack abbot’s hands in your own. 

the thought is… grounding. like there’s nothing that could be so bad as long as you have him with you to help you get through it. you think stupidly that you could do anything if you had him with you. 

you had already done everything with him beside you. 

“kid, i…” jack trails off, and your fingers twitch, rising for a moment, as though perhaps you’ve done the wrong thing.

oh god. had you completely misread this—was this something else entirely? 

you thought being in his car meant you were a step closer to whatever it is that you want to be, whatever it is that the two of you won’t put into words or even coherent thoughts. it’s just the semblance of hope that hangs in the air, that maybe, somehow, someday, this might be more than just an attending and his intern. 

had you misjudged him this badly? the thought lingers for a second, and you pick up your hand, bringing it back to your lap like a child who just got scolded for doing something wrong.

“i’m so sorry, i-”

“no, no, it’s not that,” jack starts, staring at you with those eyes again. he looks away, running a hand through his messy curls, and you watch, your heart dropping into your stomach. the light catches on his wedding ring.

“it’s okay. i-i can just walk home. we, um, we shouldn’t, if you don’t want to-”

“no, kid, it’s not that.” jack keeps his eyes focused on the dashboard, his hand tightening around the wheel. you watch the veins of his arms tense up. “robby, uh… robby wants you back on the day shift. i was trying to figure out how to tell you inside.”

oh. 

you swallow uncomfortably, not sure if this is better or worse. your mind starts to spin, creating two alternating scenarios that start to fight with each other. robby wants you back on the day shift. you’ve finally done what you set out to do in the first place, earned your way back, gotten better at this job the way you’ve always wanted to—

but it’s only because of jack. his gentle guiding. the way he doesn’t stop believing in you even when you’re having a severe deficiency in that area. the way he makes you coffee that tastes perfect every time. the way he knows when you’re feeling anxious before you can even process—

“hey,” he says, and you blink, looking up at him. “what’re you thinking?”

“i… do you think i should go back?”

“i-,” he pauses, taking a breath. “i think you’re ready to. you’ve been doing great these last couple of shifts. it’s not about what i think though. it’s about how you feel.”

and the way jack says it, with so much sincerity that it’s practically dripping from him, makes your heart thud around in your chest. the blood rushes to your ears at the thought—no more night shift.

no more sleeping in until the afternoon. scheduling appointments during the day and not missing them when the day shift runs over. actually having time to finish your charting instead of staying behind until eight pm to catch up.

no more jack abbot.

the realization hits you squarely in the chest, getting hard to breathe like walls are closing in around you. it’s not that serious but it is that serious. you even try to justify it internally while jack looks at you with what can only be described as pure concern in his eyes.

you’re just scared—no more jack means having to face your shifts alone. the safety net would be gone, and it’s just as well—it’s not like you could have relied on him forever. robby’s a different type of mentor. he’s not going to walk you through your freeze-ups or notice when you’re playing with your necklace that it means you need a break. 

no, robby couldn’t do any of that. nor, you think, is it his responsibility. his job is to run the emergency department and make sure that everyone inside is running too.

everything that has happened in the last month has been something special—something born of jack’s desire to take care of you, for whatever reason he had decided on. 

you hadn’t asked and he hadn’t pushed, it had just come together the way it did. and it was nothing short of perfect.

and now, it’s over.

“yeah, of course,” you reply, hoping your face doesn’t completely give you away. 

you take a deep breath and then release it, holding your hands firmly to your side. you don’t want to make it any easier for him to see through your lie.

“kid, you can take some time to think about it. it’s not an easy decision,” he says, and you turn your head to look at him, tearing your gaze away from your lap.

he’s got his elbow angled, leaning against the steering wheel. the tight, dark shirt he wears looks like it’s a size too small in the dim light of his car. or maybe you just feel that way because his arms look ready to tear right out of the fabric. his curls are mussed up where he ran his fingers through them, but the silver still reflects brightly.

and worst of all—his stupid eyes and his stupid smile. looking at you like they always do—filled with concern, like there’s nothing more important than making sure you’re okay. 

you’ve denied it long enough, but now, with the very real possibility that this—whatever this is—is coming to an end, the thought doesn’t seem to leave you as easily as it has on other days. 

“well i had to go back eventually, right?” you finally say, locking eyes with him again. 

“yeah, kid. i guess so.” jack looks like he’s about to say something else, but you suppose he decides not to. he puts on his seatbelt instead, his hand moving to the gear stick. “c’mon kid. let’s get you home.”

𝜗ৎ

you tell jack your address, and just like you expected, he already knows where it is. you have to remind yourself that he’s been living in pittsburgh for most of your life, that the street signs and neighborhood names aren’t just words you throw around. 

he’s probably got a memory in every street corner. a memory, you think sadly and a little selfishly, with his wife who isn’t here anymore. 

you’re not the person who’s supposed to be seated in this passenger seat. you’re just the intern he’s a little too nice to at work.

and soon, you’ll be known as that girl who went back to the day shift.

you watch the black of his ring on his hand as he grips the steering wheel. he puts his arm around the headrest of your seat while he backs up, and he’s on the road after. you stare out the window, listening to the harsh, loud raindrops as they hit the roof of his truck. 

his car is just what you expected. clean, though not in the way that would scare you off if he was a stranger. it feels weird to think, but his truck is almost… homey. there’s pieces of mail laying the console between the two of you. receipts tucked into the sun visor. dog tags, maybe intertwined with a necklace, hang from his rearview mirror.

and it smells like him. 

you close your eyes for a moment, trying to soak it in. it’s your first and last time being in this car, being with him, if you’re really going to start the day shift again. 

his truck has a cd player, something you might have commented on if it wasn’t for your current state of mind. 

you’re too sad to think of something funny to say, so instead you lean against the headrest, listen to his beatles album, and watch the city waking up for the day. 

it’s four, maybe five songs before jack says something.

“we’re almost there, kid. are you-” he stops himself, trailing off. “are you okay?”

“i’m okay,” you lie. “just thinking about it, i guess. it’ll be a big change. i was just getting used to the night shift, i think.”

it goes unsaid—i was just getting used to you.

“you’ve already seen it during the day. a lot longer than you did nights. it won’t take that long.”

“yeah. you’re right.”

“i think, uh…” your head perks up at his words, wondering if he’ll say what you think he’s about to say. “i think you’ll be just fine.”

“thanks, dr. abbot.” 

when the car slows down, the rain sounds louder. jack pulls into the lot of your apartment complex, putting his truck into park. 

you’re about to turn towards him, thinking of what you can say to make this feel different. to make it easier, but nothing comes to mind.

you’ll settle for whatever half-assed goodbye leaves your lips, when the heavy rain turns into a torrential downpour. 

“oh god,” you say, without even realizing it. the rain is hitting his windshield so quickly that you can’t even see the brick of your building in front of you. “can you drive home in this?” 

you turn towards jack, expecting him to be concerned about the shift in the weather. an annoying drizzle into the pittsburgh version of a monsoon. but when you look, he’s not looking outside. his eyes are on you.

“i’ll be fine.”

“maybe-” you start, a sudden surge of boldness overcoming your anxiety, for once, “you should wait it out. t-to be safe.”

“uh, kid, i-”

“you live across town, don’t you? i don’t think that’s safe. last thing you wanna do is end up back in the pitt at eight am.” 

he chuckles at that, and you feel satisfaction bloom inside of you.

“um, i can make us tea, if you want?”

“oh,” jack says. “i was just going to wait it out in here.”

“oh,” you echo, feeling your entire face burn with heat. “sorry, sorry, i-”

“don’t apologize,” he interrupts. “i could… go for tea.”

“really?” you question, not sure if he’s trying to play into it to protect your embarrassed feelings from entering into utter humiliation. 

“yeah, kid. i… love tea.”

(jack abbot does not love tea. he doesn’t even drink tea. the only thing he knows about tea is from when he makes you a cup of hot water on days where you’re too wired to have a cup of coffee. you keep little packets of the stuff with you and it’s always a new, odd color when he glances into your yellow mug.)

you end up on either side of your kitchen counter with jack abbot, tea lover. you’re both soaked, despite running to the door of your complex. his curls drip water onto the granite of the countertop, his shirt clinging to him as though it’s a second skin.

you feel cold. you’re in your damp underscrub, your scrub top thrown into your hamper. you bring him a towel for his hair and try to dry yours, before giving up entirely. 

the only thing that might make you feel better is a long, hot shower once jack abbot leaves your apartment. 

whenever that might be. in fifteen minutes, the rain hasn’t let up even once. you can hear it hitting the windows, the gusts of wind that sound scary, even from a few floors up.

you rub your arms as the kettle begins to whistle quietly. mugs, you tell yourself, opening your cupboard. you glance back to see jack drying his hair, his arms flexed as he stretches, and you look back to your significantly less interesting dishware with a dry mouth.

you put two mugs on the countertop, opening the drawer of your tea packet options.

“um, do you know what kind you want? i have a bunch,” you say, and he looks at you blankly.

fuck. maybe he shouldn’t have lied about the tea. he’s about to get caught red-handed, when you interject again.

“i have chamomile. it’s caffeine free, if that’s okay?” you ask politely, and he swallows hard, nodding.

“sounds good.” 

you put the packets into the mug and pour hot water over them. jack glances around your apartment. the entire place is a testimony to you. it’s organized but comfortable, filled with clean clutter and warm colors. there’s a candle you’ve almost completely burned through on the countertop next to him, and enough books to fill a library on different shelves in your living room.

you hand him the mug and he can’t help but smile—

it’s yellow, a carbon copy of the one at the hospital. in your hands is a third duplicate, as you swish around the tea bag. he copies your motions.

“so,” he starts, a little stupidly, because he’s unsure of where the sentence is leading. “chamomile.”

“yeah,” you breathe. “they say chamomile is good for anxiety, so…”

there’s something else, a suppressed thought that you won’t let out hiding beneath the surface. jack’s determined to get it out before he leaves. 

when you take a small sip, he does too. the drink isn’t half bad—he prefers the taste of black coffee, even if it’s decaf, but jack supposes he could get used to this too.

the second thought fills him quickly—there is no getting used to this. 

this is about to end. this is the final act, the goodbye.

“kid, i-”

“no,” you interrupt, a little out of character. “don’t. i, um… this is hard enough for me as it is. i don’t do good with change. in fact, the only reason i even did good with this change is because of-”

you don’t finish your sentence.

“i just wanted to tell you that-” jack starts, but you don’t let him.

“i don’t think i wanna leave night shift,” you blurt out.

oh. 

“that’s okay,” jack says, his voice trying to stay calm and steady. something burns inside of him though, smolders at your confession. it echoes his—i don’t want you to leave night shift. 

“is it?” you ask, picking up your mug to take another drink. “because i’m pretty sure i’m not allowed to make calls like that. i mean, if robby wants me back, i have to go back, right?” your voice sounds pained, something he really, really doesn’t like. 

jack takes his cup into his hand and moves a little closer to your side of the island. your mug looks comically small in his hands here too.

“if you’re not ready, then i’ll talk to robby. he’ll understand,” jack says. the liquid is still too hot to drink, but he does anyways, just to give him something to focus on besides your pretty, sad expression and wistful eyes.

“that’s the thing,” you finally confess, tears building up before you can stop them. “i am ready to go back. i just don’t want to.”

“kid,” jack breathes. “don’t cry. please, don’t cry-”

“i-i was trying to not think about it. about you. but it’s so hard,” you say, those tears that are much too familiar to him streaming down your cheeks. it’s no fair—you’re even pretty when you cry. “i’ve never felt like this before. it-it can’t be that wrong, can it?”

“it’s not wrong,” he says, taking a step to bridge the distance between the two of you. he puts his hand over yours, and your skin feels like it’s burning where the two of you touch.

jack swallows when your big, teary eyes turn to look at him again. 

“i… i haven’t felt like this in a long, long time,” he admits, and you watch him with careful anticipation. “i just… it’s wrong but it’s not. when he asked me if you’re ready to come back, i almost lied. just so i could keep you with me a little longer-”

you don’t wait for jack to finish this time. you lean up to find his lips before your fear can stop you. 

jack’s lips are soft, and his grown out scruff is scratchy against your soft skin. it’s hard to care, though, when he’s kissing you.

jack abbot is kissing you. 

“oh my god,” you breathe against jack’s mouth, and he pulls away for a moment, his hands coming to cup the side of your face gently.

“what’s wrong?” he asks in that light, calm tone that drives you crazy. it’s barely above a whisper, his hazel eyes shining down on you. you’re so close that you can even make out the specks of brown—

you answer with another kiss, pressing your lips together again. your arms wrap around his neck, and his hands leave your face, wandering down to hold you firmly by your waist. his fingers sneak underneath the wet fabric of your shirt until he grips the bare skin of your hips. 

you moan into the kiss. the feeling of jack’s hands on you is close to unreal. it’s everything you thought it would be and more, feeling how hot his mouth is, how deeply he kisses you. you don’t think you’re breathing but it’s hard to care, exactly.

you yelp into his mouth when you feel his hands on the globes of your ass. he hoists you up, placing you onto the countertop, your legs wrapping around his while he keeps kissing you. 

your hands pull eagerly wherever you can—namely, his stupidly tight shirt. the two of you detach for a second, just to get the stupid thing off, which takes a moment since it’s melded onto his chest.

but once it’s off, you feel your body go a little weak and limp. jack’s shoulders seem even broader like this, his chest somehow wider, his arms somehow bigger. you can make out the veins that you’re always admiring in the shitty hospital fluorescents, where they start all the way to where they end. 

it takes all of your power to not start tracing them.

you’re snapped out of the thought when you hear jack’s low, rumbling laugh and the way his chest vibrates with it.

“you’re laughing at me?” you ask, a little dumbly. 

“you’re cute like this,” he says, leaning in close again, his shirt discarded on the ground. you bring the palm of your hand flat against his bare chest, soaking in how his skin feels against yours.

“cute like what?” you ask, but you don’t get an answer. jack leans in for another burning kiss, and your mind goes empty.

you grip his shoulder, finally feeling the muscles under your hand. they tense and flex as he keeps kissing you, and as he moves his mouth down to your neck, your nails leave little crescent shaped indents on his frecked skin.

that’s the other thing—he has so many freckles. they’re all over, hundreds more than you had expected. he must have spent all of his life shirtless in the sun, or something, you think, before it dissipates. 

jack works his way to your collarbone, pressing a warm kiss there, over the metal of your necklace, and then another right on top of the pendant. 

you sigh, your fingers tangling themselves in his wet hair. you don’t pull, rather enjoying the sensation of the strands while you follow his head wherever it leads. 

he doesn’t go any further. you hold back a whine, letting go to lift your shirt off, when jack stops your hands from moving.

“what is it?” you ask impatiently. your lips are swollen and your eyes are blinking quickly at him. jack brings his fingers to your jaw, holding you in place gently.

“are you sure about this, kid?” you nod eagerly. “we can stop whenever you want. we don’t have to rush this-”

“stop talking,” you breathe, crashing your lips against his again. you’ve waited so long to do this—to kiss your attending, to be left breathless and flushed by him, that stopping it to talk seems so stupid.

jack’s hands go back to your hips as he keeps kissing you, swallowing your soft moans and whimpers as he explores your skin. finally he holds you in his grip, lifting you off the countertop while your legs tighten around his waist.

he carries you, leading into the open door of your bedroom, a yellow-walled room with gray curtains. he sets you gently on the bed, hovering over you, still not pulling away.

jack’s mouth is hot on yours, and you sigh into him, your hands resting on his chest again.

“jack,” you whimper, as you feel his hands tease around the hem of your shirt. 

“easy, sweetheart. lift up for me,” he instructs quietly, and you comply. he peels off your underscrub and then your bra, working down until your scrub bottoms are the next thing to go. 

you’re bare in front of him, just in your panties that you had no idea he would be seeing. you would have made a wiser choice, maybe, if you knew this was even your last shift with him, just in case, but—

“jesus christ, kid,” jack breathes, and you feel your stomach flip into a jumping jack over and over again. “you’re perfect.”

“stop talking,” you repeat, leaning up to catch jack’s mouth again. this time, his hands wander everywhere, exploring the miles of smooth skin he’s revealed, feeling as your body trembles under his touch. 

you’re sensitive everywhere, he can tell, and he wonders how to explain to you that he needs to take his time with you. you don’t seem particularly patient right now.

he pulls away again.

“jack,” you whine, but he doesn’t pay attention this time. he starts kissing down the soft skin of your chest, working down until he’s at your stomach. he wants to take his time—tease your perfect, peaked nipples until you’re crying, kiss you all over until he’s memorized the taste of your damp skin. 

you won’t let him right now, he knows, but the thought still lingers. he’ll have to choose his battles with you, and this is not one he wants to fight right now.

instead, he moves your hands into place for you, just like he knew you’d like. he arranges you until you’re squeezing your tits, fingers playing with your nipples while he stares at you.

open mouthed, gasping from pleasure, while he watches. and then, once he’s finally ready to look away, he rubs his nose against your clothed clit.

“jack—!” you cry out, thrashing up against him. he keeps one hand on your stomach to hold you down, his eyes glancing up to tell you not to stop, to keep going, like he told you. 

you comply, going back to teasing your sensitive nipples while he thinks about what he’s going to do to you. 

he places an open-mouthed kiss against your cunt, lapping at the wet spot that’s already formed there. you’ll cringe with heated shame, he knows, but he inhales deeply, soaking in the scent of your wetness. 

there’s a thin piece of cotton separating him from what he really wants. he should really just slide it off, but it seems like too much work now, right when he’s got you exactly where he wants you. 

you look down to see jack ripping your panties, tearing the fabric into two pieces, letting it fall somewhere on the floor of your bedroom.

“you’re doing so good, sweetheart.” 

your head thuds against your pillow while you moan into the air.

“jack,” you beg, your legs beginning to shake. “please, jack, i-”

he doesn’t let you finish. jack dives in to lap against your leaking cunt, licking his way up and down until your moans fill the room. 

your entire body spasms when you feel his mouth tighten around your clit. 

“oh my god,” you cry out, fingers leaving your nipples to weave into jack’s hair. you keep them there, pulling his hair while you buck up against his tongue, feeling his nose nudge against your most sensitive parts—

until he stops.

“jack?” you breathe, your throat dry and scratchy. “what-”

he moves up slightly, just to take your hands out of his hair, and put them back on your chest, covering your tits again.

“oh,” you whisper. “i’m sorry, jack, i-”

“keep teasing your nipples for me,” he says, and your entire body feels like you’ve been lit on fire. 

your attending is saying those words to you, an hour after the night shift got out.

it’s something out of your wildest dreams, jack’s head between your legs, licking at your cunt like a starved man, his thick fingers—the very ones that you’ve watched insert chest tubes and plug bullet holes and save lives—are prodding at your cunt.

it’s hard to think about when he plunges two wide fingers into your leaking hole. you moan so loud that you’re sure your neighbor can hear you, before your exhausted, horny brain supplies you with the fact that no one’s home right now.

everyone’s at work. another perk of the night shift.

you listen to jack, teasing your nipples until sparks of electricity are coursing through your entire body. jack thrusts his fingers in and out, timing it with the way he laps the flat of his tongue over your clit, teasing you and giving you everything you want at the same time. that familiar hot, burning coil tightens in your belly, feeling even stronger when you feel jack’s brute strength keeping your legs pried open.

no matter how hard you tried, you wouldn’t be able to overcome him and the thought is enough to make you cum instantly, though you resist.

it’s not until you feel it—feel him talking to you, or rather to your cunt, that you begin to truly lose control.

his lips vibrate around your clit, the words coming out low and soft. the obscene squelch of his fingers fucking you fills the room, and you think this is the wettest you’ve ever been—and he hasn’t even been inside of you yet.

“c’mon, kid. be a good girl for me. like you always are,” jack says, repeating the words until you feel the ground beneath to slip out from under you.

“oh god, jack, please, please can i come, please-”

“come on, sweetheart. come for me, come on,” jack encourages you, and everything goes white. 

that tense feeling in your stomach tightens, and then gives out completely, snapping until the white-hot sensation rushes through your whole body. 

and all you can think the entire time is that it’s jack abbot making you feel like this. the thought makes you sink into your bed, eyes fluttering shut, fingers going lax against his hair.

you feel boneless and tired when jack greets you with another soft kiss.

“hi,” you whisper.

“hi, kid,” he breathes. you smile before you can help it.

your eyes dip lower, looking at the waist of his scrubs. you can see the tent where he’s hard underneath, and your hands start to wander there, but jack stops you. he catches your wrist.

“what happened?” you ask, staring back at his pretty eyes.

“it’s okay. we don’t have to do anything-”

“but i want to,” you whine, looking determined. “don’t tell me after all of that you’re going to leave me hanging-”

he shuts you up this time, pressing a searing kiss to your swollen mouth. whatever you were saying turns into a sweet moan, one that he gladly swallows.

he listens intently, keen on remembering these noises forever. your hands stay pressed against his chest, your fingertips digging in around his pec.

when he pulls away to let you breathe, you sigh with contentment. 

jack sits up, smiling at your wide, eager eyes as you stare at his every movement. he sets his feet against the rug of your bedroom floor, his hands moving down to pull on the hard shell of his prosthesis, tugging until it’s fully removed.

you slide closer to him, leaning against his back, your arms resting against his as you watch intensely.

“can i help?” you ask, your eyes moving to meet his, and jack releases a rush of air—a breath he didn’t realize he was holding in.

“no, kid, i got it,” he says, turning back once he takes off the liner. his pants are next, his hands fiddling with the belt and the zipper.

you smile eagerly, excitedly, but he notices it again—your fingers playing with that necklace again.

now he knows what that necklace feels like against his lips.

“are you sure about this?” he asks again.

in another world, maybe you’d think it’s because jack’s having doubts. but in this one, you know he doesn’t. he’s trying to make sure that you don’t. 

“are you sure?” you repeat, bringing your bottom lip between your teeth and biting. jack hovers carefully over you, and you slink down into your sheets, until the two of you are lined up, bodies melting into each other.

“i haven’t done this in a while, kid,” he says, and you bite your cheek to hold back a laugh.

“that’s okay,” you whisper. “i’ll be gentle.”

you and jack both laugh, the quiet sound filling the space of your apartment. it feels unreal—jack hovering over you, his skin against yours, feeling the soft breath of his laugh against your neck.

you lean up, pressing a kiss to his nose. 

“you don’t know how long i’ve thought about this,” you admit in the form of a whisper. the confession feels bold, especially for you, but it seems like there’s no better time for him to know.

maybe, you think selfishly, if you tell him he’ll move. do something, anything, than tease you like this, without even trying to.

the thought is striking. jack abbot is too good at taking care of you.

“yeah, kid?” jack says gruffly, and you feel your body shudder under him. he takes himself in his hand, stroking gently, and then roughly, and it’s all you can do not to moan out loud—

“yeah,” you breathe, continuing on. “i couldn’t decide how it would be. gentle or-”

“always gentle,” he interjects. the words are in the form of a moan. that feeling returns to your stomach, hot and tight and winding up again. “always gentle with you—”

jack prods the thick head of his dick to the entrance of your cunt, moving it slightly up and down to collect your wetness. your eyes snap shut, mouth falling open at the sensation—unlike anything you’ve ever felt before.

of course it is, you think dumbly. how could anything, any stupid toy or your own fingers compare to this? 

you suck in a breath and it turns into a cry, one that comes out as jack’s name, as he pushes in just barely. even the tip stretches you open, a delicious, gentle burn that washes over your entire body. you feel it all over, your toes curling—

“jack, please, please-” you moan, not realizing that you had started begging. 

he thrusts the full length of his dick into you, and your moan turns into a scream. you hold onto his arms like they’re a lifeline, your eyes snapping shut.

your ears are still ringing from when he made you cum all over his tongue. this doesn’t help matters. jack is speaking to you, saying quiet things that you’re sure would make you lose your mind, but you can’t hear it right now.

all you can think about is the stretch of him. it’s unlike anything you’ve ever felt before, and stupidly, you wonder how you were ever satisfied by his thick fingers. 

he thrusts in and out, his hips brushing against yours with every turn. it’s all too much—the fullness and the way you feel him in your stomach and your chest and all over, your skin burning as his pace increases. 

jack leans down to give you another kiss, hot and wet, and you finally hear whatever he’s been saying—

“you’re perfect,” he says, the words a stuttered, pleasured grunt. “you’re perfect for me-”

your eyes shut tightly, soaking in the words. you didn’t even have to tell him, you think dumbly, he just knew. 

isn’t that what he’s always like? somehow, he always knows. whether in the hospital or your apartment or inside your very mind, at the core of your being—jack abbot knows.

you meet his mouth halfway, lips colliding as hot tears stream down your face. it’s all too much—the emotions that are lingering behind every word, how jack stretches you out, how he’s ruined you for anyone or anything else.

you don’t let him pull away from the kiss, demanding more while the pace of his hips gets faster and faster. the noise is just as obscene as you imagined—filling your room, the sound of your wetness and the scent of you and him combined in the air. 

you pulse around him when he pulls away—murmuring more words of praise for you, making your stomach tighten and your cunt clench around him. 

jack moves a little and you whine—he’s suddenly too far away for a kiss. but you can only linger on the thought for half a second, before you feel his rough fingers tracing circles on your overly sensitive clit again.

your legs jerk up, trying to kick against him, thrashing as much as you can from the position. jack’s body weight still holds you down, while he fucks in and out of you, his eyes singularly focused on where the two of you are combined.

“oh, jack—!” you cry out, the sensation of his fingers and his thickness suddenly too much. 

“come on, sweetheart. be good for me,” jack says, and that’s all it seems to take.

he doesn’t stop even for a moment, working you through it while your entire body tries to jolt up.

it explodes through you, a match lighting a flame that leads to a brilliant, hot blaze that burns through you. it’s almost painful, how sensitive your entire body feels, your cries and moans reduced to a throaty breath, panting while you try to regain your senses.

the senses remind you that jack’s still fucking you, your sensitive cunt spasming around him, clamping down in a way that you didn’t know was possible. 

“jack,” you repeat, the noise coming out as hiccup and a moan in one. he leans over you, bringing your lips together again. “jack, please-”

you beg, though you don’t know what you’re begging for. but just like always, you don’t have to say it for jack to know what you’re thinking.

your nails dig into flesh of his back and you feel it—jack’s hips start to stutter, and he buries his face in your neck. he says your name and over and over again, until it doesn’t even sound like a word anymore, and then—

“please, jack,” you beg. “i want to feel it-”

jack moans into your ear, his hips finally snapping almost painfully against yours, until you feel his body tremble. he finishes, hot spurts of cum filling you, making your eyes roll back in your head at the sensation. 

you can’t help but giggle when you feel jack’s body weight sink on top of you. it’s only a moment before he moves, but you think you could have stayed like that forever. 

he shifts the both of you until you’re nestled comfortably next to him, his thick arm wrapped around you, your eyes shutting again as he presses a kiss to your forehead.

the two of you stay like that for what feels like forever.

“i think it stopped raining,” jack says, and you sigh against him.

“can you stay?” you look up to meet his eyes. he doesn’t give you an answer just yet, pressing a warm, gentle kiss to your lips instead. you smile at him and he smiles back.

you lean your head against his chest.

“of course i can.”

“jack?” you ask quietly a few moments later, from your place in his arms. 

“yeah, kid?”

“do i still have to go back to the day shift?”

“no, kid. don’t worry about it right now.”

“okay,” you agree quietly. “jack?”

“yeah, sweetheart?”

“can you help me put up the black-out curtains?”