Her suffering was her armour. Gradually it became her skin. Then she could not take it off.
Jeanette Winterson, from Why Be Happy When You Could Be Normal
Cosimo Galluzzi

oozey mess
Stranger Things

Kiana Khansmith

JBB: An Artblog!

JVL
NASA
One Nice Bug Per Day

@theartofmadeline
Peter Solarz

shark vs the universe
Game of Thrones Daily
he wasn't even looking at me and he found me
Sade Olutola
h
will byers stan first human second
let's talk about Bridgerton tea, my ask is open
almost home
KIROKAZE

★

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@e-lana
Her suffering was her armour. Gradually it became her skin. Then she could not take it off.
Jeanette Winterson, from Why Be Happy When You Could Be Normal

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Noir academia
Lukasz Wierzbowski
Details, version II : The Dying Gladiator, 1799, by Pierre Julien. (Which is a statue, if you didn’t notice, and that would be easy to understand why.)

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I catch you.
“I will not be another flower picked for my beauty and left to die. I will be wild, difficult to find, and impossible to forget.”
— Erin Van Vuren
This…
The Touch
For months my hand was sealed off in a tin box. Nothing was there but the subway railings. Perhaps it is bruised, I thought, and that is why they have locked it up. You could tell time by this, I thought, like a clock, by its five knuckles and the thin underground veins. It lay there like an unconscious woman fed by tubes she knew not of. The hand had collapse, a small wood pigeon that had gone into seclusion. I turned it over and the palm was old, its lines traced like fine needlepoint and stitched up into fingers. It was fat and soft and blind in places. Nothing but vulnerable. And all this is metaphor. An ordinary hand -- just lonely for something to touch that touches back. The dog won't do it. Her tail wags in the swamp for a frog. I'm no better than a case of dog food. She owns her own hunger. My sisters won't do it. They live in school except for buttons and tears running down like lemonade. My father won't do it. He comes in the house and even at night he lives in a machine made by my mother and well oiled by his job, his job. The trouble is that I'd let my gestures freeze. The trouble was not in the kitchen or the tulips but only in my head, my head. Then all this became history. Your hand found mine. Life rushed to my fingers like a blood clot. Oh, my carpenter, the fingers are rebuilt. They dance with yours. They dance in the attic and in Vienna. My hand is alive all over America. Not even death will stop it, death shedding her blood. Nothing will stop it, for this is the kingdom and the kingdom come.
Anne Sexton

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I'm alone with you You're alone with me And I'm hoping that you will see yourself Like I see you
Missio
Kate Moss by Tim Walker for Love Spring/Summer 2013
Dear —
I am not land or timber nor are you ocean or celestial body, but rather we are the small animals we have always been. The land and the sea know each other at the threshold where they meet, as we know something of one another, having shown, at different times, some bit of flesh, some feeling. We call the showing knowing instead of practice. We seem to say, at different times, A feeling comes. What is the metaphor for two animals sharing the same space? Marriage? We share a practice, you and I, a series of postures. Here is how I become a tree [ ] and you [ ] a body in space.
Donika Kelly

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Though you weren’t mine You were my first love…