đ Stranger Pairs Discord (Stranger Things Rare Pairs)
Pretty Boy
Ongoing
Eddie Munson x Gareth Emerson
Mature
Gwen Emerson had been the angriest little girl any of her teachers had ever seen. And Gwen had known, just as certainly as she knew she wasnât a little girl, that sheâd love Eddie Munson âtil the day she died. Eddie⌠Eddie had been a lot less thrilled. Drabbles-ish of Gareth growing up, transitioning, and of course, being head-over-heels stupid for Eddie Munson.
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Polaris
Ongoing
Eddie Munson x Gareth Emerson
Explicit (All characters 18+)
The spicy missing scenes from Pretty Boy. A variety of gratuitous smut.
Like a Virgin
A Case of Body Language
Smokinâ in the Boys Room
Good For Your Pleasing
Tie You Down, Down I Come
Power in Your God's Name
My Heart's in Exile, I Need You to Touch Me (coming soon...)
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All Your Faith, All Your Rage
Ongoing (current hiatus)
Gareth Emerson x Chance; Eddie Munson & Gareth Emerson; Hellfire; Corroded Coffin
Teen
Gareth is relearning how to deal with high school after sudden hearing loss, and Eddie sees in him another little sheepie to rescue.
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Ten (coming soon...)
Eleven (coming soon...)
Twelve (coming soon...)
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Got My Fate Lyin' in Your Hands
Ongoing (current hiatus-ish)
Gareth Emerson x Barb Holland
Teen
Barb Holland feels invisible. Her best friend is pulling away for the popular crowd and a boy, and she knows she's being forgotten. Gareth Emerson just wants her to know he sees her... but first she needs to notice him.
One
Two
Three
Four
Five
Six (coming soon...)
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Ghost of You
Complete
Gareth Emerson & Eddie Munson
Mature
Eddie was so full of life, so full of fire, Gareth thought he was invincibleâuntil he wasn't. After the accident, Gareth can't let go. He's determined to talk to him one last time. The universe has other ideas though.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I don't want to be a responsible adult anymore. I don't want to keep endlessly saving for a down payment on a house I'll never be able to afford. I want to buy the mustang I've wanted since I was 8 because I found the exact one I want and I have the money to pay cash for it.
I do not, however, want to end up living in it, which is probably what will happen if my partner doesn't just off me over it.
Howdy so I found ur Gareth fics on ao3 and enjoyed em THOROUGHLY and they rlly resonated hard w myself so went to check out ur page and you are an archivist that is so goddamn cool and also what I am aspiring to be after college !!!!!!! This is so cool !!!! I hope you are doin well man I adore ur writing
What funny timing! I just logged in, and I'm so happy you loved them (and I'm so sorry I abandoned them. I kinda lost my free time when I got a Real Big Kid Archivist job.) Please, please, please feel free to come chat with me. I love helping new archivists navigate their way into a career and I love spit balling about fics. Also thank you for the nice comments you left! I just got the email. đŠľ
Howdy so I found ur Gareth fics on ao3 and enjoyed em THOROUGHLY and they rlly resonated hard w myself so went to check out ur page and you are an archivist that is so goddamn cool and also what I am aspiring to be after college !!!!!!! This is so cool !!!! I hope you are doin well man I adore ur writing
What funny timing! I just logged in, and I'm so happy you loved them (and I'm so sorry I abandoned them. I kinda lost my free time when I got a Real Big Kid Archivist job.) Please, please, please feel free to come chat with me. I love helping new archivists navigate their way into a career and I love spit balling about fics. Also thank you for the nice comments you left! I just got the email. đŠľ
I don't want to be a responsible adult anymore. I don't want to keep endlessly saving for a down payment on a house I'll never be able to afford. I want to buy the mustang I've wanted since I was 8 because I found the exact one I want and I have the money to pay cash for it.
I do not, however, want to end up living in it, which is probably what will happen if my partner doesn't just off me over it.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Quality
Anya is LIVE right now
FREE
Free to watch ⢠No registration required ⢠HD streaming
âYou donât have to know how to danceâ, Charles says, and he is so close that Edwin can make out the shadows each eyelash paints onto his face. If he had a breath still, the sight would take it. âI never learnt it either. Just move with the music, and I promise that if I spin you âround, I wonât drop you.â
_____
It doesn't take Charles forever to figure out the rest.
Watching Charles move is easy.
Maybe itâs the easiest thing in Edwinâs life right now; itâs definitely something that he hasnât only started recently, but something that he has always done.
Even before he knew what it meant.
Because it is so easy.
Everything about Charles seems to be in motion, like motion is what he is deep inside, bright and fluid and everywhere at once, because no place can hold him. None deserves to hold him, not for long.
Crystal once told him that Charles used his brightness, his smiles and his constant movement, to cover up all the pain in his past, but Edwin secretly disagrees: there is some of that, he can see that now, but thatâs not where it comes from. Where it comes from, that magnetism that ensures that everyone they have ever met grows to love him, is just Charles.
Just who he is inside, and who he always would have been, had they not tried to beat it out of him when he was still alive.
And love him, they do.
Crystal most certainly does, Jenny almost smiled at him two days ago, and even their new minder â who Charles insists on calling Charlie â seems to struggle to push down a growing affection towards him. She will lose, Edwin knows it for certain.
Itâs beautiful to see, because that is just what Charles deserves, and itâs⌠itâs difficult at the same time.
Or rather, it was a little easier when there was only Edwin who loved him.
Because love him, he does.
Looking back, itâs almost impossible to believe that it has taken him thirty years to realise it, that it took a crow-turned-boy to make him see, a cat king who couldnât keep his hands to himself, but oh, he loves him.
Loves him to a point where he almost feels like he has a heart again, because he thinks he can feel it beating, just like he thinks he can feel it stop when Charles touches him, smiles at him, gets out that new cricket bat they got and twirls it just to show off.
Loves him so much that he feels like itâs not only the reason why he was put on this Earth, but why he died, why he crawled out of hell and why he was permitted to stay here after all.
And looking back at it, it was all worth it for a single moment of watching Charles sing a Joan Jett song to himself, spinning in between his steps when he thinks heâs alone.
âIâm voting for the bloke who got mysteriously shanked at the Troxyâ, Charles casts in his lot, twirling a pen he is not writing with between his fingers. Heâs positively glowing in the warm, late afternoon sunlight.
âYou just want to go to a concert venueâ, Crystal interjects, raising a perfect eyebrow, before chucking a piece of nectarine at him.
Charles catches it effortlessly, of course he does, and tosses it right back.
They look positively domestic, sitting on opposite sites of the couch they got for their human co-detective, playing with fruit.
Edwin aches.
âSo what? Nothinâ wrong with having a bit of fun on the job, is there?â, Charles is grinning, looks over at Edwin, who tries not to notice that the brightness of his smile doesnât waver for a second. âCâmon, mate, back me up here!â
âIâm afraid that merely getting stabbed doesnât sound like something that would necessitate a supernatural investigationâ, Edwin answers, and even then, the light doesnât dim in Charlesâ eyes. âIâm sure the normal, living police is more than enough for that.â
âYou guys are no funâ, Charles whines and catches another piece of fruit from mid air. âAlso, Iâll have you know that the Troxyâs a nice place, people donât just get stabbed in there.â
âWell, apparently they do now.â
âCan you please wipe that smug smirk off your faceâ, Crystal hisses just after the bouncer waves her through the doors of the Troxy.
Edwin, who can only see the back of Charlesâ head, still knows that he absolutely doesnât.
âWhat, Iâm only happy to go and see a gig with my mates!â, he shoots back, and Edwin watches the little skip in his step, like he is dancing to a beat that hasnât started playing yet. âAnd do a bit of work on the side, of course.â
Itâs difficult to regret the decision to take this case, because Charles is glowing, has been since Crystal purchased the ticket to the concert this afternoon. Edwin does not know the act that will be performing and he doubts Charles does either, but that doesnât seem to matter for a second.
The other two bicker for a few more moments while Edwin tunes out of the conversation to check their surroundings â they are here on a case after all â until Charles spins around on his heels, looking at Edwin expectantly.
âWell, have you ever? Was that even a thing in your time?â
âExcuse me?â
âBeen at a gig, mate!â Charles spreads his arms like he is trying to show Edwin all the wonders of the world, his smile so wide it seems to split his face apart.
Edwinâs metaphorical heart gives out for a second.
âI havenât had the, uh, pleasure, yetâ, Edwin answers, even while he tries to avoid touching anything in his near vicinity. Itâs sticky, just looking at it.
âI wish I could tell you that I know youâre gonna love it, but I guess weâll have to see about thatâ, Charles tells him, half laughing, and Edwin finds himself smiling, too.
He knows heâll end up loving it, even if not because of the reason Charles is thinking of.
âJust let us enjoy, like, three songsâ, Charles all but begs when the show finally starts. âI swear, after that I will be good and I wonât complain at all when we go work. Just three.â
Crystal is holding onto the drink she bought earlier, but she doesnât say anything, just turns to look at Edwin. Who is powerless to do anything but nod.
âAces! Thanks, Edwin.â
And Charles slings an arm around his shoulders for a second, pulls him into an almost hug, before he turns back to the stage, leaving a cloak of warmth across Edwinâs upper back.
Music starts playing, but he doesnât really notice it, and why should he? Charles is cheering and clapping and moving with the rhythm, and even if Edwin cannot see his face, he can see the joy in him so clearly that it is burnt into the inside of his eyelids every time he blinks.
Charles is the sun, heâs radiance personified, heâs-
He turns around to face Edwin, the music temporarily stopped as the singer says some words into the microphone, and he extends a hand, palm facing upwards.
âDo you wanna dance? Shouldnât leave your first concert without having danced at least once.â Charles is smiling, but itâs different now, encouraging somehow.
It works, because Edwinâs body is moving before he knows it, hand reaching out to take Charlesâ like it is nothing when itâs everything instead, when itâs like he can feel the weight of Charlesâ fingers in his.
âIâm not a prolific dancer, Iâll have you knowâ, he mutters when Charles pulls him closer, even though chances are that Charles figured that out himself quite easily.
âDonât have to beâ, comes the answer, and Charles is so close now that Edwin can make out the shadows each eyelash paints onto his face. If Edwin had a breath still, the sight would take it. âI never learnt it either. Just move with the music, and I promise that if I spin you âround, I wonât drop you.â
Another smile, one that Edwin reciprocates, and then the band starts again and Edwin is still not listening to the music. Instead, he is trying to follow Charles when he starts swaying to it, distributing his non-existent weight from one foot to another.
It seems to be working because Charles laughs, head thrown back and happiness painted in broad strokes across his entire being, and puts a hand on Edwinâs side, like he is trying to guide him.
Like Edwin wouldnât follow anywhere he is going anyway.
âYouâre getting it!â, Charles shouts at him over the music, too loud and yet not loud enough, and then Charles is lifting their joined hands for everyone and no one to see, the hand on Edwinâs hip giving him a little push and Charles is spinning him.
Doesnât drop him, just like he promised.
Itâs silly and a little immature and it makes Charles laugh and Edwin follow suit; itâs wonderful and thrilling, and then Charles glances behind Edwinâs shoulder at Crystal.
Who he would rather be dancing with, of course.
But who has been to concerts before, and who might garner attention they do not need when being spun by an invisible hand.
Charlesâ eyes dart back to his, and his smile is the same, and Edwin thinks, thank you, thank you for this, and means it.
They donât find much, but for once, that doesnât matter too much to Edwin, because Charles keeps glowing for days afterwards.
Thereâs an extra spring in his step that carries him all the way up to the victimâs flat, where Crystal finds the clue that leads them to their rather unsatisfying explanation to their mystery: the brother of a mistreated ex-girlfriend, who saw an opportunity for anonymous revenge.
Itâs worth it, all of it, every time.
âBut if you havenât tried it, how do you know it doesnât work?â, Charles asks, partly incredulous, partly amused. âYou might be able to eat! Do you know how much I miss eating? What I would give for, letâs say, a day where I could eat again?â
Charlie, since she hasnât settled on another name yet, scoffs, and primly sits down on the sofa. âAs I have explained, I have no interest in trying any kind of sustenance that is offered here on the mortal plane. The thought disgusts me.â
Charles groans and flings himself back onto the armchair â they keep getting more and more furniture, it seems â so that his head is hanging off it, upside down, looking at Edwin.
âEdwin, Iâm right, yeah? You know that Iâm right.â
âHeâs rightâ, Edwin tells Charlie, and even upside down, Charlesâ smile lights up the entire room.
Itâs late at night, around four a.m., Crystal is asleep and Charlie hasnât shown her face in the office in the last few days, so itâs just them.
Nights like this are Edwinâs favourite â he has never spoken it aloud, but he suspects Charles knows anyway, might even feel the same occasionally â and they have become⌠not rare, but less frequent than they used to be, because Crystal has no established sleeping schedule and Charlie drops in whenever she feels like it anyway.
But, oh, Edwin has missed them.
They do not have an active case right now, will probably pick a new one come the morning, so it really is just them.
Charles is trying to balance a ball on his cricket bat, spread out on the couch he seems to enjoy much more than he wants to admit, Edwin has just picked out a new book after finishing his last one, and there is space left between Charlesâ feet and the armrest on the sofa.
Itâs not a choice Edwin makes, sitting down next to him.
Where else would he go?
There is enough room for both of them, and yet Charles lifts his legs when Edwin approaches, even though it means dropping the ball right into the hollow between his neck and chest. And he lets Edwin settle there, caught between the cushions and Charlesâ feet, as if it is the easiest thing in the world.
And really, it is.
Without thinking, Edwin rests one hand on Charlesâ ankle, fingers circling his leg, while he picks up the new book, a novel this time. Charles does the same with his ball, throwing and catching it when it comes back down a few times, before putting it back on the cricket bat.
Itâs familiar, itâs new; itâs how Edwin wants to spend eternity.
âWatcha reading?â, Charles asks eventually, after the ball has dropped another three times, and while being interested in Edwinâs reading isnât that uncommon for Charles, it startles Edwin slightly.
He glances over at Charles, who looks like he has been watching Edwin for some time, and shows him the cover.
âEast of Edenâ, he tells him for good measure, âa novel, for once.â
âEven though you donât have a friend to talk about them with anymore?â
Charles seems genuinely curious, and while Edwin does occasionally finds himself missing Monty and their conversations, it still seems like an odd thing to ask.
âOf course I have someone to talk to about them. I have you, donât I?â
Although it takes a moment, it makes Charles smile; he looks almost a little wistful and Edwin isnât sure if he likes that expression on his handsome face.
âWell, yeah. But itâs not like I can talk back about them, innit?â Charles tosses the ball again, catches it effortlessly, and maybe Edwin has to stop with the novels after all, because for a second he thinks, just like he has caught me every time I needed catching.
âI could read it to you, if you wanted me to?â
He doesnât expect much â Charles doesnât enjoy books like Edwin does â but Charles nods immediately, tosses the ball again, catches it, and looks at Edwin with a smile that fits his face much better.
âYeah, Iâd like that. A lot, actually.â
âI am telling you, this is something the police will be able to solve on their own, and if it isnât, they should most likely lose their jobs, because they are incredibly incompetentâ, Charles repeats for what feels like the sixth time, crossing his arms in front of his chest.
He just so stops himself from rolling his eyes.
Crystal has become a somewhat valued member of the detective agency, however, sometimes, it is like she simply doesnât want to understand what he is telling her.
âThey have been trying to solve it! For two weeks!â Crystal looks as exasperated as Edwin feels, which, at least, is some comfort. Maybe the frustration will make her more likely to give up her ludicrous idea of helping with a perfectly run-of-the-mill hit and run. âCharles! Back me up on this!â
For a second, Charles just looks between them, obviously amused, then he throws an arm around Edwinâs shoulders, squeezing him close to his side.
âSorry, Crystalâ, he replies, and Edwin can hear the smile in his voice, wants to trace it with his fingertips, âIâm with my best mate on this one.â
âYou wanna read to me again?â, Charles asks that same night after Crystal has gone to bed, lifting his legs to make room for Edwin.
As if he knew his answer already.
He does.
âI didnât think you enjoyed the story this muchâ, Edwin remarks as he settles down between the sofa and Charlesâ legs, reminded once more that this might be his favourite place in the world.
His hand finds Charlesâ ankle, only that this time, he touches not only fabric, but skin as well.
âItâs alrightâ, Charles replies, shoots Edwin a little smile. âIâm mainly enjoying you reading it to me.â
If he had still a heart to pump blood through his astral body, Edwin is certain he would be blushing, because of Charlesâ words, the sliver of skin pressing against his palm, or both.
Slowly but surely, it becomes a regular thing between them.
Once or twice, occasionally even three times a week, Charles will look up at him from the sofa, lift his legs in invitation, and say, âRead to me?â
And Edwin will slide into the best place this world has to offer, put his hand around Charlesâ thin, graceful ankle, and start reading to him about the Salinas Valley.
Things are quiet, for their standards, because they are approaching Halloween and the ghosts are preparing for it like the living do, perhaps more so, when Charles looks up from the strange tablet computer Crystal is trying to get them to use.
Charles, admittedly, is much better at it than Edwin, but at least in Edwinâs eyes, that was to be expected.
âThis might be interestingâ, Charles says and turns the device around so Crystal and Edwin can see. âA magicianâs assistant went missing during a show, her body was found half an hour later, but halfway across the country. And in two places. They have no idea how she got there, it should be impossible. Nor how she got cut in half. Sounds supernatural to me, doesnât it?â
Edwin scans the article for a second; it does sound interesting, sounds supernatural, butâŚ
âWe donât exactly have a client though, do we?â
âI know, but Iâm sure that if we find the ghost of that assistant, and she hasnât passed on yet, she would be interested in solving it. And it would be a proper mystery again, you love those.â Charles smiles at him, because he knows he has won already; Edwin does love those.
Slowly, he nods.
âGreat. Crystal? Youâre on board?â
This time, he needs to do no convincing at all, because Crystal is grinning already.
âOh, absolutely. Magical nonsense with an actual magician? Iâm so in.â
They take the train to Cambridge, where the body was found after disappearing in Manchester, and Edwin bites back every comment he might make about how much quicker it would be to travel via mirror.
His point still stands, of course, but Crystal is now part of the agency, and, mostly against his will, Edwin has started to grow fond of her. And more importantly, Charles has.
So they file into the small, dingy train wagon, where Crystal has booked not one, but three seats for them.
Itâs thoughtful, if not frugal, but as Crystal reassured Edwin when he brought it up, her parents have more than enough money and also owe her something for not even noticing when she disappeared.
It makes sense, in a way.
So they sit down, Crystal pulling out the tablet computer and a pair of oversized headphones, making it look like she is talking to someone over the internet instead of them.
Quite a clever disguise, Edwin has to admit.
âSo, I think the best plan of action is to first go to the site where they found the body. If the ghost is still on the mortal plane, then she might be hanging around. And if not, Crystal can maybe read something around the place, find out about what happened that way.â Charles says, and snatches Edwinâs spare pen right from his breast pocket to twirl it between the elegant fingers Edwin usually tries not to notice.
âAnd anyway, we are getting out of town for a bit again, and that by itself is pretty exciting, isnât it?â
Exciting might not be the word Edwin would choose, but he has to agree that a change of scenery is welcome.
He nods, while his gaze follows the motions of his pen, the flex of tendons under Charlesâ skin.
When he looks back up, Crystal is watching him with an expression he cannot quite place.
âI donât think I have ever been to Cambridgeâ, she finally says, although Edwin can hear the expression in her voice still. âSo, yeah, sure. Nice to see something else. How about you guys?â
âWe were there in, what? â92, maybe? Definitely in 2006â, Charles replies, not noticing the expression at all, but then again, it isnât directed at him. âThe case of the missing sledgehammer and the Coca Cola vending machine, and the one with the electric monk.â
âI would posture that the first case had more to do with the man that went missing, but otherwise, Charles, you are quite correctâ, Edwin replies, and he is not thinking about how they were back then, not wondering if, even twenty years ago, he had been this hopelessly in love with Charles.
He suspects he was, but he is too good a detective to allow himself to spend more time wondering about it, lest he lose himself in the question.
âThe electric â you know, all things considered, I donât want to know, just forget I almost askedâ, Crystal starts, then stops again, making Charles laugh.
âDonât worry, explaining the whole thing would take too long for this train ride anywayâ, he comments, âand I would rather just enjoy it. Havenât been on a train in a long time, have I?â
âAnd how does one enjoy a ride on the British National Rail? I donât think that has ever been done beforeâ, Crystal asks, but Charles just smiles.
âLike thisâ, he answers and turns around so he faces the window, settling back against Edwinâs shoulder to use him as a backrest.
The position is slightly awkward, doesnât seem like one in which Charles will truly be able to enjoy the view, so Edwin adjusts his body slightly, turning it towards Charlesâ back and puts the arm Charles is resting against over his shoulder, leaving it stretched out across Charlesâ chest.
Who grasps his wrist like Edwin does his ankle when he reads to him, holds onto it and settles back like they have done this a thousand times before.
They havenât, but Edwin allows himself the quiet hope that maybe, they will.
The expression doesnât leave Crystalâs face for the entire train ride.
They arrive at their destination, a street corner with a quite charming looking French restaurant and a church on either side. Apparently they had found half of the womanâs body in the courtyard of the church, the other half in some bushes across the street, but, as Crystal informs them while reading off her phone, without any blood around the pieces.
It is mysterious, and Edwin would be lying if he wasnât itching to solve the puzzle.
To speed things up, they split apart, with Charles and Crystal going to the church, where the top half of the body was found, while Edwin walks over to the small square on the other side. Finding the spot where they had found the corpse is easy enough; police tape is boxing it in and the bushes are trampled around it to the point where Edwin almost pities them.
He walks through them, grateful that the twigs and thorns cannot snag at his spectral clothing, but there is nothing to be found that the police, or their boots, have left untouched. And just as Crystal said, not a single drop of blood that would suggest someoneâs cleaved-in-half body had been left there just two days earlier.
It is disappointing until he hears his name called from behind him, Charles running up to him with his curls bouncing, his steps light and sure. Heâs a vision, just like he always is, and Edwin loves him to the point where it feels like it is splitting his body apart at the seams.
âEdwin!â, Charles calls out again and comes to a halt in front of the police tape. âWe found the ghost! And she is even willing to pay!â
Amina, as the ghost in question is called, turns out to be a woman in her late twenties, with long, dark hair and a faint German accent, wearing something akin to a 1920s cocktail dress which she had apparently died in, although there is nothing left to suggest she had ever been split into pieces.
âThis is Edwin, my partnerâ, Charles introduces him, and Amina gives him a smile that looks practice and sincere simultaneously.
âWell, you are a delightful additionâ, Amina comments, her voice deep and warm, one eyebrow elegantly arched.
âI strive to be, at leastâ, Edwin replies, âNow, can you tell us anything about what happened to you?â
âOf course. It isnât much, though. I was on stage, and we were about to perform one of our usual tricks. Nothing crazy, just your standard disappearing assistant. Arnold did his speech, like he always does, then I stepped into our little cabinet and he pulled the curtain shut, so I could get into the hidden compartment below the stage.â
She pauses for a moment, then adds, âActually, I only remember opening and stepping into it, not getting inside. And then I found myself here, in Cambridge, where we had been only a few nights ago with the show. Not too far from where we had been staying, actually.â
âSo you recognised the place?â
âAfter a little while. At first, I was just very confused.â She shrugs her shoulders, one of the straps that holds up her dress falling down; she doesnât fix it. âBut my grandmother was a medium and used to talk about ghosts quite a lot, so I caught on relatively quick, all things considered. I spent some time trying to figure our what had happened myself, but now you and your little trio of detectives are here, so at least I will be able to sort this out before I pass.â
Edwin has the distinct feeling that sheâd take a drag from a cigarette if she could, but like this she just stops talking, a moment of silence stretching between them.
âI tried to do a reading, but all that I could find out about this place and how Amina ended up here, is that she did. A flash of light and then there was a dismembered torso lying on the groundâ, Crystal eventually says, gesturing at the floor. âNot exactly helpful, is it?â
âWellâŚâ, Edwin starts, glances over to Charles and realises that they are thinking the same thing.
Charles is quicker.
âWhat colour did the light have?â, he asks and Edwin canât help but smile at him; Charles gives him the quickest of looks, one corner of his lips upturned.
âThe colour?â, Crystal asks back, a second slower than expected, âSort ofâŚ. green, I guess? Does that mean anything?â
But Charles is already looking at Edwin, the smile fully formed, and itâs in unison they say, âOh, yes.â
Itâs a spell, of course it is, but itâs more than that: itâs a portal, and a shoddily made one, too.
Edwin tries to explain, but he, quite honestly, doesnât have the patience for it, so in the end, Charles takes over.
Sits Amina and Crystal down and goes through it step by step: that the portal was done by someone who obviously didnât have the practice, that it worked well enough to transport half of Amina at a time, but not all of her, and that that is why there was no blood.
That the only question is if it was done maliciously or by accident.
âYour magician, the one you work with, is he, you know. A real magician?â, Charles asks, keeping his voice soft and sweet, although Edwin isnât certain Amina needs it.
For someone recently murdered, she is taking it in stride.
âOh no, it is all an actâ, she answers easily, âNothing but slight of hand, tricks, that kind of thing.â
âSo no way he could have created the portal?â
âI donât think so? And why would he want to? The whole point is that I come back after I disappear, so getting me here, cut in half, would defeat the purpose, donât you think?â She looks at them, one by one. âAlso, Arnold, he is a little bit of a dork, but he is kind. Has a bit of a crush on me, if Iâm being honest. Itâs⌠sweet. Or something.â
She smiles, almost pityingly, in a way that, if Charles had looked at him like this when he had confessed his feelings, would have broken the heart he doesnât have into the smallest pieces.
Edwin hopes against all hope that Amina never let her magician see that smile.
âOkay, so-â, Charles starts, and there is something wrong with his voice; when Edwin looks over at him, there is something off about his expression, too. Like there is something he wants to say but canât. For a second, their eyes meet, then Charles focusses back on Amina. âWeâll still talk to him. After all, it was his cupboard the portal was in. Anyone you could think of that might have wanted to harm you otherwise?â
Amina shakes her head, and Charles nods, but the smile he gives her looks almost frail.
Once theyâre on the platform for their train to Manchester, and Crystal has left them behind to get herself a few snacks for the ride, Charles suddenly turns to him.
âEdwinâ, he says, and there is an urgency in his voice that Edwin doesnât associate with it at all. âI just- you know that that is not how I think of you, right?â
âWhat?â
âLike Aminaâ, Charles tries to explain, and if possible, he sounds even more urgent, more intense. âI donât see you how she talked about her magician friend. Arnold. I never will. I never could. And I need you to know that.â
Standing there, he looks so earnest, so fierce, that Edwin wishes it still could take his breath away. Because it doesnât matter that Charles isnât in love with him, as long as he loves him like this: fully, completely, enough to be afraid that Edwin might be hurt by someone elseâs comments about a person he has never met.
He permits him himself a little smile, because of course, Charles would notice, before he puts a hand on his shoulder, squeezing.
âI knowâ, he answers and sees the tension wash out of Charlesâ form within a second, his gaze dropping as if he has to collect himself before looking at Edwin again. âI know you never would. I didnât doubt it for a second. Donât worry about it.â
âOkay.â Charles almost breathes the word instead of speaking; when he looks up at Edwin again, his eyes are dark and full of affection, full of gratitude Edwin isnât sure he deserves. After all, the only reason he knows it is because Charles has proven it again and again. âIâm â God, Iâm glad, I donât know what I would have done if you had ever thought it was like that with us.â
And he hugs Edwin to his chest, all that intensity, that urgency captured between two arms; Edwin sinks into it like he might not have permitted himself to a few months ago, and wishes he still had a sense of smell so he could breathe Charles in.
Their trip to Manchester is uneventful, Crystal munching on chocolate while listening to a podcast, and Charles looking out of the window at the scenery, this time, unfortunately not leaning back against Edwinâs chest.
However, like this, Edwin gets to see the joy bloom on his pretty face whenever they pass something that delights him in particular.
Because that is Edwinâs pastime: watching Charles.
He gets caught doing it, too, but then again, it doesnât feel like getting caught at all, since Charles just smiles at him when he notices Edwin watching, points out something in the fast-moving distance. A cow, maybe, a cloud formation that reminds him of something.
And then he turns back to the window, and Edwin goes back to watching him, the slope of his nose and the arch of his eyebrows, the sharp cut of his jaw. The darkness of his eyes and how they light up so easily, so often.
If he could, he would stay here.
Maybe not for eternity, but maybe a decade or two.
Neither of them has been in Manchester in a decade, so itâs like stepping into a new city when they finally arrive.
Charles takes off immediately, looking around the train station in wonder, but before Edwin can sigh and watch him, or maybe do the reasonable thing and follow, Crystal stops him.
âThere is something going on between you twoâ, she doesnât ask, just states, like she knows she is right.
Which, of course, she is.
Since it seems foolish to try and deny it, Edwin just nods. Doesnât know what to say, if she wants an explanation, or just to let him know that she has noticed.
âCharles has told me about hell and all thatâ, she continues, and again, Edwin nods; he figured as much. In fact, he is quite grateful for not having to do it himself. âBut it isnât trauma bonding, not that you guys would need any more of that. Itâs the way you look at him, the way he looks at you. Something has changed between you and I canât put my finger on it.â
âIt hasâ, Edwin confirms, and Crystal squints at him like she is trying to read him. âBut not to worry, itâs nothing bad. Just complicated, I suppose.â
His response draws a laugh from Crystal, her eyes sparkling with mirth and like Edwin has completely misunderstood her.
âOh no, Edwin, I know itâs nothing badâ, she replies, laughter still colouring her words. âI just wanted to know if you felt like telling me what kind of good thing it is, since Charles doesnât seem to.â
Finding the magician turns out to be easier than expected.
So easy, in fact, that they almost donât, because looking in the venue where Amina disappeared seems too on the nose, all of them agree, and just stop by because Crystal wants to do a reading for clues where he might be.
Which turns out to be the same theatre, sitting in the front row with his head in his hands, looking to Edwin like his shoulders are carrying the weight of existence itself.
âUh⌠hi?â, Crystal tries to introduce herself, and itâs like pulling at the strings of a marionette how fast his head snaps up, red-rimmed eyes staring up at her.
The Astonishing Arnold is a man in his thirties, hair dyed black and a little moustache over his upper lip, and he is devastated.
Itâs pain Edwin cannot comprehend, and hopefully never will have to, but one he can empathise with; it looks like he thinks losing Charles might feel like.
Without thinking, he turns his head, almost to make sure that Charles is still there, only to find that Charles is looking at him already, the same kind of understanding painted in bold strokes across his face.
This was no little crush, and that makes Aminaâs response to it so much worse.
âHelloâ, Arnold says, quickly wiping at his eyes. âAre you⌠lost or something?â
Crystal shakes her head and Edwin can see her make a quick calculation, decide on a plan of action. She is truly getting quite good at this.
âIâm here about Amina. Iâm a medium and I want to help.â
Her name is enough to draw a sob from Arnoldâs lips; Crystal glances over at them quickly and Charles gives her a thumbs up, a brittle-looking smile.
Sheâll take this one.
âI talked to Aminaâ, Crystal continues, âI want to help her find out what happened, so she can move onto the afterlife. She mentioned you and that she really cared about you. Said you were the kindest person she knew.â
Sheâs twisting Aminaâs words, but Edwin cannot blame her, not when Arnold looks so broken down by what happened, not when a lie might ease a little of his pain.
âAnd she said she knows that you have nothing to do with her deathâ, Crystal continues, âThat you would never do something like that.â
A tremor runs through Arnoldâs body, like an earthquake, a cosmic event, and then he drops his gaze to where he has clenched his hands in front of his chest. It looks like he is praying.
âThatâs where she is wrongâ, he finally says, and itâs a confession, itâs a plea for help. âBecause I did.â
It turns out to be a failed ploy to woo Amina, in the end.
A portal to transport her to a restaurant they had been meaning to go to back in Cambridge, the little French place on the corner, where a reservation and a bottle of chilled champagne was waiting for them. Arnold would join her after the show, with a bouquet of roses he had stashed away in his dressing room, to ask her to give him a chance.
âI knew she didnât feel the same wayâ, he admits, tears streaming down his face. âBut I thought maybe I could win her over. Iâve loved for so long, I thought maybe that could be enough, that I could love her enough for the both of us. And I figured, real magic, that would impress her. That would impress anyone, right?â
Only that Arnold had no experience with real magic, had only found a volume of spells on one of their trips by chance and had practiced on objects first, then small animals. It had worked, well enough that he thought he was ready to do this, without realising that while his portals were able to transfer the bunnies and birds that they kept for their shows from one side of the room to the other, they couldnât yet handle a grown woman and this much distance.
âIt was only after the show that I started freaking outâ, he continues and Edwinâs heart aches for him, more so than it did for Amina. âWhen I was preparing to go through the portal myself I found a strand of her hair, cut off, looking like it had been singed. Amina was always so careful with her hair, so I knew something was wrong. The portal itself looked different, too, like there was static running through it. I called her, because I know that she always keeps her stupid Apple watch on, even during the shows. We had so many fights about that.â
He sniffles, the ghost of a smile passing over his face at the memory, followed by a wave of fresh tears, most likely caused by the realisation that they will never have that fight again.
Crystal reaches into her pocket and hands him a tissue, and Edwin drops the hand he is holding his pen with for a moment, glad that his fingers donât have the ability to cramp any longer.
Yet, he shakes them out; when he stops, thereâs a hand reaching for his.
His non-existent heart seizes up in his spectral chest and he looks over at Charles, who is holding onto his hand, intertwining their fingers. Charles looks back, raising an eyebrow as if to ask, is this okay? and Edwin nods, although he isnât sure if itâs the right answer to give.
Not because he doesnât want to hold Charlesâ hand, but because he isnât sure if he will be able to concentrate on anything but this, now.
The notes, in any case, will have to be written later.
Arnold is drying his tears, and Charlesâ fingers are slender between his own, elegant and strong, and Edwin is trying his best to listen when Arnold starts speaking again and yet isnât sure if he succeeds.
âShe didnât pick upâ, Arnold says and itâs like his heart is breaking within the words, âOf course she didnât. And I started panicking, but I didnât know what to do. Go through the portal myself and try and look for her? Call the police? Drive to Cambridge? Before I decided on one thing, I got a call and they told me they had found her. Gotten my number from the stupid Apple watch.â
He shakes his head, like he is still not sure how to process any of this; in his lap, his fingers are tearing the tissue apart, bit by bit, but Edwin isnât sure that Arnold even notices.
âI tried to confess to the policeâ, he continues, every word a sob, âBut what was I supposed to say? That I created a magical portal to take her to dinner, but instead ended up cutting the woman I love into pieces? They would never have believed me. I wouldnât believe me, if it hadnât happened to me.â
There is a pause, and Edwin can see that Crystal is trying to find the words to say something, but Arnold beats her to it.
âWhen you see her again, tell her I am sorryâ, he asks Crystal, no, begs her. âTell her I never meant for this to happen. Tell her⌠tell her I love her.â
Another wave of tears and the fingers around Edwinâs hand tighten; when Edwin looks over, there are tears in Charlesâ eyes too.
âI willâ, Crystal promises, and Edwin hopes that something so small can be enough.
In the end, they donât tell Amina anything.
Instead Charles brings her to Manchester via mirror, where she crouches down before the man that loved her above all else, and there is pity in her eyes, but genuine affection, too.
âTell him⌠tell him itâs okayâ, she says softly, and reaches out to hold his clasped hands in hers. âTell him I forgive him. And⌠even if I am not sure if itâs the truth, tell him I would have said yes.â
Walking back to the train station afterwards is a quiet affair, each of them lost to their own thoughts, until Crystal stops them between the bustling crowd, the cafĂŠs and stores.
âYou two go ahead without me. Use the mirror to get backâ, she tells them, âI could use some time alone after all this.â
âAre you sure?â, Charles asks, trying and almost failing to give her a smile. âWe can be quiet.â
âYeah, I really am. Iâll see you in a couple of hoursâ, she says, and squeezes Charlesâ shoulder like Charles had held onto Edwinâs hand; to make sure he is okay, to let him know that she is. âAfter I have eaten my weight in Greggâs sausage rolls and Cadbury crème eggs.â
The agency is quiet, almost empty, without Crystal here, and it is a strange thing to realise.
Before Edwin can contemplate what it means, Charles has flung himself down onto the couch, looking up at Edwin with wide, hopeful, beautiful eyes.
He lifts his legs a fraction, and Edwin knows his answer, the same answer as always, before he has heard the question.
âRead to me?â
âHe followed the Rio Grande past Albuquerque and El Paso through the Big Bend, through Laredo to Brownsville. He learned Spanish words for food and pleasure, and he learned that when people are very poor they still have something to give and the impulse to give itâŚâ, Edwin reads, aware that this time, Charles is doing nothing to keep his hands occupied.
Heâs just lying there, his feet in Edwinâs lap, listening.
If it means anything, Edwin isnât sure what it is.
âI wish I could fall asleep like thisâ, Charles interrupts him, smiling softly when Edwin looks up from his book. âIt would be nice, listening to the story and your voice and just drift off.â
Edwinâs fingers tighten around his ankle unwillingly; Charles must notice it, if he doesnât, then he at least hears the warmth, the heaviness in Edwinâs voice when he answers.
âDo you want to pretend to? Iâll keep reading, but you could close your eyes.â
âYeahâ, Charles replies after a moment has passed, and a bit of the light that has been missing in his gaze returns. âThat sounds really nice, actually.â
And he settles back, letting his eyes flutter shut, and Edwin continues reading.
âHe developed a love for poor people he could not have conceived if he had not been poor himself. And by now he was an expert tramp, using humility as a working principleâŚâ
Crystal returns a few hours later, when the sun has long since set.
They are still on the couch, positions unchanged, but Charlesâ eyes are closed and the blanket Edwin had thrown over them earlier is concealing where Edwinâs thumb is brushing circles against the thin skin of Charlesâ ankle.
She doesnât say anything, just looks at them for a moment, then sits down into the armchair and lets her head fall back against the cushions.
Edwin continues reading.
Itâs morning, but just so, the first rays of sunlight forcing their way through the clouds.
A few days have passed since Aminaâs case, and slowly, they seem to be getting back to themselves, which is why Edwin looks up from the book he is reading â by himself, this time â and asks, âWhy didnât you tell Crystal about the confession?â
Charles keeps his eyes on the tablet computer for a few more seconds, then glances at Edwin, shrugging his shoulders. Heâs only wearing a shirt, his jacket discarded on the armchair, and somehow, it makes every motion even more distracting.
âWasnât my story to tell, was it?â, he replies easily, like he never even considered it before. âDidnât know if youâd want her to know, either.â
Edwin isnât sure about that himself, but he knows that he wouldnât have blamed Charles if he had told Crystal. After all, he deserves someone to share his feelings with that isnât Edwin, even if it hurts a little to admit that.
It was just the two of them for so long, is all.
âI wouldnât have minded itâ, he says, and Charles chuckles a little at that, sets the tablet aside.
âNot minding and wanting something are different things, though. Do you want me to tell her?â
âIâm not sureâ, Edwin replies, then considers it for a second longer. âI do, if it would help you.â
âHelp me? With what?â
There is genuine confusion written on his face, and Edwin canât help but smile at him.
âAs I have gatheredâ, he replies, âit is considered helpful to talk to oneâs friends to solve a problem.â
A pause, then Charles laughs, a soft, sweet sound that makes very little sense in this particular situation.
Until he says, his voice so warm and so full of affection it makes Edwin tingle all over, âEdwin, mate. Your feelings have never been a problem. Not to me.â
They find another case a few days later, a simple one.
A missing necklace that is supposed to be given to a daughter, like it had been given forty years ago to their client.
Crystal finds it easily, hidden behind cracks in the floorboards, and when blue light starts glowing behind their client, Charles reaches out and takes Edwinâs hand in his.
Not to make sure that he is okay this time, Edwin thinks, but just to hold it.
By now, they have made it through almost half of East of Eden; sometimes Crystal joins them, but today, itâs just Charles and him.
âYou knowâ, Charles says in the pause between two words, which is a surprise, because Edwin thought he was pretending to sleep. His eyes are closed, after all, and Edwin has gotten him a blanket to cocoon into twenty minutes earlier. âSometimes it reminds me of dying, you reading to me like this.â
The words are a slap to the face, delivered in a warm, relaxed voice.
âOh. Oh God, if I had known, I wouldnât have- â, Edwin stutters, trying to stand up, but Charlesâ eyes fly open, his hand reaching out to hold Edwin in place.
âNo, no, no, this is brills, thatâs not what I mean at allâ, he says quickly, sincerely, and Edwin settles back against the cushions, still unconvinced.
âI didnât really think about how that would soundâ, Charles chuckles, scrubbing a hand across his face. âSorry for that. I just⌠I guess, dying isnât that bad a memory for me. Sure, it sucked, it was really cold and kind of hurt, but you were there. Talking to me. Reading to me. And, to be honest, I hadnât felt that⌠not-alone for a long time prior to that. So, yeah, this reminds me of dying, because dying wasnât that bad. And probably the most important thing I ever did in my life.â
He gives Edwin a smile that would heat up his cheeks, if he still had the ability to blush; like this, it just makes warmth bloom in his chest, where his heart would be.
âYou dying isnât that bad a memory to me eitherâ, he confesses, something he has felt a certain amount of shame about until this very moment. âI didnât want you to die, of course, but if you hadnâtâŚâ
His voice trails off, because he cannot bring himself to say it, not sure if it would be too much, but he doesnât have to.
âThen we wouldnât have thisâ, Charles completes his sentence, sitting up so he can grasp the hand Edwin had been holding the book in, squeezing it tightly. Like he doesnât want to let go again. âI know. Seems worth it, to me.â
Another smile, utterly sincere, then Charles settles back against the cushions.
âAnd thank you, for letting me stay.â
The door opens, and Crystal steps out of the room Charles dragged her into a few minutes earlier.
Something about her expression is conflicted, unreadable, but when she sees Edwin watching her, her eyes soften, even if the struggle doesnât disappear.
One, two steps, then she stops and looks at Edwin.
âGood for youâ, she finally says, and even if Edwin doesnât know what she is referring to, he knows she means it.
âWanna come upstairs?â, Charles asks, rocking back on his heels. âLook at the stars for a bit with me?â
It wasnât how Edwin intended to spend the evening, since they have a new case and he should do some research, but Charles looks at him with a ghost of a smile on his lips, hope in his gaze, and Edwin loses the battle before he has even decided to fight it.
âOf course, he replies and closes the book without noting where he stopped reading.
If he could feel, the night air would be crisp and fresh against his skin. Like this, itâs just clear, lets the stars shine brightly against the darkness of the sky.
They used to do this more often, back when they first set up the agency; why they stopped, Edwin cannot quite say. Because itâs nice up here, the sounds of the busy streets mostly muffled, just enough space for the two of them.
Itâs intimate, itâs theirs, and Edwin hadnât even realised that he missed it.
Charles is standing with his back to him, fussing around with something, cursing under his breath, so Edwin cranes his head back to see more stars.
Long ago, he learnt the names of the constellations over London, but right now it seems difficult to recall a single one.
Before he can remember, a note rings out, strange and unexpected, and when Edwin looks down to find the source, Charles has turned around, Crystalâs Bluetooth speaker glowing with a dim, purple light behind him.
Heâs playing music, and it makes Edwin smile, even if he doesnât recognise the song, because, of course, Charles would want to have something playing in the background to watch the stars.
âItâs the band we saw back at the Troxyâ, Charles explains, and he looks nervous, almost. Hands clasped together in front of his body, fingers tangling and untangling, the smile on his lips bearing an edge Edwin isnât familiar with. âYou know, the stabbing case. I thought, maybe you would like to dance? The song is the same, even.â
His gaze drops and when he looks up at Edwin again, itâs from beneath his lashes; itâs enough to set Edwinâs immortal soul aflame.
Charles has always been beautiful, Edwin had known that since the first moment he had set eyes on him, but he looks ethereal now, a painting, a statue carved in marble and gold.
He nods, because he doesnât trust his voice, and Charles smiles so wide itâs blinding.
Ducking his head once more, he steps forward and takes Edwinâs hand in his, puts the other one on his waist, and although they have only done this once before, it feels like like it is their rightful place.
It feels like coming home.
Edwinâs other hand settles on Charlesâ shoulder, and it feels so easy to start swaying in time with him, shifting his weight from one foot to the other so he can continue to look at Charles, who is looking back so openly, like he wants Edwin to read every single of his thoughts, his feelings.
He canât, but that doesnât mean he isnât trying.
âIt might sound a little sillyâ, he finally says, and Edwin wants to kiss the words out of his mouth, wants to listen to his voice for the rest of time, âbut I never thought about this. Never considered it. Iâm not sure why, but in the end, it doesnât matter, does it? Because I love you. Iâve always loved you. Ever since you read me detective stories so I wouldnât die alone.â
He smiles and Edwin is combusting, heâs being torn apart, heâs bubbling over with happiness and with love and with gratitude to be here with Charles, to have gotten the privilege of knowing him, loving him.
âYou know when I said we would have forever to figure out what the rest between us meant?â, Charles asks, and Edwin nods, speechless. âI donât think weâll need that long. I think Iâve figured it out already.â
And he leans in, slowly, like this is a moment he wants to savour, and kisses Edwin with so much love, so much devotion, he can feel reverberate through every part of his soul.
His hand slides from Charlesâ shoulder to cup his face, and Edwin was wrong before.
Because this is its rightful place.
There needs to be a manual for how to transition your name during a job search. I just heard back from a job I applied to with my dying-name (not dead yet...), right after getting the confidence to change my whole LinkedIn and shit to my name.
And idk how to tell them that's not my name, especially since this isn't a like, "oh, I applied as Carolyn and go by Carrie" type of change. This is going from a derivative of my legal name to a chosen name and will absolutely out me (or like, appear to out me even if that *wasn't* the case.). đ
It's been a year of working at the place that called me back and literally no one batted an eye when I said "I know I applied under this name but my name's Dylan. Could you please let my new manager know?" So that's cool.
It's the happiest time of the year--when my mother, once again, tries to buy me a subscription to a sociopathic "diet" program as a gift and tries to convince me I would feel "more feminine" if I lost weight. Mother, I wasn't a girl when I was 130 pounds and mostly tit, let me be fat.
I just saw someone say AO3 is âgay teens writing gay shitâ and I have no idea how to tell you that most of the writers you love so much are adults.
frrrr i look at the notes and the author is always like "sorry for the late upload!!! it's my 10th anniversary and my husband took me skydiving đĽłđĽł plus i've just finished my third phD!! anyways here's 30k"
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I don't get why it's really hard to get people to agree to hangout with me. I know I'm Weird but so are all the people I consider friends. My Weird Kid senses are tingling like everyone else is in on a joke and I'm not but like... I dunno I had a spare ticket for a concert because A Friend could come with me because I think I have friends and I have spent the week asking different people and being told no and I feel very stupid indeed for naively getting a second ticket and thinking someone, somewhere would want to spend time with me.
Summary: Eddie was so full of life, so full of fire, Gareth thought he was invincibleâuntil he wasn't. After the accident, Gareth can't let go. He's determined to talk to him one last time. The universe has other ideas though.
Rating: Mature (no sex, just a lot of death and heavy themes)
WC: 2,142
Warnings: Death, car accidents, grief, underage drinking, the occult
A/N: Your probably-not-local death witch advises you to not ouija and drink, but if you're gonna be stupid, you'd better be tough! But seriouslyâif you do wanna mess with occult shit this spoopy season, do your reading first.
It started with a ouija board. It was something stupid Eddie had picked up from somewhere and insisted they all try to summon a spirit in Garethâs parentsâ basement. Gareth, who was fourteen and worshipped the ground Eddie walked on, had hesitantly agreed to lay his fingers on the planchet that night at Eddieâs urging, even when Jeff and Kevin wouldnât. Nothing had happened. The planchet hadnât moved, the candles hadnât flickered, and eventually, they gave up and moved on to arguing about what slasher film they were going to watch. The board had stayed in the basement ever since, forgotten.
But then Eddie died. Freak car accident, that was all. Heâd seen a dog in the road, and Eddieâwho couldnât even bear to kill a flyâkilled himself avoiding it. So goddamn stupid, a waste of a young life. Gareth was so angry with him for swerving. So goddamn angry with himself for letting Eddie leave his house so late when he should have just stayed over. But Eddie had been twenty and full of life and invincible. Until he wasnât. At least angry was better than numb. Angry was familiar.
But Gareth couldnât hang onto his anger forever. At some point, just as the numbness gave way to anger, the anger gave way to loneliness. Gareth was missing half of himself, torn asunder and bleeding scarlet and messy over everything in his life. He snapped one too many times like a scared stray dog at Jeff, and only months laterâwhen grief finally let Gareth up for a breath of air before plunging him back into the black, tumultuous pain to drown againâdid he realize he couldnât remember the last time his friends had come around to try and drag him to the surface for a little while.
So it started with a ouija board, and Gareth stumbling down the stairs to his parentsâ basement, drunk on the contents of their liquor cabinet and wanting answers. Why did Eddie insist on going home? Why did he swerve? Why did he leave Gareth? Why did he leave Gareth. Why, why, why.
His hands are trembling too hard with alcohol and grief to even attempt to light the jar candle heâd found upstairs with the lighter Eddie had forgotten in Garethâs room some unknown day. So he sits in the darkness, fingers poised on the planchet the way Eddie had shown him and he waits.
He waits because he doesnât know what to say. He knows heâs supposed to say something, thereâs a ritual to open the session or something, but he canât remember it. So itâll have to do, Gareth and his grief in a dark midwestern basement, wordlessly crying out to anyone who is listening to bring Eddie back to him.
âEddie? Are you there?â Garethâs whisper breaks the silence, surprising him, as if he hadnât given his tongue permission to speak.
Nothing happens. He didnât know why he was expecting anything to happen. Nothing happens, but then Gareth swears he can feel the planchet stir beneath his fingers. Itâs a subtle thing, like the way his sisterâs cat stirs ever-so-slightly as it dreams before settling back into a deep sleep. He canât even be sure he felt it.
âEddie?â He gasps, âEddie, is that you?â
Hesitantly, as if someone or something is struggling hard to make progress, the little piece of cheap plastic scrapes toward one corner of the board. Upper right. Gareth knows thereâs something in that corner, but he canât remember what it was and he canât see the board in the darkness.
âEddieâEddie, hang on. I canât see. I gotta let go to light this fucking candle,â Gareth says to the empty basement.Â
He feels sober now, hands sure as he flicks the striker and depresses the button of the white lighter. Once the candle is lit, scenting the air with warm apple spice, Gareth looks back to the board. The planchet is still resting where heâd last felt it, the tip of it pointing to a wreath-ensconced NO.Â
Oh. His heart crashes back to the bottom of the pit inside him. But⌠someone is there. Someone pushed that planchet and his shaking fingers. Gareth shakes out his hands and touches the planchet again.
âOkay, Iâm listening. Who are you?â
Gareth painstakingly follows the gentle nudge of the plastic pointer against his fingers. He canât explain the sensation but it feels⌠alive. Weak, but alive and struggling against the tips of his fingers to herd them in a direction. So he lets it. It crosses the board and wavers between A and B as if it canât pick one. It finally jogs right, then left, before setting off across the board again. The journey ends back at the B. Garethâs waiting for it to continue, but it feels like the lifeâs gone out of the planchet. He plays back the letters in his mind, pushing their shapes into phonemes his mouth knows.
âBarb? Is your name Barb?â Gareth asks softly.Â
He knew a Barb. Sheâd been close to Eddieâs age. She drowned, back in Garethâs freshman year. Her mom had called her Barbie, and sheâd liked pink, and Gareth would never forget her motherâs horrible scream when the first clods of dirt bounced off the lid of Barbâs coffin as they buried her.
The planchet feels alive again beneath his fingers, the subtle, electric feeling is back as it inches its way to the upper left corner. Gareth doesnât even need to look to know what it says. YES.
âAre you⌠is your name Barb Holland?â
The planchet starts its journey towards the other corner, but it stalls somewhere midway between the two, wavering. It starts back towards YES before pausing, and then dragging towards NO, only to freeze again. Gareth watches it sympathetically.
âYou donât know, do you?â He whispers, heart breaking all over again for this person whoâs lost who they were. The planchet flinches towards YES, so he takes it as an answer. It must be hard to move it.
âItâs okay. Do you know if you⌠did you drown? Is that how you got here?â
Again, the planchet wavers midway between answers, trembling as if distressed. Gareth eyes the candle from the corner of his eye, observing quietly as the flame flutters. Donât know.
âYouâre okay. It doesnât matter, Barb.â He murmurs, looking around the darkness of the basement as if he could see who was there with him.
âIâm trying to find my friend, Eddie. Heâs⌠I donât know how this worksâif you can see him, I mean. But heâs an idiot with long, dark, curly hair and a stupid smile and heâs my best friend and he left me.â Gareth wasnât sure when the tears started, but they were coursing down his face now as he blathered on to a dark and empty basement. He chokes on a sob, âYou havenât seen him, have you?â
The pointer slides slowly to NO, but continues on to spell out S-O-R-Y, which gets the point across. Itâs a little hard to indicate a repeated letter this way.Â
âIf you see him, will you tell him Gareth is looking for him?â He pleads. He should feel silly, asking a dead girl for a favor but Gareth will do anything, no matter how silly, just to talk to Eddie one last time. The planchet slides to YES, but itâs slowing. Gareth can feel the heaviness of it.
âYou canât stay, can you? Youâre getting tired,â he realizes aloud. The pointer weakly stirs over YES again. âOkay. Okay. Um, Iâll let you go.â
He winces at himself. Iâll let you go, as if itâs a phone call.Â
âGoodbye, Barb.â
Gareth waits for the planchet to move again, but it doesnât. Heâs left sitting there, the candlelight holding back the darkness, staring at a piece of dead plastic. Reluctantly, he folds the board back into its box and snuffs out the candle. He doesnât quite know what to make of what he accomplished tonight, but he feels⌠a little less alone.
It takes Gareth another few days to gather up the courage to try again. In the moment, heâd felt calm, but as soon as heâd packed away the board, blown out the candle, and crawled into his own bed, Gareth had a panic attack. Heâd talked to a dead person. He doesnât really know how it all worksâif he can only contact spirits who died nearby or if itâs kind of a generalized pool of dead people waiting to answer like some great spectral call center sort of thing, but Gareth thinks he was talking to Barb Holland. He has no evidence that it was her, but he can just feel it. Gareth had talked to a girl thatâs been dead for three years. That was worth panicking over.
This time, he lights the candle first, then sits cross-legged on the floor with a bottle of vodka and takes a pull from it as he finds his courage. He thinks maybe being drunk had helped before, so heâs just trying to replicate what he did last time. Science is about being able to get the same results the same way twice, right? He also thinks that someone told him that one needs to take notes for it to be science, but he doesnât dare write down what happened to him a few nights ago. It takes him another drink and a few more minutes to finally psych himself up enough to lay his fingers on the planchet again, but he does. And then he waits.
Once again, nothing happens. Gareth is annoyed before he remembers what he did last time. His whisper is still shaky as he addresses the darkness just outside the ring of light cast by his lone candle.
âEddie, itâs Gareth. Are you there?â
Itâs an agonizing few moments before Gareth can feel the planchet come to life under his fingertips. He bites back a sob when the pointer slides to the upper right corner of the board. He wills down the tears, though, and clears his throat.
âOkay, whoâs here, then?â
Once again, the plastic piece struggles across the surface of the board, but Gareth is trying so hard to make sure he doesnât interfere. B⌠A⌠B... A... It lingers for a moment and Gareth can practically feel it trying to make a decision. It must, because it slips to R and then goes still. Gareth waits politely to see if thereâs anything else they want to say before speaking.
âBarb? Is that you?â
The planchet staggers like a drunk, weaving its way towards YES. It feels like thereâs a question mark thatâs unspoken, though. Before he can say anything else, it makes a firm little circle around YES and then starts to spell again. B-A-R-B-M-E-B-A-R-B-M-E-B-Aâ
âWhoa, whoa whoa. Itâs okay,â Gareth murmurs, applying just enough pressure to still the pointer, âYouâre Barb. Got it. Hi, Barb.â
The pointer hesitates, before slipping to HELLO. Then it moves to the G and hovers there expectantly.
âYeah, itâs Gareth again. You remember me?â
It doesnât move. Then, it gets caught, jerking somewhere between YES and NO. She doesnât know.
âOkay,â he soothes, âItâs okay. We talked a little a few nights ago, but we didnât say much.â
E-DâŚY. Gareth perks up, his heart leaping to his throat. Did Barb find Eddie? Was that Eddie? Did she bring Eddie to him?
âEddie? Yeah, we talked about Eddie. I asked you to tell him I⌠I needed him if you saw him. Did you? See him, I mean.â
NO. S-O-R-Y. Gareth deflates. The pointer begins to spell again. S-O-R-Y-S-O-R-Y-S-O-R-Y-Sâ
âNo, no, no. Itâs okay, Barb. Itâs okay. Iâm⌠I just miss him. Iâm sorry,â Gareth says softly, âThat was a lot to ask.â
The pointer rattles a little under his touch, but it isnât him thatâs moving it. Suddenly, itâs practically yanked out of his hands as it zips across the board, spelling out her message.
H-E-L-P-M-E-H-E-L-P-M-E-H-E-L-P-M-E-H-E-Lâ
Just as suddenly as it started, it stops. The pointer feels abandoned, like heâs the only one there now.
âBarb? Are you okay? How can I help?â Gareth asks in a worried voice. His palms are clammy and he can feel goosebumps rising on his skin. He hates how it feels. âBarb? Are you there?â
He waits a painfully long time before he realizes sheâs gone. That burst of frenetic energy mustâve burned her out. He slides the planchet to GOODBYE.
âBye, Barb,â he whispers into the night.
Back in his bed, Gareth still canât shake the fearful twisting in his gut. He tries the techniques Ms. Kelly taught him to deal with the panic attacks, to no avail. Finally, it hits himâheâs not afraid for himself, heâs frightened for Barb.
Y'all. This spring, my water heater went out, so I had to scramble to clean the garage so we could replace it, which meant I had to tackle my room boxes of shit I've been lugging around for years without time to properly pack them. I had about two dozen dump boxes of just.... everything in my childhood bedroom I wanted to keep when I was disowned. I haven't looked in these boxes since I was 19 and sobbing as I tried to just like.... get it all dealt with. Anyways. Doom boxes. I didn't have time to really go through them bc as I said, I had no hot water, but I made some snap judgements on stuff like hard drives and photos.
I just found my high school iTunes library on one. All of it. Every photo I took in high school. A photoshoot one friend staged for her class that was an "engagement" shoot between two more friends who ended up getting married a few years later. Homework. The website files from the site I built for my band. My senior photos. Songs I wrote.
Half a decade of material I thought went the way of MySpace. It's my own lil time capsule!
Hi, Tumblr. My reach is small and I am but a poor archivist who can't afford Blaze, so please boost this.
Author's note: I hate to have to add this, but cultural heritage is inherently political and this made it to TERFblr somehow so... The author is transmasc. Go get your own archivist to teach you if you're gonna be like that.
The west coast of the US is flooding, and while it might seem unimportant in the face of people dying, getting stranded, and being without power, a lot of people are also going to lose personal history to flooding. This gets talked about a lot in the context of hurricanes, but we should all know what to do to save our pictures and documents, too.
FEMA has a good cultural heritage rescue guide here: https://www.fema.gov/disaster/recover/save-family-treasures
You can contact emergency conservators for advice here: [email protected]
The Northeast Document Conservation Center is also invaluable: https://www.nedcc.org/free-resources/preservation-leaflets/overview (check out the Emergency Management section)
Knowing what to do before it happens is crucial to actually saving things. Read this stuff now! Like to save! Bookmark it! Screen cap it! Idc but keep it handy (and remember you might not have online access when you need it)!
The FEMA guide does a really good job at explaining how to dry things, but the basics are:
Separate, separate, separate. While it's still wet if you can do so without causing further damage. Salvage color photos before black and white, paper backing before plastic film. Pre-gelatin silver (black and white on paper) photographs (collodion, ambrotype, cyanotype, etc.) get priority, but most people don't have those. Remove items from frames of they show signs of water damage. Take off dust jackets, unfolder documents, etc.
Rinse with clean, bottled water if there is mud or other debris. Use a dish pan, fill it with a little water, and slip photos in carefully for a short little bath. Dip, dip, dip if you need a little agitation to remove mud, but don't wipe or swish (unless it's REALLY stuck and you're okay with the possibility of damage). Change your water often, and try to avoid agitating things or touching the image side. It is recommended to hold books closed to protect the textblock from more water when you rinse. Obviously, don't soak things. Photos are probably your most fragile material and can be submerged for up to 48 hours before it gets really hard to save them, so you don't want to add to that time.
Spread it all out. Get creative with how you keep things apart. Hang things if they can take the strain, but remember that the corners are the weakest points of paper and photos. Books can be tented on clotheslines if the binding is still sturdy (pages aren't coming loose. If they are, see the next point)
Interleave books with paper towels every 1/4 inch of pages or so. If you can, fan them out and stand them upright. Change the paper towels as they get damp (and idk, use them for cleaning tasks. Shit's expensive)
Get air moving. Indirect airflow from a fan is best. Avoid fluttering. I face my fan into a wall or upwards to diffuse the air flow.
Some staining is likely. Dried mud can be brushed from paper like book textblocks but shouldn't be brushed from photographs, so rinse photos first.
Photograph materials while they're wet and still intact. If you should lose something while salvaging, at least you have a photograph of it so it's not lost forever.
If you cannot dry things immediately, wrap individual items or small clumps that are stuck together in wax paper (ideally. Parchment can work, plastic wrap or ziplocs if you have to) and PUT IT IN A FREEZER. Not an ice chest. The goal is to freeze the water, and ice chests will soak it. Freezing buys you time. It halts water damage until you can deal with things. When it's time to dry, unwrap your items and allow them to fully thaw before even thinking about separating them.
If you find mold, quarantine those materials in sealed plastic bags and freeze. You need professional help. It is not worth getting sick because you tried to clean mold without appropriate protection!
ETA: These techniques also work on that book you dropped in the bathtub or spilled a soda on, just sayin'.
Again please feel free to share this! Fellow conservators, GLAM professionals, or those who have been there, done that, feel free to add to this! Thank you!
Edits:
This was hiding in the tags and is also a good practice! Preparation is key to reducing damage. Which reminds me--store the good stuff on your highest shelves. It won't help in cases like Hurricane Katrina, but a minor-to-medium flood probably won't reach!
Side note, is anyone interested in more content like this? Maybe like, personal archiving tutorials? Topical resources lists? My elevator pitch for why you should preserve your personal archive even if you're "boring" (especially if you're "boring")? Alternatively, my not-sober special interest rant on the same topic?
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listen i understand this is my fault for reading stranger things fanfiction in the first place but the amount of times i will see ppl put the most anachronistic shit in there is insane like on a short list of insane things i have seen in stranger things fanfiction
steve harrington using a keurig machine in the 80s
steve got a tattoo and the recommended aftercare was SECONDSKIN.... IN THE 80S
someone mentioned the ring. which came out in 2002.
the amount of fics where they will just be queer walking around holding hands in RURAL INDIANA. IN THE 80S. that shit does not even fly in 2023 in rural indiana.
someone talked about a character's dvd collection. in the 80s.
any singular time someone talks about modern queer identities and explains it to another character. what the fuck do you MEAN this person is a demiboy THAT WORD ISN'T A THING YET. they would call themselves queers and fags and dykes and maybe ftm/mtf or transsexual they aren't calling themselves nonbinary sapphics/achilleans or a nonbinary homoromantic asexual im going to cry it is the 1980s
mourning is weird when you know the person who died was disgusted by you but they didn't used to be and they formed huge swaths of who you are. I know I lost him years ago when I came out, but I still use the shitty wrench he loaned me and now I can't ever give it back. But also it's a relief because he'll never talk about the little girl I used to be.
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