so. anyone else thinking about this.

if i look back, i am lost

JVL

gracie abrams
we're not kids anymore.

#extradirty

Love Begins
trying on a metaphor
Keni


bliss lane
Today's Document

tannertan36
I'd rather be in outer space 🛸
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Cosimo Galluzzi
noise dept.
tumblr dot com
let's talk about Bridgerton tea, my ask is open
Sade Olutola
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@dxliriumoftheendless
so. anyone else thinking about this.

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"House Of The Dragon 3x05:Unbowed and Unbent"
Imagine a reach lord hating valyrians so much he glazes a dornish woman and refers to dornishmen as the in-group. Besides the child abuse and the war mongering and the religious fanaticism and the misogyny and the classism and the hostages and the murder and the public indecency and the occupation and the toxic work environment and the theft Ormund is literally so progressive. woke king. Vote Green No Matter Wheen
House of the Dragon 3.04 / GQ / The Seventh Veil (1945)
That being said even accounting for taste it is really funny to hear so many people complain about a fire and blood characterization being butchered and the characterization in question is like a teenage girl described as being really pretty and feminine in some kind of outfit sitting in a room doing nothing for years. Not great television that
Making Rhaenyra #kindofnonbinary is worth a thousand fire and blood realm’s delights and one.
I have been thinking of this post and the fandom’s obsession with “the Realm’s Delight”, and the more I do the more I think this title was meant to illustrate the way women and girls are treated and perceived by society, not be an integral part of Rhaenyra's identity. But the audience romanticizes it, and they complain that the show "misrepresented" this aspect of her characterization.
The "Realm's Delight" is a title she was given when she was a cute little girl and not yet officially the heir to the throne, similar to how girls in the real world get nicknamed "princess" for being cheerful and agreeable (as kids usually are).
At the center of the merriment, cherished and adored by all, was Princess Rhaenyra, the little girl the court singers soon dubbed the Realm’s Delight. Though only six when her father came to the Iron Throne, Rhaenyra was a precocious child, bright and bold and beautiful as only one of dragon’s blood can be beautiful.
But the "Realm's Delight" is not a title that honors the way Rhaenyra is, but rather what others think of her. Emma D'Arcy already put this into words in a season 1 interview:
"She is a person who feels at odds with the way that she is read by the world — even this label the Realm's Delight, which implies a passivity, being an object of people's ogling," they say. Emma D’Arcy, for Entertainment Weekly
She is only the Realm's Delight as long as others decide that she is; is not a title that she can take ownership of by herself, but rather, that owns her. And I think this is something that many women can relate to; once we start growing up, the endearing terms of our childhoods start to turn into constraints: "why aren't you my little princess anymore?". We aren't so cute and delightful once we start to try to take control of our actions... and our appearance.
From season 1, people have complained that Rhaenyra's costumes are not befitting of the Realm's Delight. Instead of dressing opulently, in the show her clothes are less luxurious and feminine (while looking for the exact quote, it turns out it doesn't actually come from the book... but from a description GRRM sent to Amok for a Rhaenyra drawing. I wanted to delete this whole damn post)
She always dressed richly, favoring purple and maroon velvets and golden Myrish lace in intricate patterns. Her bodice often glittered with pearls and diamonds, and there were always rings on her fingers. Good Queen Alysanne and Rhaenyra, GRRM
I do get where people are coming from with “this woman is described as both very feminine and powerful/competent, yet the adaptation made her less feminine, is it because they don’t think competency and femininity can coexist?”. But, come on, is not like this kind of female character is a rarity in media, or ASOIAF (Daenerys) or even the show (like, is that not Alicent, Rhaenys and Jeyne Arryn?).
Not only that, GRRM already wrote a woman who has a conflict with femininity and is still feminine; Cersei, the main POV character of a whole book. The show is not robbing women of anything with kind-of-enby Rhaenyra.
And it seems to me a bit in bad faith to say that making Rhaenyra hate being a woman is sexist per se; I think the show has made it clear the hate does not come from the misogyny within herself, but the misogyny that has been inflicted on her time and time again throughout her whole life. Take how she rejected motherhood in her youth; she didn't see mothers as less, she saw how little society cared for them (which ended up causing the death of her own mother). Almost everything she has suffered has been because of being a woman. She is sick and tired!
Pivoting back to Rhaenyra not really having a say in being or not the Realm's Delight, she actually grew up to lose the title, and, as many women, found out that what lies beyond "princess" is "witch".
There had been a time when she had been well loved by highborn and commons alike, when they had cheered her as the Realm’s Delight. Many a young lord and noble knight had sought her favor then … though how many would still fight for her, now that she was a woman wed, her body aged and thickened by six childbirths, was a question none could answer.
The girl that they once cheered as the Realm’s Delight had grown into a grasping and vindictive woman, men said, a queen as cruel as any king before her. One wit named Rhaenyra “King Maegor with teats,” and for a hundred years thereafter “Maegor’s Teats” was a common curse amongst kingslanders.
(Yes, I am aware that the people were rightfully angry because of the taxes, but I think her being a woman further fueled the vitriol against her. To compare her to Maegor?)
To finally wrap this long post up, I fear I really am confused to see fellow women act as if we never get feminine strong women. And because we do get them in this very show, I struggle to see why they should add another one instead of exploring Rhaenyra's conflict with womanhood, which I have found very compelling.

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aemond putting on his eyepatch and putting his hair up before going outside and defending alys is soooo …. like yes girl put the facade back on so even though you know you’re about to kill these men you’re still like no one but alys can see me as slightly vulnerable for even a second …. wow
Helaena and Jaehaera Targaryen in House Of The Dragon season 3
Couple goals if I’m being honest
HOUSE OF THE DRAGON | Season 3, Episode 5, "Unbowed and Unbent"
COLETRIOTS WE ARE UP
Cast out by the narrative the path of righteousness leads to nowhere because you walked off the road a long time ago and you are already dead and then ground down by war into pointlessness to the barest archetype a soldier fighting to die for no cause and then an outline a tool a violent act and then not even that anymore a heart that has resolved to stop itself unremembered in the mud and☝️they will sing no songs of it
sorry literally it’s so epic that Westeros’ greatest warrior is a man who came from nothing and attained great glory by the sword only to be completely and fundamentally broken by the war he wanted and caused to the point where he isn’t human isn’t a banner and is just a memory of an archetype in history. A broken man fighting to die. a feast for the crows

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miscellaneous sculptures by Ruben Raven imitating filet crochet
An Archive of Our Own, a project of the Organization for Transformative Works
This is the Valyrian dialogue from episode 305 of House of the Dragon. TON of stuff. Amazing scene with Daemon and Rhaenyra. Loved it.
If I spent months suffering criston cole I'd look like that too
Gwayne’s little speech was not a genuine offer btw, he was pretty clearly bullshitting Criston to try to talk him out of what they both know is a suicide mission. He’s freaking the fuck out and taking the information Criston gave him last episode (Criston’s father lost everything when the lord they served lost favor) to try to offer a solution (I am highborn and I will make sure you have a place, see? No need to kill us both). There was a stilted tone and a grimace when Gwayne said “A knight of your…stature would be….most welcome” and Criston caught it immediately because he’s lived in king’s landing for 20 years and besides the fact that he knows goddamn well when someone’s trying to talk him down because this isn’t even the first time a Hightower tried to talk him down from killing himself, what exactly did living get him then? What would it get him now, a few more months of life being a guard dog at the whims of a different jackass? To Ormund, who Gwayne has just told him is a miserable cunt? No, he’s delayed his death for long enough and he will not be choosing a clean death, and it can’t be an easy one — those are too easily avoidable. No one will be coming to take the blade from his throat this time, he will make sure of it.
bye I paused the episode and wrote this whole thing out only for Criston to just say that himself in the episode a couple of minutes later I coulda just let him finish
the start of arya no good very bad road trip
tbh I don’t know how to color this but this was my best attempt

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say what you want about the queen of the damned film but at least lestat made good music there
what this fandom needs
more f/f
What fandom, you ask? All of them. There’s not enough in any fandom.