unable to identify
Sade Olutola
Cosmic Funnies
Not today Justin
KIROKAZE
I'd rather be in outer space 🛸

shark vs the universe

art blog(derogatory)
2025 on Tumblr: Trends That Defined the Year
d e v o n

Origami Around
PUT YOUR BEARD IN MY MOUTH
Show & Tell

pixel skylines

bliss lane
Noah Kahan
Monterey Bay Aquarium
untitled
seen from United States

seen from United States
seen from Germany
seen from United States
seen from Malaysia
seen from United States
seen from United States

seen from United States
seen from United States

seen from Malaysia
seen from Israel

seen from United States

seen from United Kingdom

seen from South Africa
seen from United States

seen from United States
seen from Singapore
seen from Iraq

seen from United States
seen from United States
@dsylexia
unable to identify

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
euston mon amour
Weronika Dudka
Imogen Cunningham’s early symbolist work (1910–12)
Jonas Lindstroem
Mustafah Abdulaziz The Purifying Ganges

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
A ruined castle on a loch by moonlight, 1837, J. M. Dacre. 19th Century.
King Mouselet And Prince Youth - The Bold Dwarfs´Adventures Illustrated by Artuš Scheiner
Renato Tomassi (Italian, 1884-1972), Posing, 1918. Oil on canvas, 92 x 61 cm.
via vertigo1871
Operation Eclipse - Spectrum of Totally Eclipsed Sun’, taken by an unknown photographer in the Royal Canadian Air Force, 9 July 1945.
Jean Cocteau In Bed

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Pepper Tree #123, 2013 - Kaoru Mansour
Audiences outside academia clearly understand the benefits of collective listening. If public lectures did not draw sizable crowds, then museums, universities, bookstores, and community centers would have abandoned them long ago. The public knows that, far from being outdated, lectures can be rousing, profound, and even fun. The attack on lectures ultimately participates in neoliberalism’s desire to restructure our lives in the image of just-in-time logistics. We must be able to cancel anything at the last minute in our desperate hustle to be employable to anyone who might ask. An economic model that chops up and parcels out every moment of our lives inevitably resists the requirement to convene regularly. Critics frequently complain that lectures’ fixity makes it difficult for students to work. We should throw this argument back at those who make it: the need for students to work makes it hard for them to attend lectures. Work, not learning, is the burden that should be eradicated. Education is not an errand to be wedged between Uber shifts; it represents a long-term commitment that requires support from society at large. This support is thinning; eroding the legitimacy of lecturing makes it thinner still.
Miya Tokumitsu, “In Defense of the Lecture” (via wesleyhill)
67.F2 1967
Martin Barre

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Lorenzo Viani (Italian, 1882 – 1936)
Paris (Man, Woman, Bent), N/D
Oil on plywood, 69,5 x 89,5 cm
Version of the Theotokos of Vladimir, ca. 1405